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qirex
Feb 15, 2001

After 6 months of my X100F I have just assumed that anyone who calls rangefinder-sized cameras like it "pocketable" wears stuff like this

It's still small enough that I have it with me most of the time but coming from a RX100 I always have to have a specific place to put it, especially with a lens hood. The RX I'd forget I was carrying sometimes.

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CRAYON
Feb 13, 2006

In the year 3000..

Yeah I don't think they're talking about jeans pocket. My X-E2 with grip, swiss mount and strap fits in my windbreaker jacket pocket so they're still definitely "pocketable".

CRAYON fucked around with this message at 23:41 on Nov 8, 2018

tino
Jun 4, 2018

by Smythe

qirex posted:

After 6 months of my X100F I have just assumed that anyone who calls rangefinder-sized cameras like it "pocketable" wears stuff like this

It's still small enough that I have it with me most of the time but coming from a RX100 I always have to have a specific place to put it, especially with a lens hood. The RX I'd forget I was carrying sometimes.

Well X100 is definitely small enough to carry everyday, in your bag or whatever. People who buys X100 can afford to get another GR or XF10 anyway.

SMERSH Mouth
Jun 25, 2005

powderific posted:

The D850 is an awesome camera no doubt, that's why I'm saying downgrade. There's a few reasons:
[list]

Well that makes sense then. But as someone who once considered picking up a d750 because of having a small collection of manual-focus nikkors, I'm curious: does the focus confirmation light not work well enough? I know DSLR focusing screens are piss poor for manual focusing, but I thought the user could at least depend on the confirmation light.


Edit: color science, eh? I don't really see how there are supposed to be functional differences between different brands of camera using the same sensor technology (CMOS w/Bayer filter) sensing color differently. There are differences in how they process or interpolate color computationally, but while I'm certainly not sure about anything because my understanding is so basic, it seems like you could take e.g. a Canon image processing system, read out from a Sony sensor, and get colors that have the 'Canon' look.

In fact, to my eyes it appears that most of the brand-centric talk about color science just boils down to how deep the reds are. I think that's the consistent difference I see when comparing the mass of camera brands that use Sony sensors to Canon. Maybe there is something at the ADC or sensor level that influences this because (in my experience) it's hard to get warm tones from Sony or Olympus raws to match Canon's, but for all I know that could just be due to how ACR presents the raw data. That's what DPR uses for their comparison tool, and I've never used other photo software to convert raws, so I don't have anything to compare it to.

If there is one camera company that had dramatically different 'color science' than the rest, it's Sigma. Foveon technology collects more color information per pixel.

SMERSH Mouth fucked around with this message at 01:52 on Nov 11, 2018

powderific
May 13, 2004

Grimey Drawer
It works ok but it’s cumbersome and annoying cause I can see a slightly out of focus image on the focusing screen. Focusing till everything is slightly off and a green dot lights up isn’t great. It’s a different issue from not having the microprisms and whatnot that older cameras have—if I could fine tune the position I’d be able to focus fine. I spent ages trying to get it just right on my d800 and never got it perfect.

Sauer
Sep 13, 2005

Socialize Everything!
Assuming the focus dot in Nikon's DSLRs is the same as in the F100 (Solid dot when in focus, small arrow telling you which way to turn the ring when out of focus) its annoying to use. Its just out of frame so you need to look away from whatever you're focusing on to see it.

alkanphel
Mar 24, 2004

SMERSH Mouth posted:

Edit: color science, eh? I don't really see how there are supposed to be functional differences between different brands of camera using the same sensor technology (CMOS w/Bayer filter) sensing color differently. There are differences in how they process or interpolate color computationally, but while I'm certainly not sure about anything because my understanding is so basic, it seems like you could take e.g. a Canon image processing system, read out from a Sony sensor, and get colors that have the 'Canon' look.

In fact, to my eyes it appears that most of the brand-centric talk about color science just boils down to how deep the reds are. I think that's the consistent difference I see when comparing the mass of camera brands that use Sony sensors to Canon. Maybe there is something at the ADC or sensor level that influences this because (in my experience) it's hard to get warm tones from Sony or Olympus raws to match Canon's, but for all I know that could just be due to how ACR presents the raw data. That's what DPR uses for their comparison tool, and I've never used other photo software to convert raws, so I don't have anything to compare it to.

If there is one camera company that had dramatically different 'color science' than the rest, it's Sigma. Foveon technology collects more color information per pixel.

The 'raw' files that you get from the cameras isn't truly raw either, it's already gone through their own internal processing pipeline and that's where the difference in the colors between brands come from.

Pablo Bluth
Sep 7, 2007

I've made a huge mistake.
Different brands and models also have have slightly different filters that make up the bayer arrangement. There's the engineering choice of whether to go with a narrower brand of transmission to aim for colour accuracy or opt for a wider band so you can capture more photons and improve the noise performance of your sensor. It's along this line why some sensors are more prone to IR pollution than others. Also, the ideal material for your bayer layer would have 100% transmission between your wanted frequency range and zero outside of that; think a Trapezoid-close-to-a-rectangle. In practice materials have very non-linear responses, akin to a lumpy and uneven bell-curve. So on a given sensor, the red, green and blue channels will have at least some slight difference in overall transmission efficiency; factoring this out of the end result is part of the raw processing process. The different manufactures will also have their own material preferences (which are also probably slowly evolution as they seek the holy grail of filter material) so will mean they measure slightly different ratios of R, G and B.

All this is in addition to the human element, where you ask questions such as "Do people prefer a slightly warm or slightly cool look?" which gives rise to the Faithful/Vivid/Landscape/Portrait settings cameras tend to come with.

edit:
See Figure 3 on this paper. There's also the issue that the underlying photon-to-electrical charge technology doesn't have a flat spectral response but is more efficient at some frequencies than others. Different sensors models/designs will have their own response curve.
https://www.osapublishing.org/oe/fulltext.cfm?uri=oe-23-9-12207&id=315861

The people who write RAW converters don't have access to the same information as the manufactures themselves. You have to make your own measures to figure out how to adjust the raw data. This is why something like Lightroom can never give an identical match to in-camera JPGs.

Pablo Bluth fucked around with this message at 13:23 on Nov 11, 2018

Yeast
Dec 25, 2006

$1900 Grande Latte

Pablo Bluth posted:


The people who write RAW converters don't have access to the same information as the manufactures themselves. You have to make your own measures to figure out how to adjust the raw data. This is why something like Lightroom can never give an identical match to in-camera JPGs.

I wish more people knew this.

SMERSH Mouth
Jun 25, 2005

That's all really interesting. Thanks for the link. I've only read a little bit of the abstract so far but will look closer when I get the chance. I didn't realize that filter array materials were so variable. Or that there was a potentially inverse relationship between wavelength isolation and overall light transmission. Although I've run into a basic version of the same problem when using colored lens filters for b&w film photography where, all other factors being equal, yellowish reds and bluish greens will require less exposure compensation than pure red or green.

GEMorris
Aug 28, 2002

Glory To the Order!
Did people stop having opinions on mirrorless cameras?

GATOS Y VATOS
Aug 22, 2002


Yes. :colbert:

CodfishCartographer
Feb 23, 2010

Gadus Maprocephalus

Pillbug
I got the Olympus 17mm 1.8 for my EM10ii an have been having too much fun shooting with it to post. I never want to put any other lens on this thing.

powderific
May 13, 2004

Grimey Drawer
Just got my Z6 and am a big fan so far. So that’s my mirrorless opinion.

waffle enthusiast
Nov 16, 2007



Still loving my E-M10 iviiixi. Having FOMO about full-frame. Probably should buy a macro lens soon, and maybe ditch the ez for the 12-40 f2.8.

My $.02

alkanphel
Mar 24, 2004

CodfishCartographer posted:

I got the Olympus 17mm 1.8 for my EM10ii an have been having too much fun shooting with it to post. I never want to put any other lens on this thing.

That's what you say....for now.

DJExile
Jun 28, 2007


no see all mirrorless cameras are 100% poo poo if they're not FF literally burn your crop cameras and fall in a well if it's not full frame your photos are going to be trash and you will be trash right along with it

E: here look at this absolute horrid poo poo a garbage rear end crop camera in my incompetent rear end hands did

BRW30323 by Ben Wilcox, on Flickr

trash

BRW90027 by Ben Wilcox, on Flickr

garbage

BRW20934 by Ben Wilcox, on Flickr

loving wretched

BRW30232 by Ben Wilcox, on Flickr

*flings self down bottomless pit*

DJExile fucked around with this message at 04:44 on Dec 3, 2018

pseudorandom
Jun 16, 2010



Yam Slacker

:psyduck: I'm assuming part of this is "mark IV" or something, but how is this numeral supposed to be interpreted?

DJExile
Jun 28, 2007


pseudorandom posted:

:psyduck: I'm assuming part of this is "mark IV" or something, but how is this numeral supposed to be interpreted?

I think they're making a joke there. Olympus started rapid-fire releasing new models of their 3 bodies for a bit

LiquidRain
May 21, 2007

Watch the madness!

I'm still using an X-T1. Still love it. I'll probably wait for the X-T4 to upgrade.

CodfishCartographer
Feb 23, 2010

Gadus Maprocephalus

Pillbug

alkanphel posted:

That's what you say....for now.

I'm planning on picking up the 60mm macro sometime soon since it looks like the ultimate macro lens, so I assume I'll take off the 17mm sometime around then. No promises.

pseudorandom
Jun 16, 2010



Yam Slacker

DJExile posted:

I think they're making a joke there. Olympus started rapid-fire releasing new models of their 3 bodies for a bit


I was kind of suspecting that, but I just kind of lurk this thread so I don't know poo poo about mirrorless.

I do like that it's reminding me of this line from the Hercules movie:

https://www.youtube.com/watch?v=2l7lBt7_tXc

rio
Mar 20, 2008

DJExile posted:

no see all mirrorless cameras are 100% poo poo if they're not FF literally burn your crop cameras and fall in a well if it's not full frame your photos are going to be trash and you will be trash right along with it

E: here look at this absolute horrid poo poo a garbage rear end crop camera in my incompetent rear end hands did

BRW30323 by Ben Wilcox, on Flickr

trash

BRW90027 by Ben Wilcox, on Flickr

garbage

BRW20934 by Ben Wilcox, on Flickr

loving wretched

BRW30232 by Ben Wilcox, on Flickr

*flings self down bottomless pit*

m4/3 is dead - watch my YouTube video to find out why.

GEMorris posted:

Did people stop having opinions on mirrorless cameras?

Read some Instagram comments or YouTube comments. People love to say how mirrorless is poo poo, dslrs inherently give better images and conversely that dslrs are dead. People will always have opinions because how else are they going to spend their time, trying to take good photos? Once you’ve hit your pinnacle of brick wall sharpness there just isn’t anything else to do except spew opinions online or kill yourself so yeah, there’s lots of opinions out there. Although by extension I guess maybe we are out there taking good photos...yeah that must be it.

rio fucked around with this message at 06:00 on Dec 3, 2018

DJExile
Jun 28, 2007


CodfishCartographer posted:

I'm planning on picking up the 60mm macro sometime soon since it looks like the ultimate macro lens, so I assume I'll take off the 17mm sometime around then. No promises.

There's a million out there and they can be very easily found used or refurbed. You'll love it. I've had mine going on like 7 years now

CodfishCartographer
Feb 23, 2010

Gadus Maprocephalus

Pillbug

DJExile posted:

There's a million out there and they can be very easily found used or refurbed. You'll love it. I've had mine going on like 7 years now

How do you like using it for non-macro stuff? I don't really have a dedicated portrait lens (I could technically use the Oly 40-150 for portrait stuff I suppose) and I've heard it's not bad for it, so that would be a nice double whammy.

DJExile
Jun 28, 2007


CodfishCartographer posted:

How do you like using it for non-macro stuff? I don't really have a dedicated portrait lens (I could technically use the Oly 40-150 for portrait stuff I suppose) and I've heard it's not bad for it, so that would be a nice double whammy.

It's not bad! I've done a few portraits with it and even some action in a pinch. The focus isn't the fastest but that limiter dial helps

Pablo Bluth
Sep 7, 2007

I've made a huge mistake.

rio posted:

m4/3 is dead - watch my YouTube video to find out why.
There's been a real rash of m43 obituaries lately but if my local camera club is anything to go by, it's in increasingly good health. Oldies love the low weight.

There's also a couple of Fuji shooters. Not one person has expressed an interest in Sony...

spog
Aug 7, 2004

It's your own bloody fault.

GEMorris posted:

Did people stop having opinions on mirrorless cameras?

I like Panasonic
(Quiet cause I am the only one here and I don't want to draw attention to myself.)

tino
Jun 4, 2018

by Smythe
Are you guys planning to move out of flickr? The price has done up. It's not that expensive but I would like to keep my options open.

harperdc
Jul 24, 2007

tino posted:

Are you guys planning to move out of flickr? The price has done up. It's not that expensive but I would like to keep my options open.

I’ve used Flickr since I got my first DSLR ten years ago, I had pro for a while before most of the “pro” aspects (namely storage) were moved to the free tier. I’ve just re-upped on Pro - got it on the discount, means I can keep my existing backup there in place. I guess you could look at it as ransom in a way, but I’m happy to pay for that kind of backup.

Encrypted
Feb 25, 2016

Sure there are aps-c or m3/4 mirrorless that's almost as good as full frame slrs.
But why not just go with full frame mirrorless that's better than full frame slrs? :getin:

and I guess it's also perfectly fine to use the smaller non-full frame mirrorless if you have small hands.




Actually I'm getting old or sometimes uninspired to shoot to the point I just use my phone instead, which is still not too bad.

Ethics_Gradient
May 5, 2015

Common misconception that; that fun is relaxing. If it is, you're not doing it right.

tino posted:

Are you guys planning to move out of flickr? The price has done up. It's not that expensive but I would like to keep my options open.

Old fart post coming in:

I'm definitely not renewing it (think it auto-upped for 2 years back in August though) - it's long dead as a viable community and 'interestingness' has kinda always been a worthless algorithm.

I started using it 12 years ago because at the time it was the only game in town - I think smugmug technically was an option but the name/logo, fugly design, and photo-dad vibe were really offputting to me as a uni student, and I had no interest in their pro features for selling prints or whatever. Flickr had some cool and useful communities, and when I studied overseas I actually went to some Flickr meetups, which was a great way to break the ice and meet local people with a shared interest, not to mention find out about some cool locations/events to shoot I otherwise wouldn't have known about. The stats were/are a great feature as well, was always interesting to see what people looked at, and how they found it. I think Flickr results ranked pretty well on GIS - I actually sold a photo to WSJ Magazine because the author wanted to use it for an article and reached out.

Pools/groups or whatever could be really useful and the discussion boards could be great little micro-communities - could answer questions about stuff like film cameras, lenses, etc. I still use them (via Flickrriver) when I want to look at stuff from a single lens.

Cons: Those irritating bling badges and white noise comments on photos. Flickr does have a seedy/creepy underbelly but it was very easy to ignore the existance of it. 500px and Insta have basically killed the site though, when I stumble across a community there are usually a handful of recent uploads (and mothballed discussion threads).

I've started using Instagram recently after holding out for a *long* time but it's terrible in its own, arguably worse ways. It is a much more atomised, isolated experience: I don't get any sense of community or discussion on stuff, and my feed feels like it is overrun with accounts marketing gear rental, accessories, and the like (this might be my fault for searching for gear hastags, the way I'd use a Flickr group to check out what people were doing with certain equipment). The lifestyle porn and people trying to become 'influencers' is really offputting, but easy enough to just roll my eyes and move on. It's irritating as hell to have to do that workaround to post non-phone photos.

I would happily pay for a more photographer-centred community site without all the marketing and other BS, but that internet seems to be dying off (see also: SA). I think 500px was supposed to be something like that, but from what goons and other reviews say, the stuff that does well there is not stuff I enjoy.

I am looking to get back into part-time pro work in the near future, ultimately I think I am going to have a folio site and use Instagram for current work to promote myself. As far as a community I'll probably keep on with the Dorkroom as long as it's going, although a lot of my favourite posters don't really post here no more, or don't post work (which I'm also guilty of).

Ethics_Gradient fucked around with this message at 11:55 on Dec 3, 2018

Pablo Bluth
Sep 7, 2007

I've made a huge mistake.
Instagram somehow became the best platform (because it has all the decent world-class photographers worth following) despite being a dumpster fire of small overcompressed files. It makes no sense but it is what it is.

500px is worse than Flickr. It quickly became a game to get up the popularity ranking, and never even got close to the community aspect of Flickr.

Finger Prince
Jan 5, 2007


I just use Flickr as a cloud photo repository. They make it easy to upload and organize, plus share links to albums and photos with friends and family. I guess I could use OneDrive or Google Photos (I used to use Panorama back in the day), and maybe I should? I'm not interested in any of the social media side of Flickr. But then there's the whole having to reupload everything from local copies scattered across the hard drives of multiple devices, so unless they start making it actively difficult to use for non-paid users, I'll just stick with it.

harperdc
Jul 24, 2007

Finger Prince posted:

I just use Flickr as a cloud photo repository. They make it easy to upload and organize, plus share links to albums and photos with friends and family. I guess I could use OneDrive or Google Photos (I used to use Panorama back in the day), and maybe I should? I'm not interested in any of the social media side of Flickr. But then there's the whole having to reupload everything from local copies scattered across the hard drives of multiple devices, so unless they start making it actively difficult to use for non-paid users, I'll just stick with it.

The limit of only your most recent ~1,000 photos for non-paid users was what did it for me.

And yeah. Instagram is for sharing random nonsense off of my phone with family and friends (private account and curated follows/followers), Flickr is for backing up the bigger batches of photos off of the DSLR or MILC. I'm still thinking of creating a personal site/folio once again to share photos instead of Instagram.

torgeaux
Dec 31, 2004
I serve...
Flickr is still a good deal. Hosting photos for forums, for sharing with friends and family, all very easy to do. If youve been using them for years, moving to a new site isnt trivial, and no other photo site is significantly better.

Plus, really, $50 a year is still a good deal for unlimited storage.

The silly badges and dumb comments dont matter if you limit your participation in that community. Frankly, SA is the last of the photo communities I still actively use.

DJExile
Jun 28, 2007


Yeah I've largely stuck to flickr because sharing bigger albums has always been pretty easy with it.

tino
Jun 4, 2018

by Smythe
Well I have also been a fluckr pro member since it was first offered under yahoo. My main concern is the archive aspect of the service.

I want the cloud backup service I use stay in business 40,50 years from now. I was doing offline backup of my photos but lapsed a few years ago. Plus I only have my camera photos on google photo and flickr. This wasn't a big deal until my baby was born and I started shooting way more camera photos than "real photographs".

At this point I would pay good money to flickr if they can give me a complete copy of my photos with intacted keywords. Maybe a third party aready offer that service for a fee.

qirex
Feb 15, 2001

I've become an accessory junkie. After buying my X100F specifically to avoid GAS I now have 3 neck straps, 2 wrist straps, 3 lens hoods, a couple filters and 2 new bags. Of course all those combined cost less than a single decent lens but it's still funny to experience. I've managed to avoid grips, cases, thumbrests, and release buttons so far but who knows where my illness will lead next? [probably a tripod]

I got all my straps from Simplr and DSPTCH, the best bit is they use the same 1/2" buckle connectors so I can swap them easily. I got one of the DSPTCH braided straps last weekend and I really like it, it's not as light or compact as the webbing ones but it's a lot more comfortable. I also have a DSPTCH sling strap and a Simplr M1a which are basically identical [they even cost the same] except the Simplr is easier to adjust, even by accident. If you leave your strap one length I think the DSPTCH one is better. I tried a Peak Design Slide Lite and it was nice but I didn't like how the heavier material made loops on both ends of the strap and the Leash did the same thing to a lesser degree. I imagine they're really designed for heavier cameras. Plus I think the connectors look a little goofy.

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GEMorris
Aug 28, 2002

Glory To the Order!

spog posted:

I like Panasonic
(Quiet cause I am the only one here and I don't want to draw attention to myself.)

You aren't alone, buddy

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