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Enos Cabell
Nov 3, 2004


Dumb question time again, but is there a name for the style of drumming here:

https://www.youtube.com/watch?v=ct-qa6SjRZo

I'm not very good yet, but I love playing along to that (in Rock Band anyway) and would love to find some similar stuff to build my skills on.

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Takes No Damage
Nov 20, 2004

The most merciful thing in the world, I think, is the inability of the human mind to correlate all its contents. We live on a placid island of ignorance in the midst of black seas of infinity, and it was not meant that we should voyage far.


Grimey Drawer
Don't know if it has a proper name, but I recognize that style as having lots of 16th notes snuck in between the 'main' 8th notes. Check out anything by Silversun Pickups, their drummer plays those patterns 24/7. They look really easy and simple, and they are, but playing them consistently for 5+ minutes is still really challenging (for me) :

https://www.youtube.com/watch?v=cdHJcaPNZ0g&t=23s

https://www.youtube.com/watch?v=6LSKpm5PCGg&t=20s

ogod there's so many :gonk:
https://www.youtube.com/watch?v=y2gWeCUei7k&t=30s

Jazz Marimba
Jan 4, 2012

They’re like, really late classic rock that’s also half indie, with some southern rock vibes. Some major features that stand out to me are the fuzzed out guitar, drum groove with some ghost notes on snare, and lofi vocals

You’ll prolly like:

Have You Ever Seen The Rain by Creedence Clearwater Revival (classic rock, some southern rock vibes. hella fuzz on the guitar)

Hold On by Alabama Shakes (southern rock, distortion on guitar, kinda lofi vocals)—side note, this drum part is HELLA fun

Interstate Love Song by Stone Temple Pilots (indie rock/grunge, drum groove with ghost notes on snare)

Hey Joe by Jimmy Hendrix (classic rock, fuzzed guitar, ghost notes on snare, lofi vocals)

Enos Cabell
Nov 3, 2004


Thanks guys, that's some good stuff to work through. Somehow I'd made it this long without checking out Alabama Shakes too, so that was something of a revelation.

I also found this isolated drum track from Love Spreads, something about those ghost snare notes and the bass drum beats just tickles my brain in all the right ways.

https://www.youtube.com/watch?v=2iePKcrATSA

Bonzo
Mar 11, 2004

Just like Mama used to make it!
Now if you want to speed it up a little, try this.

https://www.youtube.com/watch?v=kfjXp4KTTY8

You can also get a good look at his hands too. If you get good at this type of groove you can now play in just about any blues cover band.

EDIT: If you want to adjust the difficulty level, play a shuffle on the ride instead of quarter notes.

https://www.youtube.com/watch?v=PZOImlLjhqY

Bonzo fucked around with this message at 21:39 on Oct 25, 2019

Takes No Damage
Nov 20, 2004

The most merciful thing in the world, I think, is the inability of the human mind to correlate all its contents. We live on a placid island of ignorance in the midst of black seas of infinity, and it was not meant that we should voyage far.


Grimey Drawer

Enos Cabell posted:

something about those ghost snare notes and the bass drum beats just tickles my brain in all the right ways.

*Chad Smith has logged on to the chat*

https://www.youtube.com/watch?v=Sqx0BZEEoOU

Mister Speaker
May 8, 2007

WE WILL CONTROL
ALL THAT YOU SEE
AND HEAR
So I'm entertaining the idea of getting another compact drum kit. Last time I posted ITT I think I was talking about having just bought the Ludwig Breakbeats kit, which I actually liked a LOT. Unfortunately in my impulsivity and desire for something even more 'travel-ready' I traded it for a Traps A400, a folding kit that's just heads on rims mounted to a frame. I played it a couple of times but now it sits in my hallway, behind a bicycle I also never use, gathering dust.

I recently browsed around and it looks like there are some new players in the game, like this little guy. I would also not be opposed to getting back that Breakbeats kit, or the SONOR Martini kit I was originally after. Thoughts? Is that Pearl Traveler kit hot garbage compared to something like the Breakbeats or Martini, am I gonna regret not having toms or will it get me playing outside? Am I just being stupid and impulsive again, should I bust out the Traps and see if I can actually get back to enjoying it? Should I say gently caress it all and just get a practice pad kit as I am no doubt entirely covered in rust after all this time away from the skins?

Takes No Damage
Nov 20, 2004

The most merciful thing in the world, I think, is the inability of the human mind to correlate all its contents. We live on a placid island of ignorance in the midst of black seas of infinity, and it was not meant that we should voyage far.


Grimey Drawer
I've never played on a compact/portable kit so I can't compare quality, but in general you can do a WHOLE LOT with just a bass, snare and hihat. Obviously you won't have as many different sounds to work with, but you can still combine rhythms and dynamics endlessly between those 3.

The Japanese prog/math/? band Te has just a floor tom and one cymbal besides that and it might as well be a full kit for how well he uses it all.

https://www.youtube.com/watch?v=GFpmJpVPVe4

e:
Well now I'm falling down a Youtube rabbit hole of Te videos, which is hard to do because their name is a pain in the rear end to google for :mad:

But if you really want to be compact, you don't even really need to pack a throne :haw:
https://www.youtube.com/watch?v=-C2Zsj3FSYs

And drum porn of the above song because why not
https://www.youtube.com/watch?v=34qSuiH5cX0

Takes No Damage fucked around with this message at 07:59 on Oct 31, 2019

New New Fresh
May 26, 2013

Earlier this year I had a gig to fly to on the other side of the continent and because I'm stubborn I decided to build a four piece kit that I could take with me.





It's a 10x8 rack, 13x9 floor, and 16x10 kick with a 14x5.5 snare all fitting together in a 16x16 floor tom case. Between this, a bag of lightweight hardware, and a cymbal bag, it's possible to be your own roadie and take everything in one trip (if you don't mind hauling 100 lbs).

PosteriorChain
May 31, 2015
Last week I kinda sorta broke the DW 7000 double pedal that my kit I got from Craigslist had included. I decided to switch to the Pearl P932 Demonator based on a lot of reviews saying it was the best pedal in $200ish price range. The pedals seem solid and overall I'm happy with the purchase so far, but my problem is that I'm having a ton of trouble getting used to them.

I've been playing for about 4 months so I'm certainly no expert but previously I could do 16th note triplets pretty well at 90 BPM. On the new pedals I just feel like I have no control, and even dropping down to 70-75 BPM I'm struggling to keep the 16th triplets consistent. I've been constantly fiddling with the beater angle/footboard height and spring tension but haven't found the sweet spot yet. It's bumming me out cause I was excited to practice with them this weekend but I ended up just tinkering with the settings the whole time, to no avail.

I'm not sure exactly what I'm asking here but I guess I'm just looking for any advice on switching to new pedals and how to find the settings that work for you. I suppose the thing to do would be to drop the BPM considerably and work back up but I'm curious to hear about others' experiences with this. Also - anyone have the Demonators specifically and have any advice on your settings?

PosteriorChain
May 31, 2015
Double post - after some Youtubing, I shifted the footboard back to shorten it and moved the beaters down a bit. Those two changes made a huge difference and now I'm slowly cranking up the tension. Crazy how drumming involves all these small changes to get things positioned optimally for everyone's individual tastes. The tinkering is all part of the fun.

I Might Be Adam
Jun 12, 2007

Skip the Waves, Syncopate
Forwards Backwards

Years ago I bought a new ride stand that was really great but it had a weird tension on the cymbal itself I wasn’t used to. I had been over tightening it and making the ride more rigid that I was used to and for like 2 months, I had finger pain. Once I solved that, never experienced it again. Drum angles and feels make all the difference.

Takes No Damage
Nov 20, 2004

The most merciful thing in the world, I think, is the inability of the human mind to correlate all its contents. We live on a placid island of ignorance in the midst of black seas of infinity, and it was not meant that we should voyage far.


Grimey Drawer
I always worry about looking like a huge drama queen whenever I adjust a drum or cymbal like .5 inches but dammit it makes a big difference <:mad:>

timp
Sep 19, 2007

Everything is in my control
Lipstick Apathy

I Might Be Adam posted:

Years ago I bought a new ride stand that was really great but it had a weird tension on the cymbal itself I wasn’t used to. I had been over tightening it and making the ride more rigid that I was used to and for like 2 months, I had finger pain. Once I solved that, never experienced it again. Drum angles and feels make all the difference.

Takes No Damage posted:

I always worry about looking like a huge drama queen whenever I adjust a drum or cymbal like .5 inches but dammit it makes a big difference <:mad:>

Absolutely true. It just makes good sense to make a tiny lil change to something external compared to how difficult it is to change something internal (your technique, your habits, muscle memory, etc). You adjust those clamps and elbows!

Bonzo
Mar 11, 2004

Just like Mama used to make it!
When memory clamps came out in the 80s they were awesome and saved lots of time setting up for a gig.

Toxic Mental
Jun 1, 2019

I have found the holy grail of bad drumming videos

https://www.youtube.com/watch?v=3AjozROk7xg

Takes No Damage
Nov 20, 2004

The most merciful thing in the world, I think, is the inability of the human mind to correlate all its contents. We live on a placid island of ignorance in the midst of black seas of infinity, and it was not meant that we should voyage far.


Grimey Drawer
:stare:

He looks really stiff and awkward, but he's got enough gear that this seems like more than just an occasional hobby for him. He stays pretty much on beat, but has like no articulation in his wrists or hands at all, he's playing with his elbows. I'm trying to imagine the combination of experience that results in... THIS, but I'm struggling to do so.

Also, not his fault, but boo on Prince for not playing the full 7 minute version of the song :v: The drums were simple enough that I actually tried to chart it out by ear and covered it myself a few years ago. It's kinda fun to play a song so simple you can really listen to the rest of it while still playing your part.

https://vimeo.com/215107585
https://vimeo.com/215107585

e: Rewatching this and wow my left pinkie just goes on a journey huh :blush:

Takes No Damage fucked around with this message at 22:34 on Nov 6, 2019

BDA
Dec 10, 2007

Extremely grim and evil.

Toxic Mental posted:

I have found the holy grail of bad drumming videos

https://www.youtube.com/watch?v=3AjozROk7xg

Disappointed that he didn't use that overhead drum as part of his last-chord fill. I figured it was his money shot drum but I guess it's just ornamental.

Takes No Damage
Nov 20, 2004

The most merciful thing in the world, I think, is the inability of the human mind to correlate all its contents. We live on a placid island of ignorance in the midst of black seas of infinity, and it was not meant that we should voyage far.


Grimey Drawer
I might have figured something out. After squinting at that speaker in the top right for a while I'm pretty sure it's a Technics brand. Some light googling reveals

https://www.technics.com/us/products/c700/sb-c700.html posted:

Technics’ newly developed flat coaxial two-way speaker unit combines a tweeter for high frequencies and a woofer for mid-range and bass. Because the tweeter is at the center of the woofer, the speaker acts as a point sound source, providing a coherent, integrated sound across the frequency range, without directional anomalies. As a result, the Technics Speaker System deliver a live superb soundstage focus, excellent imaging and the ambience required to deliver the ‘live music’ experience.

I think we might have an audiophile on our hands, which would explain the huge kit but complete lack of finesse or technique. Also is that a novelty giant drumstick I spy?



e:
The more I watch this the worse it gets, it's like a cursed Magic Eye for percussion. Look at the bass drum beater. Look at it. Look at where it is :gonk:

I Might Be Adam
Jun 12, 2007

Skip the Waves, Syncopate
Forwards Backwards

This video has made me upset. It’s painful to watch. Those dual crash reaches just look so uncomfortable. Its like when a cymbal/drum stand starts to walk away during a gig and there’s nothing you can do until the song ends but it’s this dudes whole kit and he wants it that way.

Bonzo
Mar 11, 2004

Just like Mama used to make it!

Toxic Mental posted:

I have found the holy grail of bad drumming videos

https://www.youtube.com/watch?v=3AjozROk7xg

Hope that guy has benefits because he's going to have carpal tunnel like wouldn't believe.

kumba
Nov 8, 2003

I posted my food for USPOL Thanksgiving!

enjoy the ride

Lipstick Apathy
needs more CRTs imo

CanadianSuperKing
Dec 29, 2008
Question about electronic drums! I have a Roland TD-11k stock kit and I’ve come across a CY-12r/c cymbal at a good price used. I want to replace my CY-8 ride with the CY-12r/c and move the CY-8 to the crash-2 port. Some people online say that it works with the TD-11 but I don’t see the option under pad settings for the 12RC. I see the 12C and 13R. What pad settings would I use? Can anyone confirm that it works as a three zone ride on the TD11k?

Jazz Marimba
Jan 4, 2012

While we’re talking about e-kits, anyone know if Roland does black Friday sales? I’m looking at the KT-10 to augment my SPD-SX but don’t wanna drop 200$-300$ on a new one

I Might Be Adam
Jun 12, 2007

Skip the Waves, Syncopate
Forwards Backwards

Is there anyone here who went from acoustic kit to e-kit and liked it? Don’t get me wrong, I’ve played on several e-kits and most importantly a roland kit at a church that was very nice even though it wasn’t top of the line but drat, I couldn’t get over the feel of them compared to an acoustic kit. Even the roland mesh heads while being fun to do effortless fills in just didn’t feel good compared.

AndrewP
Apr 21, 2010

I Might Be Adam posted:

Is there anyone here who went from acoustic kit to e-kit and liked it? Don’t get me wrong, I’ve played on several e-kits and most importantly a roland kit at a church that was very nice even though it wasn’t top of the line but drat, I couldn’t get over the feel of them compared to an acoustic kit. Even the roland mesh heads while being fun to do effortless fills in just didn’t feel good compared.

I haven't played an acoustic set in probably 10 years due to living situations. You get used to them. Speaking of which...

I tried with this Alesis Strike kit. I really tried. I originally bought it new two years ago because of the value - four cymbals, four huge toms, module sounded more realistic than anything Roland had out because it used real samples, all for the price of a mid-tier Roland set.

I just gave up and bought a ten year old TDW-20 module. The Alesis sounds may be more realistic in a recording, but there's a reason Roland does it the way they do it and it has to do with playability. Hi-hats have always sucked on the Strike, but they're a drat dream on the Roland. Just perfect responsiveness and dynamics. Same with the rest of the kit. They may sound more electronic, a little less advanced, but they also just have that classic punchy Roland sound that makes them feel better to actually *play*.

Not only that but the idiots designed the toms/snare so that the pressure pad that the piezo is on starts to crack. They evidently fixed this but I have an earlier one and I'm out of warranty. I can already see it start to happen on my snare.

Bottom line, just buy a drat Roland.

I Might Be Adam
Jun 12, 2007

Skip the Waves, Syncopate
Forwards Backwards

I guess maybe a roland kit with live cymbals would be somewhat acceptable bc the cymbals were always the worst part for me but at that point it doesn’t make any sense.

Vino
Aug 11, 2010

CanadianSuperKing posted:

Question about electronic drums! I have a Roland TD-11k stock kit and I’ve come across a CY-12r/c cymbal at a good price used. I want to replace my CY-8 ride with the CY-12r/c and move the CY-8 to the crash-2 port. Some people online say that it works with the TD-11 but I don’t see the option under pad settings for the 12RC. I see the 12C and 13R. What pad settings would I use? Can anyone confirm that it works as a three zone ride on the TD11k?

I want to do pretty much this same exact thing so please report how it works out for you.

AndrewP
Apr 21, 2010

I Might Be Adam posted:

I guess maybe a roland kit with live cymbals would be somewhat acceptable bc the cymbals were always the worst part for me but at that point it doesn’t make any sense.

There are good e-cymbals but you gotta spend a lot. Is it the sound or the feel you don't like?

Vino posted:

I want to do pretty much this same exact thing so please report how it works out for you.

https://www.youtube.com/watch?v=eKFJM8vZphA

According to this the CY-13R works. So I would think the 12R/C would.

I Might Be Adam
Jun 12, 2007

Skip the Waves, Syncopate
Forwards Backwards

AndrewP posted:

There are good e-cymbals but you gotta spend a lot. Is it the sound or the feel you don't like?

Pretty much both. Maybe those weird mesh cymbals would be good? Haven’t tried those.

MockingQuantum
Jan 20, 2012



Asking this here since I'm not sure if there's a better place to ask:

I recently joined a local taiko group, and I'm looking to improve my playing in general. I've got some taiko-specific practice drills, but are there any good resources I should check out that would help me improve at things like playing polyrhythms, hand independence, rhythmic accuracy and sightreading, and quickly and accurately switching between different complex rhythmic phrases (not sure if there's a term for that)? Ideally it'd be something that's either sort of drum-agnostic, or easily transferable between different instruments, but if like the best option is grabbing some drumsticks and a practice pad and drilling rudiments or something, I'm not averse to that.

Jazz Marimba
Jan 4, 2012

MockingQuantum posted:

Asking this here since I'm not sure if there's a better place to ask:

I recently joined a local taiko group, and I'm looking to improve my playing in general. I've got some taiko-specific practice drills, but are there any good resources I should check out that would help me improve at things like playing polyrhythms, hand independence, rhythmic accuracy and sightreading, and quickly and accurately switching between different complex rhythmic phrases (not sure if there's a term for that)? Ideally it'd be something that's either sort of drum-agnostic, or easily transferable between different instruments, but if like the best option is grabbing some drumsticks and a practice pad and drilling rudiments or something, I'm not averse to that.

Great explanation on how to play any polyrhythm. I do this but in a line on graph paper so it’s a closer approximation of reading sheet music

CanadianSuperKing
Dec 29, 2008

Vino posted:

I want to do pretty much this same exact thing so please report how it works out for you.

Well it works! I plugged the 12R/C in the ride and RDB ports and moved the CY-8 to the Crash-2. I set the pad settings for a 13R for the ride and it worked just fine!

MockingQuantum
Jan 20, 2012



Jazz Marimba posted:

Great explanation on how to play any polyrhythm. I do this but in a line on graph paper so it’s a closer approximation of reading sheet music

This is great, I've kind of intuited some of what he talks about over the years but it's a much cleaner explanation than I had in my head.

Vino
Aug 11, 2010

CanadianSuperKing posted:

Well it works! I plugged the 12R/C in the ride and RDB ports and moved the CY-8 to the Crash-2. I set the pad settings for a 13R for the ride and it worked just fine!

Nice thanks for keeping me up to date man!

Takes No Damage
Nov 20, 2004

The most merciful thing in the world, I think, is the inability of the human mind to correlate all its contents. We live on a placid island of ignorance in the midst of black seas of infinity, and it was not meant that we should voyage far.


Grimey Drawer

MockingQuantum posted:

This is great, I've kind of intuited some of what he talks about over the years but it's a much cleaner explanation than I had in my head.

Also pick up a copy of the official percussion bible, Stick Control. It's written with the snare drum in mind, but 90% will transfer to any other drum as well. It starts off at the very beginning with LRLR patterns, but soon enough you'll be playing paradiddle phrases with mixed triplets and sixtuplets.

If you want to focus specifically on syncopation there's Progressive Steps to Syncopation for the Modern Drummer, which has a very similar style to Stick Control in that it's just tons of rudiments and pattern variations.

They would both definitely help in being able to quickly identify notes and recognize common rhythmic patterns. Looks like you could pick up the pair on Amazon used for about 5bux.

havelock
Jan 20, 2004

IGNORE ME
Soiled Meat
Any suggestions for an electronic setup for a kid? He's shown some interest, but not enough to justify a big investment at this point. I'd rather just have something decent available for him to experiment with. What do these things tend to cost?

Bonzo
Mar 11, 2004

Just like Mama used to make it!
Best Buy sells some Yamaha kits that are basic but not horrible.

Takes No Damage
Nov 20, 2004

The most merciful thing in the world, I think, is the inability of the human mind to correlate all its contents. We live on a placid island of ignorance in the midst of black seas of infinity, and it was not meant that we should voyage far.


Grimey Drawer
Any general recommendations for a single ~100$ USB microphone for recording an entire kit? Right now I'm just using a Tascam DR-05 suspended above my head on an extra boom stand and it works "okay" for what I'm doing, but it doesn't have USB pass-through and will only record to its internal memory, forcing me to mount it as storage to copy the files over to a PC. My goal is to get something USB that I can plug into a Raspberry Pi and just record with Audacity or something.

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Enos Cabell
Nov 3, 2004


RIP Neil Peart :cry:

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