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Nina posted:The timing of those fantastic Hirasawa pieces is kinda atrocious as good as the songs themselves are. Yeah, sadly. Direction issue like everything else though that.
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Oct 20, 2016 16:00
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Awesome Welles posted:It's funny that the only songs that are OK seem to be from the film trilogy Correct me if I'm wrong but wasn't Aria the only new Hirasawa song for the films?
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Oct 20, 2016 16:20
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Nina posted:Correct me if I'm wrong but wasn't Aria the only new Hirasawa song for the films? They mean for the general OST. Like you hear BLOOD AND GUTS AND BLOOD AND GUTS AND a couple of times.
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Oct 20, 2016 16:36
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Josuke Higashikata posted:Like you hear BLOOD AND GUTS AND BLOOD AND GUTS AND a couple of times. That and the song from when Guts fights Bazuso in the first movie, just with some added guitars  Also I think the best example of how poorly the music was utilized was when Griffith finally makes his (re)appearance and it's some metal stuff lol edit: I still feel the soundtrack from the films was good even if it's not as atmospheric as Hirasawa's was. Good soup! fucked around with this message at 17:25 on Oct 20, 2016 |
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Oct 20, 2016 17:18
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I can't stress just how awful that poo poo was with Griffith. I've said it a hundred times and it isn't enough. We know Ash Crow is going to play in the final episode. Ash Crow is ridiculously good. Griffith coming back to earth is ridiculously hype. You play Ash Crow when Griffith comes back for maximum hype, even in the abomination that is Berserk 2016 it would be great. You don't play Ash Crow when Nina talks about doing a runner with Joachim. You play literally anything else because gently caress Nina.
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Oct 20, 2016 17:38
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Skull Knight: There might be a way to cure Casca [POWER CHORDS] SK: If you take her to the Elfhelm of the Flowerstorm King [LOUDER POWER CHORDS] Guts: What, really? [EVEN LOUDER POWER CHORDS] SK: But what you want and what she wants might not be the same... [BLISTERING GUITAR SOLO]
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Oct 20, 2016 17:41
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Oh poo poo now I have to watch this poo poo to analyze how bad the music timing choices actually are... and I basically am the worst auditory learner/communicator. On the other hand, I seem to be well tuned to the areas of Berserk that are very psychological, depressive, revelatory, and subversive, so I can probably at least identify mismatched noise.
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Oct 20, 2016 23:28
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I'm going to posit that it isn't worth your time to deconstruct just how lovely something is, especially when it is something with so few redeeming qualities.
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Oct 20, 2016 23:44
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Dr Subterfuge posted:I'm going to posit that it isn't worth your time to deconstruct just how lovely something is, especially when it is something with so few redeeming qualities. We have a few months before the next page appears, apparently, so we should just pick a random chapter each week and tear it apart. 
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Oct 21, 2016 06:49
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i think that miura was full of loving poo poo when he said that he never heard of götz von berlichingen
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Oct 25, 2016 06:29
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Congratulations on having an opinion 
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Oct 25, 2016 13:06
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I think that Gottfried "Götz" von Berlichingen was full of loving poo poo when he said that he had never heard of Guts. So was Marcus Sergius.
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Oct 25, 2016 14:08
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Now I'm wanting for stories that at least one of these, dare I say it, "Iron Fist" guys actually backhanded anyone with their metal clanker. I mean, that's gotta be a few pounds of iron, and depending on how they treated captured soldiers it coulda been real-life levels of Berserk gore if either crushed the side of some captive's face. Recorded history is failing me right now.
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Oct 25, 2016 21:00
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Guts vs. Mozgus from Berserk Musou, god drat I wonder how bad the dudes on the 2016 anime staff feel about getting dunked on visually by a loving Dynasty Warriors spinoff https://www.youtube.com/watch?v=wTdnQxNewac
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Oct 26, 2016 17:06
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If the new adaptation had been the quality of those cutscenes... it would have been even more laughable.
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Oct 27, 2016 14:54
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The anime was bad, and those cutscenes are not bad for video games, but the difference in format and polygon limit to game characters + need for real time rendering means they are definitely not even at the level of the anime. But it's a game, so it works. Strangely enough game animators get paid way better than TV animators, even if they can do easier work.
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Oct 28, 2016 02:45
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Ccs posted:The anime was bad, and those cutscenes are not bad for video games, but the difference in format and polygon limit to game characters + need for real time rendering means they are definitely not even at the level of the anime. But it's a game, so it works.
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Oct 28, 2016 02:48
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WHO LIVES IN A VORTEX BENEATH THE ABYSS!?
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Oct 28, 2016 06:41
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Ccs posted:Strangely enough game animators get paid way better than TV animators, even if they can do easier work. How is game animation easier work? Like, games can get away with less polished and more limited animation, but it's not exactly "easy" to get animation that looks good from every angle and is able to transition seamlessly from dozens if not hundreds of animation cycles that are controlled by the player, which also means they need to be both snappy to make controlling the character feel natural and still have the proper physics of movement applied so it doesn't look unnatural. It's loving hard, which is why game animation can often appear so ugly and barebones, because the time and energy needed to get everything looking smooth and polished is an investment most game companies cannot afford.
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Oct 28, 2016 07:25
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Terrible Opinions posted:Only in Japan, and only because they have multinational corporations that have to pay their foreign employees a living wage. Anime studios have no such problem. True, but even in North America the profit margins for TV vs. games means game animators usually make at least $10,000 more per year than a TV animator, and have longer contracts. Game animation has its own set of challenges to be sure, but also you're doing a lot of things over and over again like walks, runs, jumps, attacks, entrances, etc. Compare that with a multi-character scene in the How to Train Your Dragon TV series where every character is interacting with original reactions and creatures are fighting and your quota is 1500 frames a week. Animating for a pre-school show is probably a lot easier than animating on a AAA game, but if the subject matter is similar than I'd judge TV work as much more difficult and demanding. But anyway all animators have hard lives. Ccs fucked around with this message at 03:29 on Oct 29, 2016 |
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Oct 29, 2016 03:26
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They all do but Japan treats its animators like a special kind of garbage, generally paying less than a US Mcdonalds full time employee.
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Oct 29, 2016 03:32
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It varies by studio and, surprise, studios that consistently produce top tier animation like KyoAni pay their staff a decent wage and treat them like human beings.
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Oct 30, 2016 14:48
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kyoani are hosed up animals.
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Oct 30, 2016 17:53
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Why hasn't the thread title changed? Berserk 2016: Because Life Isn't Fair
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Oct 30, 2016 18:37
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Berserk 2016: The hiatus hiatus is on hiatus
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Oct 30, 2016 18:45
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[Mistimed Hirasawa fades out] gently caress Berserk 2016, gently caress Hiatuses.
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Oct 30, 2016 18:47
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Sakurazuka posted:It varies by studio and, surprise, studios that consistently produce top tier animation like KyoAni pay their staff a decent wage and treat them like human beings. Isn't KyoAni one of the only animation studios that doesn't mass layoff all their animators once a season or something hosed up like that?
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Oct 30, 2016 18:54
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mycot posted:Isn't KyoAni one of the only animation studios that doesn't mass layoff all their animators once a season or something hosed up like that? more that most of their animators are permanent employees and not cycled freelancers
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Oct 30, 2016 19:01
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Yeah most animators in Japan don't have contracts. They come in, draw a certain amount of frames, get paid for those frames, and then go on to the next thing. Sometimes that means working for a few different studios at once. Madhouse and Kyoani are the two that don't do that to their employees. Apparently Korea has a similar system for people who work in media: "Hwang often goes to work on a Monday morning with her suitcase, not leaving again until Thursday night. She eats at her office, takes a shower at her office, sleeps in bunk beds at her office. “If I finish work at 9 p.m., that’s a short day,” she said. Pay packets come irregularly - or not at all, if the show gets axed - and because she doesn’t have a contract, Hwang wonders when she goes to sleep each night whether she’ll still have a job in the morning. She can make this life work only by living at home with her parents - when she goes home, that is." http://www.scmp.com/news/asia/east-asia/article/1908115/why-young-south-koreans-call-their-country-hell-and-are-looking
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Oct 30, 2016 20:12
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https://twitter.com/berserk_musou/status/793637254090469376 We have reached the pinnacle of DLC It's all downhill from here. (It's a skin for your mount for buying the guide) Josuke Higashikata fucked around with this message at 16:28 on Nov 3, 2016 |
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Nov 3, 2016 16:23
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Holy poo poo
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Nov 3, 2016 17:54
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oh my god 
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Nov 3, 2016 17:56
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Josuke Higashikata posted:(It's a skin for your mount for buying the guide)  that's one hell of a decision to make
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Nov 3, 2016 18:10
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Schierke no, get down from there 
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Nov 3, 2016 18:13
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Well that's the safe side of rapehorse.
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Nov 3, 2016 18:36
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People are outraged elsewhere. Also, this means that technically, Rape Horse is a playable character in Berserk Warriors* before Skull Knight is. * gently caress "Berserk and the Band of the Hawk"
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Nov 3, 2016 19:02
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I wish they'd added Ludwig from Bloodborne as a crossover playable character instead
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Nov 3, 2016 19:03
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https://twitter.com/berserk_musou/status/791569768310374401 Mozgus is Koei Tecmo and Farnese is me when they tell me I get a free Rape Horse with every guide.
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Nov 3, 2016 19:07
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Why Cant Berserk Crawl
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Nov 3, 2016 19:13
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First bathing Casca and now Rapehorse. I guess all of the DLC is going to be sticking to a theme. Just further proof that Wyald ought to have been a DLC character, way down the line.
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Nov 4, 2016 05:13
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