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The Prodigy was extremely my poo poo during my teenage years... and well, it still is. Back in the day I loved seeing the songs that were sampled being mentioned in the liner notes, even though there was no easy way to hear the originals at the time. So I was pretty ecstatic when I found about Dirtchamber Sessions Vol 1. It's a shame there never was more of that but I imagine mix tapes like will always be music licensing nightmare (I remember 2 Many DJs making a comment along those lines once). Here's another version of Firestarter: https://www.youtube.com/watch?v=IPI3b9iPSN0 Some people might recognize it because it was used in a trailer for the video game Just Cause 3. Mierenneuker fucked around with this message at 19:18 on Feb 26, 2017 |
# ? Feb 26, 2017 19:15 |
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# ? May 21, 2024 18:06 |
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HJB posted:
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# ? Feb 26, 2017 20:41 |
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I remember a Guardian interview they did when one of their albums was about to be released, they were lamenting that there was nothing new and exciting about music anymore. The album they went on to release was basically lovely b-sides to Invaders and a track with Flux Pavillion a solid 5 years after dubstep had died a death. I just sat there laughing like c'mon guys, seriously? *edit: found it: https://www.theguardian.com/music/2015/jan/17/the-prodigy-the-day-is-my-enemy-oasis-blur quote:“Producers are too safe, they rely on being retro. It’s loving bollocks. There’s no pushing forward any more.”
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# ? Feb 28, 2017 13:14 |
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HJB posted:
Four years ago, I saw Prodigy live and this was the greatest song they played. You haven't lived until you've moshed to this with a bunch of crazy turkish people.
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# ? Feb 28, 2017 21:31 |
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This album and Chemical Brothers and the Spawn soundtrack was what got me into electronic music my freshman year of high school. I used to listen to Fat of the Land while I played Quake mods all day long. I think what I liked about Prodigy is that I was getting into hard rock and metal at the same time, and Prodigy felt raw and dangerous in the same way that metal felt. It was electronic and computery, but it was still edgy and still felt as much like fight music as dance music. I listen to Invaders Must Die a little more than FotL these days, but FotL is still probably a perfect album in my book. This makes me remember buying a huge picture of Keith looking like an evil motherfucker that my mom made me get rid of. We laugh about that now.
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# ? Mar 2, 2017 13:22 |
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Any picture of Keith looks evil.
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# ? Mar 2, 2017 14:50 |
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I believe this was the poster I had
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# ? Mar 2, 2017 22:10 |
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He's very photogenic, as evidenced by this before and after from Reading 98. Meanwhile, let's have a US-based article: Dominic Pride, Billboard, July 26 1997 - https://books.google.co.uk/books?id=lg4EAAAAMBAJ "If you listen to Led Zep, it's more danceable than Kraftwerk is."
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# ? Mar 3, 2017 19:17 |
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I remember hearing Climbatize, it was the first time I really got into an instrumental track.
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# ? Mar 4, 2017 18:42 |
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I had a little look and couldn't find much in the way of a (decent) creative remix of Climbatize, which is how you can tell the original got it spot on first time. To go to the completely opposite end of the scale: Rock N Roll It's not much of a rarity as it's been a staple of their live sets on and off since about 1994, but it's gone through a few changes over the years, and there's never been a studio version released. So here's two of the live versions - first up is an earlier version from 1995: https://www.youtube.com/watch?v=F63oHzv1YOI By 1998 it had become this bone breaking beast: https://www.youtube.com/watch?v=zxNq5fo0JEo&t=70s(1:10)
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# ? Mar 7, 2017 23:32 |
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Any interesting stuff about Narayan? It's probably my favorite off the album, probably because it reminds me the most of Experience.
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# ? Mar 8, 2017 02:24 |
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HJB posted:I had a little look and couldn't find much in the way of a (decent) creative remix of Climbatize, which is how you can tell the original got it spot on first time. I was curious to track down the list of movies and tv shows that have used Climbatize, and ended up with a WhoSampled link with the Jedi Knights: http://www.whosampled.com/sample/19937/The-Prodigy-Climbatize-Jedi-Knights-Air-Drums-From-Outer-Bongolia/ This is old news but just fascinating, but...on topic, I actually appreciate what Prodigy did with the sample over the original song. Climbatize is such a good track.
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# ? Mar 8, 2017 02:47 |
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In a weird way I feel like Leeroy leaving was the end of peak prodigy. Dude could dance like a motherfucker (see the out of space video). When he left it just wasn't the same. I'm a big fan of experience era prodigy though. Girls is a hell of a track though
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# ? Mar 8, 2017 03:25 |
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facebook jihad posted:(see the out of space video) https://www.youtube.com/watch?v=a4eav7dFvc8
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# ? Mar 8, 2017 04:10 |
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david_a posted:Any interesting stuff about Narayan? It's probably my favorite off the album, probably because it reminds me the most of Experience. Same deal as Climbatize I think, though I've heard a couple of decent covers of it. It's my favourite too, so I'll see if I can find some good stuff about it for when I get round to talking about it. E: There's this live bit they did in 97 - Narayan Beats - which goes off in a whole other direction. HJB fucked around with this message at 13:20 on Mar 8, 2017 |
# ? Mar 8, 2017 13:15 |
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HJB posted:Same deal as Climbatize I think, though I've heard a couple of decent covers of it. It's my favourite too, so I'll see if I can find some good stuff about it for when I get round to talking about it. Never heard that before. Sounds pretty good, like a live version of the song or something.
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# ? Mar 9, 2017 01:03 |
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After the explosive start, this is where the album begins for real. Featuring the vocal talents of the Ultramagnetic MCs' Kool Keith (for real this time), this little pulsating slice of hip-hop is a bit of a calmer relatively speaking, but it's still hard not to move to the beat. It's a side of the Prodigy that was never really fully explored, and arguably the reason why Liam went in the direction that culminated in the Dirtchamber Sessions soon after. Personally I've always liked it, it's not a track I'd specifically sit down and listen to but I always enjoy it when listening to the album. Also, the bit at the end with the numbers always made me feel like I was missing something, but I don't think there's a deeper meaning to it. MODEL 706-8073-421 ROBOT SONIC "I got 40 grand for three minutes to write a song with Prodigy" HJB fucked around with this message at 14:17 on Mar 12, 2017 |
# ? Mar 12, 2017 14:11 |
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https://www.youtube.com/watch?v=ySqtuxadnn4 Jez from Peep Shows band, right? I only like The Prodigy because they're a band of one guy who makes all the music, and three Bez's who just kinda yell things while doing calisthenics on stage.
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# ? Mar 12, 2017 14:42 |
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Let's kickstart the weekend with some Climbatize fun. This is along the same lines as Narayan Beats: https://www.youtube.com/watch?v=FlSqU3DNcCw Plus while looking for worthwhile remixes, I came across this, which is a bit sketchy but has some nice ideas: https://www.youtube.com/watch?v=yk1tj-tW5nk Most remixes of it are very similar though in that they have the same structure and progression as the original, just with added chops or layers over the top.
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# ? Mar 17, 2017 19:01 |
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Speaking of Climbatize, I remembered this from a couple of years back https://www.youtube.com/watch?v=04ufimjXEbA
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# ? Mar 22, 2017 15:41 |
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The Prodigy are headling the Saturday Night stage at Ultra. https://www.youtube.com/watch?v=jKrDfGoHlD4 god knows if the stream is gonna stay on this or go to the live stage.
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# ? Mar 24, 2017 21:58 |
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I ought to carry on with this, huh. We've hit one of the few tracks on the album I'm not particularly excited about, it's decent enough but it just kinda trots along at its own pace and does its thing. I don't think it would sound too out of place on AONO, which you can draw your own conclusions from. Meanwhile, considering what day it is, have a "fake" remix of the track: https://www.youtube.com/watch?v=EBizzRE_77c
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# ? Apr 1, 2017 11:13 |
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I like it although on an album with such contenders it becomes a bit of a lightweight. Here's the source of the vocal sample, which are obviously the Beastie Boys (it's at 2:10). https://www.youtube.com/watch?v=--9ucYqPvks ...and if you down the rabbit hole you'll get to the song that the Beasties were sampling (which I imagine was something that Liam also digged). https://www.youtube.com/watch?v=DP4LGEAfUEY
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# ? Apr 1, 2017 11:50 |
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Yeah, this album is extremely my poo poo. I "discovered" big beat in like 2008 during my senior year of high school. Of course, it was long dead by then, but this is naturally one of the first albums I was introduced too and man it owned. Still owns. One of my favorite things about TFOTL, is that after it's rocket start it gets mellower and mellower. Eventually by the time Climbatize comes around you feel like you've made a little journey and are pretty content with where you wind up. If that makes any sense at all.
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# ? Apr 2, 2017 21:52 |
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Sounds about right, maybe Climbatize should have been a bit earlier in the album so you'd have a proper fast-slow-fast pattern but I think it worked out alright anyway. As an aside, these "art figures" are now a thing: A limited edition of 250 sets, a mere bargain at £150.
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# ? Apr 5, 2017 21:47 |
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I just wanted to drop in and say this album still rules, but Climbatize is probably the track I've gotten the most mileage out of. Just trippin balls, man.
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# ? Apr 6, 2017 07:05 |
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Molestationary Store posted:Some dude on YT deconstructed a few Prodigy tracks figuring out everything that was sampled and how it was manipulated via Ableton. Meanwhile Liam did this poo poo without a DAW. The Prodigy is the ultimate workout music. You want to get your heart rate up? Listen to The Prodigy. I got into them pretty late, admittedly (around the release of IMD) (though I'd heard a few of their songs before that like Smack My Bitch Up, Firestarter and I seem to remember one of the songs from Always Outnumbered being in one of the old Need For Speed games), but it's insane to me how ahead of their time they were and still are. Pendulum were one of my favorite bands for a while and they went through a phase where they were straight up trying to be The Prodigy (they even had Liam on a track), but even they couldn't hit Prodigy's highs. Their remix of Voodoo People's loving sick though, and was a blast to see live when I saw them play it in '09: https://www.youtube.com/watch?v=zspHh51AhoA I wish I could see The Prodigy live one day. I saw Maxim do a DJ set at a festival a couple years ago but it was nothing like I imagine a Prodigy show is like. Rageaholic fucked around with this message at 10:45 on Apr 6, 2017 |
# ? Apr 6, 2017 10:42 |
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My first experience with The Prodigy was the use of Invaders Must Die in the Duke Nukem Forever reveal trailer when I was in 8th grade. I downloaded a bunch of Prodigy to listen to after hearing it, and it heavily defined my early highschool years.
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# ? Apr 7, 2017 22:51 |
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Here's something a bit... special? Unique? TITAN https://www.youtube.com/watch?v=2EX2utx4EKY Rediscovered a few years ago, it was found that Liam produced a brand new track in the Dirtchamber Sessions era (1999) by the name of Titan. What makes this track unique are the circumstances surrounding it - Liam produced it for a porno called The Uranus Experiment. No really. The NWS tags are there because the track contains some naughty sounds so you probably shouldn't blast it at full volume around other people (unless you record their reactions for the thread). Here's an article about the track that's safe to read: "Prodigy tries sex in space" posted:Prodigy fans take note: Don't bother checking the record shops for Liam Howlett's next set of electro beats. You'll have better luck finding them in the adult section of your favourite video store.
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# ? Apr 14, 2017 09:55 |
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I remembered the news about him writing porn music but I didn't know any of the details. I thought he wrote an entire album, not just a single song. Song seems pretty good from skipping through it.
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# ? Apr 14, 2017 15:11 |
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Here's an edit that's noticeably less sex-noisy: https://www.youtube.com/watch?v=HPHLmE9RgBQ
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# ? Apr 22, 2017 10:59 |
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Two months to go! Another middle of the road track for the middle of the album? Okay that's a bit harsh, it's pretty good, but not quite up to the standards the big hitters set. As user "remember" put it on renowned music review site ultratop.be: "Immer noch ziemlich cool".
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# ? Apr 30, 2017 11:45 |
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HJB posted:Another middle of the road track for the middle of the album? Okay that's a bit harsh, it's pretty good, but not quite up to the standards the big hitters set. That might be spot on, though. It's good enough you don't skip over it while the album is playing but not too great as you go and seek it out on it's own. It's been a while since I had listened to it that I needed a quick refresher to remember the song
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# ? May 16, 2017 12:31 |
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This is a really good quote:quote:he Prodigy had peaked somewhere between the excellent Poison (1995) - the B-sides on Poison are as strong as anything found on their albums or singles - and Breathe (1996). By the time Fat of the Land came along, the band were already on the slide. It happens to some bands: the album that launches them to superstardom is usually on the back of the spadework of the previous album (Radiohead, The Bends). Fat… received such unworthy praise because there was guilt about being slow to pick up on what a ground-breaking album Jilted… actually was. It is exactly how I feel about the album. Telling is that I still listen to Jilted but have never bother to listen to Fat again.
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# ? May 17, 2017 10:57 |
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I can't say I disagree with that either. I'll have to check out the Poison single now...
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# ? May 17, 2017 13:51 |
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Rat Poison / Scienide. To be fair they are comfortably their best B-sides. Anyway, since this thread has revived: We're out of the woods in the middle and back in full brain engage mode. The subtle change to the name that emerged turned out to be pretty apt I'd say. The Jilted undertones combined with full Fat make for a good time. Rolling Stone magazine said of it: "Squelching synths bounce round each other on "Mindfields," creating a mesmerizing funk force field", and that description does me nicely. As a bonus, here's the Headrock Dub: https://www.youtube.com/watch?v=a7bE-jTdLyY
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# ? May 20, 2017 14:00 |
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Definitely one more little reason why The Matrix was fantastic. That transition from the Dragula remix to Mindfields is amazing. https://www.youtube.com/watch?v=FGKcWsYahAg&t=20s Mierenneuker fucked around with this message at 14:54 on May 20, 2017 |
# ? May 20, 2017 14:50 |
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Mierenneuker posted:Definitely one more little reason why The Matrix was fantastic. That transition from the Dragula remix to Mindfields is amazing. That's the DJ just smashing the fader over they're not even beatmatched.
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# ? May 22, 2017 14:38 |
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Mierenneuker posted:Definitely one more little reason why The Matrix was fantastic. Not being old enough to go to raves in that era of music still sucks. That entire soundtrack is fantastic.
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# ? May 22, 2017 15:33 |
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# ? May 21, 2024 18:06 |
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I was 18 when that record came out and 19 before I gave it serious attention. I don't think the Prodigy had the same effect on me as it did for a lot of people because I had already listened to a lot of electronic music (Skinny Puppy was already among my favorite groups, along with others ) but... because of this thread I listened to Fat again. It's still as good as it was when I first heard it. Great record.
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# ? May 22, 2017 23:47 |