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Which is better.
The Iliad
The Oddysey
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poisonpill
Nov 8, 2009

The only way to get huge fast is to insult a passing witch and hope she curses you with Beast-strength.


All Great Lit must include one exceeding long boring section thst weirdo fans can defend to the death

It’s like the part in Ulysses that reverts back to Old English, or the catalogue of Stuff from Vanity Fair, or the entirety of Middlemarch

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Shogi
Nov 23, 2004

distant Pohjola
The Oddysey is way more fun obviously. But the iliad is cooler if only for the humanity and warmth its antagonists are allowed - Hector is going to end up mutilated and eaten by dogs yet he’s shown comforting his infant son after his armour scares him, he’s shown being afraid and uncertain and putting on a brave face. It’s brutal and the contrast with the coldly compiled PYF ships lists and glory porn is where the magic lies

poisonpill
Nov 8, 2009

The only way to get huge fast is to insult a passing witch and hope she curses you with Beast-strength.


Shogi posted:

The Oddysey is way more fun obviously. But the iliad is cooler if only for the humanity and warmth its antagonists are allowed - Hector is going to end up mutilated and eaten by dogs yet he’s shown comforting his infant son after his armour scares him, he’s shown being afraid and uncertain and putting on a brave face. It’s brutal and the contrast with the coldly compiled PYF ships lists and glory porn is where the magic lies

This, exactly. It's not afraid to face the horror and brutality of war at the same time that it, on the surface, glamorizes and celebrates the brave heroic feats. The family fuckup Paris and Hector are the best , and it's incredible that the dynamic traverses 3,000 years to hit so hard.

Major Isoor
Mar 23, 2011

Shogi posted:

The Oddysey is way more fun obviously. But the iliad is cooler if only for the humanity and warmth its antagonists are allowed - Hector is going to end up mutilated and eaten by dogs yet he’s shown comforting his infant son after his armour scares him, he’s shown being afraid and uncertain and putting on a brave face. It’s brutal and the contrast with the coldly compiled PYF ships lists and glory porn is where the magic lies

poisonpill posted:

This, exactly. It's not afraid to face the horror and brutality of war at the same time that it, on the surface, glamorizes and celebrates the brave heroic feats. The family fuckup Paris and Hector are the best , and it's incredible that the dynamic traverses 3,000 years to hit so hard.

Yeah, exactly! Well posted IMO, Shogi. Also to be honest, I found the dry PYF style lists of ships and individual soldiers' family trees to be kind of humorous as well, in a way. :D
Imagining like, the original Greeks narrating the story back in the day, rattling off a list of a hundred ship names or listing a dozen names back to when X ancestor conceived a child with Zeus. (Who was in the form of a deer or something, at the time) Just casually slotted into the middle of describing a battle of the ages, haha

Foreskin Problems
Nov 4, 2012

It's doing fine, actually.
Is there a preferred translation for someone who's never read either work?

Arrhythmia
Jul 22, 2011

Foreskin Problems posted:

Is there a preferred translation for someone who's never read either work?

My high school English teacher very sternly told us to read Fagles' translation. No clue why though lol

skasion
Feb 13, 2012

Why don't you perform zazen, facing a wall?

Foreskin Problems posted:

Is there a preferred translation for someone who's never read either work?

There’s lots of translations of both so its a bit of a question of opinion. I’m gonna stick to the Iliad because I have stronger feelings about it and this post is already long

Lattimore was the standard mid-20th century version though I think he’s probably considered outmoded these days. He tries to be fairly literal and metrical, and the result is often kind of stilted. Fitzgerald’s translation came next, some of his vocabulary choices are odd and it’s blank verse which some people hate but I like this one. Fagles is still more recent and the one I read in school: looser translation, more poetic aspirations.

Alexander Pope’s version is great and an etext is easily obtained legally for free, which is not true of more recent versions. but by the same token it’s very, very of its time (early 18th century) so names are hosed with (ie Jove for Zeus, Greeks for Achaians), lot of somewhat weird words and syntax, and it’s all in rhyming couplets (works better than you might think). Still a great work of historic literature in its own right. If you’re into poetry of that period you’ll probably love it

Comparison of openings:

Lattimore posted:

Sing, goddess, the anger of Peleus' son Achilles
and its devastation, which put pains thousand-fold upon the Achaians,
hurled in their multitudes to the house of Hades strong souls
of heroes, but gave their bodies to be the delicate feasting
of dogs, of all birds, and the will of Zeus was accomplished
since that time when first there stood in division of conflict
Atreus’ son the lord of men and brilliant Achilleus.

Fitzgerald posted:

Anger be now your song, immortal one,
Akhilleus' anger, doomed and ruinous,
that caused the Akhaians loss on bitter loss
and crowded brave souls into the undergloom,
leaving so many dead men—carrion
for dogs and birds; and the will of Zeus was done.
Begin it when the two men first contending
broke with one another— the Lord Marshal
Agamémnon, Atreus’ son, and Prince Akhilleus.

Fagles posted:

Rage—Goddess, sing the rage of Peleus’ son Achilles,
murderous, doomed, that cost the Achaeans countless losses,
hurling down to the House of Death so many sturdy souls,
great fighters’ souls, but made their bodies carrion,
feasts for the dogs and birds,
and the will of Zeus was moving toward its end.
Begin, Muse, when the two first broke and clashed,
Agamemnon lord of men and brilliant Achilles.

Pope posted:

Achilles’ wrath, to Greece the direful spring
Of woes unnumber’d, heavenly goddess, sing!
That wrath which hurl’d to Pluto’s gloomy reign
The souls of mighty chiefs untimely slain;
Whose limbs unburied on the naked shore,
Devouring dogs and hungry vultures tore.
Since great Achilles and Atrides strove,
Such was the sovereign doom, and such the will of Jove!

distortion park
Apr 25, 2011


Foreskin Problems posted:

Is there a preferred translation for someone who's never read either work?

There was a lot of buzz for Emily Wilson's translation of the Odyssey when it came out

skasion
Feb 13, 2012

Why don't you perform zazen, facing a wall?

distortion park posted:

There was a lot of buzz for Emily Wilson's translation of the Odyssey when it came out

She has an Iliad coming out this fall. Her Odyssey is pretty readable but some lines, particularly in dialogue, absolutely sent me. Like she renders the first line of Odysseus’ speech to the suitors right before he starts shooting them as “playtime’s over”.

Fruits of the sea
Dec 1, 2010

Hey that's a really cool comparison of translations, thanks.

I like the Pope excerpt a lot but I might have trouble taking it seriously if he keeps the couplets rolling for the entire book. Think my school book was also Fagle but it's in a box somewhere.

DOPE FIEND KILLA G
Jun 4, 2011

aeneid bitch

skasion
Feb 13, 2012

Why don't you perform zazen, facing a wall?

Pshh get that fan fiction outta here

im kidding the Aeneid rules. The touch of Aeneas returning to the waking world through the gate of ivory is one of the all time defining moments of literature

distortion park
Apr 25, 2011


Lattimores opening line is so much better than the rest, whatever their other merits

skasion
Feb 13, 2012

Why don't you perform zazen, facing a wall?

distortion park posted:

Lattimores opening line is so much better than the rest, whatever their other merits

Lattimore doesn’t always hit the mark as far as like, reading for entertainment goes. But he’s not trying to produce the Iliad as literary work, but as a scholarly text which will help you comprehend the original, and in service of that goal he sometimes comes up with a really sick line. He also (relatedly) has the best introduction to his translation, which ends with a short and refreshingly non-self-promotional explanation of what he is going for with it.

https://press.uchicago.edu/Misc/Chicago/9780226470498_Lattimore_intro.pdf

Jellyko
Mar 3, 2010

Fruits of the sea posted:

Hey that's a really cool comparison of translations, thanks.

I like the Pope excerpt a lot but I might have trouble taking it seriously if he keeps the couplets rolling for the entire book. Think my school book was also Fagle but it's in a box somewhere.

I've only read Pope's rendering, it's heroic couplets start to finish. Honestly I enjoyed it -- the rhythm moves it right along, and made it easy for me to think of the epic as an oral instead of literary work. But it's a thing in and of itself, very much POPE'S Iliad

Bilirubin
Feb 16, 2014

The sanctioned action is to CHUG


I gotta reread these, its been way too long

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Arrhythmia
Jul 22, 2011

skasion posted:

Pshh get that fan fiction outta here

im kidding the Aeneid rules. The touch of Aeneas returning to the waking world through the gate of ivory is one of the all time defining moments of literature

I always fondly think of Lacoön pointing out that this horse is probably a loving trap and immediately getting demolished by sea monsters and everyone going "uh i guess this horse is cool"

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