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magnificent7
Sep 22, 2005

THUNDERDOME LOSER
Queries? THIS is what you need:

http://queryshark.blogspot.com/

Read it. Read it a lot. Read all of them.

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anime was right
Jun 27, 2008

death is certain
keep yr cool
if you can write at that volume and learn at around the same rate per words written you'll probably be published before like 95% of us burkion lol

Burkion
May 10, 2012

by Fluffdaddy

anime was right posted:

if you can write at that volume and learn at around the same rate per words written you'll probably be published before like 95% of us burkion lol

I highly doubt that!

It's just something I've had in my head for a while that I needed to get out. Already reworking how to tell this first story though thanks to Nae and the others. I'll keep you guys posted on how the reworking turns out.

Al Cu Ad Solte
Nov 30, 2005
Searching for
a righteous cause

sebmojo posted:

cut the 'when a clue happens she's brought back line, its implicit in the rest. otherwise that's p solid imo

e:

Sunati’s absence brings Caden down a path of depression and isolation, but when a clue in the case breaks, she is brought back into the fold. when a rogue synthetic servant designed by the most powerful biotech company in the city goes berserk and kills its creators, Caden...

Naerasa posted:

I don't know, change it up like that and you're looking at one long-rear end sentence.

How about

Sunati's absence brings Caden down a path of depression and isolation. When a rogue synthetic designed by the most powerful biotech company in the city goes berserk and kills its creators, Caden is called in to assist.

Burkion
May 10, 2012

by Fluffdaddy
If I get my revised Prologue and chapter 1 written up soon-ish, should I just stick it in my thread? Instead of making a new thread. I'm not sure how often this comes up

It'll be more of a proof of concept than anything SUPER solid, but I'm pretty excited about how to rework the ideas I had.

Sitting Here
Dec 31, 2007

Burkion posted:

If I get my revised Prologue and chapter 1 written up soon-ish, should I just stick it in my thread? Instead of making a new thread. I'm not sure how often this comes up

It'll be more of a proof of concept than anything SUPER solid, but I'm pretty excited about how to rework the ideas I had.

Keep it in your thread IMO, since most of the people posting there will have it bookmarked at this point.

FormerPoster
Aug 5, 2004

Hair Elf
I've been knocking around a query letter for my most recent manuscript and I've done a few passes after getting feedback from a couple of agents. In case anyone wants to see what this feedback hell looks like, I'm going to post the iterations I've done and the feedback I've gotten on each, and then finally the draft I put together today based on the most recent round of feedback. Please let me know if I'm on the right track or if I'm still floundering like a loving idiot.

Letter Number One posted:

It’s not easy to kill a mind reader. It’s even harder to stop them once they’re dead. PERMEABLE MINDS is a 95,000 word science fiction novel that will appeal to readers of Claire North’s The First Fifteen Lives of Harry August or The Rise of Io by Wesley Chu.

Gillen Lynch has spent his entire life preparing to murder his mind-reading friend, Eduardo Sanchez. That’s why he’s not surprised when the murder itself goes off without a hitch. He manages to stabs his friend, frame his wife, and flee the city within the span of sixty minutes. Everything is going just the way he planned it - until he discovers his victim stowing away inside his head.

Andrew Warner just torched a decade-long friendship with Eduardo after confessing his love for Eduardo’s wife. All Andrew wants to do is apologize and try to make things right, but his hopes for reconciliation are destroyed when he witnesses Eduardo being murdered by their mutual friend. Fortunately, Andrew manages to escape unscathed. Unfortunately, he starts hearing Eduardo’s voice inside his head. The doctors tell him the voice is just a temporary side-effect of witnessing a violent crime, but Andrew isn’t so sure he can blame this on his imagination. Most imaginary friends can’t give out new information - and they definitely don’t ask for help avenging their deaths.

With the dead Eduardo digging through their heads, both Gillen and Andrew are forced to face the secrets and fears that sent their friendships south. If they can endure his mind games, they’ll be able to atone for their past mistakes. If they can’t, they’ll go insane.

Agent feedback: 1) This isn't a sci-fi, it's a thriller. The comp titles don't work because of that, so scrap them and change the genre. 2) You're not focused enough on the main conflict: Eduardo is in Gillen's head and is trying to kill him. 3) Does Andrew need to be in this query? 4) It's too long, cut off 5,000 words.

I listened to points 1, 2, and 4, but kept Andrew because I thought I knew better. I was a little unsure about the genre change, so I acquiesed on that since I figure I don't know what the gently caress I'm talking about. That got me to pass #2.

Letter Number Two posted:

Gillen Lynch is a successful man and he’s not going to let his secrets hold him back. Unfortunately, his friend Eduardo not only knows his secrets, but can see every other thought in Gillen’s head. Gillen has spent years planning how to murder his mind-reading friend, so he’s not surprised when his plans go off without a hitch. He manages to kill Eduardo, frame his wife, and flee the city within the span of sixty minutes. Everything is going just the way he planned it - until he starts hearing Eduardo’s voice inside his mind. Eduardo knows exactly how he died, too, and he’s looking for revenge.

As if Gillen doesn’t have enough to handle, he also left a real problem back at the crime scene. Andrew Warner, another one of Eduardo’s friends, witnessed the murder in gruesome detail. He’s also hearing a voice in his head. The doctors tell him the voice is just a temporary side-effect of witnessing a violent crime, but Andrew isn’t so sure he can blame this on his imagination. Most imaginary friends can’t give out new information - and they definitely don’t ask for help avenging their deaths.

With Eduardo guiding them from inside their heads, Gillen and Andrew are forced onto a collision course where only one of them can make it out alive. If they want to survive, they’ll have to overcome Eduardo’s influence. If they can’t do that, they’ll be joining him in death.

PERMEABLE MINDS is a thriller with paranormal elements and is complete at 87,000 words.

I sent out pass 2. That got me about 15 form rejections, so I decided to get more feedback. This is what I got:

Agent feedback: 1) You're focusing on all the wrong poo poo. Stop wasting time on Andrew and tell us more about Gillen. 2) You're leaving too many details out. I come away from this query with more questions than answers. How does Gillen kill a mind reader? Why does he kill him? 3) The title is really bad. You should change it.

I listened to all of those points (finally realizing that yes, Andrew had no place in the query), and tried again, this time with a new title. I also ended up adding like 1,000 words in another editing pass, though that's neither here nor there.

Letter Number Three posted:

I’m currently seeking representation for my speculative thriller, LISTENER’S REMAINS, which is complete at 88,000 words. Based on your interest in_________, I’m submitting my manuscript for your consideration. 

On paper, the murder of Eduardo Sanchez looks simple. His business partner, Gillen Lynch, stabbed him with a cheese knife and fled the scene of the crime. What’s missing is the reason Gillen murdered Eduardo: his power to read people’s minds.

Eduardo’s powers have been haunting Gillen for years. The thought of someone discovering Gillen’s secrets terrifies him, especially if they learn how Gillen’s father died or how Gillen feels when he looks at other men. At first, Gillen tried keeping his mind empty through meditation, but a crucial slip-up forces him to cut off Eduardo’s power at the source. Killing Eduardo doesn’t make things better, however. Instead, it makes them a Hell of a lot worse.

In a last-ditch effort to save himself, Eduardo copies his mind into Gillen’s head. With no barriers between them, Gillen can’t stop Eduardo from digging up the secrets he’d hoped to take to his grave. He also can’t run from the police when someone else is controlling his legs. He’s scared, powerless, and unprepared to face a host of pursuers he didn’t know he had. Some are other mind readers; some have Eduardo’s copies in their heads. All of them are looking for revenge.

With his pursuers bearing down on him and his own thoughts working against him, Gillen must overcome his fears and take back his mind. If he can’t, he’ll be at the mercy of the man who has every right to want him dead.

Better, right? I thought so. Turns out, nah. Another 15 form rejections. Okay, still not working. Let's get more feedback.

Agent feedback: 1) Genre may not be right. It's more speculative than thriller, so try dropping the thriller part and shopping it around that way. 2) It's still too vague. What is Gillen's relationship to Eduardo? What happened to Gillen's dad? Don't worry about spoiling stuff. Agents are not readers, so don't leave us asking too many questions. 3) First paragraph is unnecessary. Cut it and weave the info into the rest of the query.

Well, okay, gently caress. Guess I shouldn't have listened on the genre. Or maybe the first agent was right. Who knows? It's probably a sign the book has fundamental problems, but I'm not ready to give up on it just yet, so let's give this query another shot. This leads me to what I have now. Apologies for typos, since I just finished this pass.

Letter Number Four posted:

I’m currently seeking representation for my speculative fiction manuscript, LISTENER’S REMAINS, which is complete at 88,000 words. Based on your interest in speculative fiction, I’m submitting my manuscript for your consideration.

Gillen Lynch has a complicated relationship with his brother-in-law, Eduardo Sanchez. Thanks to Gillen's sister, the two men have been friends for years, but they're both keeping secrets from each other. Gillen hasn't mentioned he's attracted to Eduardo; Eduardo hasn't mentioned he's a mind reader. It's an awkward situation made that much worse when Gillen learns the truth. Betrayed by the deception and mortified by his attraction to his sister’s spouse, Gillen decides to take out his self-hatred on Eduardo by killing him.

Murdering a mind reader is no easy task, but this isn’t the first time Gillen has killed. His other victims didn’t mean anything to him, however, and they definitely didn’t use their dying breaths to copy their minds into Gillen’s head. Now, with no barriers between them, Gillen can’t stop Eduardo from digging up the secrets he’d hoped to take to his grave. He also can’t run from the police when someone else is controlling his legs. He’s scared, powerless, and unprepared to face the fallout of his actions as he flees from both the cops and a group of mysterious pursuers who are as connected to Eduardo as he is.

With his pursuers closing in on him and Eduardo threatening to tear him apart from the inside, Gillen must overcome his self-hatred and take back his mind. If he can’t, he’ll be at the mercy of the man who has every right to want him dead.

So that's where I stand now. After this round of queries, I'm about ready to call it dead, since I'm at 30+ form rejections and probably another 15 Closed/No Replies. My supply of potential agents is dwindling rapidly at this point, which means this book's chances are just about tapped out. I'm already about 2/3rds of the way through my next manuscript, so I'm at the point where I've mostly divorced myself from this one, but I'd still like to see it through to some kind of conclusion. If anybody has any thoughts on how the query has progressed (or regressed), please let me know, because at this point I'm more or less at a loss.

Burkion
May 10, 2012

by Fluffdaddy
One thing I might suggest, big laugh considering my own issues with this exact kind of stuff, is lead off with the premise itself.

A murderer has his last victim literally stuck inside his head, a mental ghost that is seeking to destroy his life the same way Gillen ended his.

You seem to be burying the lead a bit too much in that regard, the last one almost doesn't explain it well enough.

Why he was killed comes after, I think. How Eduardo survives in Gillen comes after. Open with the important part. Murderer must contend with his victim inside his own head.

FormerPoster
Aug 5, 2004

Hair Elf

Burkion posted:

One thing I might suggest, big laugh considering my own issues with this exact kind of stuff, is lead off with the premise itself.

A murderer has his last victim literally stuck inside his head, a mental ghost that is seeking to destroy his life the same way Gillen ended his.

You seem to be burying the lead a bit too much in that regard, the last one almost doesn't explain it well enough.

Why he was killed comes after, I think. How Eduardo survives in Gillen comes after. Open with the important part. Murderer must contend with his victim inside his own head.

I could try throwing a logline like that in the first paragraph like I did in the first query. People didn't seem to respond to it, or any of the similar loglines I used when I've pitched the book on twitter, but I see what you mean about putting the hook front and center.

Fate Accomplice
Nov 30, 2006




Naerasa posted:

query letters

In the first three Gillen's spent his entire life preparing to kill Eduardo, and in the 4th he decides to do it after finding out the guy reads minds? Which is it?

FormerPoster
Aug 5, 2004

Hair Elf

ketchup vs catsup posted:

In the first three Gillen's spent his entire life preparing to kill Eduardo, and in the 4th he decides to do it after finding out the guy reads minds? Which is it?

It's both since he found out young and has been planning for years. I didn't think it was necessary to explain the timeline from planning to execution since it didn't seem like the most relevant detail and I'm trying to pare down the extraneous details.

Entire life is relative, since they were both teenagers at the time, so to Gillen the time from before finding out might as well not be a thing. Gillen kind of already had an inkling he was gay then, but his sister and Eduardo were already a thing, so he figured he'd bide his time and try and block Eduardo instead of killing. The blocking isn't perfect, though, so eventually Gillen goes back to the tried and truth method of murdering people who make problems in his life.

In truth, the time lapse from Gillen finding out to Gillen killing Eduardo is probably less a query issue and more a story issue, which is one of the reasons I think this isn't working on a level beyond the query letter. I'd fight harder for it, but reading the Manuscript Wish List tweets from agents yesterday really drove home how this is not a book anybody is in the market for even if I polish it, so I'm not going to sweat this one too much longer. I still think it's a cool concept and I'm happy enough with the book as a whole, but I don't know that there's a place for it right now in traditional publishing even if I make it perfect.

FormerPoster fucked around with this message at 00:29 on Sep 14, 2017

HIJK
Nov 25, 2012
in the room where you sleep
Just self publish it man.

magnificent7
Sep 22, 2005

THUNDERDOME LOSER

HIJK posted:

Just self publish it man.
Totally agree.

All the sticks of gum I've got from self publishing made it totally worthwhile.

I didn't make any money from self-publishing is what I'm saying. But i DO have a sweet set of 32 matching coasters now.

FormerPoster
Aug 5, 2004

Hair Elf
If I cared about the money, I wouldn't be writing, haha. My real worry for self-publishing is that I'd be taking a book that isn't actually any good and wasting time and effort promoting it, when instead I could be working on writing more and making something people want to read. I know the publishing market is its own beast that doesn't necessarily dictate the taste of the general reading populace, but really, if they don't want to read it, why should I think anyone else does? Sure, I've had critique partners and beta readers say they liked it, but a sample size of 10-15 people isn't indicative of the population as a whole. I'd rather trunk this and try again on the next book than keep rolling this boulder up the hill so it can smack me in the face again.

CantDecideOnAName
Jan 1, 2012

And I understand if you ask
Was this life,
was this all?
I still have a copy of a self-published book an ex-friend gave me (and a goon at that, although I don't know her name) and oh man. It is not good. I didn't see it at the time but when mutual friends of ours read it they were like "yeah, this is bad" and that's why self-publishing is a last resort kind of thing.

I don't know if I'll selfpub or what, but considering that I don't have anything worth publishing yet I haven't even bothered thinking about that stuff.

Stuporstar
May 5, 2008

Where do fists come from?
Self-pub seems more and more the way to go with a novel that's good but not considered saleable by an increasingly risk-adverse publishing industry. As for whether or not it's actually good, I'd say if you found a freelance editor (if you can afford it) who's worked on novels you can see are good, then hire that editor to help you make your poo poo good. What's the difference, really, between doing that and landing a publishing deal with a meagre advance, an overworked editor, and the complete lack of marketing so many new novelists actually get?

CantDecideOnAName
Jan 1, 2012

And I understand if you ask
Was this life,
was this all?
Speaking of marketing, the fact that you have to do all the publicity and stuff yourself is the primary reason I haven't looked much into selfpub. I can't sell poo poo.

FormerPoster
Aug 5, 2004

Hair Elf

CantDecideOnAName posted:

Speaking of marketing, the fact that you have to do all the publicity and stuff yourself is the primary reason I haven't looked much into selfpub. I can't sell poo poo.

I've got the opposite problem, since I spent 8 years doing online marketing/brand management and now I loving hate the thought of it. Writing was the one thing that got me through a wasted decade of misery in marketing and the idea of going back to the internet marketing guru routine as part of writing makes me want to die. I know that I'll have to market myself online even if I do get traditionally published, but Jesus, at least then I can share a little of the burden. Doing it all on my own would be brutal.

the old ceremony
Aug 1, 2017

by FactsAreUseless
what do i do when my characters come to life and start walking around talking to people in the real world and convincing them that things from the book universe are real historical events? i feel responsible because i breathed life into these people but i have no control over them anymore, they don't answer my calls

fridge corn
Apr 2, 2003

NO MERCY, ONLY PAIN :black101:

the old ceremony posted:

what do i do when my characters come to life and start walking around talking to people in the real world and convincing them that things from the book universe are real historical events? i feel responsible because i breathed life into these people but i have no control over them anymore, they don't answer my calls

congratulations you just wrote At Swim-Two-Birds

Sitting Here
Dec 31, 2007

the old ceremony posted:

what do i do when my characters come to life and start walking around talking to people in the real world and convincing them that things from the book universe are real historical events? i feel responsible because i breathed life into these people but i have no control over them anymore, they don't answer my calls

tell your chars to stop saying bernie would've won

flerp
Feb 25, 2014
u murder them when theyre children its why its called killing your babies u dumbie

fridge corn
Apr 2, 2003

NO MERCY, ONLY PAIN :black101:
whats a good resource for culturally ambiguous names for characters? the story im writing doesn't take place anywhere specific and i don't want my readers to think it does but i definitely don't want a bunch of dumb white people names

Burkion
May 10, 2012

by Fluffdaddy

fridge corn posted:

whats a good resource for culturally ambiguous names for characters? the story im writing doesn't take place anywhere specific and i don't want my readers to think it does but i definitely don't want a bunch of dumb white people names

Just go with a bunch of weird mixed names

Pick countries at random, see what names they have, liberally take them as you like

CantDecideOnAName
Jan 1, 2012

And I understand if you ask
Was this life,
was this all?
I like http://www.behindthename.com for looking up names. They even have a random name generator if you don't want to go poking through a big list.

FormerPoster
Aug 5, 2004

Hair Elf

fridge corn posted:

whats a good resource for culturally ambiguous names for characters? the story im writing doesn't take place anywhere specific and i don't want my readers to think it does but i definitely don't want a bunch of dumb white people names

You don't want dumb white people names, sure, but how about you use some of these really good white people names?

Sitting Here
Dec 31, 2007

fridge corn posted:

whats a good resource for culturally ambiguous names for characters? the story im writing doesn't take place anywhere specific and i don't want my readers to think it does but i definitely don't want a bunch of dumb white people names

If I want to go for something non-western (e: meaning, names not found in the US, I guess) sounding but don't want to drag other IRL groups of people into it, I usually take common sounds from two different regions and mash them together into nonsense sounds. So like, for a surname, Zhang and Hansen could become Zhansen, Ortega and Dubois becomes Ortois, and so on. Just as some lovely examples off the top of my head. Then i google the resulting monstrosity to make sure I didn't blunder into using a real word/name.

idk if that's a good way to do it, but no one has complained so far.

magnificent7
Sep 22, 2005

THUNDERDOME LOSER

fridge corn posted:

whats a good resource for culturally ambiguous names for characters? the story im writing doesn't take place anywhere specific and i don't want my readers to think it does but i definitely don't want a bunch of dumb white people names

Old cemetery. It's the best for names, and they can't sue you.

MockingQuantum
Jan 20, 2012



magnificent7 posted:

Old cemetery. It's the best for names, and they can't sue you.

I live near one with some fantastic names, i'll have to jot some down next time I'm by it.

It also has some very... unique tombstones, such as "Soldier who Fell Off RR Bridge," "Baby that Died in the Fire," and my favorite, "Man the Bank Fell On"

fridge corn
Apr 2, 2003

NO MERCY, ONLY PAIN :black101:

CantDecideOnAName posted:

I like http://www.behindthename.com for looking up names. They even have a random name generator if you don't want to go poking through a big list.

okay this is cool i like the random name generator

the best thing about this site i think is that it warns you if a particular name belongs to a harry potter or fire emblem or whatever character lol

Burkion
May 10, 2012

by Fluffdaddy
https://forums.somethingawful.com/showthread.php?threadid=3833927&pagenumber=1#post476403793

Revised Prologue and Chapter 1 done.

Again, super rough draft as I mentioned in the post, but it gives a good look at how I would restructure the whole story.

Dr. Kloctopussy
Apr 22, 2003

"It's time....to DIE!"

Al Cu Ad Solte posted:

It's a little over 96k words. My goal was to write something fun with a lot of heart in it. It's a cyberpunk police procedural love story starring a sad gay woman with bionic limbs. PM me if you're interested! Or post here, I suppose?

This sounds cool and I would read it if I weren't already beta-reading 4 other novels and writing my own.

If you PM me a link I might be able to at least look at the first few chapters and tell you if it draws me in.

Burkion
May 10, 2012

by Fluffdaddy

Al Cu Ad Solte posted:

Sweet!

Here's the blurb. Any tips on this are appreciated as well.


It's a little over 96k words. My goal was to write something fun with a lot of heart in it. It's a cyberpunk police procedural love story starring a sad gay woman with bionic limbs. PM me if you're interested! Or post here, I suppose?

Shoot me a link some time. I wouldn't mind reading on it!

Chairchucker
Nov 14, 2006

to ride eternal, shiny and chrome

THUNDERDOME LOSER 2022




Rip your names out of the Bible or the Odyssey or some other v. old book

MockingQuantum
Jan 20, 2012



You could also come up with dumb white people names and see what, if any, equivalents exist in other languages. Behind the Name is good for that too.

CantDecideOnAName
Jan 1, 2012

And I understand if you ask
Was this life,
was this all?

MockingQuantum posted:

You could also come up with dumb white people names and see what, if any, equivalents exist in other languages. Behind the Name is good for that too.

I love seeing what regions and languages names are native in. Biblical ones like CC suggested tend to be in a lot of goddamn languages.

After The War
Apr 12, 2005

to all of my Architects
let me be traitor

MockingQuantum posted:

I live near one with some fantastic names, i'll have to jot some down next time I'm by it.

It also has some very... unique tombstones, such as "Soldier who Fell Off RR Bridge," "Baby that Died in the Fire," and my favorite, "Man the Bank Fell On"

Man, where writer's block goes to die... there's probably a ton of great ideas in there.

And judging from what little I know, some of bone-headed ancestors, too.

fridge corn
Apr 2, 2003

NO MERCY, ONLY PAIN :black101:
you know what? writing is weird and kinda sucks. im writing a scene where a guy comes across two foxes loving in the woods and now i guess i have to watch a bunch of videos of foxes loving so i can describe it accurately???? 😰

Al Cu Ad Solte
Nov 30, 2005
Searching for
a righteous cause

Dr. Kloctopussy posted:

This sounds cool and I would read it if I weren't already beta-reading 4 other novels and writing my own.

If you PM me a link I might be able to at least look at the first few chapters and tell you if it draws me in.

Burkion posted:

Shoot me a link some time. I wouldn't mind reading on it!

Thanks guys, sent yall some PMs. Good timing too, I just retooled chapter 1 a bit for better pacing. It had been bugging me since I wrote it but I couldn't quite put my finger on why it felt slow until now.

fridge corn posted:

you know what? writing is weird and kinda sucks. im writing a scene where a guy comes across two foxes loving in the woods and now i guess i have to watch a bunch of videos of foxes loving so i can describe it accurately???? 😰

Writing is a gift and so is this post.

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Phil Moscowitz
Feb 19, 2007

If blood be the price of admiralty,
Lord God, we ha' paid in full!
I know when I am reading a book and come across an unrealistic description of fox-loving, it totally jolts me out of my suspended disbelief and I just can't keep reading.

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