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Liquid Communism
Mar 9, 2004

коммунизм хранится в яичках
Oh no, BiTD will have to move to one of the other dozens of social networking sites clamoring for users.

Clearly the end of the world.

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ElGroucho
Nov 1, 2005

We already - What about sticking our middle fingers up... That was insane
Fun Shoe
I can't believe g+ was still even around, I thought it died 8 years ago

Lmao at anybody using it

Nuns with Guns
Jul 23, 2010

It's fine.
Don't worry about it.

ElGroucho posted:

I can't believe g+ was still even around, I thought it died 8 years ago

Lmao at anybody using it

It was pretty apropos for the tabletop rpg community to choose the social network built around small cliques incestuously cross-pollinating the same information endlessly though.

neaden
Nov 4, 2012

A changer of ways
Greg Stafford died. One of my favorite RPG creators of all time.

Cessna
Feb 20, 2013

KHABAHBLOOOM

neaden posted:

Greg Stafford died. One of my favorite RPG creators of all time.

Oh, no...

Mors Rattus
Oct 25, 2007

FATAL & Friends
Walls of Text
#1 Builder
2014-2018

RIP Stafford. Go kick Joe Campbell’s rear end.

Jeffrey of YOSPOS
Dec 22, 2005

GET LOSE, YOU CAN'T COMPARE WITH MY POWERS

DigitalRaven posted:

A "service" with an unusable UI, a massive loving security hole, and an active, thriving population of "people" engaged in actual criminal harassment campaigns that drove people from their homes and off the internet entirely. You may want to categorise the last as "a couple of grogs", but I have no time for your mealy-mouthed bullshit.
This describes like, every website, including this one.

Kibner
Oct 21, 2008

Acguy Supremacy

neaden posted:

Greg Stafford died. One of my favorite RPG creators of all time.

I'm so sad. :(

Reene
Aug 26, 2005

:justpost:

God drat that's a bummer.

Trustworthy
Dec 28, 2004

with catte-like thread
upon our prey we steal
Gods dammit. :smith:

Arivia
Mar 17, 2011

Jeffrey of YOSPOS posted:

This describes like, every website, including this one.

lol did you get quoted in grogs.txt sometime and it made you mad

That Old Tree
Jun 24, 2012

nah


DigitalRaven posted:

A "service" with an unusable UI, a massive loving security hole, and an active, thriving population of "people" engaged in actual criminal harassment campaigns that drove people from their homes and off the internet entirely. You may want to categorise the last as "a couple of grogs", but I have no time for your mealy-mouthed bullshit.

I couldn't speculate on the sociological reasons, but the fact of the matter is that the permissive-to-a-fault platforms are the ones where lots of good communities have made their homes, and it's sad they're being torn apart. It's never a given that those communities can transplant themselves, not even to other overly permissive platforms. I don't think this will make nearly as much of a difference to the shitheads as it will to the indie RPG scene. While there's no room to minimize the harm that people like Zak and Pundit do, I think it's a little hard to be morally censorious of people bemoaning the loss of a platform when posting on Something Awful or tweeting on Twitter or browsing Reddit, even if you never go to GBS or Kotaku in Action or follow Mike Cernovich.

Warthur
May 2, 2004



neaden posted:

Greg Stafford died. One of my favorite RPG creators of all time.
As I said to a friend when explaining the significance of his death: "everything you like in RPGs which can't be traced directly back to D&D or D&D-like playstyles is something which Greg either invented or influenced".

Bedlamdan
Apr 25, 2008

Arivia posted:

lol did you get quoted in grogs.txt sometime and it made you mad

I mean we've had the owner of our own site saying "friend of the family friend of the family friend of the family" over and over as if it were high comedy on his own podcast just last week. You can excoriate another platform for being passively involved in lovely things, sure, but then maybe don't give the lovely things that either go on or have went on here a free pass just because you feel a tribal investment in a single subforum?

Something Awful and Google+, as far as I understand them, are still social media platforms as opposed to goddamn death cults.

That Old Tree posted:

I think it's a little hard to be morally censorious of people bemoaning the loss of a platform when posting on Something Awful or tweeting on Twitter or browsing Reddit, even if you never go to GBS or Kotaku in Action or follow Mike Cernovich.

Yeah. I mean for all that tumblr is derided as being the hub for all that is social justice wario, it also allows unironic neo-nazis to post freely too, and most often people don't give a gently caress about anything and are just there for the porn blogs.

They're all their own individual little bubbles with their own cultures, mostly isolated from one another.

Also RIP glorantha man, may flights of weird duck-men quack thee to thy rest.

Plutonis
Mar 25, 2011

That Old Tree posted:

I couldn't speculate on the sociological reasons, but the fact of the matter is that the permissive-to-a-fault platforms are the ones where lots of good communities have made their homes, and it's sad they're being torn apart. It's never a given that those communities can transplant themselves, not even to other overly permissive platforms. I don't think this will make nearly as much of a difference to the shitheads as it will to the indie RPG scene. While there's no room to minimize the harm that people like Zak and Pundit do, I think it's a little hard to be morally censorious of people bemoaning the loss of a platform when posting on Something Awful or tweeting on Twitter or browsing Reddit, even if you never go to GBS or Kotaku in Action or follow Mike Cernovich.

That's a sensible take I agree with, yes.

Small Strange Bird
Sep 22, 2006

Merci, chaton!
If these dead gay comedy forums were to disappear, it would probably boost my productivity by about 30%. On the other hand, there's nowhere else with the same breadth of content and (relative) absence of obnoxious screaming shitheads; that combination of :10bux: and decent mods makes all the difference.

My long-dormant interest in RPGs sure as hell wouldn't have been revived if the only places I could have read and posted about them had either hairtrigger mods or were run by and for armchair fascists.

Humbug Scoolbus
Apr 25, 2008

The scarlet letter was her passport into regions where other women dared not tread. Shame, Despair, Solitude! These had been her teachers, stern and wild ones, and they had made her strong, but taught her much amiss.
Clapping Larry

neaden posted:

Greg Stafford died. One of my favorite RPG creators of all time.

Greg gave me one of my first writing gigs doing some stuff for Different Worlds.

ExiledTinkerer
Nov 4, 2009
drat shame about Stafford---a true pioneer. I can only hope he's ethereally chilling in utmost contentment with the likes of M.A.R. Barker since we all missed out on a better future that would've seen both of them live to 105 or some such while continuing to delve ever deeper as so few can.

Bieeanshee
Aug 21, 2000

Not keen on keening.


Grimey Drawer
Clearly, we need intrepid designers to go on a Heroquest to Stafford.

Meinberg
Oct 9, 2011

inspired by but legally distinct from CATS (2019)
Stacy Dellorfano of Contessa recently put out an interesting article about this year's Diana Jones Awards. The argument she makes, that the win for Actual Play comes from a not-great motivation, at first seemed a bit hard for me to swallow. I mean, Actual Plays are huge, and they're no doubt an important part of introducing the concept of tabletop gaming to the world. Then I got to "It’s an amazing coincidence, is it not, that the first year Gen Con starts running their own track of Actual Plays, advertised for all four days all over the stadium we were set up in, Actual Play also wins the Diana Jones Award?" and I definitely had to think more intensely about the subject.

Flavivirus
Dec 14, 2011

The next stage of evolution.

Meinberg posted:

Stacy Dellorfano of Contessa recently put out an interesting article about this year's Diana Jones Awards. The argument she makes, that the win for Actual Play comes from a not-great motivation, at first seemed a bit hard for me to swallow. I mean, Actual Plays are huge, and they're no doubt an important part of introducing the concept of tabletop gaming to the world. Then I got to "It’s an amazing coincidence, is it not, that the first year Gen Con starts running their own track of Actual Plays, advertised for all four days all over the stadium we were set up in, Actual Play also wins the Diana Jones Award?" and I definitely had to think more intensely about the subject.

Yeah, the Diana Jones Award feels like it jumped the shark this year. Do we know who's actually on the committee? I think James Wallis, but I don't know any of the others.

potatocubed
Jul 26, 2012

*rathian noises*
From their website:

quote:

Most of the members of the Diana Jones judging committee are anonymous, but Peter Adkison, Matt Forbeck, John Kovalic and James Wallis have all revealed their membership. New members are invited at the discretion of the existing members.

RPGs desperately need a new and better award.

Nuns with Guns
Jul 23, 2010

It's fine.
Don't worry about it.

Meinberg posted:

Stacy Dellorfano of Contessa recently put out an interesting article about this year's Diana Jones Awards. The argument she makes, that the win for Actual Play comes from a not-great motivation, at first seemed a bit hard for me to swallow. I mean, Actual Plays are huge, and they're no doubt an important part of introducing the concept of tabletop gaming to the world. Then I got to "It’s an amazing coincidence, is it not, that the first year Gen Con starts running their own track of Actual Plays, advertised for all four days all over the stadium we were set up in, Actual Play also wins the Diana Jones Award?" and I definitely had to think more intensely about the subject.

When, as dwarf74 pointed out in the chat thread, when third party services are launching competitive D&D play streams, it becomes pretty apparent that the industry-side of tabletop gaming has finally stumbled upon the realization that actual plays are free advertising and the fastest way to catapult their product to a larger audience. It'll be interesting to see how far this can be take before corporate interests overtake what was previously a pretty independent and organically-grown area of tabletop gaming.

Nuns with Guns fucked around with this message at 14:18 on Oct 17, 2018

Comrade Gorbash
Jul 12, 2011

My paper soldiers form a wall, five paces thick and twice as tall.

Nuns with Guns posted:

When, as dwarf74 pointed out in the chat thread, someone is launching competitive D&D play streams, it becomes pretty apparent that the industry-side of tabletop gaming has finally stumbled upon the realization that actual plays are free advertising and the fastest way to catapult their product to a larger audience. It'll be interesting to see how far this can be take before corporate interests overtake what was previously a pretty independent and organically-grown area of tabletop gaming.
There's a lot less money in tabletop than there is in video games, and while there's a lot to be said about corporate intrusions and co-opting in Let's Plays and streaming, corporations have not had a ton of success in dictating which streamers and LPers get attention. It's still an area where someone tends to build their popularity first and then sponsors come to them.

Mors Rattus
Oct 25, 2007

FATAL & Friends
Walls of Text
#1 Builder
2014-2018

I feel like it's kind of conspiracy theory-ish to connect the Diana Jones Award to Gencon's marketing decisions, especially since Actual Play stuff has gotten very huge, very fast, and this is the kind of thing the award does.

Like, is it really coincidence that Gencon starts doing Actual Play stuff that same year?

No, it's not coincidence, because Actual Play stuff getting really big this past year or two is why it was up for the award in the first place.

Nuns with Guns
Jul 23, 2010

It's fine.
Don't worry about it.

Comrade Gorbash posted:

There's a lot less money in tabletop than there is in video games, and while there's a lot to be said about corporate intrusions and co-opting in Let's Plays and streaming, corporations have not had a ton of success in dictating which streamers and LPers get attention. It's still an area where someone tends to build their popularity first and then sponsors come to them.

I don't expect D&D to ever make as much money as MtG, but I think Hasbro would be happy to have it make "some more money" over "pretty much no money". You caught my post before I finished double checking who was running the event and it looks like it's Encounter Roleplay, which is sponsored by D&D Beyond (WotC official actual play news service) and Fantasy Grounds. I haven't really paid attention to Encounter Roleplay before, but it looks like anyone can play in it (if you download the Fantasy Ground demo, join their discord, and make a character sheet, ideally through D&D beyond which you sign in to through your Twitch account.) Basically, it looks like the perfect little second-party soft test of the marketability of D&D.

I'm tying this back into some points Stacy Dellorfano raises in the article:

quote:

It’s hard for me, now, to see the Diana Jones Award as anything but an awkward vessel for extending Gen Con’s marketing presence. An archaic relic of a time before when people actually had to give a poo poo about the great gatekeepers - Gen Con and Dungeons & Dragons, given out by a committee that seems increasingly more interested in maintaining the status quo than they are about discovering and defending the new. The different. The dam breakers.

...

Actual Play is not new. Even professional Actual Play is not new. People were already treating the cast of various professional AP shows as celebrities at last year’s Gen Con, standing in lines to get autographs and a chance to meet their favorites. One of my friends even cosplayed one of the characters from her favorite show. And as I’ve said, ConTessa started in 2013, and I was doing APs of my own well before even that.

Actual Play does not need defense or recognition. It’s not in danger of going away anywhere anytime soon, either. It is becoming more and more out of reach for the average gamer to partake in because many shows these days have sets and crews and editors and camera people and sometimes even scripts, but it’s not going anywhere, and if the lines I saw to get autographs from the cast members of some of these shows are any indication, a whole lot of people already know about it.

Harlem Unbound, on the other hand, is new. Nearly everything about it is new. It’s literature. It’s art. It’s unexplored history. It faces racism fully and fiercely. It doesn’t apologize, it doesn’t coddle, it doesn’t conveniently ignore the racist roots of Lovecraft or horror or gaming. It was written, designed, edited, and illustrated by a diverse group of people for a diverse group of people. It’s cretors are under attack, every day, as are all marginalized creators, and not enough people know about the good work done.

Harlem Unbound needed those things, not just because the game deserved the award, which it very much did, but because the bestowing of that award is a reflection of the industry that chooses the winner. And that reflection is very ugly.

She makes an excellent point that Actual Plays didn't need any further recognition to succeed. They're doing just fine. Great, even. There's really not enough evidence to conclude it's due to any deliberate collusion between GenCon and the awards committee, but it does look like everyone is at least partially enchanted by the new potential (capital) Actual Plays bring. And yeah, at this point the marketing side is still looking at established groups for the most part and sponsoring them, but that does lead to a few issues, too. Like most of the major established groups are still pretty undiverse player-wise. They do try to make up for that in characters, but that's really not the same at all. It also brings up the question of which companies have the means to sponsor them, and what that means for which games they'll be promoting on their streams/videos/podcasts? Also, what does it mean as the demand for more professionally-produced Actual Plays grows?

In an ideal scenario, an award like this would recognize great creations like Harlem Unbound and the under-represented perspectives it brings to a wider audience. Actual Plays have that potential, too, but both are also great tools for selling the same products to more people.

Xelkelvos
Dec 19, 2012
It's kinda funny that the US is now catching up to Japan's concept of Replays which are just published transcripts (with some possible dramatization edited in) of RPG sessions. But the US's version is essentially the technologically current version of that.

Kurieg
Jul 19, 2012

RIP Lutri: 5/19/20-4/2/20
:blizz::gamefreak:

Xelkelvos posted:

It's kinda funny that the US is now catching up to Japan's concept of Replays which are just published transcripts (with some possible dramatization edited in) of RPG sessions. But the US's version is essentially the technologically current version of that.

Well... Does Record of Lodoss War count?

Plutonis
Mar 25, 2011

Kurieg posted:

Well... Does Record of Lodoss War count?

It is a Replay of a Sword World campaign, yes.

homullus
Mar 27, 2009

My two conclusions are (1) white people are more than insensitive enough to race and inequality for that to be the cause, rather than conspiracy, and (2) I need to buy Harlem Unbound.

potatocubed
Jul 26, 2012

*rathian noises*
I was looking for more information about the DJA and I discovered that last year the winner was Gen Con.

Gen Con.

The other nominees were The Beast, End of the Line, Terraforming Mars, Gloomhaven, and the Romance Trilogy, any one of which would have made a vastly superior winner.

Sage LaTorra was tweeting earlier that the DJA makes great shortlists and terrible winner decisions, and the more I look through this list the more I'm inclined to agree.

E: In 2013 Dog Eat Dog, Love Letter, Metatopia, and Playing At The World all lost out to loving Tabletop, the Wil Wheaton series.

Rand Brittain
Mar 25, 2013

"Go on until you're stopped."
I feel like people could probably guess what my standards for an industry award are, and so far none of them meet them.

Kavak
Aug 23, 2009


I have literally never heard of this award before it was posted in here.

Josef bugman
Nov 17, 2011

Pictured: Poster prepares to celebrate Holy Communion (probablY)

This avatar made possible by a gift from the Religionthread Posters Relief Fund
Wasn't Guide To Glorantha Shortlisted?

Haystack
Jan 23, 2005





It won it, in fact

RocknRollaAyatollah
Nov 26, 2008

Lipstick Apathy

potatocubed posted:

I was looking for more information about the DJA and I discovered that last year the winner was Gen Con.

Gen Con.

The other nominees were The Beast, End of the Line, Terraforming Mars, Gloomhaven, and the Romance Trilogy, any one of which would have made a vastly superior winner.

Sage LaTorra was tweeting earlier that the DJA makes great shortlists and terrible winner decisions, and the more I look through this list the more I'm inclined to agree.

E: In 2013 Dog Eat Dog, Love Letter, Metatopia, and Playing At The World all lost out to loving Tabletop, the Wil Wheaton series.

Gencon won because it was the 50th anniversary. It was also pretty controversial too, much like actual play.

Kurieg
Jul 19, 2012

RIP Lutri: 5/19/20-4/2/20
:blizz::gamefreak:
They could probably get away with giving themselves back-pat-ish awards more often if they didn't only give out one award a year.

"We're giving the Diana Jones award to Gen-Con, because without Gen-Con this wouldn't be possible." Is pretty eye rolling, but it's egregious when that's the only award they're giving out.

Sage Genesis
Aug 14, 2014
OG Murderhobo
So remember that DnDSports thing? That's already been changed, their new name is RPGSports.
https://rpgsports.tv/news/expanding-to-rpgsports/

DalaranJ
Apr 15, 2008

Yosuke will now die for you.

Sage Genesis posted:

So remember that DnDSports thing? That's already been changed, their new name is RPGSports.
https://rpgsports.tv/news/expanding-to-rpgsports/

An interesting new spin on, “we received a cease & desist”.

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Xelkelvos
Dec 19, 2012

DalaranJ posted:

An interesting new spin on, “we received a cease & desist”.

Doesn't Might seem to be the case

quote:

We’ve heard a lot of great feedback, but one thing we weren’t expecting was SO much interest for us to expand outside of just Dungeons & Dragons! Therefore, we’ve decided to broaden our approach and become RPGSports!
...
This wider umbrella means that we can position ourselves to easily collaborate with other tabletop games. What other tabletop games would you like to see in a competitive style in the future?

Of course, in other ways this doesn’t change too much. The first RPGSports tournament this November will still be played using the Dungeons & Dragons fifth edition rules. We noticed some confusion online, and so wanted to take this opportunity to clarify that this is an EncounterRoleplay production. While D&DBeyond are sponsoring this tournament, Wizards of the Coast are not affiliated with RPGSports.

We’re excited to start releasing more information on rules, to announce the star-studded teams, and to tell you how you can get involved in RPGSports!

Thanks for sticking with us while this exciting project continues to expand and grow.

At face value, there probably is interest to do this with other systems like Pathfinder 1e and Pathfinder 2e. Outside of that, they may have only just started getting the rules and stuff together and have only just now figured out that DnD 5e is a terrible system to do this with so they want to get ahead of the curve.

Edit: There is a possibility that Hasbro/WotC contacted them and told them to change the name to avoid confusion too.

Xelkelvos fucked around with this message at 15:45 on Oct 18, 2018

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