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Choco1980
Feb 22, 2013

I fell in love with a Video Nasty
The Voight-Kampf test wasn't installed at Tyrell, Deckard brought it with him. Hell the beginning of the movie shows Brion James getting the test in a lovely cop office.

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Admiral Bosch
Apr 19, 2007
Who is Admiral Aken Bosch, and what is that old scoundrel up to?
hey for anyone else who enjoys beating dead horses, Conor from rifftrax and Mike from MST3K made a podcast series ripping apart this piece of poo poo

http://372pages.com/

Vox Valentine
May 31, 2013

Solving all of life's problems through enhanced casting of Occam's Razor. Reward yourself with an imaginary chalice.

Wait so if Aech is based on Harry Knowles and his handle comes from the first letter of his first name does that mean that his real name is just Harry. Cuz I could believe that but it also would lead to two different scenarios both completely accurate and plausible for this book and these characters.

1: Aech just said that Harry wasn't his name when Wade guessed because they're internet friends and he wants to keep his privacy due to being an e-celebrity so he just lied to Wade. A scenario I can believe because I know folks like that in our modern internet hellscape.

2: Wade just never guessed that his name is Harry and has guessed other things instead, a plausible possibility because Wade is loving dumb as hell.

Proteus Jones
Feb 28, 2013



nerdz posted:

I mean, I remember watching those movies he mentioned at the cinema on the early 90s, pretty sure they are

It's half and half. Late 80s/early 90s.

Samizdata
May 14, 2007

JacquelineDempsey posted:

So, 15 people in a double wide that's 22 stories up, and there's a laundry room. Uh-huh.

I did the math to see what year Halliday wouldve been born, to compare with my own age. 1971 or 72 (so pretty close to my 1974). Then I looked up Cline, and whaddya know, of course he was born in 1972. March 29th, actually.

March 29th. The day the movie comes out. He is literally game master anthony, celebrating his birthday with all of his favorite tv, comics, video games references. BRING IT IN, GUYS!!!

Chi, pass the torpedo juice.

I'm in. Nope. No Dr. Pepper thanks. I am wanting to take the express train.

Samizdata
May 14, 2007

chitoryu12 posted:

Oh hey apparently it's billions of players. Simultaneously.

Yeah, but most of them are at malls or doing whatever VR Twitter and Facebook look like.

Samizdata
May 14, 2007

Solumin posted:

You wouldn't simulate the whole universe in high fidelity, just the parts people are playing in. That saves some computing power. Also, the graphics are probably handled client-side. WoW's graphics are simplified so that older computers can play it, not because it's easier on the servers.

To be clear, we're still looking at a system that requires absurd computing power, not to mention network bandwidth (billions of players!) and data storage (lifelike, life-sized models are not small!). How do you even handle a planet? That's likely terabytes of data, if not more. Also, all these assets have to be created somehow. Are they computer generated? Are the planets created by what is essentially the Minecraft world gen algorithm? Or did someone make an entire universe by hand?

In this apocalyptic world, how is there infrastructure to keep any of this running?

I'm still shaking my head at the interaction with the bully. It's juvenile, but not high school juvenile; it's a nerd fantasy of shutting down the bully. And then he just mutes the guy anyway!

I think he makes the point that places like Ludus are pretty much cookie cutter instances, so that makes the system requirements a bit lower.

Samizdata
May 14, 2007

Hyrax Attack! posted:

Millions of anonymous players in the OASIS and none of them are hovering above the Tomb of Horrors blasting music or spawning trillions of strobe light mosquitoes to crash the server?

Also, I’ve known good folk similar to Halliday (made tons in computers, slightly eccentric, obsessed with sci fi) and the last thing they’d do is invite millions of people to poke around their childhood bedrooms and know every detail of their lives. Letting strangers touch their computers would be a means of torture, not tribute.

But...but...but... It's not REALLY their childhood bedrooms and not REALLY their REAL computers, just a simulation! Nothing REALLY counts in simulation, except Halliday's Quest...

Samizdata
May 14, 2007

Nipponophile posted:

Look, you've got to take some risks if you're ever going to have the chance to touch a virtual titty.

You know, they DID mention haptic feedback...

Samizdata
May 14, 2007

Orthodox Rabbit posted:

I cast Bigby's Locker Shoving Hand at a 5th level spell, allowing it to shove 3 additional nerds.

:golfclap:

nerdz
Oct 12, 2004


Complex, statistically improbable things are by their nature more difficult to explain than simple, statistically probable things.
Grimey Drawer
I also love how the book spends a huge section describing all the security features he has in his apartment and fails to mention how utterly useless they would be if the ioi just decided to demolish the apartment just like they did at the stacks

chitoryu12
Apr 24, 2014

Samizdata posted:

I think he makes the point that places like Ludus are pretty much cookie cutter instances, so that makes the system requirements a bit lower.

I mean sure, it would probably reduce the system requirements from "impossible+2" to "impossible+1".

Samizdata
May 14, 2007

anonumos posted:

Oh good that was good. I'm going to have to reread it. I still have the Independence USA eBook on my Google drive.

drat. My bookmark to Libertopia is broken
http://welp.gs/~harik/libertopia.html

Hook a brother goon up so I can save a copy to my Drive?

JacquelineDempsey
Aug 6, 2008

Women's Circuit Bender Union Local 34



nerdz posted:

I also love how the book spends a huge section describing all the security features he has in his apartment and fails to mention how utterly useless they would be if the ioi just decided to demolish the apartment just like they did at the stacks

I was fond of the earlier bit where he's fleeing the IOI and buys a first class bus ticket before scrambling his identity. Because no way could they trace that and figure out he's "hiding" in Columbus now.

PJOmega
May 5, 2009

nerdz posted:

I also love how the book spends a huge section describing all the security features he has in his apartment and fails to mention how utterly useless they would be if the ioi just decided to demolish the apartment just like they did at the stacks

Spoiler Alert, all that security will never come up again.

In a good book, it would be a metaphor for how he's building insane walls between him and the rest of the world during his nostalgia fueled quest.

In an okay book it would at least lead to a terse moment where he has to perform some sort of task while an opponent is actively breaking through the barrier.

Instead it's weird door porn for people who wish they could poo poo out the world and just stream cartoons from their childhood for the rest of their lives.

Samizdata
May 14, 2007

Adnachiel posted:

I imagine he specifically picked those series because they all either had English dubs that aired on American television (Spectreman, Space Giants) or were probably popular among tape traders in the 80s. (Kikaider apparently had an English following in Hawaii, and I guess the Japanese Spiderman got passed around because it's Spiderman with a giant robot. If you're a Marvel fan, why wouldn't you want to take a look?) But I'm still shaking my head that he mentions those but not Kamen Rider or any of the earlier Super Sentai. (Cline would have been 20ish when the original Power Rangers aired. So older than the target audience, but that doesn't stop a ton of other nerds that age from watching it or its Japanese counterpart.) Or mentioning having any Ultraman in his toku show rotation.

Okay, I am an old. Big freaking surprise. But I do remember watching reruns of The Space Giants as a wee Samiz when visiting my Dad in Hawaii.

chitoryu12
Apr 24, 2014

PJOmega posted:

Spoiler Alert, all that security will never come up again.

In a good book, it would be a metaphor for how he's building insane walls between him and the rest of the world during his nostalgia fueled quest.

In an okay book it would at least lead to a terse moment where he has to perform some sort of task while an opponent is actively breaking through the barrier.

Instead it's weird door porn for people who wish they could poo poo out the world and just stream cartoons from their childhood for the rest of their lives.

It does come up again, but in a minor way that isn’t a big effect on the plot.

Megillah Gorilla
Sep 22, 2003

If only all of life's problems could be solved by smoking a professor of ancient evil texts.



Bread Liar
Given that the younger Samurai brother got hurled to his death, I honestly thought for sure we'd be seeing some tense moment with the Sixxers trying to get to him given that he went into such insane detail descring his armoured door.

I mean it's Chekov's Being Tossed Off A Roof in a nutshell.

But no.

It's like watching the Onion video where their Austistic reporter is on scene where someone was hit by a train:

https://www.youtube.com/watch?v=mjuVVlSgYLc&t=53s

Megillah Gorilla fucked around with this message at 05:18 on Mar 25, 2018

Samizdata
May 14, 2007

chitoryu12 posted:

I mean sure, it would probably reduce the system requirements from "impossible+2" to "impossible+1".

This is...technically...science fiction. And he has carefully avoided any technology comparisons to any RL tech, so the processors MUST be the Handwavium 9000 series, with RNA based memory systems, and those quantum entanglement based modems...

PJOmega
May 5, 2009

Gorilla Salad posted:

Given that the younger Samurai brother got hurled to his death, I honestly thought for sure we'd be seeing some tense moment with the Sixxers trying to get to him given that he went into such insane detail descring his armoured door.

I mean it's Chekov's Being Tossed Off A Roof in a nutshell.

But no.

It's like watching the Onion video where their Austistic reporter is on scene where someone was hit by a train:

https://www.youtube.com/watch?v=mjuVVlSgYLc&t=53s

Well, let's be entirely honest. Even if the sixers did come and attack Wade's hotel fort his escape would last at most a page.

"And then my escape shoot opened beneath me, dropping me and my entire rig into the subterranean garage. My car started automatically, a technological marvel only slightly less advanced than KITT, the one from the hit television show Knight Rider starting David Hasslehoff. Only this was armored with a half inch of steel plating.

It was also equipped with a state of the art satellite uplink for my rig. Of course all the interior had been removed. With the auto drive enabled I wouldn't even have to split my attention from fighting the suxorz in the Oasis. If they thought they could distract me with something as trivial as a forty man strike force they were shown to be fools. I chuckled as I was whisked to my second, even more fortified bunker. Silly IOI, I'd always keep a step ahead of them, and I'd always be in another castle.

Like Princess Peach from Mario for the Nintendo Entertainment System. Only I didn't need to be rescued by any short italians."

Only about a tenth as interesting as that vomit.

Proteus Jones
Feb 28, 2013



PJOmega posted:

Well, let's be entirely honest. Even if the sixers did come and attack Wade's hotel fort his escape would last at most a page.

"And then my escape shoot opened beneath me, dropping me and my entire rig into the subterranean garage. My car started automatically, a technological marvel only slightly less advanced than KITT, the one from the hit television show Knight Rider starting David Hasslehoff. Only this was armored with a half inch of steel plating.

It was also equipped with a state of the art satellite uplink for my rig. Of course all the interior had been removed. With the auto drive enabled I wouldn't even have to split my attention from fighting the suxorz in the Oasis. If they thought they could distract me with something as trivial as a forty man strike force they were shown to be fools. I chuckled as I was whisked to my second, even more fortified bunker. Silly IOI, I'd always keep a step ahead of them, and I'd always be in another castle.

Like Princess Peach from Mario for the Nintendo Entertainment System. Only I didn't need to be rescued by any short italians."

Only about a tenth as interesting as that vomit.

:perfect:

You have a real shot at writing RPO fanfic.

Samizdata
May 14, 2007

PJOmega posted:

Well, let's be entirely honest. Even if the sixers did come and attack Wade's hotel fort his escape would last at most a page.

"And then my escape shoot opened beneath me, dropping me and my entire rig into the subterranean garage. My car started automatically, a technological marvel only slightly less advanced than KITT, the one from the hit television show Knight Rider starting David Hasslehoff. Only this was armored with a half inch of steel plating.

It was also equipped with a state of the art satellite uplink for my rig. Of course all the interior had been removed. With the auto drive enabled I wouldn't even have to split my attention from fighting the suxorz in the Oasis. If they thought they could distract me with something as trivial as a forty man strike force they were shown to be fools. I chuckled as I was whisked to my second, even more fortified bunker. Silly IOI, I'd always keep a step ahead of them, and I'd always be in another castle.

Like Princess Peach from Mario for the Nintendo Entertainment System. Only I didn't need to be rescued by any short italians."

Only about a tenth as interesting as that vomit.

:golfclap:

Back Hack
Jan 17, 2010


PJOmega posted:

Well, let's be entirely honest. Even if the sixers did come and attack Wade's hotel fort his escape would last at most a page.

"And then my escape shoot opened beneath me, dropping me and my entire rig into the subterranean garage. My car started automatically, a technological marvel only slightly less advanced than KITT, the one from the hit television show Knight Rider starting David Hasslehoff. Only this was armored with a half inch of steel plating.

It was also equipped with a state of the art satellite uplink for my rig. Of course all the interior had been removed. With the auto drive enabled I wouldn't even have to split my attention from fighting the suxorz in the Oasis. If they thought they could distract me with something as trivial as a forty man strike force they were shown to be fools. I chuckled as I was whisked to my second, even more fortified bunker. Silly IOI, I'd always keep a step ahead of them, and I'd always be in another castle.

Like Princess Peach from Mario for the Nintendo Entertainment System. Only I didn't need to be rescued by any short italians."

Only about a tenth as interesting as that vomit.

Cline puppet account spotted.

Memento
Aug 25, 2009


Bleak Gremlin
Good news everyone!

Ernie Cline Penning A Sequel Novel To READY PLAYER ONE

:suicide:

Cassius Belli
May 22, 2010

horny is prohibited

It should be called READY PLAYER TWO and be about a 2100-era player's attempt to deal with Wade's own half-assed-1980s-worship will, and the increasing disconnect from any meaning or context in the source material.

Hate Fibration
Apr 8, 2013

FLÄSHYN!
Ernest Cline's writing about video games is so bad that I am not sure he has actually ever played a video game.

PJOmega
May 5, 2009

Proteus Jones posted:

:perfect:

You have a real shot at writing RPO fanfic.

The key is to strip any descriptors of actions. And repeat the same sentence transitions. And put everything in past tense, which I can't really do because it is so loving weird. It lays so poorly on the page.

Oh god I think I finally understand what passive versus active voice is all about. Is RPO written in passive voice?

Gnome de plume
Sep 5, 2006

Hell.
Fucking.
Yes.
If only you'd written that while 372 Pages was covering this, you could have been featured in their "Real Or Fanfiction" segment.

Zanzibar Ham
Mar 17, 2009

You giving me the cold shoulder? How cruel.


Grimey Drawer
It's a good thing the skills required to beat 80's games directly translate to one's ability to play a VR recreation of an 80's game and beat it on the first try. I guess at least it took him 3 hours so he didn't beat any speedrun world records.

nine-gear crow
Aug 10, 2013

Gnome de plume posted:

If only you'd written that while 372 Pages was covering this, you could have been featured in their "Real Or Fanfiction" segment.

Amusingly enough, I actually submitted an entry for "Fanfic Or Real" for the continuation podcast they did on Armada and had it read on an episode. Mike Nelson said it was "perfectly Clineian", and I worry that it was as much of an insult as it was a compliment. I had wrote something wretched so well that it impressed an old school connoisseur of crap.

Malachite_Dragon
Mar 31, 2010

Weaving Merry Christmas magic
"Your approval fills me with shame."

anonumos
Jul 14, 2005

Fuck it.

Samizdata posted:

Hook a brother goon up so I can save a copy to my Drive?

https://drive.google.com/file/d/0B266OPeGFR5Lc1F3MzVZWmE1S28/view?usp=drivesdk

Let me know if that doesn't work.

chitoryu12
Apr 24, 2014

quote:

When I emerged from the gate, my avatar reappeared back inside Tyrell’s office. The Voight-Kampff machine had reappeared in its original location, resting on the table beside me. I checked the time. Over three hours had passed since I’d first entered the gate. The room was deserted,save for the owl, and the security klaxons were no longer wailing. The NPC guards must have busted in and searched this area while I was still inside the gate, because they no longer appeared to be looking for me. The coast was clear.

I made my way back to the elevator and up to the landing platform without incident. And thanks be to Crom, the Vonnegut was still parked right where I’d left it, its cloaking device still engaged. I ran on board and left Axrenox, jumping to light speed as soon as I reached orbit.

As the Vonnegut streaked through hyperspace, headed for the nearest stargate, I pulled up one of the screenshots I’d taken of the red star symbol. Then I opened my grail diary and accessed the subfolder devoted to the legendary Canadian rock band Rush.

Rush had been Halliday’s favorite band, from his teens onward. He’d once revealed in an interview that he’d coded every single one of his videogames (including the OASIS) while listening exclusively to Rush albums. He often referred to Rush’s three members—Neil Peart, Alex Lifeson, and Geddy Lee—as “the Holy Trinity” or “the Gods of the North.”

Once again, I'm going to be extra critical here because Rush is one of my favorite bands. They're one of the only musical acts that I've gone Wadelike on, having listened to every single one of their songs (including their early demo tapes) and seeing them in concert in 2012.

The big red star is from the cover art of 2112.



quote:

2112’s title track is an epic seven-part song, over twenty minutes in length. The song tells the story of an anonymous rebel living in the year 2112, a time when creativity and self-expression have been outlawed. The red star on the album’s cover was the symbol of the Solar Federation, the oppressive interstellar society in the story. The Solar Federation was controlled by a group of “priests,” who are described in Part II of the song, titled “The Temples of Syrinx.” Its lyrics told me exactly where the Crystal Key was hidden:

We are the Priests of the Temples of Syrinx
Our great computers fill the hallowed halls.
We are the Priests of the Temples of Syrinx
All the gifts of life are held within our walls.


There was a planet in Sector Twenty-one named Syrinx. That was where I was headed now.

https://www.youtube.com/watch?v=AZm1_jtY1SQ

What Wade leaves out is that 2112 is actually a turning point in Rush's history. They had rapidly released three albums before this over a 2-year period, with the original drummer John Rutsey being replaced by Neil Peart shortly before their first tour to support their debut album due to his diabetes. Along with being a virtuoso drummer, Peart was a lyricist and amateur poet of sorts, and he quickly took the reins as the main songwriter to free Lee and Lifeson to focus on music. His entry marked a shift in the way Rush made music, going from a sort of high-pitched Led Zeppelin clone to elaborate progressive rock with fantasy and sci-fi lyrics.

Their third album, Caress of Steel, failed to make an impact and they had one more chance to make a successful album before they risked getting dropped by their record company and the band breaking up. It had featured a complex two-part epic, and Rush was warned that they should probably make something conventional and marketable instead of going crazy with 20+ minute songs. Rush instead did the musical equivalent of "dying as yourself" and wrote a 20 minute epic that took up the whole A side of the album. Instead of being a failure, it catapulted them to stardom and paved the way for them being one of the most successful rock bands of all time.

Wade pulls up a scan of the original album sleeve. The album was originally printed with paragraphs of prose linking each section of lyrics together.

quote:

I lie awake, staring out at the bleakness of Megadon. City and sky become one, merging into a single plane, a vast sea of unbroken grey.

The Twin Moons, just two pale orbs as they trace their way across the steely sky.


When my ship reached Syrinx, I saw the twin moons, By-Tor and Snow Dog, that orbited the planet. Their names were taken from another classic Rush song. And down below, on the planet’s bleak gray surface, there were exactly 1,024 copies of Megadon, the domed city described in the liner notes. That was twice the number of Zork instances there’d been on Frobozz, so I knew the Sixers couldn’t barricade them all.

With my cloaking device engaged, I selected the nearest instance of the city and landed the Vonnegut just outside the wall of its dome, watching my scopes for other ships.

Megadon was anchored atop a rocky plateau, on the edge of an immense cliff. The city appeared to be in ruins. Its massive transparent dome was riddled with cracks and looked as though it might collapse at any moment. I was able to enter the city by squeezing through one of the largest of these cracks, at the base of the dome.

The city of Megadon reminded me of an old 1950s sci-fi paperback cover painting depicting the crumbling ruins of a once-great technologically advanced civilization. In the absolute center of the city I found a towering obelisk-shaped temple with wind-blasted gray walls. A giant red star of the Solar Federation was emblazoned above the entrance.

I was standing before the Temple of Syrinx.

Cline here makes a fatal flaw: by including Peart's liner notes, he shows the reader the product of a much better writer within his own book.

Unrelated, I recommend picking up Ghost Rider: Travels on the Healing Road. It's Peart's memoirs of the sudden death of his daughter and wife a short time apart from one another, which he responded to by riding a motorcycle from his home in Quebec all the way down to Belize.

Megadon and the Temple of Syrinx are completely deserted. Past the obelisk-shaped supercomputers in the center of the temple, an altar with the red star sits. The whole temple goes silent as he approaches, and Wade realizes that he needs to make an offering. He puts Leopardon on the altar, but nothing happens (loving good). Looking at the liner notes again, Wade realizes where to go:

quote:

Behind my beloved waterfall, in the little room that was hidden beneath the cave, I found it. I brushed away the dust of the years, and picked it up, holding it reverently in my hands. I had no idea what it might be, but it was beautiful. I learned to lay my fingers across the wires, and to turn the keys to make them sound differently. As I struck the wires with my other hand, I produced my first harmonious sounds, and soon my own music!

Near the southern edge of the city where the atmospheric dome forms the border, Wade finds a waterfall (no really, this is almost exactly like Cline's description of finding the waterfall). Inside the cave, he notices one of the stalagmites is worn around the tip. Pushing it, a trapdoor opens in the floor of the cave.

quote:

I took an item out of my inventory, a wand that could detect hidden traps, magical or otherwise. I used it to make sure the area was clear, then jumped down through the trapdoor and landed on the dusty floor of the hidden chamber. It was a tiny cube-shaped room with a large rough-hewn stone standing against the north wall. Embedded in the stone, neck first, was an electric guitar. I recognized its design from the 2112 concert footage I’d watched during the trip here. It was a 1974 Gibson Les Paul, the exact guitar used by Alex Lifeson during the 2112 tour.

I grinned at the absurd Arthurian image of the guitar in the stone. Like every gunter, I’d seen John Boorman’s film Excalibur many times, so it seemed obvious what I should do next. I reached out with my right hand, grasped the neck of the guitar, and pulled. The guitar came free of the stone with a prolonged metallic shhingggg!

As I held the guitar over my head, the metallic ringing segued into a guitar power chord that echoed throughout the cave. I stared down at the guitar, about to activate my jet boots again, to fly back up through the trapdoor and out of the cave. But then an idea occurred to me and I froze.

James Halliday had taken guitar lessons for a few years in high school. That was what had first inspired me to learn to play. I’d never held an actual guitar, but on a virtual axe, I could totally shred.

I searched my inventory and found a guitar pick. Then I opened my grail diary and pulled up the sheet music for 2112, along with the guitar tablature for the song “Discovery,” which describes the hero’s discovery of the guitar in a room hidden behind a waterfall. As I began to play the song, the sound of the guitar blasted off the chamber walls and back out through the cave, despite the absence of any electricity or amplifiers.

When I finished playing the first measure of “Discovery,” a message briefly appeared, carved into the stone from which I’d pulled the guitar.

The first was ringed in red metal
The second, in green stone
The third is clearest crystal
and cannot be unlocked alone

I'm gonna be pedantic and note that it's not entirely sure if Lifeson used a 1974 or 1975 Les Paul on the 2112 tour depicted in All The World's A Stage, but the Rush wiki (which Cline probably would have used as his source) says 1975.

Wade returns to the temple and places the guitar on the altar. A cacophony of sound emits, like an orchestra tuning up, and the guitar transforms with a burst of light into the Crystal Key. Wade's score jumps to 353,000, putting him a thousand points ahead of Sorrento and back in first place. I have no idea how this happened since it was established before that you got more points for being the first to find a key and the High Five had been completely pushed out of the top ten by a flood of Sixers. Did playing the guitar for a hint give him extra points?

Engraved in the center of the Crystal Key's handle is a monogrammed "A", the exact same one Halliday used as his distinguishing mark as Anorak. The only place the Third Gate could be located is Castle Anorak, his impenetrable stronghold that no gunter had ever been able to enter.

Wade blasts off for planet Chthonia. He pulls up the news to see if there's any update on Parzival returning to first place, but the anchors are more interested in showing the entire Sixer army encamped around Castle Anorak with a gigantic force field surrounding it.

Well poo poo.

quote:

Several gunter clans were already on the scene, and they were making their first attempts to bring down the shield by launching high-yield nukes at it. Each detonation was followed by a brief atomic light show, and then the blast would dissipate harmlessly against the shield.

The attacks on the shield continued for the next few hours as the news spread and more and more gunters arrived on Chthonia. The clans launched every type of weapon they could think of at the shield, but nothing affected it. Not nukes, not fireballs, and not magic missiles. Eventually, a team of gunters tried to dig a tunnel under the dome wall, and that was when it was discovered that the shield was actually a complete sphere surrounding the castle, above- and belowground.

Later that night, several high-level gunter wizards finished casting a series of divination spells on the castle and announced on the message boards that the shield around the castle was generated by a powerful artifact called the Orb of Osuvox, which could only be operated by a wizard who was ninety-ninth level. According to the artifact’s item description, it could create a spherical shield around itself, with a circumference of up to half a kilometer. This shield was impenetrable and indestructible and could vaporize just about anything that touched it. It could also be kept up indefinitely, as long as the wizard operating the orb remained immobile and kept both hands on the artifact.

In the days that followed, gunters tried everything they could think of to penetrate the shield. Magic. Technology. Teleportation. Counterspells. Other artifacts. Nothing worked. There was no way to get inside.

An air of hopelessness quickly swept through the gunter community. Solos and clansmen alike were ready to throw in the towel. The Sixers had the Crystal Key and exclusive access to the Third Gate. Everyone agreed that The End was near, that the Hunt was “all over but the crying.”

During all of these developments, I somehow managed to keep my cool. There was a chance the Sixers hadn’t even figured out how to open the Third Gate yet. Of course, they had plenty of time now. They could be slow and methodical. Sooner or later, they would stumble on the solution.

But I refused to give up. Until an avatar reached Halliday’s Easter egg, anything was still possible.

Like any classic videogame, the Hunt had simply reached a new, more difficult level. A new level often required an entirely new strategy.

I began to formulate a plan. A bold, outrageous plan that would require epic amounts of luck to pull off. I set this plan in motion by e-mailing Art3mis, Aech, and Shoto. My message told them exactly where to find the Second Gate and how to obtain the Crystal Key. Once I was sure all three of them had received my message, I initiated the next phase of my plan. This was the part that terrified me, because I knew there was a good chance it was going to end up getting me killed. But at this point, I no longer cared.

I was going to reach the Third Gate, or die trying.

Let me leave you with my favorite Rush song as a palette cleanser. It's the story of a dancer and writer finding that old age now prevents them from doing what they love, with the implication that everyone will finally suffer from this. Neil Peart referenced this song when announcing his retirement due to tendinitis from so many decades of drumming, and as of January 2018 the band is officially no more.

https://www.youtube.com/watch?v=scFykNMqaws

Choco1980
Feb 22, 2013

I fell in love with a Video Nasty
First off, I like how there's literally ZERO indication that Wade knows anything about music playing whatsoever (which is, for the record, not an easy skill to just pick up like memorizing facts), but of course HE knows how to shred virtually.

Also, from the previous update, something hit me after the fact...they make a point of saying that Tyrell buildings are super common and a standard generic world building resource. If there's a voight-kampf machine gate in every single one, why did Wade choose to go to a dangerous PVP world instead of just like, setting one up on Falco or something?

Solumin
Jan 11, 2013

I wonder if Rush is aware of RPO (they have to be) and their role in it. How do they feel about their music being an important part of a nerdgasm?

Maybe it isn't a bad thing if it gets more people listening to Rush.

Samizdata posted:

I think he makes the point that places like Ludus are pretty much cookie cutter instances, so that makes the system requirements a bit lower.

That makes the resources for creating the planet lower, not necessarily the processing power. And the real issue is this undeniably complex software is the centerpiece of a ruined, Mad Max world where cities are nuked on the daily. They shouldn't have the infrastructure to run it at all. And considering the world has been like this for decades, it's not unreasonable to think their computer tech is not much more advanced than ours.

Megillah Gorilla
Sep 22, 2003

If only all of life's problems could be solved by smoking a professor of ancient evil texts.



Bread Liar

chitoryu12 posted:

quote:

James Halliday had taken guitar lessons for a few years in high school. That was what had first inspired me to learn to play. I’d never held an actual guitar, but on a virtual axe, I could totally shred.

If this was a mystery, this is the part where the detective would be going, "Hmmm, how incredibly convenient. Yet again, everything seems to have worked itself out perfectly for you."

He even had a loving guitar pick on hand :ughh:


Read the Almanac. Don't think, memorise.

How can you have a Hero's Journey when you don't go anywhere?

HackensackBackpack
Aug 20, 2007

Who needs a house out in Hackensack? Is that all you get for your money?
"I downloaded EPICSHREDZ, a virtual program that allowed my virtual avatar to rock like a god. It was like in the movie The Matrix, which came out in 1999 and isn't part of the 80s but is one of the Holy Trinities mentioned in the beginning of the book for some reason even though the other two Matrixes were firmly in the 2000s and, by all respects, were terrible.

"As soon as EPICSHREDZ configured itself to my avatar, I strummed a kickin' rad power chord.

"'I know kung-fu,' I said to myself, slyly, referencing Keeanu Reeves' line in The Matrix, which, if you think about it, I was sorta in because this is a virtual simulation and in reality I'm a hairless ape sitting in a sunless, bare apartment, wearing a VR feeback catsuit."

Reading this thread makes me want to think of ways this story could be told better. It's not a bad yarn, in and of itself. I remember reading it on a recommendation from someone when it came out. They lent me their copy and I went through it and it was like a literary bag of chips, but just plain chips. There's no flavour here, and Wade is too good at everything, so there's no tension.

Like, he gets the copper key and all of a sudden he's the most famous person in the world. The rush that comes with all of this is barely perceptible. Wade is a lonely, emotionally-stunted nerd who has no connection to the present and is obsessed with a time from 60 years ago, by the story's date. All of the demands for attention, the flood of emails and calls, the sponsorship deals, all of that should have been a flood of input that knocked him out for like a week. He handles it so coolly in the space of a couple of paragraphs, but it would have had a huge emotional and mental toll on an actual human being.

I also take issue with the main conceit of the villains in that they want to monetize the oasis and fill it was ads. First of all, it's well-established that teleport fees are an issue and that's how the oasis company makes a lot of its money. That, and selling virtual items. But, like, they also control the very thing that society runs on now. They're like Facebook on crack. This company knows everything about almost everyone in the world. How are they being presented as perfectly benign and benevolent? Maybe the old man who ran the thing and his partner are nice enough guys, but the old man is dead and the partner left the company. So, who's in charge now? Are there ads in the Oasis? Like, ones that aren't 80s Saturday morning toy commercials?

This is probably more words than this deserves. I'm a bit of a sucker for VR stories and the way that they play with the concept of perception vs. reality. I admit that I enjoyed both .hack//SIGN and Sword Art Online in that sense, but RPO just feels so empty to me.

HelloIAmYourHeart
Dec 29, 2008
Fallen Rib

Choco1980 posted:

First off, I like how there's literally ZERO indication that Wade knows anything about music playing whatsoever (which is, for the record, not an easy skill to just pick up like memorizing facts), but of course HE knows how to shred virtually.

For whatever reason, this annoyed me more than almost anything else in the book. The sexism, racism, etc, really pissed me off, but the guitar scene was just like...are you loving kidding me?

A little story about Ready Player One. Some months back I went to Adam Savage and Michael Stevens's show Brain Candy Live! (which was pretty fun although geared more to kids than adults but if you can't enjoy a giant cannon of ping pong balls getting shot into the audience you just aren't living life right.) I went and bought an overpriced bottle of water and the guy at the drink counter was reading a book. He had it all folded back so I couldn't see what it was.

Me: Ooh, whatcha reading?
Him: Ready Player One.
Me: Oh, I read that! I hated it.

Yes, I told some complete stranger that I hated the book he was right in the middle of. He asked me why and I came to my senses and did not totally go off on it, but I did say that I didn't think Ernest Cline had ever spoken to a real woman in his life.

Spark That Bled
Jan 29, 2010

Hungry for responsibility. Horny for teamwork.

And ready to
BUST A NUT
up in this job!

Skills include:
EIGHT-FOOT VERTICAL LEAP

Leofish posted:

"I downloaded EPICSHREDZ, a virtual program that allowed my virtual avatar to rock like a god. It was like in the movie The Matrix, which came out in 1999 and isn't part of the 80s but is one of the Holy Trinities mentioned in the beginning of the book for some reason even though the other two Matrixes were firmly in the 2000s and, by all respects, were terrible.

"As soon as EPICSHREDZ configured itself to my avatar, I strummed a kickin' rad power chord.

"'I know kung-fu,' I said to myself, slyly, referencing Keeanu Reeves' line in The Matrix, which, if you think about it, I was sorta in because this is a virtual simulation and in reality I'm a hairless ape sitting in a sunless, bare apartment, wearing a VR feeback catsuit."

I'm almost certain that this is what Wade meant when he said he knew how to "virtually shred". Like he never needed to play, because he could run a program that could play it for him.

Leofish posted:

Reading this thread makes me want to think of ways this story could be told better.

I'm sure there are like ten novels you could write about the concepts that Cline leaves out of this novel.

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Chef Boyardeez Nuts
Sep 9, 2011

The more you kick against the pricks, the more you suffer.
The youth being literally forced to exist entirely within the confines of recycled Boomer nostalgia, for one.

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