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Volvagia posted:Here's a question I feel dumb for asking since I have done it in the past, but for some reason I forgot how I managed it: How do you export a single instrument's MIDI data from reason? I solo the instrument, select all info in its lane, but I still end up exporting ALL midi data from the entire file after clicking export. What DAW are you using?
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Jan 27, 2011 18:29
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Chitin posted:What DAW are you using? I'm going to assume Reason.
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Jan 27, 2011 18:30
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I'm trying to export from reason to Ableton.
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Jan 28, 2011 06:01
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Peanut Wagon posted:Does anyone know how to make that synth pattern used in both Crystal Castles "Baptism" and Justin Timberlakes "My Love"? Im curious and have been looking around but cant find anything. sounds like someone just got some "analog strings" type detuned supersaw sound and sequenced some super lush chords with it, and put that through some trance warehouse reverb pelswick fucked around with this message at 13:46 on Jan 28, 2011 |
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Jan 28, 2011 13:44
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hooptyjr posted:For some reason every drum pattern I program in Reason sounds "dead". I can't get any soul infused in these drums no matter how hard I try. Any tips on how to make programmed drums sound more "organic"? This is a bit of a late response, and it only works in some situations, but I've sometimes had great success using the ReGroove mixer on a particularly dull beat. Redrum's pattern sequencer has 16 rigid steps whereas when you're writing a pattern in the main song editor you can be much more precise if you're trying to add a lot of swing and "live"-ness. Here's a brief explanation: Take a pattern in Redrum, right click on the Redrum, pick "Copy Pattern to Track", then disable pattern select on the Redrum sequencer (you probably know this part at least) Then open the ReGroove mixer in the Song Editor, pick a pattern in Channel A1, and tweak the slide/shuffle settings to your liking. Then - and this isn't very obvious, but whatever, it took me months to get it - in the pulldown menu next to your Redrum channel (the one in between to the big red record button and the Lane Mute button) pick your pattern. Instant swing. Also, what that other guy said was right - the Kong Drum machine (I think he kept calling it a Korg? lol) is way more bangin' than Redrum when it comes to default settings alone, so you can maybe start with a pattern you like and then put the notes on Kong drums instead.
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Jan 28, 2011 22:18
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Has anyone used the Izotope Stutter edit? http://www.izotope.com/products/audio/stutteredit/
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Jan 29, 2011 06:02
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Volvagia posted:Here's a question I feel dumb for asking since I have done it in the past, but for some reason I forgot how I managed it: How do you export a single instrument's MIDI data from reason? I solo the instrument, select all info in its lane, but I still end up exporting ALL midi data from the entire file after clicking export. I'm pretty sure there isn't actually a way to do this (I don't want to call you a liar... but I dream plenty of cool poo poo about DAWs). Back in the day (when I had motivation...) I exported all of my Reason MIDI to Live and ran into the same thing. It's really not a problem though; I mean if you use the Arrange page in Live your full Reason arrangement copies right over so it's just a matter of arranging your tracks 'properly' in Reason, and putting External Instruments on your new tracks in Live, that correspond to the right device in Reason.
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Jan 29, 2011 10:26
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^^^ Yeah, maybe I did dream it ahaha...but I remember it so clearly! Thanks for the reply though, you're right it's not too big a deal to deal with all the MIDI at once, just annoying.
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Jan 31, 2011 17:49
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edit: Nevermind.
Tostito fucked around with this message at 03:53 on Feb 2, 2011 |
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Feb 1, 2011 23:58
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I released my first electronic album a bit back and never really got around to posting it in this thread. Here's the link: http://soundcloud.com/aerobic/sets/reasonable-1/ Any feedback is much appreciated!
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Feb 2, 2011 23:35
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Warp/Bleep have released a new set of headphones - does anyone have an opinion on these? http://bleep.com/index.php?page=dynamic&module=TMA1
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Feb 3, 2011 10:44
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glitchkrieg posted:Warp/Bleep have released a new set of headphones - does anyone have an opinion on these? http://bleep.com/index.php?page=dynamic&module=TMA1 http://twitter.com/flyinglotus/status/32826353032101889
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Feb 4, 2011 06:19
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Always be skeptical of the quality of stylish products made by a company that doesn't normally manufacture that kind of product. For not much more than they are asking for those you can get BeyerDynamic DT770s, Ultrasone Pro-650s, AKG K271s or some other ridiculously high quality piece of equipment.
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Feb 5, 2011 01:43
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 YET ANOTHER CLUB TRACK (in progress) Not fully mixed yet but I'm mostly done with the arrangement. Check it out!
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Feb 9, 2011 07:04
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Jesus christ I'm having a hell of a time transferring arturia softsynth licenses to a new dongle, since the old one was destroyed. I hate this. gently caress dongles, I get that piracy is a problem but don't punish your legit customers AND make them waste a USB port like this arturia.
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Feb 10, 2011 18:37
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I hate dongle poo poo, especially on a laptop where I've only got like two USB ports anyway. Plus it's more poo poo to lose and have to deal with.
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Feb 12, 2011 10:27
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New pre-final track up at http://soundcloud.com/wayfu/wayfinder-arisen-jupiter A collab with a local friend, it's already quite old but it never got finished (still isn't but he put it up so I'm figuring why the hell not). All feedback welcome!
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Feb 12, 2011 13:36
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Something I've started to experiment with has been using a new kind of production method in the style of Wolfgang Gartner. Here's a video showing what I mean. https://www.youtube.com/watch?v=A2XpyNYB11U I'm still working on building something decent with it. Anyone have any advise for using this technique?
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Feb 12, 2011 22:16
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http://soundcloud.com/jordangoodwin123/winter-storm-2/s-snaGm Still rough, no real mixing/mastering. Still putting a few touches on the programming, lemme know what you think!
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Feb 13, 2011 17:59
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hooptyjr posted:http://soundcloud.com/jordangoodwin123/winter-storm-2/s-snaGm You could use some variation in the volume of the hat ticks in the section between 1:00 and 1:30. They sound really flat. Digging up some old stuff - this is one of my projects from an electronic music course for non-majors, back from summer 2001: http://soundcloud.com/stephen-tyndall/solarscape Making this thing brought me and the amen break closer together.
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Feb 13, 2011 18:56
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a foolish pianist posted:You could use some variation in the volume of the hat ticks in the section between 1:00 and 1:30. They sound really flat. Thanks for the tip, I laid this whole thing down in like 9 hours last night, definitely got burned out on listening to it to notice stuff like that. Volvagia posted:Jesus christ I'm having a hell of a time transferring arturia softsynth licenses to a new dongle, since the old one was destroyed. I hate this. gently caress dongles, I get that piracy is a problem but don't punish your legit customers AND make them waste a USB port like this arturia. gently caress dongles. At least you can take the Reason/Record dongle out after you've opened the program, and you just need to plug it in to save. Still annoying, but at least you have the option of just logging in with your propellerhead credentials if you don't have the dongle or are too baked to want to get up and get it.
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Feb 13, 2011 19:34
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Man oh man. I can't re-register my Prophet V. This sucks, I used that synth for everything. You can't even open support tickets on the Arturia site without having a synth registered.
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Feb 13, 2011 20:24
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x
arbybaconator fucked around with this message at 23:02 on Nov 8, 2011 |
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Feb 14, 2011 15:37
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 New Track!
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Feb 14, 2011 18:03
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So I made a thing
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Feb 14, 2011 23:57
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cowboy
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mezzir posted:
Very nice. Is that your own synth bass?
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Feb 15, 2011 01:14
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Vector 7 posted:Something I've started to experiment with has been using a new kind of production method in the style of Wolfgang Gartner. Here's a video showing what I mean. The most important thing about that real popular gartner sound is to keep all your samples in key, that's the reason why they're jiving together rather than sounding like noise. Try this, create a synth line and bounce it up and down a scale and tweak the filter, envelopes and LFO settings like a mad man. After you have done this for a while, recording the sounds, create another(different) synth and play the exact same line while tweaking more parameters. Do it again and again till you have a little "library" of these sounds to call upon. When arranging, put the "glitch" clips on ever 1/4th and/or 1/8th bar and play around with it till it sounds nice. Oh, and don't forget when your composing the line to go up and down octaves.
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Feb 15, 2011 03:43
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Sevyplates posted:The most important thing about that real popular gartner sound is to keep all your samples in key, that's the reason why they're jiving together rather than sounding like noise.
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Feb 15, 2011 09:35
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I've been wondering about how to create a particular 'wobble', I suppose. I would call it more of a 'telephone ringing' sound than a wobble, though. I hear it all the time in Mass Effect (goonsire) and recently I've caught its brief use in a few dubstep/brostep/etc tunes. Here's an example: @3:10 in Forgot About Breaks I have some idea of how it's done (square wave LFOs?) but can't seem to get the 'rhythm' or the harmonics right - it always just sounds like a really generic ringer. This can be accomplished with Massive, no? EDIT: I guess this should be in the 'Recreate a Particular Sound' thread. Oops. Mister Speaker fucked around with this message at 21:26 on Feb 15, 2011 |
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Feb 15, 2011 21:11
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Got my prophet back, made this out of a vybz kartel acapella in celebration.
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Feb 17, 2011 20:43
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Cross posting this from No Music Discussion where it go zero interest, maybe a few of you guys will be more interested. A friend of mine is during a musical diary, basically he has challenged himself to write at least 2 minutes of music a day. He writes experimental electronic music with influences from ambient, jungle, drone, folk and others. The aim of the experiment is not to generate a month of masterpieces but to reflect his moods and emotions over the month and generate a load of material he can come back to me. All the tracks are here: http://skink.bandcamp.com/album/six-hundred-and-seventy-two-jerk He's keeping a blog about it here: http://blahskinkblah.tumblr.com/ I think he'd really appreciate some feedback if anyone would like to give some of it a listen. Thread in No Music Discussion here: http://forums.somethingawful.com/showthread.php?threadid=3389561
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Feb 18, 2011 14:43
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I haven't eaten anything today, I've had untold amount of coffee and I just sampled Mass Effect 2 for this Drum&Bass track. It turned out pretty brutal. Now, food.
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Feb 20, 2011 18:19
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http://soundcloud.com/simon_nelson/simon-nelson-trinity Some grimey new progressive/electro I've been tweaking/playtesting recently... no subtlety whatsoever 
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Feb 20, 2011 21:23
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Meatsplosion posted:http://soundcloud.com/simon_nelson/simon-nelson-trinity I really liked this one. Considered sidechaining the kick for extra pump? I think it could fit well.
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Feb 20, 2011 22:13
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Friction posted:I really liked this one. yeah there's some sidechain in there but I've kept it pretty subtle thus far... I was thinking about automating the depth/attack/decay a bit as the track progresses, maybe I'll give it a shot
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Feb 21, 2011 00:04
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Just put out a tiny little demotape, take a listen! http://hvzel.bandcamp.com/
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Feb 21, 2011 00:50
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 One of my sample folders has been on a Aesop Rock album of instrumentals+acapellas for a while now, and now every track I end up writing ends up an Aesop track. Kinda okay with this.
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Feb 21, 2011 02:00
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James K. Polk posted:Just put out a tiny little demotape, take a listen! Excellent synths and I loving LOVE the horns/saw on the first track... I want to know how to make those. The second track reminds me a LOT of some tack off of Chrono Trigger or something, I can't quite remember. Good stuff, I wanna hear more.
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Feb 21, 2011 08:53
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Gibberish posted:Excellent synths and I loving LOVE the horns/saw on the first track... I want to know how to make those. All the synth sounds on that track were just barely-modified presets from the old Native Instruments Pro-53 plugin, plus some delay and mid-heavy EQ-ing. Hope that helps!
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Feb 21, 2011 17:17
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http://soundcloud.com/deftek-1/deftek-its-over-now Some new deep, minimal dnb I've been working on. It's not fully finished yet, the breakdown is a little weak, but I'd appreciate your thoughts!
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Feb 21, 2011 19:05
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