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I'm glad that as a Male Enabler, I will be accepted by Jesus. Also, who capitalises the words in an url? Some real sloppy work there, "Christian Interviews".
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Jan 20, 2017 02:04
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Does Female Enabler mean someone who enables females, or a female who enables others (possibly other females)?
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Jan 20, 2017 02:06
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Skwirl posted:I'd disqualify him in the finals for going over his allotted time. Same. I'm Whoremonger. Now there's a Mad Max villain.
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Jan 20, 2017 02:10
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Come to think of it, isn't 'ankle biter' slang for 'small child'? That seems rather harsh.
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Jan 20, 2017 02:11
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I'm seeing Lost in London in 45 minutes, so that'll be my second 2017 feature after that awesome KLP video. Even if it sucks, year's off to a suitably weird start. Will report back.
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Jan 20, 2017 02:17
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ankle biters are aborted fetuses
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Jan 20, 2017 02:18
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Lil Mama Im Sorry posted:ankle biters are aborted fetuses Aren't they all partying up in heaven with Jesus?
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Jan 20, 2017 02:25
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Skwirl posted:Aren't they all partying up in heaven with Jesus? Yes, which makes them Party Animals. They're hosed any way you slice it.
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Jan 20, 2017 02:28
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The worst sin u can commit is to force god to create a new soul and then skip out on being born. Straight to hell you lil shits.
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Jan 20, 2017 02:29
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Personally I am against sex workers occupying Palestinian land
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Jan 20, 2017 02:51
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Now I'm just confused about how he expects them to see the sign he made.
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Jan 20, 2017 02:52
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DC Murderverse posted:
Jokes on them, Muslims already obey Jesus. Lil Mama Im Sorry posted:ankle biters are aborted fetuses Any good Christian should know that you must bury them under your house threshold to transform them from biters into helpful spirits. The MSJ fucked around with this message at 03:03 on Jan 20, 2017 |
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Jan 20, 2017 02:59
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Operation Avalanche is pretty solid, even though there's very stiff competition in the moon-landing conspiracy subgenre. It strikes me that it's an actually-good version of Zero Dark Thirty.
SuperMechagodzilla fucked around with this message at 05:43 on Jan 20, 2017 |
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Jan 20, 2017 03:05
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We had a discussion about best action move goons recently, right? Because I'm rewatching RoboCop and the quality of character actor villains always impresses me.
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Jan 20, 2017 03:39
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LesterGroans posted:We had a discussion about best action move goons recently, right? Because I'm rewatching RoboCop and the quality of character actor villains always impresses me. Ronny Cox, Kurtwood Smith, Ray Wise, Miguel Ferrer, Paul McCrane ... yeah, that lineup was pretty packed.
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Jan 20, 2017 03:44
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It's honestly annoying to me how promising of a filmmaker the tribe twelve guy is. Like the tricks he does with impossible continuous shots outclass stuff I see done professionally and with a budget. Yet he's going to spend years of his life devoting it to Slenderman
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Jan 20, 2017 03:57
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Day Two: They Shot Dark Films Too, Didn't They? The Dark Corner (1946) The Dark Mirror (1946) Detour (1945) Drive A Crooked Road (1954) Edge Of Doom (1950) Fear In The Night (1947) The File On Thelma Jordon (1950) Framed (1947) He Walked By Night (1948) The Hitch-Hiker (1953) Hollow Triumph (1948) The House By The River (1950) The House On 92nd Street (1945) Human Desire (1954) I Wake Up Screaming (1941) I Was A Communist For The FBI (1951) "I The Jury (1953)" Impact (1949)
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Jan 20, 2017 04:14
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Holy gently caress guys, what the gently caress Split is, revealed in the very last scene, a loving sequel to Unbreakable. As in (last scene) the last scene has a random person talking about how events like the events of the movie happened fifteen years prior, involving a crazy dude whom the media gave a nickname, and how he was in a wheelchair, and the person next to him is Bruce Willis, who sighs and says "Mister Glass". I didn't expect this. Holy poo poo. MisterBibs fucked around with this message at 04:26 on Jan 20, 2017 |
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Jan 20, 2017 04:19
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Holy poo poo I love Patriots Day; I do not mean it derisively when I say it's the funniest movie I've seen in a while. Seriously, it has a wicked, very intentional sense of humor. The whole thing is executed in exquisitely poor taste. I've never felt so bad about being so thoroughly entertained.
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Jan 20, 2017 04:29
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HUNDU THE BEAST GOD posted:Day Two: They Shot Dark Films Too, Didn't They? I watched Detour a while back because it was on penismightier's top 100 list. It really is a tremendous little film. Almost like a Greek tragedy disguised as a noir.
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Jan 20, 2017 04:37
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MisterBibs posted:Holy gently caress But is it canon?
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Jan 20, 2017 04:42
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Mechafunkzilla posted:But is it canon? I'm not sure how much there is to canonicity for that film.
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Jan 20, 2017 04:51
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SuperMechagodzilla posted:Operation Avalanche is pretty solid, even though there's very stiff completion in the moon-landing conspiracy subgenre. I want you to see Hidden Figures and tell me if I'm nuts that they actually work really well together. General Dog posted:Holy poo poo I love Patriots Day; I do not mean it derisively when I say it's the funniest movie I've seen in a while. Seriously, it has a wicked, very intentional sense of humor. The whole thing is executed in exquisitely poor taste. I've never felt so bad about being so thoroughly entertained. Haven't seen it yet, but Deepwater Horizon had this going for it, too. Okay, so, Woody Harrelson's Lost in London [Live] Basically the two major descriptors I have are 1) Like Birdman, but with bad cinematography 2) Like Louie, except not funny I dunno, I kinda dug it. It's garbage, but it's garbage that I like. For me, I think there are two distinct types of gimmick films. There's the ideal type of gimmick film which remains compelling long after the gimmick itself has been retired or lost. William Castle, obviously, is the gold standard of the gimmick film - House on Haunted Hill and The Tingler are both fantastic horror-comedies that transcend the superficial content of their original theatrical exhibition and take on new meaning as they enter different contexts of distribution. Then there's the other type of gimmick film which is only worth the gimmick - Lost in London is the later category. There is absolutely no reason to see it unless you saw it tonight.
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Jan 20, 2017 05:27
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Jan 20, 2017 05:49
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oh my god what's this
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Jan 20, 2017 05:53
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Anti-Trump rally NYC report: Beginning of the rally: Michael Moore: "AND AFTER THIS, WE WILL MARCH ON TRUMP TOWER!" *thunderous applause* End of the rally: Mark Ruffalo: "The mayor's department has just told me they're not okay with us marching. Goodnight!"
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Jan 20, 2017 05:54
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K. Waste posted:I want you to see Hidden Figures and tell me if I'm nuts that they actually work really well together. Did the movie take place in real time? I'm probably gonna watch it if it becomes cheaply available, because what you describe sounds like an interesting failure There's been a ton of live simulcast broadway performances but those we're just plays or operas that happened to have several cameras pointed at them, taking poo poo into the streets sounds both interesting and like something that introduces a milion other problems.
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Jan 20, 2017 06:00
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Skwirl posted:Did the movie take place in real time? I'm probably gonna watch it if it becomes cheaply available, because what you describe sounds like an interesting failure There's been a ton of live simulcast broadway performances but those we're just plays or operas that happened to have several cameras pointed at them, taking poo poo into the streets sounds both interesting and like something that introduces a milion other problems. It was a single camera set-up. One continuous take shot and broadcast in real time. edit: Actually, near the climax it jumps forward in time, but not very convincingly.
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Jan 20, 2017 06:04
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This seems like a good year for a Peter Greenaway retrospective. Would anyone be interested in a thread? Cook Thief and Baby of Macon seem particularly relevant.
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Jan 20, 2017 06:04
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K. Waste posted:It was a single camera set-up. One continuous take shot and broadcast in real time. I would give points for audaciousness if there weren't a million social media apps that already did the same thing and produced better content.
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Jan 20, 2017 06:08
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Magic Hate Ball posted:oh my god what's this http://steamcommunity.com/sharedfiles/filedetails/?id=846059863
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Jan 20, 2017 06:15
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Do any management goons have advice about firing people? I'm not asking for advice about making sure my company or myself is legally protected from a lawsuit. I'm asking for advice about hypothetically telling someone they can't work for my company any more. Without getting into details they are hypothetically being fired because they are bad enough at there job that it might be dangerous to other people.
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Jan 20, 2017 06:22
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Skwirl posted:I would give points for audaciousness if there weren't a million social media apps that already did the same thing and produced better content. Yeah, it's a very transparent vanity project. It doesn't help that the camera operator doesn't seem to ever think there's a more interesting angle than a shoulder-level medium. In terms of cinematographic quality, it's slightly better than that horrible Tony Hinchcliffe stand-up film One Shot, but any elegance or anthropological interest you could get out of the night photography is completely spoiled by the way the image is exposed. It's very 'neutral' and milky, there's no contrast to any of the lighting, no texture to the environment or profiles or costumes. It comes the closest to decency when Harrelson finally gets in a cab near the last act, but even then there's just a pervasive feeling that there's no 'connection.' It's not precisely trying to portray Harrelson's torrid past as glamorous or exotic, per se, but there's also no bridge between what is ostensibly a very profound and traumatic experience for him and the realization of this in terms of aesthetics. On one level, I appreciate it as a 'more honest' version of Birdman - like, what if you just cut out the 'auteur' all together and really did just get a 'washed up' celebrity to stage his own vanity installation/reality show. But then you move past that and come to realize that it's basically the same celebrity idolatry, except even more naval-gazing because it's not even satiric. edit: It might as well be an Adam Sandler movie.
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Jan 20, 2017 06:29
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Skwirl posted:Do any management goons have advice about firing people? I'm not asking for advice about making sure my company or myself is legally protected from a lawsuit. I'm asking for advice about hypothetically telling someone they can't work for my company any more. Without getting into details they are hypothetically being fired because they are bad enough at there job that it might be dangerous to other people. https://www.youtube.com/watch?v=i2fkzL8pauM
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Jan 20, 2017 06:34
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MisterBibs posted:Holy gently caress This is the wildest thing I've seen today and I performed a sex act while watching Pink Flamingos just now. Yes, that was a humble brag.
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Jan 20, 2017 06:43
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Is that seriously the ending of Airbud? How does that movie have a billion sequels?
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Jan 20, 2017 06:44
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I'd give a nod to Unlawful Entry as the slicker half of a double feature with the Cape Fear remake. Also, Porno Freaks.
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Jan 20, 2017 06:46
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Skwirl posted:Is that seriously the ending of Airbud? How does that movie have a billion sequels? Nah, he comes back and helps the team win the big game. https://www.youtube.com/watch?v=Jvf0WWxrYRM
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Jan 20, 2017 06:49
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The scene when Donna and James find out Laura was killed is amazing and heartbreaking. The the panic, then the realization... I get chills every time.
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Jan 20, 2017 06:50
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CelticPredator posted:The scene when Donna and James find out Laura was killed is amazing and heartbreaking. i like silent hill 2 too
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Jan 20, 2017 06:51
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