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Say I want to make a portrait double exposure from a person sitting in the open with my ME Super and 400 iso film. I'd set the iso dial on 800, get an exposure reading from the sky, recompose for the portrait and set the speed according to the previous reading. Then I arm the shutter again and shoot a texture or whatever. Is that correct ? e: I should add that I'm looking at the silhouette outline filled with an organic texture effect unpacked robinhood fucked around with this message at 19:32 on May 9, 2015 |
# ? May 9, 2015 19:22 |
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# ? Jun 1, 2024 06:40 |
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365 Nog Hogger posted:I think that's a good thing here. I think the blue tinge is a good thing overall but it's definitely out-of-place on the rocks to the right, IMO. It immediately jumped out as "unfinished".
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# ? May 9, 2015 20:20 |
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Don't get a reading from the sky, that will make it darker when you want to be close to blowing it out. It's probably best to use a spot meter so that you can properly place your exposures or fine tune the process, but If I had only one reading to go off of I'd meter the person and then stop down 1 or 2.
TheLastManStanding fucked around with this message at 20:24 on May 9, 2015 |
# ? May 9, 2015 20:22 |
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So I've had good luck with the color kit but ran into one snag, with 120 film using the stiring rod of my tank it seems to cause the film to get chewed up. is their any trick to using the stiring rod or should i just use inversions instead?
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# ? May 9, 2015 21:30 |
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I put together a video that isn't screeching chalkboards to the ears on color correcting dat negative. At least slightly less. https://www.youtube.com/watch?v=YAKDivhiVIQ
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# ? May 9, 2015 23:05 |
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burn the heretic
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# ? May 9, 2015 23:51 |
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Pukestain Pal posted:I put together a video that isn't screeching chalkboards to the ears on color correcting dat negative. At least slightly less. Awesome, I can't wait to watch it
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# ? May 10, 2015 00:20 |
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tear by Phillip Chicola, on Flickr
Tony Two Bapes fucked around with this message at 03:41 on May 10, 2015 |
# ? May 10, 2015 00:27 |
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Ezekiel_980 posted:So I've had good luck with the color kit but ran into one snag, with 120 film using the stiring rod of my tank it seems to cause the film to get chewed up. is their any trick to using the stiring rod or should i just use inversions instead? Wind the film deeper into the developing reel. The end strip of film is coming loose because of the water resistance when you spin it. Same thing happened to me. Also try to be less vigorous.
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# ? May 10, 2015 00:30 |
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Ezekiel_980 posted:So I've had good luck with the color kit but ran into one snag, with 120 film using the stiring rod of my tank it seems to cause the film to get chewed up. is their any trick to using the stiring rod or should i just use inversions instead? I just do the inversions, and then pop the up a little bit of the lip of the tank after an inversion set to release any gas from the blix.
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# ? May 10, 2015 02:06 |
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ansel autisms posted:(from low-effort) Fence by Rohan Bassett, on Flickr On a related note, I'm not sure I'll bother with Portra 160 again. I'm not sure if it's due to my XA overexposing (this was the first roll through, but the roll of HP5 came out alright), or if it just doesn't have the same latitude as Portra 400, but I've been having a lot of trouble getting the colours right.
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# ? May 10, 2015 03:05 |
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rohan posted:I did it by hand. I do like the effect, but I think you're right in saying the rocks look off and unfinished. I've gone back and adjusted the curves to get more accurate colours in the rocks -- how does this look? Take the colour sampler in Photoshop and sample the area you're trying to correct, if there is a disproportionate amount of one channel then you need to adjust accordingly. Your rocks are currently very blue.
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# ? May 10, 2015 05:57 |
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rohan posted:I did it by hand. I do like the effect, but I think you're right in saying the rocks look off and unfinished. I've gone back and adjusted the curves to get more accurate colours in the rocks -- how does this look? For comparison I like the sky like that so I masked and adjusted just the rocks.
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# ? May 10, 2015 06:05 |
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So I think I need to take more pictures. I had a dream about film developing (I hosed it up too -- I opened the canisters in the light and couldn't tell why my photos wouldn't show up.) I'm broken and dream me is stupid.
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# ? May 10, 2015 19:13 |
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what's the official dorkroom stance on Velvia 50?
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# ? May 13, 2015 19:23 |
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Pukestain Pal posted:what's the official dorkroom stance on Velvia 50? I won't speak for Dorkroom, but it sure does make for purdy colors. It pretty sensitive to overexposure and doesn't have much DR. It also makes white people look weird(er).
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# ? May 13, 2015 19:36 |
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Is there anything that's like Superia in terms of saturation and tone but doesn't make white skin turn orange?
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# ? May 13, 2015 19:44 |
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nm posted:I won't speak for Dorkroom, but it sure does make for purdy colors. It pretty sensitive to overexposure and doesn't have much DR. It also makes white people look weird(er). I won't be around any white people, so that works.
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# ? May 13, 2015 19:51 |
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nm posted:I won't speak for Dorkroom, but it sure does make for purdy colors. It pretty sensitive to overexposure and doesn't have much DR. It also makes white people look weird(er). It makes people look weird because it's a landscape film, not a portrait film. relevant: http://www.theguardian.com/artanddesign/2013/jan/25/racism-colour-photography-exhibition
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# ? May 13, 2015 21:50 |
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ansel autisms posted:It makes people look weird because it's a landscape film, not a portrait film. cool, I'll get a box since I'll be in landscape land
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# ? May 13, 2015 22:00 |
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ansel autisms posted:It makes people look weird because it's a landscape film, not a portrait film. *shoots landscapes with a portrait film*
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# ? May 13, 2015 22:02 |
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BANME.sh posted:*shoots landscapes with a portrait film* Hail Portra 400. Hail Satan.
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# ? May 13, 2015 22:05 |
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Pukestain Pal posted:Hail Portra 400.
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# ? May 13, 2015 22:58 |
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# ? May 15, 2015 00:27 |
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Danggggg
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# ? May 15, 2015 01:30 |
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whoa
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# ? May 15, 2015 01:49 |
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Yusss
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# ? May 15, 2015 02:53 |
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# ? May 15, 2015 03:07 |
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Gat drat
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# ? May 15, 2015 15:24 |
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Hi Hospital by Devin Wilson, on Flickr
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# ? May 18, 2015 06:55 |
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Those colours. If it stops raining I'm going to have to break out some Ektar too I think.
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# ? May 18, 2015 07:12 |
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auger by Phillip Chicola, on Flickr chasm by Phillip Chicola, on Flickr
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# ? May 20, 2015 02:23 |
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Got some slide film back from the shop, now I'm upset that all the ektachrome i'll ever shoot is probably in my freezer and is my lifetime supply. Tim-6x7-101.jpg by Shrieking Muppet, on Flickr
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# ? May 20, 2015 02:40 |
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# ? May 21, 2015 02:46 |
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_DSC8357 by Maciej, on Flickr
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# ? May 21, 2015 09:54 |
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R3 Monobath developer. anyone here have experience with this? http://shop.new55.net/collections/frontpage/products/r3-monobath-developer and while i wait for it to be released in europe, i'm considering buying http://www.macodirect.de/chemistry-blackwhite-film-developer-compard-compard-shot-500ml-p-1185.html to do all the rolls that's stacked up in my fridge. looks to be a rodinal formulation, thus easy as gently caress to use. am i wrong here?
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# ? May 21, 2015 11:19 |
Frobbe posted:R3 Monobath developer. anyone here have experience with this? Yes that's plain R09, the original Rodinal formulation without the trademark. Just get a syringe for measuring it out.
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# ? May 21, 2015 13:11 |
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Anyone know what would cause this sort of banding? It's 120mm T-Max 400 expired by 10-15 years, so it's not surprising. Really just wondering how banding that specific could happen. Christopher by spike mccue, on Flickr
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# ? May 24, 2015 18:29 |
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Awkward Davies posted:Anyone know what would cause this sort of banding? It's 120mm T-Max 400 expired by 10-15 years, so it's not surprising. Really just wondering how banding that specific could happen. That looks like it got x-rayed at some point.
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# ? May 24, 2015 20:26 |
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# ? Jun 1, 2024 06:40 |
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Hello Dorkroom! It's been a long time. I just developed my first rolls of film ever. Overall it was pretty fun and I'm looking forward to doing it some more. Any idea what the odd marks along the edge of the film are? Some frames have them, other don't (but most do). Each is a little different. My random guesses are: - light leak in camera - improper agitation - improper handling during loading onto the development reel - maybe I didn't mix the chemicals (to be honest I just poured dev/fixer and the water, didn't really stir...) What are your thoughts?
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# ? May 24, 2015 20:44 |