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Mr. Lobe posted:how else do you interpret this? Parallax noob.
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# ? Nov 3, 2016 06:14 |
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# ? Jun 5, 2024 07:47 |
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Mr. Lobe posted:how else do you interpret this?
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# ? Nov 3, 2016 06:21 |
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Benson Cunningham posted:Parallax noob. What's parallax gotta do with it if they're both at the same depth? Is my brain broken somehow? I don't get it! Also it's cooler if she's using psychokinesis so I choose to believe that regardless.
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# ? Nov 3, 2016 06:56 |
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Poison Mushroom posted:...there are motion lines coming from the needle. But not from her arm.
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# ? Nov 3, 2016 07:11 |
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Sometimes I make funky art errors and it amazes me how people interpret it. It's fixed in the print edition.
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# ? Nov 3, 2016 07:17 |
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I just figure that in this comic if there are two possible answers to a problem, the more is the correct one. But yes, if you don't use Operant's Razor then Occam would clearly dictate an art error.
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# ? Nov 3, 2016 07:41 |
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I wouldn't even call it an art error. Besides the obvious explanation that she leant forward between panels, if she had suddenly developed telekinesis, it wouldn't have gone unmentioned afterwards.
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# ? Nov 3, 2016 08:39 |
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Operant posted:Sometimes I make funky art errors and it amazes me how people interpret it. It's fixed in the print edition. I still vote that Allison cutting her hair by turning the closed scissors into a divine blade would be way cooler.
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# ? Nov 3, 2016 10:20 |
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Operant posted:Sometimes I make funky art errors and it amazes me how people interpret it. It's fixed in the print edition. I totally didn't notice that you changed it but I have the book to hand so I went to look: Subtle!
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# ? Nov 3, 2016 11:05 |
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Even without that, Allison is closer to White Chain in the second panel (look at their sizes) so I always read it as her inching forward, grabbing the needle at extreme range, and pulling back as soon as she did.
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# ? Nov 3, 2016 15:51 |
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ZeeToo posted:Even without that, Allison is closer to White Chain in the second panel (look at their sizes) so I always read it as her inching forward, grabbing the needle at extreme range, and pulling back as soon as she did. Because that's clearly what happens, but people are still arguing about it lmao. And can't just go "oh, I guess I was wrong".
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# ? Nov 3, 2016 16:14 |
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I just always assumed it was telekinesis because the art wasn't quite as clear as the corrected print version lol
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# ? Nov 3, 2016 16:17 |
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I wonder what it is about this comic that attracts this kind of person, and whether in years gone by they'd have been on trekkie forums seriously arguing that half of all TV characters are wizards because sometimes things just appear in their hands between cuts.
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# ? Nov 3, 2016 16:21 |
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rude! I'm just saying, a lot of magical bullshit was happening in a very short amount of time and I don't see why people are acting like the "telekinesis" interpretation was such an unreasonable one under the circumstances, even if it was incorrect. Mr. Lobe fucked around with this message at 16:38 on Nov 3, 2016 |
# ? Nov 3, 2016 16:28 |
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Mr. Lobe posted:geez you people are all being mean. cuz they were right and you were wrong and you best never forget that BITCH
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# ? Nov 3, 2016 16:39 |
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Thing is, the pre-corrected version not only does look like telekinesis, it looks like telekinesis used in a very deadpan, matter-of-fact way almost as thought it were a joke. An impression helped by the "roughly the same panel but with differences" composition that is common in some forms of visual deadpan humor. And the way she held the needle did look like a "catch" instead of a pull. In a nonchalant, catching flies with chopsticks absentmindedly sort of way. The corrected version removes ambiguity by making her motion a clear "pluck" as though she were pulling a feather out of a hat.
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# ? Nov 3, 2016 16:41 |
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Xarbala posted:Thing is, the pre-corrected version not only does look like telekinesis, it looks like telekinesis used in a very deadpan, matter-of-fact way almost as thought it were a joke. An impression helped by the "roughly the same panel but with differences" composition that is common in some forms of visual deadpan humor. And the way she held the needle did look like a "catch" instead of a pull. In a nonchalant, catching flies with chopsticks absentmindedly sort of way. The corrected version removes ambiguity by making her motion a clear "pluck" as though she were pulling a feather out of a hat. I don't think it looks like telekinesis since there was no prior indication of that power or remark upon it afterwards. It's a comic, not a cartoon, so not every motion is going to be drawn. I could *maybe* be convinced that it looks like the needle leapt into her hand, but I'd put that as a function of the needle or Chain's body, not a function of Allison suddenly gaining mind bullets.
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# ? Nov 3, 2016 17:03 |
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I like the telekinesis version better, if nothing else than as a first, subtle manifestation of her power, but now that illusion is gone.
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# ? Nov 3, 2016 17:04 |
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Mile'ionaha posted:I don't think it looks like telekinesis since there was no prior indication of that power or remark upon it afterwards. It's a comic, not a cartoon, so not every motion is going to be drawn. Not every motion needs to be drawn but it's the artist's job to convey actions both clearly and economically, the breakdown of which I actually did go into. If the original art were perfectly clear, there would be no misinterpretations and Abaddon wouldn't have bothered correcting it. Though even post-correction, thanks to the impression given from the original art, any moment now I still sort of half expect Allison to just levitate a flask into her hand like it ain't no thing.
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# ? Nov 3, 2016 17:11 |
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*slams fist on desk* BUT WHAT ABOUT THE MAGIC SCISSORS
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# ? Nov 3, 2016 17:22 |
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Redraw the scissors as open in the frame immediately preceding the cut. Bam! Ship it.
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# ? Nov 3, 2016 17:25 |
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Make it so she is plucking the needle with the scissors. And then cutting her hair with the needle.
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# ? Nov 3, 2016 18:48 |
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Here's an idea. Unless a full page is devoted to framing Allison brimming with kingly energy and quite obviously channeling some kind of destructive power, you can safely assume that whatever she just did was, at most, awesomely mundane. She's our fish-out-of-water, until-recently average viewpoint protagonist. Any manifestation of power at this stage is still a Big Deal. She's not Goku yet.
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# ? Nov 3, 2016 18:51 |
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NOBODY IS LEAVING UNTIL WE GET THIS poo poo SORTED OUT
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# ? Nov 3, 2016 19:34 |
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Never meet your heroes? No. Never meet your fanbase.
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# ? Nov 3, 2016 19:53 |
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Renaissance Robot posted:I wonder what it is about this comic that attracts this kind of person, and whether in years gone by they'd have been on trekkie forums seriously arguing that half of all TV characters are wizards because sometimes things just appear in their hands between cuts. To be fair, at least half the characters in this comic actual are wizards, or sufficient powerful through one manner or another to be essentially magic.
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# ? Nov 3, 2016 20:22 |
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though i believed in the magic scissors, i did not believe the needle was telekinesis
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# ? Nov 3, 2016 21:17 |
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I think, it would be cool, if Allison had, telekinesis,
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# ? Nov 3, 2016 21:38 |
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I'll probably fix the scissors thing eventually, on a re-read it's not that clear and I don't like some of the coloring on that page. I have stuck intentional things in there like Allison punching her shower wall. I do spend a lot of time on some pages but I'm not always 100% happy with the final result. There's for sure a lot of improving I could do. I tend to have very busy pages with a lot of panels (from the webcomic format I think) and I think I could do a lot more with less. That's sort of the fine art of comics in my opinion. It's a weird balancing act between telling/showing too much and too little. I'm reading through the Edena series by Moebius right now (just got an English release with Dark Horse) and it's just insanely good, but he also uses about on average 2-4 panels a page and has very efficient dialogue, very efficient lines, and very efficient coloring. The very weird thing about doing a webcomic is it's sort of like people being able to look at my rough draft/learning process in real time, very slowly. There's so much I'm very confident in now that in earlier editions of my art was absolutely terrible. The first 25 or so pages of the comic didn't have any color and the art was WAY rougher than it is now (even though I updated it a bit). If you go read the comic as it stands on the site it's a weird look at my style evolving over almost 3 years. I expect I'll never stop improving on stuff that is wonky or doesn't read well, as long as I keep being active about it. I almost think that my project after I finish KSBD in a few years will probably be something I'm much more technically confident in, but then again I'll probably still be learning. Honestly though, a lot of drawing comics on a regular deadline is being able to produce passable and stylish art with some degree of efficiency. Go read Jojo's Bizarre Adventure part 3-4, which are very good comics by the amazingly weird Mr. Araki, comics which have been very influential on the Japanese comic scene and very popular on the world stage, and go look at some of the hilarious wonky art in some parts of it. The truth is when you read things all at once, your brain tends to gloss over stuff like that, but reading a page a week people can meticulously pick apart weird art errors. The fact that this illusion has enormous strength is self-evident even here with the needle/scissors thing because people are more likely to believe in some intentional cause that badly communicated motion. tl;dr: KSBD is my weird learning project and I'm very flattered that people are invested in it and enjoy it, come back and read my comics in like 20 years I'm pretty sure they'll be ok then Operant fucked around with this message at 22:05 on Nov 3, 2016 |
# ? Nov 3, 2016 22:00 |
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There's some urban streetscape stuff coming up I am gong to bust my rear end on though so I think that will look loving great and I think people are ok with slower updates in order for me to get some ridiculous art out
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# ? Nov 3, 2016 22:03 |
Always be learning. I'm just glad you make this comic. I couldn't possibly care less if the scissors were magic. I just want more kung-fu angels.
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# ? Nov 3, 2016 22:08 |
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Hey Operant, because people periodically ask for it: do you have a mirror of "Girl" somewhere?
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# ? Nov 3, 2016 22:16 |
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Operant posted:There's some urban streetscape stuff coming up I am gong to bust my rear end on though so I think that will look loving great and I think people are ok with slower updates in order for me to get some ridiculous art out I'm hooked as gently caress on your world building and characterization, so I'm fine waiting however long I need to. I actually just joined a Broken World pbp on SA and busted out my drawing app to draw my character using your tutorials as a guide. I'm by no means excellent, but kudos to you and your comic for getting me to try;
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# ? Nov 3, 2016 22:16 |
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Operant posted:There's some urban streetscape stuff coming up I am gong to bust my rear end on though so I think that will look loving great and I think people are ok with slower updates in order for me to get some ridiculous art out It's only one data point but +1 on that, quality > quantity. Your detail level is one of the things that seems to draw folks in, I certainly enjoy it. Basically, ConfusedUs posted:Always be learning. I'm just glad you make this comic. I couldn't possibly care less if the scissors were magic. Thanks for sharing your thoughts with us, Operant. Keep up the awesome work
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# ? Nov 3, 2016 22:23 |
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your weird learning project might be the only good webcomic on the internet besides achewood
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# ? Nov 3, 2016 22:49 |
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Operant posted:Sometimes I make funky art errors and it amazes me how people interpret it. It's fixed in the print edition. This post with Operant has him now claiming Allison pulled the needle out the entire time. We know he’s telling the truth because he’s been saying this from the very beginning, right? No, of course not. Up until this interview he’s talked about it as a change to “fix” the character. I guess we call call this “Allison Pulled the Needle Out Excuse: The Special Edition”. He’s gone back to his own excuses and edited them to make them “better”. Much like the Star Wars: Special Edition changes all he’s doing is pointing out how terribly his thought processes works. First, let’s compare two versions (there are multiple versions of the changes, this just has one): Renaissance Robot posted:I totally didn't notice that you changed it but I have the book to hand so I went to look: In the original there’s only speedlines from the angel's head, no signal to the audience at all that Allison moved anything. If he meant for viewers to know Allison didn't develop telekinesis, first his storytelling ability is worse than Stephan Meyer’s. At least in Twilight we know who is doing what, even though we don’t care because it’s terrible.
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# ? Nov 3, 2016 22:59 |
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hey girl you up posted:This post with Operant has him now claiming Allison pulled the needle out the entire time. We know he’s telling the truth because he’s been saying this from the very beginning, right? I almost fell for it.
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# ? Nov 3, 2016 23:04 |
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Operant posted:There's some urban streetscape stuff coming up I am gong to bust my rear end on though so I think that will look loving great and I think people are ok with slower updates in order for me to get some ridiculous art out your hella-dense crowd scenes are my favorite arts in this comic fwiw
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# ? Nov 3, 2016 23:12 |
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Cowcaster posted:though i believed in the magic scissors, i did not believe the needle was telekinesis Internet historians will identify this as the point where the schism in the SA KSBD fanbase erupted. There is still time to avert the war!
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# ? Nov 3, 2016 23:31 |
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# ? Jun 5, 2024 07:47 |
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paranoid randroid posted:your hella-dense crowd scenes are my favorite arts in this comic fwiw No Pun Intended posted:There is still time to avert the war! No, it is too late. The fact that Muad'dib existed at all makes the oncoming crusade inevitable.
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# ? Nov 3, 2016 23:36 |