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toplitzin posted:Who wants a listening room in their house, when you can have a separate LISTENING BARN? Funny story: I have the exact laptop that this guy uses, and for-fun did an audio analysis of it's soundcard, with a view to help someone else pick up a machine for some recording from a 3.5mm source. It's actually really, really good and I'm now worried I accidentally bought some audiophile equipment. As for the barn, I can't imagine what percentage of his income this is for someone who "works in retail". Its truly on another level of insanity.
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# ? Apr 28, 2013 18:19 |
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# ? May 16, 2024 18:07 |
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Being on the board of Walmart is "works in retail", right?
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# ? Apr 28, 2013 18:22 |
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He's terminated those ridiculously expensive cables with the cheapest Neutrik FC Series SpeakOn connectors they make. It also looks like the speakers themselves use the bog standard plastic SpeakOn sockets, rather than the nicer and more durable metal ones. Frankly I'm surprised they haven't tried to push the use of something that apparently sounds better, like Amphenol EP series or even just banana plugs. I know of a theatre in the south of the UK that actually ABX tested all sorts of speaker connections and had their entire cabinet range changed to EP series as it sounded more 'transparent' than the others. Nevermind that their whole install was on 50 metre runs of cable.
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# ? Apr 28, 2013 18:49 |
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Ron Burgundy posted:In my opinion, in many ways Bose and Apple Computer are quite similar....The build quality is acceptable, but with a little know-how you could find something better for the price. This was a loooong time ago, but I remember reading a piece where the non-insane writer disassembled a Bose Wave Radio (possibly the Acoustimass stuff too, can't remember) and he couldn't believe how cheap and low quality the materials were. He said it was about what you would expect to see in a $100 Aiwa boombox.
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# ? Apr 28, 2013 19:14 |
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Ron Burgundy posted:Being on the board of Walmart is "works in retail", right? Sure, and that's how you'd describe that job
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# ? Apr 28, 2013 19:17 |
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Blistex posted:He has the same acoustic tiles that are on the wall in the raised parts of the ceiling (you can see them in the first picture). Naturally the rug and the furniture will help, and I think the giant shelves of vinyl will make a difference as well (CD cases might even be ok). The room also has interesting geometry to it (I'm looking at the angles, juts, and those weird columns built into the walls to the left and right of the chair), and I would not be surprised if he had an expert design it to give him better results without having to sacrifice sound quality too much. Then again he's also the kind of guy that would probably have mentioned it if an expert did plan the room to have better acoustics. He mentions Auralex treatments which are pretty inexpensive and don't measure very well as far as absorbing anything in the bass region. So he's using some very minor diffusion in a couple spots, almost no treatments with absorbing properties. I know what professionally designed rooms look like that sound and measure well, and they look like studios.
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# ? Apr 28, 2013 20:13 |
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I'm going to sneak into this guy's barn in the middle of the night, and gradually replace his expensive "audiopile grade" equipment with cheap look-alikes and see if he notices. I'm going to start by replacing those risers with these: http://www.horizonhobby.com/product...CFYcDOgod3yEARg
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# ? Apr 28, 2013 20:31 |
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Khablam posted:Funny story: I have the exact laptop that this guy uses, and for-fun did an audio analysis of it's soundcard, with a view to help someone else pick up a machine for some recording from a 3.5mm source. It's actually really, really good and I'm now worried I accidentally bought some audiophile equipment. I found most laptops made after 2009 actually have really nice analog audio out, no problem using my Latitudes analog out into my headset and speaker amp plus most laptops have 24-bit TOSLINK outputs (which is somewhat useful when using the Windows volume control. I can't speak for the inputs though but I'd imagine they are generally good, I've had no problem with Skype at least. My ~Asus~ motherboards built-in is so noisy from ground loops it's useless (same setup as the laptop except the desktop has maybe 60 dB SNR), potentially it's poor design or my internal wiring isn't optimized but I don't care so I use an external optical DAC (Fiio E-something) which for $30 is excellent.
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# ? Apr 28, 2013 21:19 |
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toplitzin posted:He did Oh, missed that. I was pretty sure a guy that puts over 1/2 a million into audio equipment at least has the brains to get the room set up properly. Edit: Link the the build process of the room: http://www.positive-feedback.com/Issue16/lavigneroom.htm Blistex fucked around with this message at 00:50 on Apr 29, 2013 |
# ? Apr 29, 2013 00:48 |
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qirex posted:Audioholics did a review of the Pioneer Andrew Jones speakers and they only listed "con" in the summary is As someone who owns them, I can confirm that my cheap speakers do not look or feel like expensive speakers. Strange how that works out.
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# ? Apr 29, 2013 01:12 |
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Endless Mike posted:As someone who owns them, I can confirm that my cheap speakers do not look or feel like expensive speakers. Strange how that works out. Yeah, but what about your "pride of ownership factor"? Completely unrelated to that, how do they sound?
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# ? Apr 29, 2013 08:00 |
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KozmoNaut posted:Yeah, but what about your "pride of ownership factor"?
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# ? Apr 29, 2013 12:26 |
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Endless Mike posted:I'm no audiophile, but I like them quite a bit. I think I need to get my receiver better set up, though, since speaking parts of TV and movies seem to be a lot quieter than pretty much everything else, which is annoying. Is it a 5.1 system with a center channel? If so, you need to boost the center channel, your receiver should have an option for it. I find that most movies have way too quiet center channels compared to everything else, when played back at a normal volume level. When played back at cinema sound levels, it's fine, but that's not very popular with neighbors. Give it a healthy 6-12dB boost and I bet everything will sound a lot more balanced. If it's a stereo setup, try and see if your receiver can boost the center channel before downmixing to stereo.
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# ? Apr 29, 2013 13:03 |
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KozmoNaut posted:Is it a 5.1 system with a center channel? It's an Onkyo TX-NR515 7.2 receiver running a (currently) 3.1 setup. I've played with the setting some, but I think it may be per input, so I have to look into it more. I'm new to this whole home theater thing.
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# ? Apr 29, 2013 14:41 |
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I'm running a 2 channel system and had the exact same problem because the default output of my PS3 I use as a media centre was 5.1 so I disabled that to force it to use just stereo and it fixed everything. Oh and to keep us on topic... Audiophile optical cable yeah... Laser Cow fucked around with this message at 14:11 on Apr 30, 2013 |
# ? Apr 30, 2013 13:57 |
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KillHour posted:Those speaker cables. Over four decades of engineering research and expertise from some of the brightest minds in audio today went into the design of the Evolution Acoustics interconnects, speaker cables and power cords. Each cable model undergoes years of testing and research before ever reaching the market 4 decades of copper cable development? Evolution Acoustics CEO: "We need to develop a new model of speaker cables, the Sales Dept. has reported that the old model has stagnated in sales!" Elite Audio Engineering Dept.: "Sure boss, it'll be ready in 2+ years. We've got our best people working on it." Evolution Acoustics CEO: "2+ years?" Elite Audio Engineering Dept.: "We also have to test the cable properly. That's at least 8 months!" Evolution Acoustics CEO: "Excellent! Keep up the good work!" I halfheartedly tried to find the price of some Evolution Acoustics speaker cables and I found it under reviews: Evolution Acoustics' DRSC speaker cables ($5000/pair) For that price they really should be pre-burned in for at least 1000 hours?
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# ? Apr 30, 2013 16:29 |
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something_clever posted:pre-burned in This is the part that really gets me. You're going to charge thousands of dollars for these things but you can't be bothered to ship them out at their best, instead requiring the customer to do the last bit of work for you? I mean, yes, I know burn-in is a trick to get people to either get used to their lovely new product or at least wait out the return period, but you'd think these people would be less transparent about it. Though I suppose they don't have to be with audiophiles.
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# ? Apr 30, 2013 20:41 |
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something_clever posted:For that price they really should be pre-burned in for at least 1000 hours?
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# ? May 1, 2013 01:28 |
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What's Fleetwood Mac, is it a test track on side b somewhere? (People with 1000 hour cables don't own anything else)
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# ? May 1, 2013 12:44 |
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Lazlo Nibble posted:If they got burned in with the wrong music it could make your Peter Green Fleetwood Mac records sound like Buckingham/Nicks Fleetwood Mac records. poo poo! I'm going to need three sets of cables when listening to Van Halen and four for Pink Floyd. This really is an expensive hobby.
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# ? May 1, 2013 13:57 |
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something_clever posted:Over four decades of engineering research and expertise from some of the brightest minds in audio today went into the design of the Evolution Acoustics interconnects, speaker cables and power cords. Each cable model undergoes years of testing and research before ever reaching the market In fairness it takes that long for legal+marketing to get together to ensure their sales material doesn't violate any laws when literally everything they claim is a demonstrable falsehood. Or, you know, it doesn't and it's just part of the above
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# ? May 1, 2013 16:41 |
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I was on hometheatershack.com the other day which has a good DIY community on there who build some good stuff. I noticed a sponsored ad on the front page for Take 5 Audio, your Canadian DIY headquarters" "Sweet!" I thought. Finally somewhere like Parts Express for Canada. So I browse the site. Its all overpriced speakon connectors and "custom interconnects" which they will burn in for you for a fee. They have some machine that they use to burn in speaker wire and interconnects for you, at $40 a pop. I've got a spare car battery in the shop. I'm going to go feed my 30' Monoprice HDMI cable 700 cold hard cranking amps. I need to take the colouration it introduces out of the digital stream. Reference calibrated video here we go !
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# ? May 1, 2013 17:47 |
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jonathan posted:I was on hometheatershack.com the other day which has a good DIY community on there who build some good stuff. They also charge a ton for shipping. I ordered 10 feet of cable and a couple connectors, which would fit into a small padded envelope, and it ended up being $20 for the stuff and $28 in shipping to BC. If you're looking for a partsexpress for Canada, try Digikey. Newark, and Mouser. Expensive shipping, but loads of stuff to pick from.
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# ? May 1, 2013 23:02 |
Have audiophiles given a justification for why they still use unbalanced connections between components? You'd think if they're so concerned with audio quality they'd use one of the most universally agreed-upon techniques for cutting out noise.
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# ? May 2, 2013 00:38 |
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Socket Ryanist posted:Have audiophiles given a justification for why they still use unbalanced connections between components? You'd think if they're so concerned with audio quality they'd use one of the most universally agreed-upon techniques for cutting out noise. No one has sold it to them yet, telling them how it lets the mids breathe. This sounds sardonic, but is literally the reason. The other problem is that if you're selling a balanced cable, it needs to actually be such. You can't just wrap it up in mid-grey tubing and talk about its wonderful features that don't exist. i.e. they would need to spend some amount of money or effort on producing it. If you're reading this as "it's harder to scam that way" then you're getting my intent. fake e: though I'm sure a lot of the super-expensive cables mention balancing, but usually in about 100 words, acting like each potential benefit is a completely different technology. fake e2: I really loving hate everything about this industry. MAKE LITERALLY LYING ABOUT YOUR loving HOSEPIPE-SHELL ON A KETTLE CABLE ILLEGAL THE gently caress. real edit: If you mean standard phono connectors 3.5mm/6.35mm etc, then I think they are by design anyway? Khablam fucked around with this message at 01:36 on May 2, 2013 |
# ? May 2, 2013 01:34 |
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Khablam posted:real edit: If you mean standard phono connectors 3.5mm/6.35mm etc, then I think they are by design anyway? I assume he means connector standards with a dedicated ground, like XLR. It's a little surprising they don't insist on that as a minimum standard so they can argue about ground loop hum and whatnot, actually. Or maybe that's too tangible for them, and they'd rather discuss the sound color or how the mids are tannic with a tobacco finish or whatever.
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# ? May 2, 2013 01:50 |
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Wild EEPROM posted:They also charge a ton for shipping. I ordered 10 feet of cable and a couple connectors, which would fit into a small padded envelope, and it ended up being $20 for the stuff and $28 in shipping to BC. Are you decent with navigating those sites ? I'm in need of some binding posts. The threaded kind where you drill a 1/4" hole and then tap the binding post in with a hammer, and then secure it with a nut. Problem is, they all seem to be too short from most websites. My speaker baffler is 1 1/2" thick which means it needs to be longer, like 2" or so. Basically I need these: http://www.parts-express.com/pe/showdetl.cfm?partnumber=091-1245 but long.
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# ? May 2, 2013 01:54 |
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toplitzin posted:Who wants a listening room in their house, when you can have a separate LISTENING BARN? Oh hey, it's Mike Lavigne's barn. I actually met him at RMAF two years ago. Really nice guy. He manages a Honda dealership. It would take some digging to find them again, but I know I've seen measurements of his room, and at the time it measured extremely well. Looking at the current photos, it looks like he's made a number of changes. The room used to have a lot more fabric, which appears to have been replaced with more wood. There was a lot of interesting discussion on AVSForum when he had the room constructed. He felt like the room basically required extremely large speakers. A good number of people felt that this indicated that the room was "bad." There has also been a lot of criticism of the room designer, Rives Audio, which apparently has a reputation for using a "one-size fits all" approach to room acoustics.
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# ? May 2, 2013 07:31 |
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TheMadMilkman posted:Oh hey, it's Mike Lavigne's barn. I actually met him at RMAF two years ago. Really nice guy. He manages a Honda dealership. There's actually a more detailed article on the rooms build and whatnot linked at the bottom of the page toplitzin posted: http://www.positive-feedback.com/Issue16/lavigneroom.htm
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# ? May 2, 2013 09:12 |
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TheMadMilkman posted:Oh hey, it's Mike Lavigne's barn. I actually met him at RMAF two years ago. Really nice guy. He manages a Honda dealership. Was your impression that he was insane, or just gullible?
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# ? May 2, 2013 13:55 |
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KillHour posted:Was your impression that he was insane, or just gullible? I'm going to guess rich.
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# ? May 2, 2013 17:03 |
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Actually removing the ground loops would make it so cables don't matter, now the super hi-fi cables with the µOhm shield impedance might drop that hum a few dB! Plus there would need to be a balanced to unbalanced converter in there, usually a transformer (which is BAD) or a transistor stage (which is BAD). I have seen some audiophile amplifiers that had balanced inputs and used a fully balanced signal path, basically a bridged amplifier with differential inputs, but that's basically an active ground driver, which IIRC has a tendency to double distortion. Would be interesting to make a reference grade amplifier using the new type of fully balanced opamps (dual outputs), not sure if that would accomplish anything useful though.
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# ? May 2, 2013 17:55 |
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Still relevant 50 years later. https://www.youtube.com/watch?v=7huNxJ3pXUE
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# ? May 2, 2013 19:31 |
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I have a personal little blog where I post about the various audio projects I've worked on (mostly restoring vintage pieces), but I did a review of an aftermarket turntable mat which is bordering on audiophile snakeoil. My conclusions after a blind trial were that there was no difference at all versus the standard rubber mat that came with the turntable (no real surprise there). Anyway, it's the most "controversial" post I've done and seems to have struck a chord with the maker of the mats himself, as well as another dude who decided to write a book on the subject in my comments area. I took a little jab at him by mentioning +$100/foot speaker wire, but it went right over his head as he said "$100/foot is not a bad price for decent speaker wire" Anyway, while risking an obvious shameful promotion of my own blog, it might be a funny read to some of you here: http://iamthejeff.com/post/4/herbies-way-excellent-ii-turntable-mat#comments Like most ridiculous audiophiles, he completely dismisses blind trials as any sort of objective measure of "quality", and insists that prolonged listening sessions are the only way to determine the true difference between gear.
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# ? May 13, 2013 19:43 |
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Oh wow, it's like he's deliberately hitting every single audiophile cliché. Working in the industry (yeah right), his wife exclaiming that he must have gotten a new turntable because the music sounds so much better (totally shitthatdidnthappen), dismissing double-blind tests, claiming that high-end speaker cables and interconnects are only for true high-end systems and that the plebes with the low-fi or mid-fi wouldn't even be able to appreciate a REAL hi-fi system anyway. And of course heavily promoting a product that makes no difference at all to the sound quality. It's the perfect storm.
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# ? May 13, 2013 20:50 |
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I really love this default avatar.
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# ? May 13, 2013 20:54 |
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KozmoNaut posted:Yeah, but what about your "pride of ownership factor"? I also own them, and they're well built for the 87 dollars each I paid for them. Not sure what anyone expects for 87 dollars these days. I'm very happy with them, I've noticed more problems with my source material than the speakers themselves.
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# ? May 13, 2013 21:08 |
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KozmoNaut posted:Oh wow, it's like he's deliberately hitting every single audiophile cliché. Don't forget the stupid audiophile buzzwords: quote:"coherent/visceral soundstage" The best bit though was the following from his second comment/essay (Which you mentioned): quote:if you can hear a difference, then there is a difference and blind tests will bear that out. If you cannot hear any difference, then there is no point in blind testing. Claiming "placebo effect" and such, though certainly having some degree of validity in many scenarios, is often used just as a tool for skeptics and naysayers to perpetuate their arguments. That is basically audiophile reasoning summed up in two sentences.
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# ? May 14, 2013 13:07 |
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BANME.sh posted:I have a personal little blog where I post about the various audio projects I've worked on (mostly restoring vintage pieces), but I did a review of an aftermarket turntable mat which is bordering on audiophile snakeoil. My conclusions after a blind trial were that there was no difference at all versus the standard rubber mat that came with the turntable (no real surprise there). Anyway, it's the most "controversial" post I've done and seems to have struck a chord with the maker of the mats himself, as well as another dude who decided to write a book on the subject in my comments area. I've followed your blog just to poo poo on this guy where he pops up.
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# ? May 19, 2013 20:46 |
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# ? May 16, 2024 18:07 |
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$8800 seems like a reasonable price point for a networked media player. http://www.ayonaudio.com/products/cd-player-dac/network-player/ayon-s-3.html
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# ? May 27, 2013 18:31 |