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Mel Mudkiper posted:That is the Donner theme I read that as "Spiderman" for some reason and I was actually thinking about/humming the 60's cartoon song (which in context doesn't even make sense) I likely need more sleep
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# ? Mar 28, 2016 22:53 |
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# ? Jun 7, 2024 23:58 |
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The Dark Knight theme is a steady "brrrrrrrrrrrrr" sound and the Man of Steel theme is a cat slowly sneaking up on a mouse on a piano. And the Avengers didn't have any music at all now that you mention it. Or did it? I also can't remember the X-Men theme and I've seen all of them several times. But drat did the soundtracks for Guardians, Watchmen, Deadpool, and Tom Jane Punisher own.
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# ? Mar 28, 2016 22:54 |
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Snowglobe of Doom posted:Hey I did a big post in CD... a slippery slope before you know it you'll be reading SMG posts and nodding in agreement as your mind turns to madness
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# ? Mar 28, 2016 22:56 |
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A GLISTENING HODOR posted:And the Avengers didn't have any music at all now that you mention it. Or did it? https://www.youtube.com/watch?v=8VGJGXMUhmc Really the only recent big budget Hollywood film I remember the theme to without trying is Pacific Rim because that theme was loving sick.
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# ? Mar 28, 2016 22:56 |
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Avengers should have ran with their 90s theme https://www.youtube.com/watch?v=E3x12BpqcHY
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# ? Mar 28, 2016 22:58 |
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Dun dunanana nuuuu 9-11 https://www.youtube.com/watch?v=l4u-HLm8maE&t=1397s
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# ? Mar 28, 2016 23:00 |
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Mel Mudkiper posted:https://www.youtube.com/watch?v=8VGJGXMUhmc uh... Pirates of the Carribean I guess? but yeah there has been a real dearth of memorable themes recently e: oh and Skyfall LGD fucked around with this message at 23:09 on Mar 28, 2016 |
# ? Mar 28, 2016 23:03 |
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Lasher posted:Dun dunanana nuuuu 9-11 I've never seen him so loving happy.
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# ? Mar 28, 2016 23:07 |
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FizFashizzle posted:Honestly I'll take MoS over Returns any day of the week. man of steel is more boring and also lacks any scenes comparable to the ones i listed. like i said the worst insult to man of steel is it makes returns look good. the john williams superman theme is so good because you definitely feel like yeah gently caress yeah this is superman. the snyder poo poo doesn't evoke that same feeling. Groovelord Neato fucked around with this message at 23:16 on Mar 28, 2016 |
# ? Mar 28, 2016 23:14 |
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Wonder Woman's theme in BvS is just Brothers in Arms from Fury Road. To be fair though, if I was a superhero that's what I'd want my theme to be.
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# ? Mar 28, 2016 23:15 |
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gently caress I forgot how good everything about this was I loved this poo poo as a kid https://www.youtube.com/watch?v=DadH3KjHZws This has more style and personality than anything in BvS
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# ? Mar 28, 2016 23:17 |
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Mel Mudkiper posted:https://www.youtube.com/watch?v=8VGJGXMUhmc Wow. I didn't recognize a single note of that until the halfway mark with the big horns. And yes, Pacific Rim score loving owned. So did Fury Road and Pirates. Fury Road may be my favorite action music, and Pirates may be the best adventure music since Star Wars and Raiders of the Lost Ark.
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# ? Mar 28, 2016 23:19 |
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Mel Mudkiper posted:gently caress I forgot how good everything about this was Goddam I forgot how good these were
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# ? Mar 28, 2016 23:25 |
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Snowglobe of Doom posted:Yeah that was pretty much my exact reaction. I honestly think it's less that marvel serves up it's villain's defeats and deaths as good or right, and more that there are issues with having that darker take on heroes in a Superman movie is not appropriate. Superman is immensely powerful, but underneath that he's supposed to be an average man trying to do good in the world. Frankly he's powerful enough that unless you make him significantly weaker in your portrayal, or only use him to fight other kryptonians/darkseid, he can just brute force most problems you might present him with if he were inclined. The essential nature of the fantasy is that Superman is the man that always does the right thing, that he'll use his powers to resolve problems the right way. So when you construct a scenario that forces Superman to kill, you're destroying the core of his character. And while there are places to deconstruct or attempt to question that tenet, it almost certainly isn't in a longform shared continuity movie headlined by Superman. Because at the very least hewing close to the archetype will allow other people to work with your portrayal of the hero more easily, if you want to deconstruct superman over the course of multiple movies you hamstring the notion of a shared universe. Gatekeeper posted:I have heard Alan Moore's name before after season 1 of true detective, some homies said the showmaker stole that cool ending with the wormhole opening up before the fat retarded tried to kill mcconaughey, and that lil speech he gives about how the stars are bright and he misses his dead kiddo and he's not an edgy nihilist anymore. what Alan Moore thing is that from? I think the line is from Top 10. It's another meta-level take on the meaning and lives of superheroes, but unlike in Watchmen they actually have superpowers and now live in one big city. It's more of a traditional superhero story, but it's still kinda weird because Moore's pretty weird.
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# ? Mar 28, 2016 23:36 |
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# ? Mar 28, 2016 23:38 |
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LGD posted:It's almost like the wide range of portrayals he's had means the dichotomy you've presented is false I don't think any of that is necessary except for the fact that the character has to be appealing. Red Son is a success because Superman is portrayed as essentially monstrous, but he has convinced himself that he is still doing the right thing. That dichotomy and his character is at the heart of the story, and so you sympathize with him because it's a very human situation for him to be in. This allows the whole rest of the world to fall in place, because that essential element exists. Here, they give plenty of time to develop the characters' but not to actively make them likable. At least Superman saves people's lives in this one. Batman just murders guys.
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# ? Mar 28, 2016 23:40 |
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8-Bit Scholar posted:I don't think any of that is necessary except for the fact that the character has to be appealing. Red Son is a success because Superman is portrayed as essentially monstrous, but he has convinced himself that he is still doing the right thing. Red Son is an obscure cult comic, calling it a success is a stretch its also really bad
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# ? Mar 28, 2016 23:44 |
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They'll never top this
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# ? Mar 28, 2016 23:45 |
8-Bit Scholar posted:Well, in his long history in comic books Superman has basically played every conceivable role you could have him play, hero, villain, something in between. He's had somber and sad portrayals, cheery and cheesy ones, etc etc. No, Superman Returns was just a boring plodding piece of crap. Reeve's Superman was great because it was *funny*. Reeve brought physical comedy to Clark Kent and Supes ('they're pink. *blushes*'), Gene Hackman was a smug confident plan-explaining villain who was perfectly aware he was being that way and still went with it, Luthor's assistants were pitch perfect homages to the 40's mooks, etcetera. The whole thing knew it was silly, and that's why it was such a beloved movie. (It was so light and fun that Lois' death was actually disturbing, which most modern film makers have forgotten - to shock, people have to be lulled into a false sense of security, so making a movie lighter overall helps you make your point with horror later. Unrelenting bleakness makes more bleakness just headache-inducing.) The only modern superhero movie to have anything approaching same sensibility is Thor (*smashes mug*). Same character problem - overpowered boy scout in a cynical age. But, unlike Snyder, Thor's director understood and liked the character, so we got a serviceable movie out of it.
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# ? Mar 28, 2016 23:53 |
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8-Bit Scholar posted:I don't think any of that is necessary except for the fact that the character has to be appealing. Red Son is a success because Superman is portrayed as essentially monstrous, but he has convinced himself that he is still doing the right thing. That dichotomy and his character is at the heart of the story, and so you sympathize with him because it's a very human situation for him to be in. This allows the whole rest of the world to fall in place, because that essential element exists. Superman Red Son was actually one of the comics I was thinking about, but didn't mention explicitly because it's too easy to go down the "imaginary story"/cannon vs. non-cannon rabbit hole. But you'll note Red Son absolutely ticks the boxes I mentioned- that Superman is quite different from "normal" Superman but the story makes it very clear why he's behaving differently (and he shares enough traits with the "normal" Superman to feel like a version of the same character), and the story itself derives a lot of its appeal precisely because it's dichotomizing and commenting on the "normal" Superman/DC universe. It's a deliberate subversion of the typical expectations for the character, but it's a subversion that people accept because it is entirely conversant with what those expectations are, addresses them and in fact relies on them to function as a story. LGD fucked around with this message at 23:59 on Mar 28, 2016 |
# ? Mar 28, 2016 23:54 |
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I never thought I would see the day, someone would look to the Thor movie to find quality in film.
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# ? Mar 28, 2016 23:55 |
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I would have liked to see Bryan Singer do his version of Superman rather than make a love-letter to Donner's. I think that film's biggest failing was that it was an unflinching stylistic and narrative continuation of a style from a completely different era of film-making
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# ? Mar 28, 2016 23:55 |
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Tenzarin posted:I never thought I would see the day, someone would look to the Thor movie to find quality in film. Thor is a movie about gods who are space vikings that live in a magical cloud city at the end of a literal rainbow bridge interacting with modern humans (in a shared comic-book universe). The fact that the movies are even somewhat serviceable rather than totally risible on every level is a miracle and a testament to the hard work, talent and professionalism of everyone involved.
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# ? Mar 29, 2016 00:06 |
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I'm sorry, what? You put me into Odin-sleep.
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# ? Mar 29, 2016 00:12 |
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lmao if u like the billion dollar corporation mascot that is different than the billion dollar corporation mascot that i like. ur fuckin pathetic. ur fuckin dumb as gently caress. literal rear end in a top hat retard baby opinions u hold, forever and always. not like my cool ones which are mart.
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# ? Mar 29, 2016 00:20 |
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Lumpy the Cook posted:They'll never top this doritos, halo, and mountain dew. oh to be 14 and loving retarded again
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# ? Mar 29, 2016 00:27 |
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LGD posted:Superman Red Son was actually one of the comics I was thinking about, but didn't mention explicitly because it's too easy to go down the "imaginary story"/cannon vs. non-cannon rabbit hole. But you'll note Red Son absolutely ticks the boxes I mentioned- that Superman is quite different from "normal" Superman but the story makes it very clear why he's behaving differently (and he shares enough traits with the "normal" Superman to feel like a version of the same character), and the story itself derives a lot of its appeal precisely because it's dichotomizing and commenting on the "normal" Superman/DC universe. It's a deliberate subversion of the typical expectations for the character, but it's a subversion that people accept because it is entirely conversant with what those expectations are, addresses them and in fact relies on them to function as a story. I agree; I think we're talking past each other. I thought Superman was more or less fine for BvS; he does stupid poo poo 'cause of the script, but he's much more clearly a heroic figure than Batman is, and at least we see Supes doing heroic things like saving lives and whatever. It's all somber and dreary but it is there. The real issue is that they push the Superman is a God angle so hard, they forget to; or intentionally avoided; humanizing him.
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# ? Mar 29, 2016 00:27 |
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Mel Mudkiper posted:Man, I really want a Fleischer style Superman movie now
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# ? Mar 29, 2016 00:30 |
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achillesforever6 posted:Even thought the DCAU is cool as a whole, I kind of wish it was done in the style of early Batman TAS instead of by Justice League there were like 4 templates for each gender. Batman taking place in a sci-fi retro modern age was easily the best setting for him. Zepplins!
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# ? Mar 29, 2016 00:45 |
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8-Bit Scholar posted:Superman Returns was the Christopher Reeve love fest that people seem to want Man of Steel to be and it was a boring and plodding brick of a film. They went to the opposite extreme and people suddenly claim they always wanted it to be the way it just was that they didn't like. Oh gently caress off on that, Superman Returns makes Superman IV look like the best Goddamn superhero movie. Returns was boring as all gently caress, but not because "it was a love fest." It was boring as all gently caress because, well, it was tedious. Does Superman have to use his wits when dealing with a problem on a giant ball of kryptotine, that makes him weak? Nope, he just hulks up and does it because JESUSJESUSJESUSJESUSJESUSJESUSJESUSJESUSJESUSJESUSJESUSJESUSJESUSJESUSJESUSJESUS. Even Zack Snyder who must have used the word "God" at least 500 times wasn't as JESUSJESUS as that movie. Goddamn it was awful. LGD posted:Thor is a movie about gods who are space vikings that live in a magical cloud city at the end of a literal rainbow bridge interacting with modern humans (in a shared comic-book universe). Honestly the second one was kind of meh, but the first one was pretty great in the same way all those 80s movies that go "Oh poo poo, we don't have a budget to do the fantasy stuff all the time, let's set it in the real world!" movies were great, except it did that willingly instead of being forced into it. So yeah. Thor 1 was a pretty fun movie. Thor 2 is easily in the middle/lower Marvel movies for me. Iron Man 2 remains the one I hate the most though. Iron Man 2 is a loving mess and I am impressed it didn't bomb. Blazing Ownager fucked around with this message at 00:55 on Mar 29, 2016 |
# ? Mar 29, 2016 00:52 |
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Blazing Ownager posted:Oh gently caress off on that, Superman Returns makes Superman IV look like the best Goddamn superhero movie. I watched fifteen minutes of that movie with a girl and then we boned through the rest so I remember it being a very dull fifteen minutes
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# ? Mar 29, 2016 00:54 |
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Cheer up, we still have Ghostbusters to look forward to.
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# ? Mar 29, 2016 01:05 |
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Groovelord Neato posted:asia keeps awful movies afloat. http://www.youtube.com/watch?v=7olh2I0dN7w&t=4m44s
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# ? Mar 29, 2016 01:19 |
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Say Nothing posted:Cheer up, we still have Ghostbusters to look forward to. boy howdy
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# ? Mar 29, 2016 01:22 |
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I thought Superman Returns was great. I see now I was wrong.
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# ? Mar 29, 2016 01:28 |
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oldpainless posted:I thought Superman Returns was great. Most of the people who say they don't like that movie also like Man of Steel Think on that
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# ? Mar 29, 2016 01:30 |
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Mel Mudkiper posted:Most of the people who say they don't like that movie also like Man of Steel nah they hate them both, unlike Dredd which is clearly the best comic book adaptation ever made
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# ? Mar 29, 2016 01:36 |
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FizFashizzle posted:nah they hate them both, unlike Dredd which is clearly the best comic book adaptation ever made Ahem, I think you mean Persepolis *is that guy*
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# ? Mar 29, 2016 01:37 |
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FizFashizzle posted:nah they hate them both, unlike Dredd which is clearly the best comic book adaptation ever made Hellboy 2. I will literally fight you to the death with baseball bats over this.
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# ? Mar 29, 2016 02:02 |
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# ? Jun 7, 2024 23:58 |
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A GLISTENING HODOR posted:"The incredibly lovely Transformers movies were just as bad" isn't a solid foundation on which to build an argument that Man of Steel wasn't a toilet made of turds. The best part of Man Of Steel was General Zod. I enjoyed the bits of him on Krypton and the dream/vision sequence of him explaining the planet's demise and his survival to Superman.
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# ? Mar 29, 2016 02:05 |