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lol nexus 10 go home youre drunk
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Nov 5, 2013 22:00
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pagancow posted:Kindle Fire HDX has a better display than iPad Air i demand my Apps to have the widest color gamuts i will not stand for inaccurate angry star war bird colors!!!!
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Nov 5, 2013 23:33
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i am Verry Annoyed at apple. my facebook is not the rights hade of blue
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Nov 5, 2013 23:34
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pagancow posted:Kindle Fire HDX has a better display than iPad Air what are the axises on that graph represent.
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Nov 5, 2013 23:36
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not coVERING ENOUGH GREEN YOU WILL EGRET THIS
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Nov 5, 2013 23:39
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echinopsis posted:what are the axises on that graph represent. color components
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Nov 5, 2013 23:43
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are video editing shortcut keyboards any good
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Nov 6, 2013 01:52
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Cubemario posted:are video editing shortcut keyboards any good no
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Nov 6, 2013 01:53
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i mean they're not bad but the shortcuts are very easy to learn and also you should set your own because the defaults are terrible if you buy a keyboard you have to stick with the defaults or suffer only reason to get one is if you're an old who cant learn keyboard stuff easily but if you grew up playiong videogames and stuff then it's trivial also first thing you should do in any NLE is move whatever functions the arrow keys perform in that NLE to the WASD
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Nov 6, 2013 01:54
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thanks for the info i visited an old guys studio and he had one of those, which i had never seen before. now i know they're useless for me, since i've played many a bideojame
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Nov 6, 2013 01:59
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yeah my boss has one. it suits his needs. but he had to learn to use NLEs after online editing on giant tape consoles it's kinda weird. i'm 10x faster than him as far as getting around an NLE but he still keeps up productivity somehow.
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Nov 6, 2013 02:03
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the guy i visited was also using VLC as his media player of choice. i explained to him the folly and that video isnt supposed to stutter on playback and introduced him to MPC-H instead, he was much happier preachin' the good gospel of YVCPOS
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Nov 6, 2013 02:08
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you didn't make fun of him for using windows?
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Nov 6, 2013 02:12
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there are so many problems with the way he runs his business on the production and post-production end that the OS is the least of his problems using crappy tinny speakers (no headphones either) to monitor his audio multi-monitor setup, and the monitor's are ASUS and not even IPS bought a NEXFS700 and doesn't know how to make much use of it, and didnt know what bit rate he was using (it was 22,000kb/s he's a nice guy though and he can probably hook me up with some opportunities with the connections he has, so i'm not being a dick and telling him how he's doing everything wrong
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Nov 6, 2013 02:19
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is he just an editor? most editors are kinda clueless about the technical side (and it's fine). if he's actually delivering with that setup then yeah that's pretty crazy
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Nov 6, 2013 02:23
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he's been in the business since 2001, i don't know the full situation of his business. i think he's a bit under-staffed at the moment, and he's the CEO. he seems to do a bit of everything, including a lot of video editing. it's shocking to learn he's been at it that long and he and his staff are making a lot of amateur mistakes. you'd think being in it that long, you'd have things pretty refined by that point. so yeah, he's actually delivering with that setup. i'm afraid to find out how he encodes the final product to his clients 
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Nov 6, 2013 02:29
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Also 'pro' video story of the day: Back in college, the post house that was working on some Discovery show asked if we could grab some pickup shots for them because they forgot. We used some canon HDV camera we had at the time (lol 2008), grabbed the footage, wrote all over the tape and box and envelope 'HDV with 24p 2:3 pulldown' *3 weeks later*  yeah you sent us a blank tape we shot it, I verified it about 3 times No, you sent us a blank tape. We put it in our Panasonic HVX200's, there was nothing. Put it in our Sony DV decks, only timecode. That's an HDV tape champ. DV decks can't read them. Panasonic cameras can't read HDV, note the lack of HDV logo anywhere on the camera. Fedex me back the tapes and I'll get you some ProRes files. Don't worry, we'll figure it out *spends $2000 to have another facility put the footage onto a D5 tape*
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Nov 6, 2013 02:36
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yep, 2000s broadcast before the budgets started to get squeezed
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Nov 6, 2013 04:55
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Notorious b.s.d. posted:i didn't know that srgb and rec.709 were the same srgb and rec.709 are identical in terms of color space but not necessarily electro-optical transfer function (or gamma or whatever you want to call it) srgbs eotf doesnt use a normal power law curve like 2.2 gamma  this is supposed to be like a CRT, higher gamma near white, almost linear near black on the other hand rec.709 doesnt even have a defined eotf in the spec thats what happens when you make your hdtv standard in 1990 i guess they thought whatever we would use today would behave like CRTs so a lot of people just use 2.2, 2.35, 2.4 or whatever there is also bt.1886 which defines an eotf for rec.709 (21 years later)  bt.1886 is like srgb only with overall higher gamma values but not many people use it a lot of people just use 2.2 for both srgb and rec.709 so yeah they can be identical sorry for wasting your time
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Nov 6, 2013 11:14
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that explains why all the colorists manuals say to monitor around 2.4 Part of the spec says "encode 2.2, view 2.4 in dark settings" nobody views 2.4 lol
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Nov 6, 2013 14:43
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2.4 lol what's the best way to colour balance in after effects or is that something that i should be doing in premiere?
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Nov 6, 2013 15:02
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Premiere Pro isn't color managed at all so I wouldn't be doing anything color critical in Premiere without an external monitor you can calibrate via some SDI link. Now, you _can_ cheat by profiling your monitor, and creating a "my monitor profile inversed to rec.709" LUT with a program like DispcalGUI and then apply an adjustment layer on top with the LUT loaded in Premiere Pro CC. You will view correct colors/gamma etc in the color space you are going to HOWEVER you will need to remember to REMOVE the adjustment layer for final render. This all assumes you have access to a working colorimeter and access to software that can generate V2 ICC profiles (V4 aren't supported in DispcalGUI yet) Just use after effects, the program is color managed and will read the .icc profile you generated for your monitor. pagancow fucked around with this message at 15:39 on Nov 6, 2013 |
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Nov 6, 2013 15:36
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i learned there's such a thing as a variable frame rate, with parameters for it that you can set why would anyone use this 
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Nov 6, 2013 21:04
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Cubemario posted:i learned there's such a thing as a variable frame rate, with parameters for it that you can set idk animes?
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Nov 6, 2013 21:16
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Cubemario posted:i learned there's such a thing as a variable frame rate, with parameters for it that you can set one weird trick for encoding video. everyone hates him!
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Nov 6, 2013 21:17
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Cubemario posted:i learned there's such a thing as a variable frame rate, with parameters for it that you can set Also there are tons of TV shows that were recorded on film and displayed on video with 3:2 pulldown but have certain sequences where they were sped up to 29.97 or where effects/transitions were done at 29.97 Assepoester fucked around with this message at 21:59 on Nov 6, 2013 |
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Nov 6, 2013 21:57
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Cubemario posted:i learned there's such a thing as a variable frame rate, with parameters for it that you can set i think voyager/tng/ds9 dvds have to be carefully picked apart since its a mix of film and video and poo poo so they get vfr'd if someone is doin dirt like encoding them also top gear is 25 in the studio, 50 in everything else V F R
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Nov 6, 2013 22:05
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just deinterlace everything probelm solved 
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Nov 6, 2013 22:07
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doin dark business must retain temporal resolution
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Nov 6, 2013 22:07
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Cubemario posted:i learned there's such a thing as a variable frame rate, with parameters for it that you can set Anroid (lol!!!) cell phones can't maintain a constant framerate, so to save space they do VFR Nvidia is doing this with their Recording software that competes with fraps. Makes video+audio sync impossible in all NLEs because nobody does VFR unironically. happauge capture cards do this becuase lol.
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Nov 6, 2013 23:38
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http://nautil.us/blog/the-math-trick-behind-mp3s-jpegs-and-homer-simpsons-face
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Nov 7, 2013 03:18
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Suspicious Dish posted:http://nautil.us/blog/the-math-trick-behind-mp3s-jpegs-and-homer-simpsons-face i wish this article were compressed into a readable format
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Nov 7, 2013 03:20
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pagancow posted:Premiere Pro isn't color managed at all so I wouldn't be doing anything color critical in Premiere without an external monitor you can calibrate via some SDI link. i figured as much, know some good resources for learning proper colour correction? i can do it with photos fine but when i get into after effects i have no idea what effects to use
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Nov 7, 2013 03:34
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Moist von Lipwig posted:i figured as much, know some good resources for learning proper colour correction? i can do it with photos fine but when i get into after effects i have no idea what effects to use i used this book when i was learning: http://www.amazon.com/gp/product/0321713117/ref=oh_details_o04_s00_i00?ie=UTF8&psc=1 it's pretty good. i'm sure there are some tutorials online but the actual process is pretty simple. you just need to understand the concepts, which is what the book is for. i don't know much about color management because i always correct through an external monitor. after effects strikes me as being really cumbersome to correct in but i'm not sure what your options are for color managed NLEs/Color Correction suites. oh, the RGB parade is the best scope.
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Nov 7, 2013 04:13
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Suspicious Dish posted:http://nautil.us/blog/the-math-trick-behind-mp3s-jpegs-and-homer-simpsons-face one simple math trick discovered by a single mom to compress homer simpson's face korean animators hate her!
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Nov 7, 2013 06:18
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~Coxy posted:one simple math trick discovered by a single mom to compress homer simpson's face
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Nov 7, 2013 11:30
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i wish the current writers would fourier transform a good simpsons episode so they could figure out how to write a funny one!!!
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Nov 7, 2013 11:32
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the most interesting thing about fourier transforms is that they are essentially equivalent to epicycles
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Nov 7, 2013 11:44
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Malcolm XML posted:the most interesting thing about fourier transforms is that they are essentially equivalent to epicycles wow, fourier transforms must be really uninteresting then
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Nov 7, 2013 11:49
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Wheany posted:wow, fourier transforms must be really uninteresting then dont sign youre posts!!!
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Nov 7, 2013 11:54
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