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chitoryu12
Apr 24, 2014



Chapter 1: Passenger for Flight 154

quote:

The man who entered the airport washroom had light hair, cut neatly to collar length. Stocky, and around five feet three inches in height, he wore crumpled jeans, a T-shirt and sneakers. A trained observer would have particularly noted the piercing light blue eyes, above which thin brows arched in long curves that almost met above the slim nose.

The man's face was thin in comparison with his body, and the complexion a shade dark in contrast to the colour of the hair. He carried a small brown suitcase, and, on entering the washroom, walked straight towards one of the cubicles, stepping carefully past a dungareed cleaner who was mopping the tiled floor with a squeegee, though without enthusiasm.

Were you expecting enthusiasm from an airport janitor?

quote:

Once inside, the man slid the bolt and placed the suitcase on the lavatory seat, opening it to remove a mirror which he hung on the door hook before starting to strip as far as his white undershorts. Before removing the T-shirt, he slid his fingers expertly below the hairline at his temples, peeling back the wig to reveal close-cropped natural hair underneath.

With a finger and thumb he grasped the corner of his left eyebrow and pulled, as a nurse will quickly rip sticking plaster from a cut. The slim eyebrows disappeared — together with what seemed to be some of the flesh — leaving black, untrimmed, thick lines of natural hair in their place.

The man worked like a professional — with care and speed, as though he was trying to beat a clock. From the suitcase he took a canvas corset, wrapping it around his waist, pulling tightly at the lacing, giving the immediate twin effect of slimming the waistline, and an illusion of more height. Within a few seconds the latter illusion was strengthened.

Carefully folding the jeans and T-shirt, the man pushed his socks into his abandoned sneakers, and pulled on a new pair of dark grey socks, followed by well-cut lightweight charcoal grey trousers and black slip-on shoes, into which were built what actors call 'lifts': adding a good two inches to his normal stature.

Holy poo poo, it's Tom Cruise!

quote:

Adjusting the mirror on the door, he now donned a white silk shirt, and knotted a pearl grey tie into place, before opening an oblong plastic box that had been lying — held in place by the shoes on either side — directly beneath the corset, socks, trousers and shirt, in the suitcase.

The plastic box contained new components for the man's face. First, dark contact lenses, and fluid, to change those distinctive light blue eyes to a deep, almost jet, black. Next, he inserted small, shaped foam rubber pads into his cheeks which fattened the face. While they were in place he would not be able to eat or drink, but that mattered little compared with achieving the desired effect.

The piθce de rιsistance was a tailor-made short beard and moustache, sculpted from real hair on to an invisible, adhesive, Latex frame — genuine bristles overhanging the flexible frame which, when he set it correctly in place on his chin and lower lip, gave the impression of complete reality, even at very close range. The beard had been made specially, in New York, by an expert who dubiously claimed distant kinship with the famous nineteenth-century Wagnerian singer, Ludwig Leichner, inventor of theatrical greasepaint.

Ludwig Leichner was an opera singer and student of chemistry in the new gaslight era of theatre. While theatrical makeup was originally a set of garishly colored powders to create exaggerated faces that could be easily seen under candle or lantern light, the invention of bright gas lighting brought 19th century theatre into stark relief even to the back rows. In 1873, Leichner established a cosmetics company in Berlin selling grease-based makeup that could be easily applied and kept from running on a sweaty face. It still created an exaggerated appearance by modern standards, but it was less messy and clownish than the 18th century product and could be applied with some more subtlety.

quote:

The man smiled at the unfamiliar face now looking back at him from the mirror, completing the new picture with a pair of steel-framed, clear-glass lensed, spectacles. Leichner's unproven relative apart, the unrecognisable person looking out from the mirror was a make-up expert and disguise artist in his own right. It was part of his stock-in-trade — probably the least lethal part — and he had studied under top men and women in Hollywood, as well as being almost encyclopaedic in the personal knowledge he had culled from all the famous works, such as Lacy's Art of Acting, the anonymous Practical Guide to the Art of Making Up, by 'Haresfoot and Rouge', and the other standard works by Leman Rede, C. H. Fox, and the great S. J. A. Fitzgerald.

Not sure how practical the Practical Guide to the Art of Making Up would be for him, considering that the book was over a hundred years old by the time this takes place.

quote:

Now he closed the oblong box, removed a jacket, which matched the trousers, from the case, filled his pockets with an assortment of items — wallet, passport, travel documents, handkerchief, loose change and notes — and took a final look at himself in the mirror. He then packed everything with extreme care, clipped a gold digital watch around his left wrist and removed a final item from a pocket in the lid — a tightly fitting cover, which, when slipped into place over the suitcase, gave it an outer skin: changing the colour from brown to a glossy black. Lastly, he closed up, slid the new skin around the case, and spun the numbered safety locks.



By 1980, digital watches had become an everyday item thanks to cheap electronics and LCD displays. A legitimately gold watch would still be as expensive as any gold watch, but a regular digital watch could be had for the equivalent of $30 or less.

quote:

Taking a final look around, the man checked his pockets and left the cubicle, completely unrecognisable as the person who had entered. He walked straight to the exit, then out, across the concourse, to the check-in desk.

Inside the washroom, the man who had been engaged in swabbing the tiled floor, leaned his squeegee against the wall and left. He also headed across the concourse, passing close to the check-in desk, and going to a door marked Private, which he unlocked with a personal key. Inside the small room there was a table, chair and telephone.

As the man with a new face was preparing to board Aer Lingus flight EI 154 from Dublin to London, Heathrow, the insignificant-looking cleaner was speaking rapidly into the telephone. The time was shortly before eight forty-five a.m.

Wait, that's all we get for the first chapter? gently caress that, let's do the second one!

Chapter 2: Thoughts in a Surrey Lane

quote:

James Bond changed down into third gear, drifted the Saab 900 Turbo into a tight left-hand turn, clinging to the grass verge, then put on a fraction more power to bring the car out of the bend.

He drifted a what now

quote:

He was driving through a complicated series of country lanes — backdoubles as London cabbies would call them — following a short cut through the hedges, rolling fields and cathedral arches of trees threading the byways of Surrey. It was a cross-country route that would, finally, take him on to the Guildford by-pass and a straight run, on good roads, into London.

Bond was travelling much too fast. A glance at the head-up display of digital instruments, reflected in the windshield of this personalised Saab, told him the machine was touching seventy miles per hour. Decidedly dangerous for this kind of secondary road. The motor howled as he changed down again, then accelerated through a series of S-bends. Gently common sense took over, and Bond applied a touch to the brakes, reducing speed to a more realistic pace. He still, however, remained hot and angry.

Already that evening he had made the same journey, in the opposite direction, to his recently acquired and newly decorated country cottage. Now on this beautiful Friday evening in early June, he was driving at breakneck speed back to London.

Not only has Bond traded his Bentley for a Saab, he's moved out of London to a cottage in Surrey! What other changes could have been made to Bond over the years?

quote:

The week-end had been planned for some time, and, as the builders and decorators had just moved out, this was to have been his first free week-end at the cottage. Furthermore, he had planned to spend it with a girl friend of long standing — an agile, superbly nubile blonde he had known — as Bill Tanner, M's Chief-of-Staff put it — 'on and off for years'. The fact that she lived only six miles or so from the cottage had greatly influenced Bond's purchase. On that Friday, he had completed a mound of paperwork in record time, not even leaving the office for lunch, so that he could get out of the hot chaos of London traffic in good time, before the normal Friday evening snarl-up began.

Well, at least that's no different.

quote:

The countryside was at its best; the mixed fragrance of a perfect summer filtering into the car, bringing with it a sense of well-being and contentment — something rare for Bond these days.

James Bond was not a superstitious man, but, as he neared the cottage that evening, he had noticed there seemed to be more magpies than usual. They flew low, rolling and fluttering across the roads and lanes like black and white dice in a game of craps. Bond thought of the old adage, 'One for sorrow, two for joy'. There were a lot of single magpies swooping near the car.

On reaching the cottage, Bond put a bottle of Dom Perignon '55 on ice, knowing that it would either be magnificent or the most expensive wine vinegar he had ever tasted.

He then went into the downstairs spare room, discarded the somewhat conservative business suit, and showered, first under a scalding spray, then with ice cold water, which seemed to cut into him like needles. After drying himself with a rough towel, Bond rubbed a small amount of Guerlain's Imperial Cologne into his skin before putting on a pair of lightweight worsted navy slacks, and a white Sea Island cotton shirt. He slipped into comfortable soft leather sandals and was just clipping the old and valued gold Rolex Oyster Perpetual on to his wrist when the telephone rang.

Fleming's watch was simply a stainless steel Rolex rather than gold; I don't think it fits Bond's style to wear something as flashy as a gold watch. At least he's sticking to the lightweight worsted suits and Sea Island cotton.



Guerlain's Impιriale was the famous house's first eau de cologne, introduced in 1853 for the French Emperor Napoleon III and Empress Eugιnie. Like many of the toiletry brands covered in this series, Guerlain has since been bought by LVMH and gained some minor infamy about 15 years ago when Patricia de Nicolai, great-granddaughter of Pierre Guerlain, publicly spoke out against the company's longtime misogyny in banning women from the business of perfume and being denied the position of their in-house perfumer despite her talent purely on the basis of gender; she has since become the president of the Osmothθque, the famous French scent archive.

quote:

It was more of a purr than a ring. The red 'phone. His heart sank. Both here, at the cottage, and in his London flat off the King's Road, James Bond was required to have two telephones: one for normal use, though unlisted; and a second, red instrument — a flat, angled piece of equipment, without dial or number punches. Called, in his trade, a 'wiretap trap', this secure, sterile, unbuggable 'phone was linked directly to the building overlooking Regent's Park, known as the headquarters of Transworld Export Ltd.

Before he had even put a hand to the 'phone, Bond experienced his first flash of mild annoyance. The only reason for a call from headquarters on a Friday evening could be some kind of emergency: or a state of readiness created by M for Bond's benefit. Bond's annoyance was, possibly, heightened by the fact that, of late, many emergencies had meant sitting in a control or communications room for days at a time; or going through a complex briefing which ended with orders to abort the planned mission. Times had changed, and Bond did not like some of the political restraints placed on the Secret Service, for which he had worked with fidelity for longer than he cared to remember.

Tanner's on the other end of the line. M has requested his presence immediately, with no other information and no way to weasel out of it even on a Friday night.

quote:

As he reached the Guildford by-pass, Bond remembered the sound of disappointment in his girl friend's voice when he had telephoned to say the week-end was off. He supposed that should be some consolation — not that there was much to console Bond these days. There had even been times, recently, when he had seriously considered resigning — to use the jargon, 'go private'. Argot changes. At one time the phrase would have meant defection; but not any more.

'Changing world; changing times, James,' M had said to him a couple of years ago, when breaking the news that the ιlite Double-O status — which meant being licensed to kill in the line of duty — was being abolished. 'Fools of politicians have no idea of our requirements. Have us punching time clocks before long.'

This was during the so-called Realignment Purge, often referred to in the Service as the SNAFU Slaughter, similar to the C.I.A.'s famous Hallowe'en Massacre, in which large numbers of faithful members of the American service had been dismissed, literally overnight. Similar things had happened in Britain, with financial horns being pulled in, and what a pompous Whitehall directive called 'a more realistic logic being enforced upon the Secret and Security Services'.



The "Halloween Massacre" began in August 1977, when the CIA began sending out memos encouraging staff to retire immediately with full benefits. When this didn't pan out, over 800 staff (including hundreds of agents) were abruptly terminated.

The new CIA director, Stansfield Turner, wanted to shake up the agency. Jimmy Carter came into the presidency to find an intelligence community discredited by the Watergate scandal, controversial assassinations, and various human rights violations. Turner decided that the CIA needed to shift from human intelligence (HUMINT) operations to signal interception and scientific and technical study of other powers. The massive cut in staff caused turmoil within the agency, with staff leaving graffiti on bulletin boards and wearing anti-Turner shirts to work. As seen above, sometimes just a telegram would suffice.

quote:

'Trying to draw our fangs, James,' M had continued on that depressing day. Then, with one of those rare smiles which seemed to light up the deep grey eyes, M grunted that Whitehall had taken on the wrong man while he was still in charge. 'As far as I'm concerned, 007, you will remain 007. I shall take full responsibility for you; and you will, as ever, accept orders and assignments only from me. There are moments when this country needs a trouble-shooter — a blunt instrument — and by heaven it's going to have one. They can issue their pieces of bumf and abolish the Double-O section. We can simply change its name. It will now be the Special Section, and you are it. Understand, 007?'

And with one paragraph, Gardner establishes our new conceit: the Double-O section may be gone, but M will have none of that! Bond is just his personal badass now!

quote:

'Of course, sir.' Bond remembered smiling. In spite of M's brusque and often uncompromising attitude, Bond loved him as a father. To 007, M was the Service, and the Service was Bond's life. After all, what M suggested was exactly what the Russians had done with his old enemies SMERSH — Smyert Shpionam, Death to Spies. They still existed, the dark core at the heart of the K.G.B., having gone through a whole gamut of metamorphoses, becoming the O.K.R., then the Thirteenth Department of Line F, and now, Department Viktor. Yet their work and basic organisation remained the same — political murder; kidnap; sabotage; assassination; the quick disposal of enemy agents, either after interrogation or as acts of war on the secret battlefield.

Department V, formerly The 13th Department, was the KGB department dedicated to wet work: murder, kidnapping, and sabotage. You know, all the stuff James Bond does, but Soviet!

quote:

Bond had left M's office on that occasion in an elated mood. Yet, in the few years that had passed since, he had performed only four missions in which his Double-O prefix had played any part. A portion of his work was to kill people. It was not a facet of life he enjoyed, but he did it very well in the course of duty. There was certainly no pathological hankering after that kind of work. It was the active life that Bond missed; the continual challenge of a new problem, a difficult decision in the field, the sense of purpose and of serving his country. Sometimes he wondered if he was falling under the spell of that malaise which seemed, on occasions, to grip Britain by the throat — political and economic lethargy, combined with a short-term view of the world's problems.

Bond's four most recent missions had been quick, cut and dried, undercover operations; and, while it would be wrong to say that James Bond yearned for the danger, his life now seemed, at times, to lack real purpose.

My, my, doesn't this seem familiar?

quote:

He still kept in the peak of condition: each morning going through a rigorous workout of press-ups, leg-raising, arm and breathing exercises. There was a 'refresher' on combat and silent kills once a month, at the firm's training establishment; the weekly small arms shoot in the sophisticated electronic range far below the Regent's Park headquarters; and the monthly all-weapons shoot at the Maidstone Police Range. Twice a year he disappeared for a fortnight to the SAS headquarters in Herefordshire.

Bond had even managed to alter his lifestyle, very slightly, adapting to the changing pressures of the 1970s and early 1980s: drastically cutting back — for most of the time — on his alcohol intake, and arranging with Morelands of Grosvenor Street for a new special blend of cigarettes, with a tar content slightly lower than any currently available on the market. At this moment twenty of these cigarettes, each one with the distinctive three gold rings just below the filter, lay in the gunmetal case, snug in Bond's breast pocket.

Holy poo poo, what kind of Bond is this?

quote:

For the rest, the last few years for Bond had been the grind of an executive officer to M: planning paperwork, interrogating, de-briefing, analysis, dirty tricks and bugging operations, with his fair share of Duty Officer watches to stand. His only extra joys during this period had come from the purchase of the cottage and the new car.

He had fancied a small country retreat for some time, and found the right place five miles out of Haslemere, and a good mile from the nearest village. It fitted Bond's requirements perfectly and was bought within twenty-four hours of first viewing. A month later the builders and decorators had moved in with very precise instructions from the new owner.

Depending on where in that 5-mile radius he is, Bond has moved a good 40-50 miles southwest of London into the countryside. Must have been serious about retiring.

quote:

The car was a different matter. With fuel costs running high, and the inevitability that they would continue to do so, Bond had allowed the beloved old Mark II Continental Bentley to go the way of its predecessor, the 4·5-litre Bentley.

Some eyebrows were raised at his choice of a foreign car, when all the pressure was on to buy British, but Bond shrugged it off by pointing to the fact that it was a British specialist firm which carried out the particularly complex and sophisticated personalisation — such as the head-up digital instrument display, the cruise control system, and several other pieces of magic, made possible by British know-how and the mighty micro-chip.

He did not mention the month during which the car had been taken over by the multinational Communication Control Systems (C.C.S.) company, who added some of their own standard refinements — security devices that would make Q Branch's mouths water. Bond reasoned that it was his car, and he, not Q Branch — which was under severe financial restraint anyway — would decide what features should be incorporated. On several occasions he had seen Major Boothroyd, the Armourer, nosing around the Saab; and it was now commonplace for him to catch members of Q Branch — the 'gee-whizz' technicians of the Service — taking a close look. None of them ever mentioned the things they could not fail to notice — such as the bullet-proof glass, steel-reinforced ram bumpers and heavy-duty tyres, self-sealing even after being hit by bullets. There were other niceties, though, which nobody in Q Branch could detect without bringing out specialist gear.

The Saab now suited Bond's purposes, and was easily convertible from petrol to gas, if the fuel situation became even more critical; the consumption was low in relation to speed; while the turbo gave that extra dynamic thrust always needed in a tricky situation.

Only a few people knew about the cottage, so there were no raised eyebrows or jokes about Bond having a country seat.



Out of all the changes Gardner made to Bond, the switch to a Saab 900 Turbo, the "Silver Beast", was one of the more controversial. Communication Control Systems, Ltd. is a real company (now known as Security Intelligence Technology Group) and Gardner had tried to work realistic gadgets into its construction. So realistic, in fact, that Saab even produced a replica car (albeit with smoke generators instead of tear gas) for promotional tours!

Despite the strange plots of the later books, Gardner was determined to make Bond feel grounded. He was now a private individual with limited support from Q Branch during a recession. There was no longer an unlimited expense account for missions or having whatever gear he needed airlifted into the field at a moment's notice. Bond was thus given one of the latest and greatest European compacts, an unassuming but nimble hatchback sold on the basis of its power and list of real world gadgets like heated seats, headlight washers, an air filter for the cabin, and "self-repairing" bumpers made from a honeycomb plastic structure that will slowly bend back into place when crushed by an impact. Despite the odd looks the Silver Beast gets when mentioned to film and classic book fans, car geeks approve.

quote:

The London Friday evening rush was almost over by the time he reached Roehampton; so the Saab was in Bond's personal parking slot, in the underground garage of the headquarters building, before seven-thirty.

Bond would have put money on M having some inane and boring job waiting for him, and even made a mental wager with himself as the lift sped him silently to the ninth floor, at the top of the building, where M's suite of offices was located.

Miss Moneypenny, M's P.A., looked up with a worried smile as Bond entered the outer office. This was the first sign that something important might be on the cards.

'Hallo, Penny,' Bond greeted her breezily, shrugging off the slough of irritation over the lost week-end. 'Not out with one of your young men? It's wicked Friday night, you know.'

Miss Moneypenny cocked her head towards the door of M's office as she spoke: 'And he's been wickedly waiting for you. Keeping me here into the bargain.' She smiled. 'Besides, the only man who could lure me out on the town seemed to be otherwise engaged.'

'Oh Penny, if only …' Bond grinned. There had been a special bantering relationship between them for years, yet Bond had never fully realised how much the able and neat Moneypenny doted on him.

Especially since he no longer has a secretary of his own!

quote:

'Tell Commander Bond to come straight in,' M's voice snapped metallically from the intercom box on Miss Moneypenny's desk.

Bond lifted a quizzical eyebrow and moved towards the door. Lowering his voice, he said, 'Did anyone ever tell you that Janet Reger started her business with you in mind, Penny?'

Janet Reger, of course, is a lingerie brand.

quote:

Miss Moneypenny was still blushing as Bond disappeared into M's office and closed the door. A red warning light blinked on above the door as it clicked shut. She stared into space for a moment, her head filled with the after-image of the man who had just entered M's inner sanctum: the bronzed good-looking face, with rather long dark eyebrows above the wide, level blue eyes; the three-inch scar which just showed down his right cheek; the long, very straight nose, and the fine, though cruel, mouth. Minute flecks of grey had just started to show in the dark hair, which still retained its boyish black comma above the right eye. As yet, no plumpness had appeared around the jowls, and the line of the jaw was as straight and firm as ever. It was the face of an attractive buccaneer, Miss Moneypenny thought, shaking herself out of a slightly improper reverie, and wondering if she should have warned James Bond that M was not alone in his office.

Meanwhile, 500 miles north of this scene, another door is being opened by our disguise artist from the first chapter.

quote:

The room in which he had been waiting was a familiar place to him now, after so many visits: book-lined, with a large military desk, comfortable leather chairs, the impressive cabinet containing, literally, priceless antique weapons — a pair of chased silver flint-lock pistols, a matched set of American Kentucky hand guns, lavishly inlaid, a French wheel-lock with mother-of-pearl and gold wire stock decoration, a pair of cutlass pistols, and an Allen pepper-box with six revolving barrels. The artist of disguise knew the pieces and lusted after them on each viewing. The whole place had that air of solidity which comes with what is known as 'old money'.

https://www.youtube.com/watch?v=rnirpFYdqrs

Gardner does better than any prior writer except Kingsley Amis on his gun writing. The pepperbox is an example of the kind of gun only a legitimately knowledgeable writer would throw in: these were inexpensive handguns that used a cluster of revolving barrels to make them cheaper and easier to manufacture than a normal revolver. They were produced in huge numbers by companies like Allen & Thurber for decades before finally being rendered truly obsolete by the metallic cartridge (and Rollin White's patent expiring on bored-through cylinders for cartridges, which had caused many headaches for the Union in the Civil War), though they would hang on in small numbers into the late 19th century. Such a writer as Mark Twain joked about their inaccuracy in Roughing It

quote:

The person who entered the room was its owner, playing host now to the man from Dublin. They shook hands, almost gravely, the guest waiting in silence until his patron had moved to the large upright chair behind the desk. He did not speak until he was seated.

'It's good to see you again, Franco.'

'Good also to see you. But I enjoy working for you; this always makes a difference.' The man called Franco paused, searching for words. 'You know, after all this time, I never know how to address you — your title, or scientific … ?' He made a small gesture with his hands.

The other man chuckled, his bulldog face creasing into a smile. 'Why not Warlock?'

They both laughed. 'Appropriate,' Franco nodded. 'Operation Meltdown, with you — its creative and directive force — Warlock.'

A good sign of your villainous organization: making this poo poo up as you go.

quote:

The man behind the desk laid his hands flat on the leather top. 'So be it.' He nodded his head in a quick, birdlike, manner. 'You had no trouble?'

'Nothing at all. Clean as your proverbial English whistle. The chopper was on time; there were no tails. By now you should know I always have care.'

'Good.' The birdlike pecking nod again. 'Then I trust, my friend, that this will be your last visit here.'

Franco gave a quirky little grin. 'Perhaps. But maybe not quite my last. There is the question of payment.'

The man behind the desk opened his hands, fingers splayed, palms upward. 'I mean, of course, your last visit until after Meltdown is completed. Yes, of course there is the question of picking up your share. But first, location and the small detail. That's one of the things we have to discuss; one of the reasons you will be here for a slightly longer period this time, Franco.'

'Naturally.' Franco's voice took on a cold edge and the word came out in four syllables, spoken curiously like the slow, cautious footsteps of a man testing an ice bridge across a deep crevasse.

https://www.youtube.com/watch?v=yrGOhF5cJH4

quote:

'There is much to talk about. Europe, I presume, is completely arranged?'

'Everyone ready, yes.'

'And the States?'

'Ready and waiting for the final instructions.'

'The men … ?'

Franco leaned forward. 'These people, as I've already told you, have been waiting for a long time. They always were the least of my worries. Each of them is dedicated, ready to give his or her life for his separate cause. To all purposes, they consider themselves martyrs already. But the various organisations that have provided the personnel for your operation — organisations outlawed by most Western governments, and regarded as terrorists — are anxious. They want assurances that they will receive their share of the money.'

'Which, I trust, you have given them, Franco.' From behind the desk the bulldog face had ceased to beam. 'Our commitment was clear. I seem to recall that we spoke of this, at great length, over a year ago. I provide the plan, the — how do you say it these days? — the know-how. I also arrange the means. You are the go-between, the contact man. Now, we have more interesting things to talk about.'

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chitoryu12
Apr 24, 2014

https://twitter.com/BBCBreaking/status/1304049905711943680

Dr. Sneer Gory
Sep 7, 2005

What a shame!

"We'll have all the time in the world."

chitoryu12
Apr 24, 2014





Picked up a new book...

Midjack
Dec 24, 2007



If that’s what you’re into at the moment look for the granddaddy of them all, The Expert at the Card Table.

chitoryu12
Apr 24, 2014

Midjack posted:

If that’s what you’re into at the moment look for the granddaddy of them all, The Expert at the Card Table.

This is actually the book Bond reads in Moonraker! It's the 1973 edition (I can't imagine how rare a 1949 one is), but it's supposedly broadly the same except for adding in new games and methods that had become popular in the intervening decades.

mllaneza
Apr 28, 2007

Veteran, Bermuda Triangle Expeditionary Force, 1993-1952





it's always the James Bond thread.

chitoryu12
Apr 24, 2014

Chapter 3: The Opposition

quote:

Bond became more alert when he reached the far side of M's door. He was prepared for his old chief to be seated in his usual concentrated position behind the large glass-topped desk; but he was not expecting to find two extra men in the room.

'Come in, Bond.' M addressed him with a small, economic, movement of the hand. 'Gentlemen,' he glanced towards his visitors, 'allow me to introduce Commander James Bond. I think he's the man to fit the bill.'

Bond warily acknowledged the other men. He knew well enough who they were, though it would not do to show it openly.

M allowed the pause to lie for just the right length of time, as though testing Bond's discretion, before completing the introductions. 'Commander, this is Sir Richard Duggan, Director-General of M.I.5; and Deputy Assistant Commissioner David Ross, head of the Special Branch of the Metropolitan Police.'

MI5, "The Opposition", is the counter-intelligence and security for British sovereign territory. Duggan and Ross already see M once a week at the Joint Intelligence Committee meeting and their "friendly" rivalry would normally preclude any meetings otherwise. There's something very strange about them suddenly showing up here.

quote:

M motioned Bond into a leather chair and looked — a shade too benignly, Bond thought — first at his two visitors, then at Bond. 'Our friends from M.I.5 have a small problem, Commander,' he began, and Bond noted with caution that M was treating him with almost military correctness. 'It is an interesting situation, and I feel you might be able to help; especially as it has all the marks of moving out of M.1.5's jurisdiction, and into our own area.' He tapped his pipe into the copper ashtray on the desk. For the first time, Bond noticed his chief had a file lying directly in front of him. It was thick and marked with the red Most Secret: Classified tags. Two small circles, on the top right hand corner of the white binding, denoted that the file concerned both European and Middle East connections; while a small sticker bore the words, which Bond could easily read upside down, 'Not for Brotherhood', which meant it contained information not to be circulated to the American service, the C.I.A.

The fact of the file was enough to alert Bond. M would have had it photostated on a blow-up, direct from its stored microfilm, especially for this kind of meeting. It would be shredded once those instructed to read it had done so.

Not even a fancy self-destruct mechanism?

quote:

'I think,' M said, looking at the Director-General of M.I.5, 'it would be best if the two of you put Commander Bond in the picture. Then we can take it on from there.'

Sir Richard Duggan nodded, and leaned down to open his briefcase, removing a file and placing a matt ten-by-eight photograph on the desk in front of Bond. 'Know the face?' he asked.

Bond nodded. 'Franco — to the Press, public, and most of us. Code Foxtrot to those in the field — ourselves, G.S.G. 9, Gigene, Squad R, Blue Light, C.11 and C.13.' Bond was referring to the German, French, Italian and American anti-terrorist squads, together with C.11 and C.13, of Scotland Yard, who often worked closely with Special Branch (C.11 staffs the Anti-Terrorist Squad, in conjunction with C.1).

The head of M.I.5 was not, however, going to let Bond get off so lightly. Did the Commander know anything else about Code Foxtrot — Franco?

Again Bond nodded. 'Of course. International terrorist. Wanted in most European countries and some in the Middle East. There is a request for him to be held in the United States; though, as far as we know, he has not operated from, or in, that country. His full name is Franco Oliveiro Quesocriado; born Madrid 1948 of mixed parentage — Spanish father and an English mother. I believe her name was something quite ordinary, like Jones, Smith or Evans …'

'Leonard actually,' said D.A.C. Ross quietly. 'Mary Leonard.'

'Sorry,' Bond smiled at him, and the policeman returned the smile. He had the look of a modern copper, Bond thought. Almost certainly one of the university intake — quiet, with a watchfulness buried deep in his eyes, and the sense of a coiled spring held back by the retaining pin of both caution and calmness. A very tough and sharp baby if roused, was Bond's instant assessment.

Sharp....baby?

quote:

He turned back to Sir Richard Duggan, asking if they wanted him to continue.

'Naturally.' Richard Duggan was a very different breed, and Bond already knew his pedigree — that was, after all, part of his job. Duggan was old school Home Office. Eton and Oxford, then a career in politics, which lasted only a short time before the Home Office snapped him up. Tall, slim and good-looking, with thick light-coloured hair, which his enemies claimed was tinted, Duggan looked the part — young and rich, authoritative and in control. The youthfulness, Bond also knew, was an illusion, and the luck of a good facial bone structure.

As the head of M.I.5 drawled, 'Naturally,' Bond's eyes momentarily met those of M, and caught the tiny stir of humour. Sir Richard Duggan was not one of M's favourite people.

Bond shrugged. 'Franco,' he continued, 'first came to our attention in connection with a hijacking of two British passenger jets — the airline was B.O.A.C. at the time — in the late 1960s. He appears to have no direct political affiliations, and has operated as a planner who sometimes takes part in terrorist actions, with groups like the former Baader-Meinhof gang, and is still connected with the so-called Red Army Faction. He has links with the P.L.O., I.R.A., and a whole network of terrorist groups.' Bond took out his gunmetal cigarette case, glancing at M for permission to smoke, and receiving a curt nod.

BOAC, the famous airline of Bond's travels, was merged by an Act of Parliament in 1974 into British Airways.

quote:

'He would, I think, be best described as an anti-capitalist.' Bond lit his cigarette and gave a small quick smile. 'The paradox has always been that, for an anti-capitalist, he appears to be exceptionally well-off. There is evidence that he has personally paid for, and provided, arms for a number of terrorist acts. He has certainly committed murder, in connection with two political kidnappings — not to mention those who have died in bomb attacks inspired directly by him. A very dangerous and most wanted man, Sir Richard.'

Both Duggan and Ross nodded in harmony, Ross muttering something about Bond knowing his man. Duggan voiced his opinion in a louder voice, saying Bond might well have to know his man even better. He then delved into his briefcase again, bringing out five more matt photographs, which he placed in a row on M's desk, in front of Bond. Each photograph carried a small sticker attached to the bottom right-hand corner. Each sticker bore a date.

Bond immediately noted the dates, before looking at the photographs. The most recent was today's. The other four were marked April 4th and 23rd; May 12th and 25th. The pictures were obviously blow-ups from a videotape recording, and he studied each one with great care. The man portrayed was dressed differently in each photograph; and, indeed, looked different — plump, in jeans and denim jacket, with long hair and a moustache; clean-shaven, but with shoulder-length blond hair and dark glasses, wearing a rumpled roll-neck sweater and slacks; grey-haired and gaunt in loud check, hung around with cameras, and clutching an American passport as though he expected it to be torn from his hand at any moment; clean-shaven again, but with dark hair, fashionably cut, clad elegantly in slacks and an expensive, fur-collared wind-cheater.

Today's photograph showed him with close-cropped hair, neat beard and spectacles. He wore a business suit.

Despite British security services being on alert for Franco, his disguises were enough to let him slip through 5 times in 3 months without being nabbed. On his last appearance, they successfully trailed him all the way to the village of Murcaldy in the Northwest Highlands of Scotland.

quote:

'And we're sure who it was he visited there,' Duggan smiled. 'Just as we're certain he's gone to the same place this time. I have two officers breathing down his neck. He came in from Dublin this morning — and we were tipped off from there. He went straight to King's Cross and took the first train to Edinburgh — rings the changes, you know. He'll have reached his destination by now. We expect further reports any time.'

A silence fell over the four men, broken only by the scraping of M's match as he lit his pipe. Bond was the first to speak. 'And he's visiting … ?' allowing the question to hang in the air like M's pipe smoke.

Duggan cleared his throat. 'Most of the land, including the village of Murcaldy, is owned by one family — the Muriks. For at least three centuries, possibly longer, the Lairds of Murcaldy have been Muriks. It's almost a feudal set-up. Murik Castle, which dates back to the sixteenth century, has had many modernisations over the years; and there is the Murik estate — farms; hunting and fishing rights. The present Laird is also a celebrity in other fields — Dr Anton Murik, director of many companies, and a nuclear physicist of both renown and eccentricity.'

'Recently resigned, under some sort of cloud, from the International Atomic Energy Research Commission,' added Ross. 'And, as you'll see, there's grave doubt regarding his claim to be the Laird of Murcaldy.'

Bond chuckled, 'Well, Anton isn't exactly a well-known Scottish name. But where do I come in?' He already had a fair idea, but it would not do to jump the gun.

Obviously, it's rather alarming that an international terrorist has made what appears to be 5 visits in recent months to an internationally renowned/disgraced nuclear physicist. Because MI5 can't track either's movements legally if they leave British soil, they want Bond on the job.

quote:

Duggan deferred to M. 'Only if that is — ah — convenient. But I really don't think there's much time left on this trip. Anton Murik owns a string of race horses, which he has under training in England. Two are running at Ascot this coming week — one in the Gold Cup. It's his one passion, apart from nuclear physics. Franco will either be gone by the middle of the week, or up at the Castle awaiting Murik's return from Ascot.'

Bond stretched out his long legs and thought that if there really was a sinister connection between Franco and Murik, the timing indicated this would not be Franco's last visit. But you could never tell.

Duggan was on his feet. 'I've passed on all information to M.' He indicated the file — which Bond had taken to be one of M's dossiers — on the desk, as he gathered up the photographs and swept them into his briefcase. 'Also how to contact my people in the field, and all that. We have come to you for assistance, in the interests of the country. It is time to work in harness, and I must now leave the final decision here with you.'

M puffed on his pipe. 'I'll brief Commander Bond about everything,' he said pleasantly. 'Be in touch with you later this evening, Duggan. We'll do all we can — in everybody's interests.'

Once the two "Opposition" men are gone, Bond and M continue to talk privately. Bond thinks it's a simple matter of a terrorist working with a nuclear physicist to create a nuke, but M disregards that because of the relative ease with which a knowledgeable terrorist could create a crude dirty bomb. He thinks there's more possibilities if Franco is contacting a Scottish aristocrat.

quote:

'First,' M ticked off the index finger of his left hand with that of his right, the pipe jammed into the corner of his mouth, held tightly between his teeth as he spoke. 'First, it could mean that Franco is setting up a very sophisticated operation, and is soliciting Anton Murik's specialist help and knowledge. Second' — the fingers moved — 'it could be the other way around: that Dr Anton Murik is seeking Franco's aid on a little adventure of his own. Either of those possibilities is going to take more than five short visits from Franco.'

And of course, M knows more than he let on. MI6 has already been keeping an eye on Murik for some time: he was kicked out of the International Atomic Energy Commission.

quote:

M took the pipe from his mouth, looking Bond straight in the eyes. 'Even his title — Laird of Murcaldy — is more than highly suspect, as Ross mentioned. No, I don't intend to send you scooting off to Scotland, 007. It's my job to see that you're properly briefed, and given good support and cover. The hell with "The Opposition" and their surveillance team. I want to get you as close to Murik as possible. On the inside; and before we get to that, there's a great deal you should know about the so-called Laird of Murcaldy.'

Trin Tragula
Apr 22, 2005

Gardner here retains the films' convention of having Bond himself do the exposition in an important meeting with M and others, rather than Fleming's preference for having 007 read some intelligence briefing, or use the omniescent narrator's voice.

quote:

For the first time, Bond noticed his chief had a file lying directly in front of him. It was thick and marked with the red Most Secret: Classified tags. Two small circles, on the top right hand corner of the white binding, denoted that the file concerned both European and Middle East connections; while a small sticker bore the words, which Bond could easily read upside down, 'Not for Brotherhood', which meant it contained information not to be circulated to the American service, the C.I.A.

British use of "Most Secret" was in fact phased out during the Second World War to align with the American "Top Secret" classification and avoid misunderstandings.

Psion
Dec 13, 2002

eVeN I KnOw wHaT CoRnEr gAs iS
*staggers in from goldmined thread*

hello

I read at least one of the Gardner books years ago - I'd read Fleming's originals, saw one of his at a local library, picked it up and read it. I can't remember which one it was but I remember a few scenes from it so hopefully I'll recognize it when you get there. I don't want to go look it up just yet. I don't think it was the first since I remember the ASP.

I also remember thinking it kinda sucked so we'll see if that opinion holds up these many years later!

e: yes there is the possibility I'm misremembering and it's a Benson book I remember being bad, but the timing seems right for Gardner and so does the ASP. Gonna be fun to find out anyway, right?

Psion fucked around with this message at 22:59 on Sep 11, 2020

chitoryu12
Apr 24, 2014

Chapter 4: Dossier on a Laird

quote:

It was obviously going to be a long evening, and Bond thought he should not surprise May, his able and devoted housekeeper, by returning suddenly and late to the flat off the King's Road.

Before M could launch into the details of the dossiers which lay, full of secrets, in front of them, Bond asked permission to leave the office for a moment.

M gave one of his irritated old-fashioned looks, but grudgingly nodded his consent for Bond to make a telephone call from the privacy of his own office.

In the end, it was easier for Bond to dial his own number on Miss Moneypenny's extension. May had given up trying to fathom her employer's working hours long ago, and merely asked if he fancied anything special to eat when he did get in. Bond said he would not be averse to a nice pair of Arbroath Smokies — should she have some tucked away. May, being a strict conservative in matters of kitchen equipment, would never in a thousand years have allowed a freezer in her domain. Bond agreed with her, though it was sometimes nice to be able to have delicacies within reach, so they had compromised. With tact, Bond had talked her round to allowing him to buy a large Bosch refrigerator with a spacious freezing compartment, which May christened the ice box. She thought, now, that there might be a pair of Smokies in 'the ice box', adding, 'So I'll see what I can do, Mr James; but mind you don't get back too late.' May had a habit of treating Bond, when the mood was on her, as a nanny will treat her small charges.

Arbroath smokies are smoked haddock famously connected to Arbroath, Scotland. Not something we've normally seen Bond eat, and an especially regional Scottish dish.

quote:

The fact that Bond was only out of his office for a few minutes mollified M, who had refilled his pipe and was poring over the dossiers. Caustically he asked if 007 had managed to arrange matters so that they were not interrupted again.

'Yes, sir,' Bond replied calmly. 'I'm quite ready for the Laird of Murcaldy, Rob Roy and even Bonnie Prince Charlie, if you wish.'

'It's not a matter for levity, 007,' M spoke sharply. 'The Murik family is a noble line. There was a Laird of Murcaldy at Dunbar, and another at Culloden Moor. However, it is possible that the true line died out with the present Laird's grandfather. It has yet to be proven, or even properly tested, but it is a matter which disturbs the Lord Lyon King of Arms greatly.' He shuffled through some of the first dossier. 'Anton Murik's grandfather was well-known as an adventurer — a traveller. In the year 1890 he was missing for more than three months in central Europe — searching, it is said, for his brother who had been disinherited for some offence. Their parents were dead, and the village folk believed that Angus Murik — that was his name — planned to return with his brother, shepherding the black sheep back into the fold. When he did return it was with a wife: a foreign woman, the records say. She was with child, and there are also written documents suggesting that the prodigal Laird was not Angus at all, but the brother, Hamish. It is also suggested that the child, who became Anton's father, was born out of wedlock, for there are no records of a marriage having actually taken place.'

Bond grunted, 'But surely that would only weaken the line, not destroy it altogether.'

Anton's father left home at 18 to explore the world and never returned. He sent a letter home saying he had met and married an English woman in Palermo. Shortly thereafter, in 1920, a very pregnant young lady appeared at Murik Castle saying that her husband had been killed by Sicilian bandits. The newspapers did report on an "Englishman" being killed at the time, but listed his wife dead as well; the young woman claimed that was actually her maid. There's still suspicions even among Anton Murik's staff that he's not the true Laird Murik, but nobody's willing to say it out loud.

M hands Bond Murik's dossier.

quote:

Anton Angus Murik. Born Murik Castle, Murcaldy, Ross and Cromarty, Scotland, December 18th, 1920. Educated Harrow and St John's College, Cambridge. First Class Honours in Physics followed by a Fellowship, then a Doctorate. So good that he was reserved for work under Professor Lindemann — later Lord Cherwell — scientific adviser to Winston Churchill; also worked on Manhattan Project (the making and testing of the first atomic bomb); Committee for the Peaceful use of Atomic Energy; International Atomic Energy Commission …

Ross and Cromarty is actually where my family comes from! My dad's side of the family is Scottish old money that's traced their lineage to at least the 16th century from what I recall. Reverend John Urquhart of St. Patrick's Old Cathedral in NYC is an ancestor of mine!

quote:

Murik had resigned from this last position just two years ago. There followed a lengthy and impressive list of companies with which Murik was associated. Bond's eyebrows gradually rose higher as he read the list. Among other things, Anton Murik was Chairman of Micro-Modulators Ltd, Eldon Electronics Ltd, Micro Sea Scale Ltd and Aldan Aerospace, Inc. In addition he sat on countless boards, all of which had some direct application to nuclear power or electronics. Bond also saw that the firms included some specialist contractors with great knowledge of design and building in the field of nuclear reactors.

'You spot the odd man out?' M asked from behind a cloud of pipe smoke.

Bond looked down the list again. Yes, there tucked away among all the electronics, nuclear companies and aerospace conglomerates, was a strange entry, Roussillon Fashions. Bond read out the entry.

'Yes. Damned dressmaking firm,' M snorted.

James Bond smiled to himself. 'I think a little more than just a dressmaker, sir. Roussillon is one of the world's leading fashion houses. They have branches in London, Paris, Rome, New York; you name it. Ask any woman with dress sense. I suppose Roussillon would come among the top five fashion houses in the world.'

M grunted, 'And charge top prices as well, I've no doubt. Well, Anton Murik has a majority holding in that firm.'

'Don't suppose he just likes dressing up in high-class ladies' clothes or something like that?' Bond grinned.

That's more of an FBI thing, I think.

quote:

'Don't be flippant, 007. You have to look at the financial aspect.'

'Well, he must be a multi-millionaire,' Bond said, almost to himself. He was rarely impressed by such things, but, even from the list in front of him, it was obvious that Dr Anton Murik wielded considerable power. 'How in heaven's name did a man with these qualifications manage to get himself thrown out of the International Atomic Energy Commission, sir?'

M did not hesitate. 'For one thing he's unscrupulous in business matters. Sailed very close to the wind in some dealings with those companies you see listed. At least two of the chairmanships were gained by stepping almost literally, over the bodies of other men.'

'Most good businessmen are inclined to be ruthless …' Bond began; but M held up a hand.

'There was another matter,' he said. 'Anton Murik is a bit of a fanatic, and he tends to take the view of most of those people you see protesting against the use of nuclear power and the dangers of the disposal of nuclear waste. He mounted a stiff campaign against the use of the major types of nuclear reactor already in service, or planned to go into service. Worldwide. You see, 007, the man claims to have designed the ultimate in reactors — one which not only provides the power but safely disposes of the waste, and cannot go wrong. Calls it the Murik Ultra-Safe Reactor.'

'And his colleagues didn't buy it?'

' "Didn't buy" is an understatement. His colleagues say there are grave flaws in the Ultra-Safe design. Some even go as far as claiming the whole thing is potentially a hundred times more dangerous than the current families — the fast-breeders, B.W.R.s, P.W.R.s, gas/graphites and liquid metal fast-breeders. Murik wanted funds from the Commission to prove them wrong, and build his own reactor.'



In March of 1979, just before Gardner began writing this book, the Three Mile Island nuclear reactor in Pennsylvania partially melted down. Operators using compressed air to clean out water filters accidentally forced some water past a valve that was stuck open and into an instrument air line. The turbines failed at 4:00 AM and the reactor began automatic emergency shutdown, but the staff had shut down all of the valves to the water pumps for maintenance without turning the reactor off and thus caused a buildup of heat as the control rods entered the reactor and the decay heat had nowhere left to go. A broken relief valve got stuck open and a confusing user interface led operators to falsely believe the valve had closed automatically; one thing led to another, confusion and poor procedures continued mounting, and it all spiraled until the nuclear fuel rod cladding melted and radioactive water leaked out of the system.

While there were no fatalities and there doesn't seem to have even been an increase in cancer levels in the area from the release of radioactive gases into the environment, anti-nuclear activists were galvanized. Ralph Nader and Jane Fonda led a protest of 200,000 people in New York City and politicians attended rallies against nuclear power. The historic growth of the American nuclear power industry came to a screeching halt, and the deadly Chernobyl accident in Ukraine in 1986 would turn this into a worldwide phenomenon.

quote:

'So they cut off the money.'

M said they did exactly that, and Bond laughed again, remarking that a little thing like money should not make much difference to a multi-millionaire. 'Surely Murik could go out and build his own — in his back garden: it seems big enough.'

M sighed. 'We're talking in billions of dollars; billions of pounds sterling, James. Anton Murik argued. There were, apparently, some terrific rows, and suggestions that the man's far from stable,' he touched his forehead with an index finger. 'That's really why this whole business of contact with a fellow like Franco worries me. It is also why I will on no account allow you to go charging into the field without preparation. Could be wrong, of course, but I really don't think a week or so is going to make that much difference. Especially if I can turn you into the ideal penetration agent — establish you within the Murik entourage: and to that end,' M began to leaf through his own dossier again, 'I think you'd better meet Anton Murik and his household.' He drew several photographs from the bulky depths of the file.

As far as M is concerned, MI5 has everything settled with following Franco. His job will be to follow Murik when he inevitably leaves the country.

quote:

First, he explained the obvious. With the castle and huge estate, the Laird of Murcaldy had immediate access to manpower. 'He's got gamekeepers, wardens, and every imaginable kind of servant up there, from drivers to guards: so, as far as the Laird's concerned, he has no real security problem. There is a central core of family, though. First, the doctor himself.'

The photograph showed a pugnacious face, not unlike that of the late Lord Beaverbrook, but without the crescents of humour bracketing the mouth. A bulldog of a man, with cold eyes that were fixed on somebody, or something — certainly not the camera — slightly to his right. The line of the mouth was hard, uncompromising; and the ears, which lay very flat against the head, gave him an odd, symmetrical outline. Photographs can be deceptive — Bond knew that well enough — but this man, captured by a swift click and the activation of a shutter, could have been a son of the Manse. He had that slightly puritanical look about him — a stickler for discipline; one who knew his own mind and would have his own way, no matter what lay in his path. Bond felt vaguely uneasy. He would not admit to anything so grave as fear when confronted by a photograph, but the picture said clearly that the Laird of Murcaldy was a force: a power.



Decent job by the artist! Max Aitken, 1st Baron Beaverbrook, was the highly influential newspaper man who turned the Daily Express into a media juggernaut. He had incredible power in the government through his friendships as high up as Winston Churchill himself; he was made the first Minister of Aircraft Production in 1940, then Minister of Supply, then Minister of War Production. His exact contribution to the war effort is still controversial outside of the loud public image he created. He was a hardcore Conservative imperialist who made himself a historian and moved to Canada in 1951 to become the chancellor-for-life and major benefactor of the University of New Brunswick, dying in 1964 just two months before Ian Fleming.

Beaverbrook himself had a personal relationship with Fleming, beginning in 1957 when he approached Fleming to ask to serialize his stories as comics in the newspaper. They had a fight in 1962 that temporarily ended the comic when Fleming sold the rights to "The Living Daylights" to the Sunday Times, but they resolved their differences immediately before their mutual deaths and the comics would continue with the remaining Bond novels, then original stories until 1977.

quote:

The next print showed a woman, probably in her early forties, very fine-looking, with sharp, classic features, and dark, upswept hair. Her eyes were large, but not — Bond thought — innocent. Even in this image they seemed to contain a wealth of worldly knowledge; and the mouth, while generous, was not out of proportion, the edges of the lips tilting slightly upwards, in some ways softening the features.

'Miss Mary-Jane Mashkin,' said M, as though it explained everything.

Bond gave his chief a look of query, the comma of hair connecting with his right eyebrow as though to form a question mark.

'His ιminence grise, some say.' M puffed at his pipe, as though slightly embarrassed. 'Certainly Murik's mistress. Was his secretary for ten years. Murik's strong right arm and personal adviser. She's a trained physicist. Cambridge University, the same as the Laird, though not his standard it seems. Acts as hostess for him; lives at Murik Castle. Travels with him, eats … and all the rest of it.'

Bond reflected that he could have been wrong about the puritanism, but then amended his thoughts. It was quite possible for Anton Murik to have strong moral feelings about what everybody else did while excepting himself from similar restrictions. It happened all the time: like the people who campaigned against certain television programmes and films, yet imagined they were themselves immune to moral danger.

'I should think he takes her advice in a lot of matters; but I doubt he would be swayed by her on very large issues.' M pushed a third photograph towards Bond.



quote:

This time it was another woman, much younger, and certainly, if the picture was really accurate, a stunning girl. Blonde hair fell around the sides of her face in a smooth, thick sheen; while the face itself was reminiscent of Lauren Bacall as a young woman. This one had the same high cheek bones, the promise of some smoulder in the dark eyes, and a mouth made striking by the sensuality of her lower lip. Above the eyes, her brows were shaped naturally, in a kind of elongated circumflex. Bond allowed himself to relax in an almost inaudible low whistle.



quote:

M cut short this reflex reaction. 'Anton Murik's ward. Miss Lavender Peacock. The relationship is not known. She became his ward in 1970, all legal — daughter of some second cousin, the court report says. Father and mother both killed in an air crash. There's a little money — several thousand — which comes to Miss Peacock when she reaches her twenty-seventh birthday. That is next year.'

That's not a real name!

quote:

Bond observed that Lavender Peacock was quite a girl, though he somehow thought he recognised her — not just from her resemblance to the young Bacall.



Why is Mary-Jane the only one not to get a celebrity lookalike?

quote:

'Possible, 007. The girl's kept on a tight rein, though. In some matters the Laird is very old-fashioned. Lavender Peacock is treated like a fragile piece of china. Private tutors when she was a kid, trips abroad only when accompanied by Murik and trusted watchdogs. The Mashkin woman's toted her around a bit, and you may have seen her picture in connection with that dressmaking business. From time to time the Laird allows her to model — but only at very special functions, and always with the watchdogs around.'

'Watchdogs?' Bond picked up on the expression.

M rose and strode to the window, looking out across the park, now hazy as the sun dropped slowly and the lights began to come on over the city. 'Watchdogs?' M queried. 'Oh yes, mainly women around the Mashkin lady and the dressmaking firm.' He did not turn back towards Bond. 'Murik always has a few young Scottish toughs around. A kind of bodyguard: you know what these people are like. Not just for the ward, but the whole family. There's one in particular: sort of chief heavy. We haven't got a photograph of him, but I've had a description and that certainly matches his name. He's called Caber.'

Of course. Scottish.

quote:

There was a long silence. At last Bond took a deep breath. He had been looking at the triptych of photographs in front of him. 'So you want me to ingratiate myself with this little lot; find out why Franco's paying so much attention; and generally make myself indispensable?'

'I think that's the way to go.' M turned from the window. 'We have to play the game long, 007. Very long indeed. I have great reservations about Dr Anton Murik. He'd kill without a second thought if it meant the success of some plan with which he's obsessed; and we all know he's obsessed, at this moment, with the business of his Ultra-Safe Nuclear Reactor. Maybe there's some hairbrained scheme of investing in one of Franco's endeavours, and raking in a rich profit — a quick return: enough money to prove the Atomic Energy Commission wrong. Who knows? It'll be your job to find out, James. Your job, and my responsibility.'

'Suggestions on how to do it would be welcome,' Bond began, but, as M was about to reply, the red telephone purred on his desk.

Over the short call, M confirms with MI5 that Bond is on the job. Franco is at Castle Murik and they're ready to tail him if he takes off.

quote:

'Talking of cover …' Bond started.

'I was coming to that. How you get into the family circle, eh? Well, I think you go under your own name, but with a slightly different passport. We can drum it all up here. A mercenary, I think. You heard what Ross said about Murik's second passion in life — racing. Well, as you know, he's got horses running at Ascot next week. In fact the one he's entered in the Gold Cup has only been in the first three once in its life. Name of China Blue. Our friend, the Laird of Murcaldy, merely seems to like watching them train and run — enjoys all the business of race tracks and trainers.'

'Just for the kicks,' Bond stated, and M looked at him curiously for a moment.

'I suppose so,' M replied at last. 'But Murik's visit to Ascot next week should give us the opportunity. Unless there's any sudden change of plan, I think you should be able to make contact on Gold Cup day. That'll give us time to see you're well briefed and properly equipped, eh?'

chitoryu12
Apr 24, 2014

Chapter 5: The Road to Ascot

quote:

Apart from the great golf tournaments, James Bond did not care much for those events which still constitute what the gossip columnists — and the drones who pay lip-service and provide morsels for them — call 'the season'. He was not naturally drawn to Wimbledon, the Henley Regatta, or, indeed, to Royal Ascot. The fact that Bond was a staunch monarchist did not prevent the grave misgivings he felt when turning the Saab in the direction of Ascot on Gold Cup day.

Since when was Bond so concerned about the monarchy?

quote:

Life had been very full since the Friday evening of the previous week, when M had taken the decision to place Bond within the heart of the Laird of Murcaldy's world.

Inside the building overlooking Regent's Park, people did not ask questions when a sudden personal disappearance, or a flurry of activity, altered the pattern of days. Though Bond was occasionally spotted, hurrying to or from meetings, he did not go near his office.

In fact, Bond worked a full seventeen-hour day during this time of preparation. To begin with, there were long briefings with M, in his big office, recently redecorated and now dominated by Cooper's painting of Admiral Jervis's fleet triumphing over the Spanish off Cape St Vincent in 1797 — the picture having been lent to the Service by the National Maritime Museum.

I actually can't find any image to put here! My best guess is this is referring to Reverend Cooper Willyams, a clergyman and artist who served as the chaplain for Admiral Sir John Jervis, the Earl St. Vincent. The Battle of Cape St. Vincent in 1797 was part of the Anglo-Spanish War, an extension of the French Revolution and all its complex political consequences. Cooper made a great many illustrations, the most famous of which were part of A Voyage up the Mediterranean in His Majesty's Ship the Swiftsure: With a Description of the Battle of the Nile on the First of August 1798, but my frantic Googling has failed to find this exact drawing of his. I've emailed the museum to see if they know of anything.

quote:

During the following weeks, Bond was to recall the battle scene, with its background of lowering skies and the British men-o'-war, trailing ensigns and streamers, ploughing through choppy seas, tinted with the glow of fire and smoke of action.

It was under this painting that M quietly took Bond through all the logical possibilities of the situation ahead; revealed the extent to which Anton Murik had recently invested in businesses all connected, one way or another, with nuclear energy; together with his worst private fears about possible plots now being hatched by the Laird of Murcaldy.

'The devil of it is, James,' M told him one evening, 'this fellow Murik has a finger in a dozen market places — in Europe, the Middle East, and even America.' As yet, M had not alerted the C.I.A., but was resigned to the fact that this would be necessary if Bond found himself forced — by the job he hoped to secure with Anton Murik — to operate within the jealously guarded spheres of American influence.

Primarily, the idea was to put Bond into the Murik mιnage as a walking listening device. It was natural, then, for him to spend much time with Q Branch, the experts of 'gee-whizz' technology. In the past, he had often found himself bored by the earnest young men who inhabited the workshops and testing areas of Q Branch; but times were changing. Within the last year, everyone at headquarters had been brightened and delighted by the appearance of a new face among the senior executives of Q Branch: a tall, elegant, leggy young woman with sleek and shining straw-coloured hair which she wore in an immaculate, if severe, French pleat. This, together with her large spectacles, gave her a commanding manner and a paradoxical personality combining warm nubility with cool efficiency.



Oh yeah, Gardner did this too.

quote:

Within a week of her arrival, Q Branch had accorded its new executive the nickname of Q'ute, for even in so short a time she had become the target of many seductive attempts by unmarried officers of all ages. Bond had noticed her, and heard the reports. Word was that the colder side of Q'ute's personality was uppermost in her off-duty hours. Now 007 found himself working close to the girl, for she had been detailed to arrange the equipment he would take into the field, and brief him on its uses.

Throughout this period, James Bond remained professionally distant. Q'ute was a desirable girl, but, like so many of the ladies working within the security services these days, she remained friendly yet at pains to make it plain that she was her own woman and therefore Bond's equal. Only later was 007 to learn that she had done a year in the field before taking the two-year technical course which provided her with promotion to executive status in Q Branch.

Ah, so she's a better protagonist already!

quote:

At forty-eight hours' notice, Q'ute's team had put together a set of what she called 'personalised matching luggage'. This consisted of a leather suitcase together with a similarly designed, steel-strengthened briefcase. Both items contained cunningly devised compartments, secret and well-nigh undetectable, built to house a whole range of electronic sound-stealing equipment; some sabotage gear, and a few useful survival items. These included a highly sophisticated bugging and listening device; a VL 22H counter-surveillance receiver; a pen alarm, set to a frequency which linked it to a long-range modification of the SAS 900 Alert System. If triggered, the pen alarm would provide Bond with instant signal communication to the Regent's Park headquarters building in order to summon help. The pen also contained micro facilities so that it operated as a homer; therefore, when activated, headquarters could keep track of their man in the field — a personal alarm system in the breast pocket.

As a back-up, there was a small ultrasonic transmitter; while, among the sabotage material, Bond was to carry an exact replica of his own Dunhill cigarette lighter — the facsimile having special properties of its own. There was also a so-called 'security blanket' flashlight, which generates a high-intensity beam strong enough to disorientate any victim caught in its burst of light; and — almost as an afterthought — Q'ute made him sign for a pair of TH70 Nitefinder goggles. Bond did not think it wise to mention that these lightweight goggles were part of the standard fittings Communication Control Systems, Inc. had provided for the Saab. He had tested them himself — on an old, disused, airfield during a particularly dark night — driving the Saab without lights, at high speed, while wearing the Nitefinder set strapped to his head. Through the small projecting lenses, the surrounding countryside and cracked runway down which he took the car could be seen with the same clarity he would have experienced on a summer evening just before twilight.

I've mentioned before how part of Colonel Sun was blatantly ripped off by Ted Bell for one of his books. Looks like more than one author thought nobody would ever read the non-Fleming books, because Quentin Rowan writing under the pen name of Q.R. Markham built his book Assassin of Secrets by ripping off an insane number of passages from other books, including a full 6 pages out of License Renewed!



As far as the gadgets, none are "real" items but they're all based on actual technology of the time. The most prominent night vision goggles available at the time of writing would be the AN/PVS-5, which was the main night vision device for American aviators from 1972 until 1990 and heavily used by ground troops until the single-tube AN/PVS-7 entered service in 1985. While very poor by today's standards, they were top of the line for the time of this book.

Unlike the active infrared sight used in "The Living Daylights" on Bond's custom rifle (which used an infrared spotlight and a viewer to see what it illuminated, which anyone with similar equipment could also see), the AN/PVS-5 is a passive night vision design that uses a light-sensitive surface to pick up tiny amounts of infrared light and convert the photons to electrons, which are intensified and blasted against a phosphor screen to create a green image of what the sensor is seeing. It's not unlike having a live television strapped to your face, just with an infrared sensor rather than a camera. Unlike an active infrared spotlight, they aren't of use in 100% pitch black conditions without a single light source but the moon alone is enough for these goggles.

https://www.youtube.com/watch?v=Qzoe0-sPtl4

quote:

As well as the time spent with M and Q'ute, Bond found himself in for some long hours with Major Boothroyd, the Service Armourer, discussing weaponry. On M's instructions, 007 was to go armed — something not undertaken lightly these days.

During the years when he had made a special reputation for himself in the old Double-O Section, Bond had used many hand weapons: ranging from the · 25 Beretta — which the Armourer sarcastically dismissed as 'a lady's gun' — to the · 38 Colt Police Positive; the Colt · 45 automatic; · 38 Smith & Wesson Centennial Airweight; and his favourite, the Walther PPK 7·65mm. carried in the famous Berns-Martin triple draw holster.

By now, however, the PPK had been withdrawn from use, following its nasty habit of jamming at crucial moments. The weapon did this once too often, on the night of March 20th, 1974, when a would-be kidnapper with a history of mental illness attempted to abduct Princess Anne and her husband, Captain Mark Phillips. The royal couple's bodyguard, Inspector James Beaton, was wounded, and, in attempting to return fire, his Walther jammed. That, then, was the end of this particular hand gun as far as the British police and security services were concerned.

There's still some controversy over the facts regarding this malfunction. As Gardner says, a crazed man named Ian Ball cut off Princess Anne's car on the Mall road to Buckingham Palace and leaped out, firing a handgun at her bodyguard; he intended to kidnap her for millions of pounds in ransom to donate to the National Health Service. Beaton's PPK jammed and he, a reporter, the chauffeur, and a nearby responding police constable were shot and wounded, while Anne escaped through the other door of the car and was rescued by a passing former boxer, Ron Russell, while another officer subdued and arrested Ball. He remains imprisoned in Broadmoor Hospital to this day.

Beaton claimed that his PPK simply jammed because the slide was blocked from fully cycling. According to a Walther Forum user, the gun and its magazine were on display at the Metropolitan Police's Crime Museum (formerly The Black Museum) and the magazine spring was crushed and heavily worn, preventing it from feeding properly; the museum claimed this was due to leaving the magazine loaded for 3 years and "wearing it out", but it's actually constant compressing and uncompressing that will wear it out. Either way, the Met's Protection Command and Special Branch abandoned the PPK for the Smith & Wesson Model 36 revolver.

quote:

Since then, Bond had done most of his range work with either the Colt · 45 — which was far too heavy and difficult to use in covert field operations — or the old standby · 38 Cobra: Colt's long-term favourite snub-nosed revolver for undercover use. Bond, naturally, did not disclose the fact that he carried an unauthorised Ruger Super Blackhawk · 44 Magnum in a secret compartment in the Saab.



The Colt Cobra is the lightweight version of the Detective Special that Fleming's Bond occasionally used, with an aluminum frame instead of steel. It had received a facelift with a ramp front sight and ejector rod shroud between 1971 and 1973, but was discontinued right as this book was being written. There's a new Cobra in production, but it's a completely different revolver using the name. The Cobra is much more infamous for being the gun used by Jack Ruby to assassinate Lee Harvey Oswald right after he shot JFK.



As for Bond's gun, hoo boy! The Ruger Blackhawk is a modernized version of the Colt Single Action Army previously seen in the hands of Scaramanga, with models made starting in 1973 having a transfer bar that transfers the hammer's energy to the firing pin rather than a fixed firing pin on the hammer (allowing it to be safely carried with the hammer down on a loaded chamber). Originally released in .357 Magnum in 1955, only a year later they quickly produced a .44 Magnum version after correctly predicting the brand new cartridge's coming popularity. While the single-action design and loading gate like the original SAA make it slow to fire and load, its frame is absurdly strong and it can withstand handloads that would blow up a lesser gun, letting it reach ballistics on par with a more powerful cartridge like .454 Casull.

Note that you may find sources claiming Bond's car gun is a Super Redhawk. As you can see, it's a Blackhawk. The Super Redhawk is a modern double-action swing-out cylinder revolver introduced in 1987. I've already taken the liberty of fixing the Bond wiki!

quote:

Now, minds had to be clear, and decisions taken regarding Bond's field armament; so a lengthy, time-consuming, and sometimes caustic battle ensued between Bond and the Armourer concerning the relative merits of weapons.

They had been through the basic arguments a thousand times already: a revolver is always more reliable than an automatic pistol, simply because there is less to go wrong. The revolver, however, has the double drawback of taking longer to reload, usually carrying only six rounds of ammunition in its cylinder. Also — unless you go for the bigger, bulky weapon — muzzle velocity, and, therefore, stopping power, is lower.

The automatic pistol, on the other hand, gives you much easier loading facilities (the quick removal and substitution of a magazine from, and into, the butt), allows a larger number of rounds per magazine, and has, in the main, a more effective stopping power. Yet there is more to go wrong in the way of working parts.

Ironic that Bond mentions inferior stopping power for revolvers, considering what he picks...

quote:

Eventually it was Bond who had the last word – with a few grumbles from Major Boothroyd – settling on an old, but well-tried and true friend: the early Browning 9mm. originally manufactured by Fabrique Nationale-De Guerre in Belgium from Browning patents. In spite of its age this Browning has accurate stopping power. For Bond, the appeal lay in its reliability — eight inches overall and with a barrel length of five inches. A flat, lethal weapon, the early Browning is really a design similar to the · 32 Colt and weighs about thirty-two ounces, having a magazine capacity of seven 9mm. Browning Long cartridges, with the facility to carry one extra round in the breech.



John Browning, the greatest firearms designer of all time and inventor of the slide for automatic pistols, sold the rights for his designs to Colt for the Americas and Britain and FN of Belgium for continental Europe. Colt manufactured Browning's shrouded hammer designer as the M1903 Pocket Hammerless in .32 ACP (and later the M1908 in .380 ACP), but FN made a full size service pistol in 9x20mm Browning Long. These pistols saw some limited service in both World Wars and were manufactured under license by Husqvarna in Sweden as the m/07. The Swedish actually kept them in storage through the 1980s and briefly issued them at that point when their licensed copy of the Lahti L-35 (the Husqvarna m/40) began suffering cracked bolts from the higher velocity ammunition they standardized on in the 1960s. Eventually these old Brownings would be fully retired in favor of the Glock 17. Many of these pistols have been exported to the US and rechambered for .380 ACP.

Calling this an odd choice for Bond in 1981 would be an understatement. While the gun is accurate and generally comfortable to use despite a poor trigger and sights typical of the early 20th century, 9x20mm is ballistically only on par with the .38 Special revolvers he's snubbed. The thumb safety is at least an improvement over the Beretta 418 he started with, but overall this gun is a poorer choice for a secret agent carrying a concealed gun for emergencies than just carrying a familiar Walther PP in .380 ACP. The 9x20mm ammo was also not used for any other pistols to my knowledge except the rare Le Francaise Type Armee, which would make ammunition harder to come by for field resupply than .32 ACP, .380 ACP, .38 Special, or 9mm Parabellum (add .45 ACP for American work). To say nothing of trying to get .44 Magnum ammo in Europe!

Fortunately, later books would fix this by giving Bond much better handguns....except one.

quote:

Bond was happy with the weapon, knew its limitations, and had no hesitation in putting aside thoughts of more exotic hand guns of modern manufacture.

Unused weapons of all makes, types and sizes, were contained in the Armourer's amazing treasure trove of a store; and he produced one of the old Brownings, still in its original box, thick with grease and wrapped in yellow waxed paper. No mean feat, as this particular gun has long since ceased to be manufactured.

If you want my take on giving Bond a rare, cool sidearm that's much more practical, I'd suggest the Walther P38K. It's simply a P38 with the barrel shortened as far as it can go, produced in small numbers between 1974 and 1981. It's more powerful while being about the same size, uses more common ammo and magazines (the design is still in use as the aluminum-framed P1 in the Bundeswehr at this time), and it has the double/single-action trigger with a decocker of the old PPK.

quote:

The Armourer knew 007 well enough not to have the pistol touched by any member of his staff; calling Bond down to the gunsmith's room, so that the weapon could be cleaned off, stripped, checked and thoroughly tested by the man who was to use it. If Bond had been scheduled to make a parachute jump, both the Armourer and Q Branch would have seen to it that 007 packed his own 'chute. In turn, it was the only way Bond would have it done. The same applied to weapons.

While Bond is at work stripping and cleaning his outdated Browning, Q'ute wanders in.

quote:

Q'ute swung herself on to the workbench, after making certain she had chosen a clean patch of wood. 'The Armourer's giving me a weapons' course, when I'm off duty,' she told him. For the first time, Bond noticed Q'ute's voice had a throaty quality to it. 'I'm not very good with hand guns, and he says you are. He mentioned that the weapon was of an old type as well. Just thought it would be a good idea, if you didn't mind.'

Bond's strong, firm hands moved expertly, even lovingly, over the pistol as he silently chanted the stripping routine.

'Well, do you?' Q'ute asked.

'Do I what?'

'Mind me watching?'

'Not at all.' He glanced up at the girl, whose pretty face, behind the large spectacles, remained impassive. 'Always best to handle weapons with care and gentleness,' he smiled, as the movements of his hands over the mechanism became increasingly erotic.

'With care, of course,' Q'ute's voice took on a slight edge of sarcasm. Now she repeated, parrot-fashion, from the Service training manual, '"Weapons of all description should be treated with great care and respect." Don't you carry it a bit too far, Commander Bond?'

Still a better love story than Twilight.

quote:

Hell, he thought. Q'ute was a good nickname for her. Bond even slowed down the movements of his hands, allowing the process of stripping to become more obvious as he silently repeated the instructions:

Grasp head of recoil spring guide; push towards muzzle to release the head of the guide from the barrel. Draw out barrel from breech end. Remove stocks, giving access to lockwork. Dismount slide assembly, starting with firing pin and continue normally …

'Oh come on, Commander Bond. I do know something about weapons. Anyway, nobody believes all that stuff about guns being phallic symbols any more.' She tossed her head, giving a little laugh. 'Stop playing strip the lady with that piece of hardware, if you're doing it for my benefit. I don't go for those paperback books with pictures of girls sitting on large guns, or even astride them.'

By love story, I meant Bond and his gun.

quote:

'What do you go for then, Q'ute?' Bond chuckled.

'My name's Ann Reilly,' she snapped, 'not that drat silly nickname they all use around here.' She looked at him, straight in the eyes, for a full twenty seconds. 'As for what I like and dislike — go for, as you put it — maybe one day you'll find out.' She did not smile. ‘I’m more interested in the way that automatic works, why you chose it, and how you got that white mark on your hand.'

No, not even the narration will stop calling her Q'ute.

quote:

Bond glanced up sharply, his eyes suddenly losing their humour and turning to ice in a way that almost frightened Q'ute. 'Someone tried to be clever a long time ago,' he said slowly. In the back of his mind, he remembered, quite clearly, all the circumstances which had led to the plastic surgery, that showed now only as a white blemish, after the Cyrillic letter III — standing for SH — had been carved into the back of his hand in an attempt by SMERSH to brand him as a spy. It was long ago, and very far away now; but clear as yesterday. He detected the break he had made in Q'ute's guard with his sharp cruelty. So long ago, he thought: the business with Le Chiffre at Royale-les-Eaux, and a woman called Vesper — about the same age as this girl sitting on the workbench, showing off her shapely knees and calves — lying dead from an overdose, her body under the sheets like a stone effigy in a tomb.

The coldness in Bond's mien faded. He smiled at Q'ute, again looking down at his hand. 'A small accident — carelessness on my part. Needed a bit of surgery, that's all.' Then he went back to removing the packing grease from the Browning. All thoughts of dallying with the Q Branch executive called Ann Reilly were gone. She was relatively young and still learning the ways of the secret world, in spite of her electronic efficiency, he decided.

Sir Alex Younger, the current MI6 chief, claimed in 2017 during a speech that the "real life Q" at the time was female. Obviously he didn't clarify further, and it could have been a coy reference to advances in technology by female scientists and developers.

quote:

As though to break the mood, she asked, in a small voice, 'What's it like to kill somebody? They say you've had to kill a lot of people during your time in the Service.'

'Then they shouldn't talk so much.' It was Bond's turn to snap. He was reassembling the gun now. 'The need-to-know system operates in the Service. You, of all people, should know better than to ask questions like that.'

'But I do need to know.' Calmer now, but showing a streak of stubbornness that Bond had detected in her eyes before this. 'After all, I deal with some of the important "gee-whizz" stuff. You must also know what that covers — secret death: undetectable. People die in this business. I should know about the end product.'

Not even going to go for a drone operator's detachment?

quote:

Bond completed the reassembly, ran the mechanism back and forth a couple of times, then picked up one of the magazines containing seven Browning Long 9mm. rounds that would shatter a piece of five-inch pine board at twenty feet.

Looking at the slim magazine, he thought of its lethal purpose, and what each of the little jacketed pieces of metal within would do to a man or woman. Yes, he thought, Q'ute — Ann Reilly — had a right to know. 'Give me a hand;' he nodded towards a box on the workbench. 'Bring along a couple of spare magazines. We have to test this little toy on the range, then work's over for the night.'

She picked up the magazines and slid down from her perch as she repeated the question. 'How does it feel to kill a person?'

'While it's happening, you don't think much about it,' Bond answered flatly. 'It's a reflex. You do it and you don't hesitate. If you're wise, and want to go on living, you don't think about it afterwards either. I've known men who've had breakdowns — go for early retirement on half pension – for thinking about it afterwards. There's nothing to tell, my dear Q'u … Ann. I try not to remember. That way I remain detached from its reality.'

'And is that why you clean off your pistol in front of someone like me — stripping it as though it were a woman?'

He did not reply to that, and she followed Bond quietly through the corridor that led to the range.

After an hour running through over half a dozen magazines, Bond decides he's satisfied with the gun's condition and returns to clean the gun up. With their work done, Bond asks Ann out to dinner. She promptly accepts.

quote:

Bond took her in the Saab. They went into Kensington, to the Trattoo in Abingdon Road, where Carlo was pleased to see his old customer. Bond had not been there for some time and was treated with great respect, ordering for the pair of them — a simple meal: the zuppa di verdura followed by fegato Bacchus, washed down with a light, young, Bardolino (a '79, for Bardolino should always be drunk young and cool, even though it is red, rather as the French imbibe their rosι wines young, Bond explained). Afterwards, Carlo made them plain crκpes with lemon and sugar, and they had coffee up in the bar, where Alan Clare was at the small piano.

Gardner's not giving me a break with this book!

Trattoo was indeed a real restaurant at 2 Abingdon Road that opened in 1967. In 2006 it was revamped into L Restaurant, now doing Spanish dishes, before permanently closing. The site is now home to a Bio Fires store selling electronic fireplaces.

Their meal is a light Tuscan/Umbrian vegetable soup, liver braised or sauteed in wine, and a light and fruity red wine. Bond's note on drinking red wine young and cold is indicative of slowly changing attitudes toward wine over the decades; the classic rules of "red wine with hearty meat, white wine with fish, serve whites cold and reds cool at best" are entirely based on pairing common wines with the classical European cuisine that was popular at the time, French especially. The rules break down rapidly when you get into wines with flavor profiles outside of Bordeaux and Chablis, or eat fish that's covered in a rich sauce, or especially try to pair wine with other cuisines like Thai or Mexican.



Alan Clare was a British jazz pianist and composer who got his start leaving school at 14 and playing in local nightclubs. After military service in WW2, he was part of the Nitwits band on The Goon Show and many of the actors like Peter Sellers and Spike Milligan would rehearse in his apartment. He continued with club and restaurant performances well into the 90s before dying in 1993 shortly after illness forced him to retire.

quote:

Ann Reilly was enchanted, saying that she could sit and listen to the liquid ease of Clare's playing for ever. But the restaurant soon started to fill up. A couple of actors came in, a well-known movie director with crinkled grey hair, and a famous zany comedian. For Ann, Alan played one last piece — her request, the sentimental oldie from Casablanca: 'As Time Goes By'.

https://www.youtube.com/watch?v=9BASy2kPnRE

quote:

Bond headed the Saab back towards Chelsea, at Ann Reilly's bidding. Between giving him directions, she laughed a lot, and said she had not enjoyed an evening like this for a long time. Finally they pulled up in front of the Georgian terraced house where Q'ute said she had the whole of the second floor as her apartment.

'Like to come in and see my gadgets?' she asked. Bond could not see the smile in the darkness of the car, but knew it was there.

The original Netflix and chill?

quote:

'Well, that's different,' he chuckled. 'I still stick to the etchings.'

She had the passenger door open. 'Oh, but I have gadgets,' she laughed again. 'I'm a senior executive of Q Branch, remember. I like to take my work home with me.'

Bond locked the doors, followed her up the steps and into the small elevator which had been installed during what estate agents call 'extensive modernisation'. From the small entrance hall of Q'ute's apartment Bond could see the kitchen and bathroom. She opened the main door and they passed into the remainder of the apartment — one huge room — the walls hung with two large matching gilt-framed mirrors, a genuine Hockney and an equally genuine Bratby, of a well-known composer whose musicals had been at their peak fifteen to twenty years ago. The furnishings were mainly late 1960s Biba, and the lighting was to match — Swedish in design, and mounted on battens angled into the corners of the room.

'Ah, period dιcor,' said Bond with a grin.



David Hockney and John Bratby were prominent English painters of the 20th century, with Hockney drawing bright pop art and Bratby in "kitchen sink realism" style. Hockney is actually still alive and he hit the world record for the most expensive painting ever sold by a living artist, the above Portrait of an Artist (Pool with Two Figures) for $90 million; he would only hold it for a year before being beaten by Jeff Koons with his Rabbit sculpture for $91 million.



This is an example of Biba furnishings from 1968. The London fashion house preferred a classic style and decorated their massive 7-story flagship store in an Art Deco fashion. While it was a major tourist attraction in London, the great financial expense of running so many departments with such elaborate furnishings and art displays led to its closure in 1975. A number of attempts at relaunching the brand finally succeeded in 2009 under House of Fraser, which original founder Barbara Hulanicki becoming a consultant for the brand in 2014.

quote:

Ann Reilly smiled back. 'All is not as it seems,' she giggled, and for a moment Bond wondered if she was not used to drinking: perhaps the wine had gone to her head. Then he saw her hand move to a small console of buttons by the light switches. Her fingers stabbed at the buttons, and in the next few seconds Bond could only think of transformation scenes at childhood pantomimes.

The lights dimmed and the room became bathed in a soft red glow which came from the skirting boards. The large, circular, smoked glass table which formed a focal point at the centre of the room seemed to sink into the carpet, and from it there came the sound of splashing water as it gleamed with light to become a small pond with a fountain playing at its centre. The Hockney, Bratby, and both of the mirrors appeared to cloud over, then clear, changed into paintings of a nature that almost shocked Bond by their explicitness.

He sniffed the air: a musky scent had risen around him, while the sound of piano music gently rose in volume — a slow, sensual blues solo, so close and natural that Bond peered about him, thinking the girl was actually sitting at an instrument somewhere. The scent and music began to claw at his senses. Then he took a step back, his eyes moving to the wall on his right. The wall had started to open up, and, from behind it, a large, high, waterbed slid soundlessly into the room — above it a mirrored canopy hanging from crimson silk ropes.

Ann Reilly had disappeared. For a second, Bond was disorientated, his back to the wall, head and eyes moving over the extraordinary sight. Then he saw her, behind the fountain, a small light, dim but growing to illuminate her as she stood naked but for a thin, translucent nightdress; her hair undone and falling to her waist — hair and the thin material moving and blowing as though caught in a silent zephyr.

Then, as suddenly as it all happened, the room started to change again. The lighting returned to normal, the table rose from the fountain, the Hockney, Bratby, and mirrors were there once more, and Q'ute slowly faded from view. Only the bed stayed in place.

There was a chuckle from behind him, and Bond turned to find Q'ute, still in her brown velvet, and with her hair smooth and pleated, as she leaned against the wall laughing. 'You like it?' she asked.

Ann should get a job at Disney with these skills.

quote:

Bond frowned. 'But …?'

'Oh come on, James. The transformation's easy: micro and electronics; son et lumiιre. I built it all myself.'

'But you …?'

'Yes,' she frowned, 'that's the most expensive bit, but I put most of that together as well; and the model is me. Hologram. Very effective, yes? Complete 3D. Come on, I'll show you the gubbins …'

The hologram is the only part of this that's complete fiction, but it would still be possible to make something akin to it in 1981 with a Pepper's Ghost effect (a reflection of something three-dimensional, like a person, on a sheet of clean glass). These are common theme park tricks for decades, such as the ballroom of the Haunted Mansion at Disney parks, and modernized versions using recorded footage and 3D models have been used everywhere from Disney and Universal theme parks to infamously reviving Tupac for a concert.

quote:

She was about to move away when Bond caught hold of her, pulled her close and into a wild kiss. She slid her hands to his shoulders, gently pushing him away. 'Let's see.' She cocked an eyebrow at him. 'I thought you'd have got the idea. You said the place was period dιcor — 1960s. All I've done — and I've spent many happy hours getting it right — is add in a 1960s' fantasy: music, lights, the waterbed, scent, and an available bird with very few clothes on. I thought you of all people, James Bond, would have got the message. Fantasies should change with the times. Surely we're all more realistic these days. Particularly about relationships. The word is, I think, maturity.'

Despite the book's continuation of Fleming's universe, Gardner was writing this in a time when the public perception of Bond had totally shifted to the film version. Parodies of the film version that bore no resemblance whatsoever to the literary Bond except the presence of a tuxedo, such as Carry On Spying and From Hong Kong With Love (which featured many legitimate Bond actors), had distorted the perception even further.

Q'ute's trick is thus one that somewhat breaks the fourth wall for the reader. This version of Bond never had that kind of juvenile 1960s spy fantasy in his life, but his film equivalent did. Gardner is effectively telling new readers who are unfamiliar with the literary Bond he's reintroducing "Don't expect this to just be another Roger Moore film."

quote:

Yes, thought Bond, Q'ute was a good name for Ann Reilly, as she scurried around showing off the electronics of her fantasy room. 'It might be an illusion', he said, 'but it still has a lethal effect.'

She turned towards him, 'Well, James, the bed's still there. It usually is. Have some coffee and let's get to know one another.'

I'd like a book about this girl.

quote:

In his own flat the next morning, Bond was awake before six-thirty. The biter bit, he thought, with a wry smile. If ever a man's bluff had been called, it was by the ingenious Q'ute. In good humour he exercised, took a hot bath, followed by a cold shower; shaved, dressed and was in his dining room when the faithful May came in with his copy of The Times and his normal breakfast — the favourite meal: two large cups of black coffee, from De Bry, without sugar; a single 'perfectly boiled' brown egg (Bond still affected to dislike anything but brown eggs, and kept his opinion regarding three and one-third minutes constituting the perfect boiling time); then two slices of wholewheat toast with Jersey butter and Tiptree 'Little Scarlet' strawberry jam, Cooper's Vintage Oxford Marmalade or Norwegian heather honey.

The De Bry de Paris shop on Oxford is long since closed, but I don't know exactly when so I can't figure out if it was still open for Bond in 1980.

quote:

Governments could come and go; crises could erupt; inflation may spiral, but — when in London — Bond's breakfast routine rarely changed. In this he was the worst thing a man in his profession could be: a man of habit, who enjoyed the day starting in one particular manner, eating from the dark blue egg cup with a gold ring around the top, which matched the rest of his Minton china, and happy to see the Queen Anne silver coffee pot and accessories on his table. Faddish as this quirk certainly was, Bond would have been outraged if anyone told him it smacked of snobbery. For James Bond, snobbery was for others, in all walks of life. A man has a right to certain pleasurable idiosyncrasies — more than a right, if they settled his mind and stomach for the day ahead.

Following the Q'ute incident, Bond hardly took any time off during the preparation for what he now thought of as an assignation with Anton Murik on Gold Cup day.

On most evenings lately he had gone straight back to his flat and a book which he kept between his copies of Scarne's Complete Guide to Gambling and an 1895 edition of the classic Sharps and Flats — A complete revelation of the secrets of cheating at games of chance and skill by John Nevil Maskelyne. The book he read avidly each night had been published privately around the turn of the century. Bond had come across it in Paris several years before, and had it rebound in board and calf by a printer often employed by the Service. It was written by a man using the pseudonym Cutpurse and titled The Skills, Arts and Secrets of the Dip. It was, in fact, a comprehensive treatise on the ancient arts of the pickpocket and lightfingered body-thief.

Using furniture, old coats – even a standard lamp — Bond practised various moves in which he was already well skilled. His discussions with M, as to how he should introduce himself to the Laird of Murcaldy and his entourage, had formulated a plan that called for the cleverest possible use of some of the tricks described by Cutpurse. Bond knew that to practise some of these dodges, it was necessary to keep in constant trim — like a card sharp, or even a practitioner of the harmless, entertaining, business of legerdemain. He therefore began anew, re-learning the bump, the buzz, the two-fingered lift, the palm-dip (usually used on breast pockets), the jog — in which a small billfold is literally jogged from a man's hip pocket — or the thumb-hitch.

Bond is working his way up to one of the most complex thieves: the necklace flimp, removing someone's necklace without them even noticing. Similar moves were used to steal watches (and still are today) and it's a key part of Bond's plan.

quote:

Now, a signpost read 'Ascot 4 miles', and Bond joined a queue of Bentleys, Rolls-Royces, Daimlers and the like, all heading towards the race course. He sat calmly at the wheel; his Browning in its holster, locked away in the glove compartment; Q'ute's personalised luggage in the boot of the car, and himself in shirtsleeves, the grey morning coat neatly folded on the rear seat, with the matching topper beside it. Before leaving, Bond had reflected that he would not have put it past Q'ute to arrange some kind of device inside a top hat. She had been very affable, promising any assistance in the field — 'Just let me know, and I'll be out with whatever you need, 007,' she had said with only the trace of a wink.

Bond allowed her a small twitch of the eyebrow.



quote:

Now he looked like any other man out to cut a dash in the Royal Enclosure. In fact his mind was focused on one thing only — Dr Anton Murik, Laird of Murcaldy, and his association with the terrorist, Franco.

The careful, if quickly planned, run-up to the assignment was over. James Bond was on his own, and would only call up help if the situation demanded it.

As he approached the race course, Bond felt slightly elated, though a small twist in his guts told him the scent of danger, maybe even disaster, was in the air.

Runcible Cat
May 28, 2007

Ignoring this post

quote:

Q'ute

Jesus gently caress.

We're going to need a horny counter on this book too, evidently.

mllaneza
Apr 28, 2007

Veteran, Bermuda Triangle Expeditionary Force, 1993-1952




1981 was a loooooooong time ago.

chitoryu12
Apr 24, 2014

Chapter 6: Pearls Before Swine

quote:

There was only one part of any race course that James Bond really enjoyed — the down-market public area. Alongside the track itself life was colourful: the characters always appearing more alive and real — the day-trip couples out for a quick flutter; tipsters with their sharp patter, and the ebullient, on-course bookies, each with his lookout man watching a partner; the tick-tack sign language being passed across the heads of the punters, relaying changes in the betting odds. Here there was laughter, enjoyment and the buzz of pleasure.

For the first couple of races that day, Bond — immaculate in morning suit and topper — strolled in the public crowd, as though reluctant to take his rightful place in the Royal Enclosure, the pass for which (provided by M) was pinned to the lapel of his morning coat.

He even stayed down near the rails to watch the arrival of Her Majesty, Prince Philip and the Queen Mother — stirred, as ever, by the inspiring sight of tradition as the members of the Royal Family were conveyed down the course in their open carriages: a blaze of colour, with liveried coachmen and postillions — like a ceremony from another age.

https://www.youtube.com/watch?v=cmIqSStMsa0

The Royal Meeting at the Ascot Racecourse is the British horse racing event. While it's not one of the biggest in terms of prize money or attendance, it has a cultural cachet as a summer tradition in Britain and an opportunity for the best thoroughbred breeders to showcase their animals. It consists of 5 days of events every June, with the third day featuring the most prestigious race: the Gold Cup.

Uniquely, there are four "enclosures" for guests with increasing prestige and dress code. Most of the public will be in the Windsor Enclosure, which has no formal dress code except a ban on sports jerseys and is home to picnics and champagne and Pimm's Cup bars. The Queen Anne Enclosure is the most formal for the public and requires proper formal clothes (with a hat mandatory for women). The Royal Enclosure is the highest level and is strictly limited: first-time applicants today require a sponsorship from a longtime member of the Royal Enclosure, and invitations are sent out to request badges each year. At the time of this book, you needed to complete a formal application based on your references and prestige as a person. There's also the Village Enclosure today, added in 2017, which is slightly below the Queen Anne Enclosure in formality and includes bars and prestige dining options.



In order to be present in the Royal Enclosure, everyone must wear the most formal of clothing: women must be in formal daywear (either a modest dress or a pantsuit) and a hat with a solid base of 4 or more inches in diameter, while men must be in gray, navy, or black morning dress complete with a top hat.

quote:

His first action, on arrival, had been to check the position of Anton Murik's box in the Grand — or Tattersalls Stand (another fact gleaned from one of M's expert sources). The Murik box was third along from the left on the second tier.

Leaning against the rails, Bond scanned the tiered boxes with binoculars provided by Q Branch — field glasses of a particular powerful nature, with Zeiss lenses, made especially for the Service by Bausch & Lomb. The Murik box was empty, but there were signs that it would soon be inhabited. Bond would have to keep his eye on the paddock prior to the Gold Cup; but, before that event, there was an overwhelming desire to have a wager on his target's horse. Dr Anton Murik's entry did not stand much chance. That was patently obvious from the odds being offered.

For the Gold Cup, the Queen's horse was favourite, with Lester Piggott up; and odds at only five-to-four on. Other contenders were very well-tried four-year-olds, most of them with exceptional records. In particular, Francis' Folly, Desmond's Delight and Soft Centre were being heavily tipped. The other ten runners seemed to be there merely for the ride; and the Laird of Murcaldy's China Blue — by Blue Light out of Geisha Girl — appeared to have little opportunity of coming anywhere near the leaders. Bond's race card showed that in his last three outings, the horse had achieved only one placing, the card reading 0–3–0.

China Blue has pathetic 25:1 betting odds. Not unlike in Diamonds are Forever, this of course means Bond is going to bet on Murik's horse. He finds a bookie, Honest Tone Snare, and places a £110 bet (over $600 in modern money) on China Blue, likely to the consternation of MI6's more recession-minded accountants.

quote:

'You got money to burn, Guv?' Honest Tone gave Bond a toothy grin.

'One hundred and ten to win,' Bond repeated placidly.

'Well, you know yer own mind, Guv; but I reckon you've either got money to burn or you know something the rest of us don't.' Honest Tone took the money in return for a ticket that, if China Blue should — by some chance of fate — win, would yield Bond something in the region of two and a half thousand pounds: taking into account the eight per cent betting tax — hence the extra ten pounds stake.

Once in the Royal Enclosure, Bond felt his dislike for this side of the race meeting descend on him like a dark, depressing cloud. As much as he liked the female form, he was repelled by the idea of so many women, young and old, parading in fashionable dresses and outlandish hats. That was not what racing was about, he considered.

Some of them, he acknowledged, would be there for the sheer pleasure of the day, which had turned out to be warm and cloudless. Yet a fair majority attended only to be seen, attract the attention of the gossip columnists, and out-do one another with bizarre headgear. Maybe this aversion was a sign of maturity. A depressing thought; and to quell it, Bond headed for the main bar where he consumed two rounds of smoked salmon sandwiches and a small bottle of Dom Perignon.

Only a small bottle? What a paragon of health!

quote:

On M's personal instructions, he had come into the Enclosure unarmed — the Browning still snug in the car. In case of trouble, Bond carried only the small pen emergency contact device, and the replica Dunhill cigarette lighter — which contained more dangerous possibilities than Messrs Dunhill would have approved.

Casually he strolled around the Enclosure, finally settling himself under the shade of the trees which surrounded the paddock. Safe in his pocket was M's other piece of cover — a well-forged owner's pass that would get him inside the paddock, and close to the target. He did not have to wait long. The horses were already entering the paddock, from the end farthest from the stands. Bond watched. Within a few minutes he identified China Blue.

The horse looked an unpromising proposition by any standards. The coat was dull and the animal had about him an odd, lack-lustre look — as though it would take dynamite rather than a jockey to make him perform anything more than a sedate canter on this warm afternoon. Bond gave the animal a good looking over and decided that it was just an unpromising-looking horse. This did not mean that the animal could not show unusual form. Stranger things had happened. Looking at the horse being led round by the stable-boy, Bond had one of those sudden instincts — the kind which so often saves lives in his profession — that he would win his money. There was more to China Blue than the eye could tell.

How? He had no idea. Frauds on race courses in England are rare these days. Anton Murik would certainly not resort to unsophisticated risks like doping or substitution, when competing against the kind of stock running in the Ascot Gold Cup. Yet Bond knew at that moment that China Blue would almost certainly win.

https://www.youtube.com/watch?v=kpbBFsj7p-0

While it has never been confirmed as an inspiration, A View to a Kill 4 years after publication of this book would use the exact same introduction of the villain: cheating at the Royal Ascot. In this case, Max Zorin (played by Christopher Walken at the peak of his career, before he became a parody of himself) uses a microchip-based dosage of performance-enhancing drugs at the right moment on the course.

quote:

Suddenly the short hairs on the back of his neck tingled, and he experienced a shiver of suspense. A man and two women were approaching China Blue — the trainer turning towards them, hat in hand and a deferential smile of welcome on his face. Bond was getting his first view of Dr Anton Murik.

He shifted position, moving closer to the paddock entrance.

It was Anton Murik; the face of the man he had seen in the photograph. What the picture had not captured was the high mane of white hair sweeping back from the bulldog face. It came as a shock, until Bond remembered the photograph had been cut off just above the forehead. Also, no still photograph could ever capture the walk or manner. The Laird of Murcaldy was barely five feet tall, and walked, not as Bond had imagined, with the stride of a Scottish chieftain, but in a series of darting steps. His movements — hands, head, fingers and neck — were of the same quick precision. In a phrase, Dr Anton Murik, Laird of Murcaldy, was possessed with the movements of a grounded bird.

The features, and authoritative way he appeared to address his trainer, however, made up for any other physical deficiency. Even at this distance, the man clearly had a power that overrode physical peculiarities or eccentricities. A born leader, Bond thought; sometimes the best of men, or the worst; for born leaders usually knew of their power early in life, when they chose either their good or evil angel as a guide to success.

The two women with Murik were easily recognisable. Oddly, Bond considered, they were identically dressed, except in the matter of colour. Each wore a classic, V-necked, mid-calf length dress in a knitted bouclι. Over the dress was a short, sleeveless gilet.

The elder of the women — obviously Mary-Jane Mashkin — wore the ensemble in navy, with white trimming, and a neat, short-brimmed hat in white.

The ward, Lavender Peacock, was taller, more slender, and just as stunning as her photograph. Her identical clothes were in white, with navy trimmings and hat. Bond wondered if their outfits were originals from Murik's Roussillon Fashions.

The younger girl was laughing, turning towards Murik, the gilet flaring away from her to reveal firm and impertinent breasts, under the dress, in splendid proportion to the rest of her body. The sight was breathtaking, and Bond could see why the Laird of Murcaldy kept her on what M referred to as a tight rein. Lavender Peacock looked like a spirited, healthy and agile girl. To Bond's experienced eye, she also had the nervous tension of a young woman unused, and straining at the leash. Left to her own devices, Lavender Peacock might well carve a path of broken hearts — even broken marriages — through Scottish and English society, in a matter of months.

Something Bond has clearly never done!

quote:

Bond narrowed his eyes, straining and never taking them off the girl. She talked animatedly, constantly glancing at Murik. Concern seemed to pass over her face each time she looked at the Laird, but Bond only took this in as a kind of side issue. He was looking for something more. Something essential to the whole scheme of insinuating himself into the Laird of Murcaldy's immediate circle. Something M had revealed to him in great detail during their hours of planning.

It was there. No doubt. The triple, heavy rope of matching pearls clearly visible around Lavender's neck. From this distance, under the shade of the paddock trees, it was, of course, impossible to tell if they were the real thing: but they would, undoubtedly, be taken as such. The real thing certainly existed — £500,000 worth of mohar pearls, graded and strung on three short ropes, all held by a decorated box clasp and safety chain at the back of the neck.

The pearls had been kept in trust for Lavender until her twenty-first birthday, having originally been a wedding present from her father to her mother, during whose lifetime they had been kept mainly in a bank vault. Lavender — M told Bond — had broken this habit, against Anton Murik's advice, and now wore them on every possible occasion. In the confines of M's office, Bond wondered, aloud, if the Laird of Murcaldy did, in fact, allow the pearls to be worn. Substitution would, for a man of his resourcefulness, be relatively easy. M had snappily told him this was not the point. The Peacock pearls were known to be worn in public. They certainly seemed to be around Lavender's neck this afternoon.

Bond thought they could not be around a prettier neck. If he had been taken with the photograph of the girl, he was certainly dazzled by the real thing. Murik had turned away and was talking to the two women, while the trainer leaned close to the jockey, giving him last instructions. In the background China Blue looked as docile as ever: as spirited as a wooden rocking horse.

Bond makes his move into the paddock, flicking his pass at the distracted official to get by. As the horses begin their trot out onto the field and the owners' groups head toward the exit, Bond slips into the group.

quote:

Bond sidestepped again, allowing himself to be overtaken until he could push himself in just behind Lavender Peacock. They were five or six paces from the exit, now jammed with people trying to get through as quickly and politely as possible. Bond was directly behind the girl, his eyes fixed on the box clasp and safety chain at the back of her neck. It was clearly visible, and, as he was pushed even closer, hemmed in by the crowd, Bond caught the smell of the girl's scent — Mille de Patou, he thought: the limited edition, and the most expensive scent on the market. So exclusive that you received a certificate with your purchase.



Jean Patou's "1000" was created by Jean Kerlιo in 1972 to compete directly with Chanel No. 5, supposedly named after how many tries it took him to get it right. It's a highly complex and bold perfume with the oakmoss base that Kerlιo used a lot. Even today, in a likely cheaper formulation, a 2.5 oz. bottle costs $190. In 1989, it was even subject to a banned commercial showcasing its use for adultery!

quote:

There were enough people around, and Bond was well screened. Allowing himself to be jostled slightly, he now pushed his shoulders forward for added protection, and bumped full into Lavender Peacock's back.

The next complicated moves took only a fraction of a second, just as he had practised and planned them during the past few days. Keeping the left hand, which was clutching the open race card, low down by his side, Bond's right hand moved upwards to the nape of the girl's neck. The inside of his first and second fingertips grasped the box clasp which held the pearls, lifting them away, so that no strain would be felt by their owner. At the same time, his thumb passed through the safety chain, breaking it off with a deft twist. Now the box clasp fell into position, held tightly by the thumb and forefinger. He pressed hard, tilting, and felt the clasp give way.

The box clasp is constructed, as its name implies, as two metal boxes — in this case decorated by tiny pearls — which fit one inside the other. When released by pressure they fall apart, but there is an added safety feature. The inner box contains a small hook, which slips around a bar in the outer box. Using the thumb and first two fingers, Bond controlled both boxes, slipping the hook from its bar. He then withdrew his hand, glancing down and dropping his race card. Silently the pearls fell to the turf. His aim and timing were perfect. The race card followed the pearls, falling flat and open on top of them. Lavender Peacock did not feel a thing, though Bond caused a minor clogging of the exit as he bent to retrieve his card, lifting the pearls with it, so that they were securely held inside the card.

Relaxed now, and holding the card and pearls, hidden behind the tail of his morning coat, Bond sauntered towards the Tattersalls Stand, following Anton Murik's party, at a discreet distance, as they moved towards the Tattersalls Stand — just as he hoped they would. Lavender had caught up with them, and Bond prayed she would not discover her loss before reaching the Murik box.

Bond's luck holds out: nobody noticed the theft, not even the wearer. He slips himself into the Murik box behind them.

quote:

They all had their backs to him as he knocked and stepped inside. Nobody noticed, for they seemed intent upon watching the runners canter down to the starting line. Bond coughed. 'Excuse me,' he said.

The group turned. Anton Murik seemed a little put out. The women looked interested.

Bond smiled and held out the pearls. 'I believe someone has been casting pearls before this particular swine,' he said, calmly. ‘I found these on the floor outside. Looks like the chain's broken. Do they belong to … ?'

With a little cry, Lavender Peacock's hand flew to her throat. 'Oh my God,' she breathed, the voice low and full of melody, even in this moment of stress.

' "My God" is right,' Murik's voice was almost unnaturally low for his stature, and there was barely a hint of any Scottish accent. 'Thank you very much. I've told my ward often enough that she should not wear such precious baubles in public. Now, perhaps, she'll believe me.'

Lavender had gone chalk white and was fumbling out towards Bond's hand and the pearls. 'I don't know how to — ' she began.

Murik broke in, 'The least we can do, sir, is to ask you to stay and watch the race from here.' Bond was looking into dark slate eyes, the colour of cooling lava, and with as much life. This gaze would, no doubt, put the fear of God into some people, Bond thought: even himself, under certain circumstances. 'Let me introduce you. I am Anton Murik; my ward, Lavender Peacock, and an old friend, Mary-Jane Mashkin.'

Bond shook hands, in turn introducing himself. 'My name is Bond,' he said. 'James Bond.'

https://www.youtube.com/watch?v=yh_6AL2Uv7I

quote:

Only one thing surprised him. When she spoke, Mary-Jane Mashkin betrayed in her accent that she was undoubtedly American — something that had not appeared on any of the files in M's office. Originally Southern, Bond thought, but well overlaid with the nasalities of the East Coast.

'You'll stay for the race, then?' Murik asked, speaking quickly.

'Oh yes. Please.' Lavender appeared to have recovered her poise.

Mary-Jane Mashkin smiled. She was a handsome woman, and the smile was much warmer than the subdued malevolence of Anton Murik. 'You must stay. Anton has a horse running.'

'Thank you.' Bond moved closer within the box, trying to place himself between Murik and his ward. 'May I ask which horse?'

Murik had his glasses up, scanning the course, peering towards the starting gate. 'China Blue. He's down there all right.' He lowered his glasses, and for a second there was movement within the lava-flow eyes. 'He'll win, Mr Bond.'

'I sincerely hope so. What a coincidence,' Bond laughed, reaching for his own binocular case. 'I have a small bet on your horse. Didn't notice who owned him.'

'Really?' There was a faint trace of appreciation in Murik's voice. Then he gave a small smile. 'Your money's safe. I shall have repaid you in part for finding Lavender's pearls. What made you choose China Blue?'

'Liked the name.' Bond tried to look ingenuous. 'Had an aunt with a cat by that name once. Pedigree Siamese.'

Assuming this is set in 1979 or 1980 when it was being written, the real Gold Cup was won both years by Le Moss, owned by Roman lawyer Carlo d’Alessio. Immediately after this book takes place, massive investment from Middle Eastern millionaires and billionaires (like your classic Saudi princes) would lead to them taking over the sport. Later winners of the Gold Cup would include Sheikh Mohammed bin Rashid Al Maktoum, Prime Minister of the United Arab Emirates, and the current Nizari Imam, Prince Shāh Karim al-Husayni (or Aga Khan IV) who is claimed to be descended from Muhammad himself. One of the biggest racing teams today is Godolphin, the private stables of the Maktoum family that rules Dubai.

quote:

'They're under starter's orders.' Lavender sounded breathless. They turned their glasses towards the far distance, and the start of the Ascot Gold Cup — two and a half flat miles.

A roar went up from the crowd below them. Bond just had time to refocus his glasses. The horses were off.

Within half a mile a pattern seemed to emerge. The Queen's horse was bunched with the other favourites — Francis' Folly and Desmond's Delight, with Soft Centre clinging to the group, way out in front of three other horses which stood back a good ten lengths; while the rest of the field straggled out behind.

The English monarch owns many thoroughbred horses as well, and Queen Elizabeth II in particular is a longtime fan of riding and watching races. Her horse, Tactical, just won the Windsor Castle Stakes at the socially distanced Royal Ascot this year!

quote:

Bond kept his glasses trained on the three horses behind the little bunch of four leaders who seemed set to provide the winners. Among this trio was the distinctive yellow and black of Murik's colours on China Blue.

There was a strange tension and silence in the box, contrasting with the excited noise drifting up from the crowds lining the course. The pace was being kept up hard; and the leading bunch did not appear to be drawing away from the three horses some distance behind them. The Queen's horse was ahead, but almost at the half-way mark Desmond's Delight began to challenge, taking the lead so that these two horses, almost imperceptibly, started to pull away, with Francis' Folly and Soft Centre only half a length behind them, running as one animal.

As the field passed the half-way mark, Bond shifted his glasses. Two of the trio following the lead bunch seemed to be dropping back, and it took Bond a second to realise this was an optical illusion. He was aware of Anton Murik muttering something under his breath. China Blue was suddenly being hard ridden, closing the distance between himself and the third and fourth runners among the leaders.

Past the 3/4 mark, China Blue suddenly gains speed far in excess of the other horses and begins to overtake them. At the last moment, a final burst of speed sends him across the finish line in first place.

quote:

Lavender was jumping up and down, excitedly clapping her hands. 'He did it. Uncle Anton, he did it.'

Mary-Jane Mashkin laughed — a deep, throaty sound — but Dr Anton Murik merely smiled. 'Of course he did it.' Bond saw that Murik's smile did not light up his eyes. 'Well, Mr Bond, my horse has won for you. I'm pleased.'

'Not as pleased as I am,' said Bond, quickly, as though blurting out something he would rather have kept hidden. It was just enough to interest Murik – the hint of a man rather in need of hard cash.

'Ah,' the Laird of Murcaldy nodded. 'Well, perhaps we'll meet again.' He fumbled in his waistcoat pocket, producing a business card. 'If you're ever in Scotland, look me up. I'd be glad to provide some hospitality.'

Bond looked down at the card bearing Anton Murik's address and again feigned surprise. 'Another coincidence,' he said, smoothly.

'Really?' Murik was ready to go. After all, he had just won the Ascot Gold Cup and wanted his moment of triumph. 'Why another coincidence?'

'I leave for Scotland tonight. I'll be in your area in a couple of days.'

The slate eyes grew even cooler. 'Business or pleasure?'

'Pleasure mostly. But I'm always open for business.' He tried to make it sound desperate.

'What kind of business, Mr Bond?'

Bond hesitated slightly, timing the pause. 'The contracting business.'

'And what do you contract?'

Bond looked at him levelly. 'Myself as a rule. I'm a soldier. A mercenary — up to the highest bidder. There, that'll be the end of our acquaintance, I expect. We're a dying breed.' He gave a short laugh at his grim little joke. 'People don't take too kindly to mercenaries these days.'

Coincidentally, Anton Murik loves to hire mercenaries to run security at his estates! He informs Bond that they hold an annual miniature version of the Highland Games at his castle, and they just happen to be the following Monday!

quote:

Bond nodded, as Murik turned towards the ladies. 'We must go down, greet China Blue, and accept our just rewards. Mary-Jane, Lavender, you will be seeing Mr Bond again soon. He's kindly consented to come and stay — for the Games.'

As they left the box, Bond was aware of a mildly sardonic look in Mary-Jane Mashkin's eyes.

'Thank you again — for the pearls, I mean, Mr Bond,' Lavender said. 'I look forward to seeing you soon.' There was something odd about the way she phrased the parting sentence, as though she meant what she said but was hinting some warning. Lavender, Bond thought, appeared at first meeting to be a woman with some hidden fear below the charming, easy and poised exterior.

The Laird of Murcaldy did not even look at Bond again — leaving the box in his quick, birdlike manner without a word or backward glance.

Bond stood, looking after them for a moment, wondering about Murik's personal version of the Highland Games, and the part he might be expected to play in them. Then he went down to collect his winnings from a suitably impressed Honest Tone Snare, before making a short doubletalk telephone call to Bill Tanner; and another to the Central Hotel in Glasgow, booking himself a room for the following morning: stressing that he would need to use it immediately on arrival, which he hoped, would be in the early hours.

The Laird of Murcaldy would doubtless be flying his party back to Scotland. Bond did not want to be far behind them. Neither did he wish to arrive at Murik Castle without rest and time for reflection.

Slipping the leather strap of his glasses' case over one shoulder, James Bond walked as casually as he could towards the car park.

chitoryu12 fucked around with this message at 20:52 on Sep 14, 2020

chitoryu12
Apr 24, 2014

Chapter 7: King of the Castle

quote:

During the furious night drive north Bond had plenty of time to puzzle over Anton Murik's win with China Blue. Horses for courses, he thought. But that horse had not looked fit enough for any course. How, then, had it romped home at Ascot? The only possible explanation lay in the old trick of having China Blue pulled back by his jockey in earlier races — not displaying his true form until the strategic moment. But perhaps the real answer would be found, with the others he sought, at Murik Castle.

The journey to Glasgow was without incident. Bond went flat-out on the motorway sections, managing to avoid police speed traps, and stopping to refuel at a couple of all-night motorway service areas.

He was parked, settled into his room at the Central Hotel, and eating a breakfast of porridge, scrambled eggs, toast and coffee, by nine in the morning. He then hung out the 'Do not disturb' sign and slept like a baby, not waking until seven that evening.

This marks the first time Bond ever eats porridge in the series! Guess he is showing his age.



Now known as the Grand Central, the Central was opened in 1883 as the front of the Glasgow Central railway station. After Thatcher won in 1979, the system of nationalized businesses (like British Rail and British Transport Hotels) were pressured to dissolve and sell their assets to private hands. The Central went through a chain of owners before closing and being sold and refurbished in 2009, removing the asbestos and repairing the structure.

quote:

After a lengthy study of the Ordnance Survey maps to plan the route, Bond went down and dined in the hotel's Malmaison Restaurant — named after Napoleon and Josephine's retreat, and one of the best French restaurants in Scotland. Bond, however, had no desire for rich food that evening, and settled for a simple meal of smoked salmon followed by a fillet steak with a green salad. He drank only Perrier water. He was determined to do most of the journey by night — travelling like one crossing a desert in secrecy.



The Malmaison was a classic French restaurant in the hotel, the kind where the entire menu is printed in French because of course anyone dining here would be educated and speak French! The space exists but has been modernized as the Tempus, which has a more international bent to their menu. A period menu I found indicates that Bond's meal was indeed available at the time, suggesting Gardner had been through here lately when he wrote.

And look at that! Nothing but sparkling water!

quote:

He was on the road, with the bill paid, by ten thirty, heading north on the A82, which took him right alongside the waters of Loch Lomond. Early on the following morning, Bond stopped for a day's rest, at a village just short of Loch Garry — having switched to the A87 that would eventually lead him as far as the coastal lochs, and those narrow roads with frequent passing places, around the western seaboard.

He reached a wooded area just to the east of Loch Carron early the next morning, and having parked the Saab well out of sight among trees, remained at rest through a day of pale blue skies and the scent of pine and heather, knowing that as soon as dusk set in, the village of Murcaldy, and from there Murik Castle, would only be a matter of seventy or eighty minutes' drive. He had brought pies and some fruit, together with more Perrier water, not wanting to chance anything stronger at this stage of the operation.

At this same point in Goldfinger, Bond drank 4 shots of Enzian liquor, at least one beer, and a carafe of wine before going to spy on Goldfinger's operation. I'm not sure I can handle a Bond who doesn't do all of his major operations absolutely hammered.

quote:

Having concentrated on making the journey in good and safe time, Bond so far had not been able to savour the views or delight in the beauties of Scotland. Indeed, there had been no opportunity while doing most of his travelling by night. So now he lay back, adjusted the driving seat, dozing and eating as the sun slid across the sky and began to settle behind the trees and hills.

While there was still light, Bond began to make his emergency preparations, unlocking the boot and transferring a packet of cigarettes from Q Branch's prepared briefcase to his pocket. Only six of the cigarettes were of any use to a smoker, the remainder being cut short to hide an easily accessible compartment into which four pre-set electronic microbugs nestled comfortably. If Bond was to be a walking surveillance unit within the Murik household, he might well need assistance; and the small receiver for these bugs — complete with tape and minute headset — remained in one of Q'ute's ingenious hiding places in the luggage.

He also made certain that the pen alarm was still in his pocket, and that the fake Dunhill lighter — dangerous to the point of immobilising any grown man for the best part of an hour — was well separate from his own, real lighter.

The rest of his weaponry remained locked away in the safety compartments of the car. The only other tools he required were to hand — the Bausch & Lomb field glasses and the strap-on Nitefinder headset.

As the last traces of daylight vanished and the first stars began to show in the wide sky, Bond started the Saab, turning the car in the direction of Applecross, skirting Loch Carron in the knowledge that his destination was not far away and there was cause for him to be alert. He made good time, and seventy minutes later the Saab was crossing the small bridge at Murcaldy, leading directly into the one village street with its quaint, neat rows of cottages, the two shops, inn and kirk.



While the exact location of Murcaldy is not given, it appears to be in the general region of the village of Achintraid.

quote:

Murcaldy was situated on a small river at one end of a wide glen, the sides of which, Bond could see by the now risen and bright moon, were devoid of trees. Ahead, at the far end of the glen and above the village, the castle stood against the sky like a large outcrop of rock.

The village appeared to be deserted except for occasional lights from the cottages, and Bond calculated that it took him less than forty-five seconds to travel through this little cluster of buildings. At the far end, near the kirk, the narrow road divided, a signpost pointing its two fingers in a V. Murik Castle lay directly ahead, up the glen; the other sign showed an equally narrow track leading back towards the road to Shieldaig, though Bond considered the track would eventually meet yet another narrow road, with its inevitable passing places, before one was really on the main A896 to that small town. The track thus marked, however, would have to follow the line of the glen to the east, so would probably lead him to a vantage point from which he could gain a view of the castle.

Pausing for a second, Bond slipped the infra-red Nitefinder kit over his head so that the little protruding glasses sat comfortably on his nose. Immediately the moonlit night became as clear as day, making the drive along the dry track a simple matter. He switched off the headlights and began to move steadily forward. The track dipped behind the eastern side of the glen, but the upper storeys of the castle were still visible above the skyline.

As Bond surveys the area, he sees what look like freshly dug mounds off the side of the road. Deciding to ignore these for now, he makes the castle his top priority. That means heading off the trail and walking knee-deep in brush until he reaches the top of the rise overlooking the village and castle.

quote:

On reaching the top of the rise, Bond stretched himself out and looked around. He could see clearly down the glen to the village, but it was impossible to gain any vantage point above the castle, which lay about a mile away in a direct line, having been built on a wide plateau. Far away behind the castle he could just make out the jutting peak of Beinn Bhan breasting itself almost three thousand feet above sea level.

Taking up the binoculars, Bond adjusted them against the Nitefinders and began to focus on the Murik Castle. He could see that half-way along the glen the track from the village became a metalled road, which ended at a pair of wide gates. These appeared to be the only means of access to the castle, which otherwise was surrounded by high granite walls, some apparently original, other sections built by later hands. Indeed, most of the present castle seemed to have undergone vast reconstruction. To the rear Bond could just make out what could well be the ruins of the original keep; but the remainder looked more like a great Gothic-style heap, beloved of Victorians — all gables and turrets.



Gardner may have taken some inspiration from Balmoral Castle, which was originally a 14th century home before coming into the hands of the Royal Family in the 19th century and being replaced in the aforementioned "Gothic-style heap" method. The original building on the site was simply demolished.

quote:

Three cars stood in front of what was obviously the main door — a wide structure with a pillared portico. The castle seemed to be set in the midst of large formal gardens, and the whole aspect produced a half-sinister, half-Disneyland quality. Craning forward, Bond could just make out the edge of a vast lawn to the right of his view. He thought he could glimpse the corner of a marquee. For tomorrow's Games, he presumed.Well, Dr Anton Murik certainly had a castle and, no doubt, acted like a king in it.

Bond was just about to get to his feet, return to the car, drive back and present himself at King Murik's court, when he realised, too late, that he was not alone. They had come upon him with the craft and experience of professional hunters, materialising from the ground like spirits of the night. But these were not spirits — particularly their leader who now loomed huge above him.

'Spyin' on Murik Castle, eh?' the giant accused him in a broad Scots accent.

'Now wait a minute …' Bond began, raising a hand to remove the Nitefinder kit; but, as he moved, so two hands, the size of large hams, grasped him by the lapels, and he was lifted bodily into the air.

'Ye'll come guy quiet wi' us. Right?' the giant said.

I swear I've seen this guy before...



quote:

Bond was in no mood for going quietly with anybody. He brought his head down hard, catching the big man on the forward part of his nose bridge. The man grunted, letting go of Bond, who could see the butt had been well placed. A small trickle of blood had begun to flow from the man's nostrils.

'I'll kill ye for — ' The man was stopped by another voice from behind them.

'Caber? Hamish? Malcolm? What is it?'

Bond instantly recognised the slight nasal twang of Mary-Jane Mashkin. 'It's Bond,' he shouted. 'You remember, Miss Mashkin. We met at Ascot. James Bond.'

She appeared, like the others, suddenly as though from the ground. 'My God, Mr Bond, what're you doing here?' She peered at the giant. 'And what's happened to you, Caber?'

'Yon man gied me a butt to the neb,' he muttered, surly.

Mary-Jane Mashkin laughed. 'A brave man, doing something like that to Caber.'

'I fear your man thought I was a poacher. He — well, he lifted me up, and became generally aggressive. I'm sorry. Am I trespassing?'

"During my normal nighttime walk with night vision goggles?"

quote:

Caber muttered something which sounded belligerent, as Mary-Jane Mashkin spoke again, 'Not really. This track is a right-of-way through the Laird's land. We've been doing a little night hunting, and looking at the digging.' She inclined her head towards the other side of the track where Bond had seen the low earth piles. 'We've just started working on a new drainage system. Just as well you didn't wander that way. You could've stumbled into a pretty deep pit. They've dug down a good fifteen feet, and it's over twelve feet wide.' She paused, coming closer to him so that he caught the scent of Madame Rochas in his nostrils. 'You didn't say why you were here, Mr Bond.'

'Lost,' Bond raised his hands in a gesture of innocence. He had already slipped the Nitefinder set from his head, as though it was the most natural thing to be wearing. 'Lost and looking for the castle.'

'Which I guess you found.'

'Found, and was observing.'

She put a hand on his arm, 'Then I think you'd better take a closer look, don't you? I presume you were coming to visit.'

Never mind. Even without alcohol, Bond is still bad at spying.

quote:

'Quite,' Bond nodded. In the darkness the men shuffled and Mary-Jane Mashkin gave some quick orders. There was, apparently, a Land Rover up the track a little way. 'I’ll guide Mr Bond down and you follow,' she told Caber, who had calmly relieved Bond of the Nitefinder set.

'You should have taken the track straight ahead at the village,' she said when they were settled in the Saab and moving.

'I gathered that.'

The Land Rover was close behind as they swept up to the gates. A figure appeared to open up for them, and Mary-Jane Mashkin told Bond they kept the gates closed at night, and on special locks. 'You can never tell. Even in an out-of-the-way place like this, where we know everybody, some stranger might …'

'Come in and ravage you all?' Bond grinned.

'Could be fun,' she laughed. 'Anyhow, it's nice to know we have a guest like yourself, Mr Bond — or can I call you James?'

Finally, a return to kink in Bond!

quote:

'No need for formality here, I suppose,' said Bond as they came up to the main door with its great pillared porchway.

Behind them, Caber and the men called Hamish and Malcolm were climbing down from the Land Rover. Mary-Jane Mashkin called out for Hamish to inform the Laird, then turned to Bond, 'If you let Caber have your keys he'll take your luggage in, James.'

But Bond had carefully locked the door. 'I think the luggage can wait.' He made a courteous gesture towards the door of the castle. 'After being taken for a poacher, or a spy, the Laird might not want me …' He stopped, for the small, birdlike figure of Dr Anton Murik was emerging from the castle. He peered forward for a moment. Then his face lit up.

'Why, it's Mr Bond. You've come as promised — Good heavens, what happened to your nose, Caber?'

The big man was still dabbing blood away with his handkerchief. 'My fault, I'm afraid,' said Bond. 'Sorry, Caber, but you were a little over-enthusiastic.'

'I thocht yon man was some kindo' spy, or a poacher, Laird. I didna ken he was a visitor. Mind, he acted strange.'

He does that, yes.

quote:

'Get him to bring your luggage in, Mr Bond,' Murik smiled, and Bond repeated that it could wait. He had no desire for Caber to be messing about with the car.

'Fine,' beamed Murik. 'No need to lock anything here. We'll collect the bags later. Come in and have a dram,' and, with a sharp order to Caber and his henchman to look after the Saab, Murik ushered Bond through the gloomy porch way.

Mary-Jane Mashkin had already gone ahead, and as they crossed the threshold, Murik gave a small cackle of laughter. 'May have made an enemy there, Bond. Caber doesn't take kindly to being bested. You gave him a little nose bleed as well. Not good. Have to be careful.'

Rockopolis
Dec 21, 2012

I MAKE FUN OF QUEER STORYGAMES BECAUSE I HAVE NOTHING BETTER TO DO WITH MY LIFE THAN MAKE OTHER PEOPLE CRY

I can't understand these kinds of games, and not getting it bugs me almost as much as me being weird
James Bond is gearing up to face his toughest foe yet - delirium tremens!

Midjack
Dec 24, 2007



Say what you will about the animals themselves but all the fashion and ceremonial bullshit that is built up around them will always make me laugh.

Dr. Sneer Gory
Sep 7, 2005
I have to say that compared to the sexist cynicism of Pearson's nonsensical book and the overly serious, schlocky and smarmy Wood novelizations, Garner's writing is a breath of fresh air. While not as good as Fleming at his best, (so far at least) feel like Garner gets many of the elements of Bond. Ann Reilly is more of a proper Bond woman, witty, with hints at her own story, and without constant references to her tits.

The preperation for the mission, Bonds lack of Roger Moore-esque quips, and the characters introduced seem to be more interesting than the lazy pulp figures of the recent past. Even the spycraft is improved, with Bonds competence leavened by his gently caress ups, as opposed to the brazenness of Woods depiction, or even Fleming's poor handling in Man with the Golden Gun.

chitoryu12
Apr 24, 2014

Gardner does have a lot of personal tropes and plot beats that he falls into, so it might get grating after a bit when there are constant double and triple-crosses and faked deaths, but nobody can say the plots aren't original. They also get substantially more violent than Fleming's!

sebmojo
Oct 23, 2010


Legit Cyberpunk









Dr. Sneer Gory posted:

I have to say that compared to the sexist cynicism of Pearson's nonsensical book and the overly serious, schlocky and smarmy Wood novelizations, Garner's writing is a breath of fresh air. While not as good as Fleming at his best, (so far at least) feel like Garner gets many of the elements of Bond. Ann Reilly is more of a proper Bond woman, witty, with hints at her own story, and without constant references to her tits.

The preperation for the mission, Bonds lack of Roger Moore-esque quips, and the characters introduced seem to be more interesting than the lazy pulp figures of the recent past. Even the spycraft is improved, with Bonds competence leavened by his gently caress ups, as opposed to the brazenness of Woods depiction, or even Fleming's poor handling in Man with the Golden Gun.

He's such a nerd though

chitoryu12
Apr 24, 2014

Chapter 8: Virgin on the Rocks

quote:

Later Bond considered that, in all probability, he had expected the Victorian Gothic gloom of the porch way to be reflected in the interior of Murik Castle — Landseer and deer antlers. He was, therefore, greatly surprised by the dazzling sight that met his eyes.

From the brooding exterior he was suddenly transported into another world. The hall, with its vast circular staircase and surrounding gallery, was decorated in shimmering white, the doors being picked out in black, and the matching white carpet underfoot giving Bond the impression that he was sinking into a soft, well-kept lawn.

The lower part of the walls was decorated, with elegant sparseness, by a series of highly polished, mint-condition halberds, ronchas, bat's wing corsθques, war forks and other thrusting weapons of the fifteenth and sixteenth centuries, which gleamed under the light thrown from a huge steel candelabra of intricate modern design. The arrangement was in no way cluttered or overdressed.

Murik spread out an arm, 'The raw materials of war,' he said. 'I'm a bit of a collector, though the best pieces are kept in other parts of the house — except, possibly, these.' He pointed to a gilded console table on which rested a glass case covering an open pistol box — a pair of duelling pistols, with tell-tale octagonal barrels, the case fitted out with all necessary accessories, brass powder measure and the like. 'Last known English duel,' Murik said proudly. 'Monro and Fawcett, 1843.' He indicated the nearest pistol. 'Monro's weapon. Did the killing.'

This is a common misconception! There is actually one more recorded duel, in 1845, where Lieutenant Henry Hawkey killed Captain James Alexander Seton.

In the case of this one, Lieutenant Alexander Munro challenged Lieutenant-Colonel David Fawcett, his brother-in-law, to a fatal duel for insulting his wife and arguing with him over the sale of property while he looked after it while Munro was gone. As was typical for the time, all witnesses (Fawcett included) denied any duel took place and tried to frame it as an accident to have plausible deniability. Munro was found guilty, sentenced to death, but had his sentence commuted to 12 months in prison.



Dueling pistols are designed for a specific purpose: to put both duelists on equal footing. They're generally very finely made but plain in style, sold in a case with all of the necessary accessories (powder measures, bullet molds, spare flints, etc.) to load both guns precisely identically.

quote:

Bond stepped back to view the hallway again. There were other illuminations, placed strategically over modern pictures which hung higher up the walls. He recognised at least two from Picasso's Blue Period, and what looked like the original of Matisse's 'Pink Nude'.



I'm guessing Gardner was an art guy?

quote:

Bond caught the smile on Murik's face. 'You're a collector of other things too,' he said. 'That looks like the — '

'Original? Yes,' Murik made a little swooping movement.

'But I thought — '

'That it was in the Baltimore Museum of Art?' The Laird nodded. 'Yes, well, you know the art world. After all there is a da Vinci "Virgin of the Rocks" in the Louvre and in London. The same goes for the de Champaigne "Richelieu". Come now, Mr Bond. You would like a drink.' He raised his voice for Mary-Jane Mashkin, who appeared as though on cue at the top of the stairs.

Murik leaves Bond in the company of the ladies (who have changed into expensive evening clothes) to relax in the drawing room before dinner. On their walk, Bond hears a noise and catches a fleeting glimpse of Franco entering a room upstairs.

quote:

The room in which Bond now found himself was long and wide, with a high, ornate ceiling, decorated in the same bold style as the hall. The walls were a delicate shell pink, the furnishings designed for comfort, and mainly in leather and glass. The wall opposite the doorway had been transformed into one huge picture window. Even in this light, Bond recognised the tint of the glass, similar to that in the Oval Office of the White House, but in a pink shade and not the green of that elegant seat of power. One would be able to see out of this huge window; but, from the outside, the human eye would only be able to note light, without detail. It was undoubtedly bulletproof.

'Well now, a drink, Mr Bond.' Mary-Jane stood by a glass cabinet. 'What will you take after all our exertions?' She made it sound coquettish.

Bond had an overwhelming urge to ask for a Virgin on the Rocks, but chose Talisker. 'When in Scotland …' he explained. 'A small one. I'm not a great drinker – a little champagne sometimes, and a well-made vodka martini. But here – well …'

Mary-Jane Mashkin smiled knowingly, opening the cabinet and taking out the fine malt whisky. 'There.' She held out the glass of amber liquid which glowed like a precious stone in the light.



Talisker Distillery, founded on the Isle of Skye in 1830, is one of the most famous single malt producers. Until 1989 their main expression was 8 years old, but it has since been replaced by 10 years bottled at 45.8% ABV. I actually bought a bottle to drink while writing this! It's expensive (over $80 a bottle here), but absolutely worth it if you like complex drinks to put hair on your chest. This region of the Highlands tends to produce whiskey with more peat smoke in the flavor, albeit not to the extremes of Islay scotch to the south, with sweet, spicy, and slightly salty notes thanks to being produced by the sea.

This book gives us the distinction of Bond's first glass of single malt scotch! As I explained in the previous thread, most scotch in Fleming's time was simply sold to blending houses to make a consistent and dull product ideal for export, and Bond stuck to plain brands like Haig and Black & White, always on the rocks and often mixed with soda water. Single malt scotch drank by itself instead of blending was virtually unheard of outside Scotland until after Fleming's death, being a much more expensive and time-consuming product to make; it was more profitable to use a continuous column still to produce cheap high-proof whiskey for blending than to dedicate a pot still to an individual batch. In 1963, Glenfiddich began actively marketing it for international export; this was a bold move, as single malt scotches are of a much more powerful and less consistent flavor than the easy blends everyone was used to.

In 1981, when this book was published, a mention of Murik having Talisker would still be extremely Scottish. It's a relatively local distillery, a bit over 60 miles away by road from his castle, and the whiskey has a very strong flavor and noticeable alcohol burn when served neat like it appears Mary-Jane is. It wouldn't be until the 2000s that single malts were being produced by a large number of distilleries and common worldwide.

quote:

Lavender had seated herself on a deep leather sofa. 'Well, it's certainly nice to have someone else staying here, Mr Bond. Especially for the Games.' She looked him straight in the eyes as she said it; as though trying to pass a message. Yet, as he looked quizzically at her, Bond saw the eyes alter, the steady look faltering, her gaze shifting over his shoulder.

'They're looking after you, then, Mr Bond?' Murik had come silently back into the room, and Bond turned to acknowledge his presence. 'I have verbally chastised Caber,' the Laird continued. 'He has no right to manhandle people — even if he does suspect them of poaching or spying.' The old, dangerous grey lava lurked in Anton Murik's eyes, and Bond saw that he was holding out the Nitefinder headset. 'An interesting toy, Mr Bond.'

'In my profession we use interesting toys,' Bond smiled, raising his hands. 'I have to admit to carrying out a reconnaissance of the castle. You invited me; but my training …'

Murik gave a small smile. 'I understand, Mr Bond. Probably more than you will ever know. I rather like your style.'

That's a hell of an excuse. "Yes, I was spying on you, but only because that's what I do for everyone!"

quote:

Lavender asked what the strange glasses and headset might be, and Bond told her briefly that they allowed you to see clearly in the dark. 'Very useful for night driving,' he added.

'Mr Bond,' Murik cut in, 'if you'll let one of my men have your car keys, I'll see your luggage is taken to the guest room.'

Bond did not like the idea, but he knew the only way to gain Anton Murik's confidence was to appear unruffled. After all, they would need a great deal of time and some very expert equipment to discover the secrets of both the car and baggage. He felt in his pockets and handed the keys to Murik. Almost at the same moment a burly man, whose tail coat and general demeanour proclaimed him as the butler, entered and stood in subservient silence. Anton Murik addressed him as Donal, telling him to get 'one of the lads to take Mr Bond's luggage to the East Guest Room and then park the car'.

Donal acknowledged the instructions without a word, and departed with the car keys.

He's sort of beating us over the head with how Scottish this book is, isn't he?

quote:

'There now, Mr Bond.' Anton Murik gestured to one of the comfortable leather chairs. 'Sit down. Rest yourself. As you see, we're old-fashioned enough to be formal here. We dress for dinner. But, as you've arrived late, and unprepared, we'll forgive you.'

'If the ladies don't mind.' Bond turned to smile at Mary-Jane Mashkin and Lavender Peacock. The Mashkin woman returned his smile; Lavender gave him a broad, almost conspiratorial grin.

'Not at all, Mr Bond,' said Mary-Jane, and Lavender followed with a quick, 'Just this once, Mr Bond.'

James Bond nodded his thanks and took a seat. He had long ago ceased to worry about being the odd man out on formal occasions — except, of course, when it was some forewarned important function.

In the back of his mind, Lavender Peacock caused niggling concern. She was beautiful, obviously intelligent, and at ease when Dr Anton Murik was absent; but in her guardian's presence Lavender had about her a certain wariness that he could not readily define.

It should not surprise him, Bond realised. Anton Murik and his castle, with people like Caber and the butler creeping around, would be enough to make anyone wary. There was something eery about this large Gothic structure with its interior which stank of wealth, taste and gadgetry, all set far out in the middle of a beautiful nowhere.

After a bit of chatting and casual drinking, Donal comes in to announce dinner is served and Bond's Saab is parked next to Murik's Rolls-Royce.

quote:

They sat at a fine long mahogany table, polished and kept in magnificent condition, and ate with Georgian silver from an exquisite dinner service, every piece of which was rimmed in gold. The Lairds of Murcaldy had obviously lived well for many decades: the table silver and china would, Bond considered, have brought a small fortune in any reputable London auction room.

Murik's food matched the outer show: a fine lobster cocktail, prepared individually at each diner's elbow from freshly cooked and cooled crustaceans; a light consommι with a chicken base, followed by rare rib of beef which almost dissolved on the tongue; and, before the cheese board was circulated, there was one of Bond's favourite Scottish puddings, the delicious cream-crowdie — toasted oatmeal folded into thick whipped cream.

'The simplest things are best at table,' Anton Murik commented. 'You pay a fortune for that in the Edinburgh and Glasgow hotels, and yet it's merely an old farmhouse dish.'

Bond reflected on a fact he had noted so often in his travels: that the wealthy of today's world take their so-called 'simple' pleasures for granted.



Cream crowdie, also known as cranachan, should be familiar to anyone who's eaten "overnight oats" or the like. At its simplest it's oatmeal, cream, and honey mixed together into a dessert gruel, optionally with whiskey to flavor and mixed with fruit (traditionally raspberries). The name comes from crowdie, a simple farmhouse cheese native to Scotland that would commonly be mixed with oats to be eaten; modern recipes usually replace this with whipped cream.

Murik and Bond are thus correct in their reflections on it. Cranachan is one of many dishes originally eaten by the poor, from minestrone to brown bread to the contents of a charcuterie board, that is today commonly upsold in luxury versions. Sometimes you barely even get anything superior to a homemade version, but are charged several times as much. One place you would not find it, though, is the hotel Bond ate at in his Glasgow hotel! The Malmaison was strictly French.

quote:

He was not surprised when the port arrived and the ladies withdrew, leaving the two men to their own devices. The running of Murik Castle, it seemed, clung to the fashions of more gracious days. The servants — there had been two muscular young men waiting at table under Donal's eye — withdrew; as did the butler himself, after placing cigars, cutter and matches within the Laird's reach. Bond refused a cigar, asking permission to smoke his own cigarettes.

Conscious or not, this is another thing that's specifically against Roger Moore's Bond. Moore was a heavy cigar smoker and even had a clause in his contract guaranteeing him unlimited Montecristo cigars on set. He regularly appeared with cigars in the films until Dalton took over and returned to cigarettes. Brosnan and Craig would completely abandon smoking for the character, other than a single cigar in Die Another Day in a scene set in Cuba.

quote:

As he drew out the old and faithful gunmetal case, James Bond's thumb felt the rough section around the middle, where it had been skilfully repaired. The thought flashed through his head that this very case had once saved his life, by stopping a SMERSH assassin's bullet. The evidence was in the rough patch, invisible to the eye, on either side of the case. For a second he wondered if he would have need of any life-saving devices in this present encounter with the Laird of Murcaldy.

Just in case it wasn't abundantly clear which Bond we're following! The timeline gets fuzzier and fuzzier as the books go past a decade of writing, but at least at this point it's assumed that the events of Fleming's books took place about as many years ago as they did from Colonel Sun. Bond is going to be somewhere around 40.

quote:

'So, you took up my offer, Mr Bond?' The eyes assumed the grey and menacing lava flow look as Anton Murik faced Bond across the table.

'To visit you, yes.' Bond watched as Murik expelled a great cloud of cigar smoke.

'Oh, I didn't just mean the visit.' He gave a throaty chuckle. 'I know men, Bond. I can scent them. You are a man of vigour who lives for danger. I smelled that the moment I met you. I also felt you have a similar facility — for scenting out possible dangers. Yes?'

Bond shrugged. It was not time to commit himself to anything.

I see Gardner has the shrugging down.

quote:

'You must be good,' Murik continued. 'Only good mercenaries stay alive; and you did all the right things — reconnoitring my estate, I mean. There may well be a job for you. Just stay for a day or two and we shall see. Tomorrow I may even give you a small test. Again, we shall see.'

There was a moment's pause, and then Bond asked levelly, 'How did you do it?'

Murik arched his eyebrows in surprise. 'Do what?'

'Win the Gold Cup with China Blue?' Bond did not smile.

Murik spread out his hands. 'I have a good trainer. How else would I win such a prestigious cup race? And I had the right horse.'

'How?' Bond asked again. 'China Blue's form made him the biggest outsider in the race. He even looked like a loser. Now I know that's easy enough to do, but you brought it off and there were no questions. You have him pulled in his other races?'

While Murik initially declines to explain further, he changes his mind and leads Bond to an unobtrusive locked side door.

quote:

They went down a cool, well-lit passage which terminated at yet another door, which Murik unlocked with a second key. A moment later they stood in a large book-lined room. There were three leather chairs facing a wide military desk and a cabinet containing some exquisite pieces of antique weaponry. On the wall above the desk hung the only painting in the room — a large and undeniable Turner.

'Genuine?' asked Bond.

'Naturally.' Murik moved behind the desk and motioned Bond into one of the chairs facing him. 'My inner sanctum,' he commented. 'You are honoured to be here at all. This is where I work and plan.'



JMW Turner was one of the biggest English painters of the 19th century, specializing in landscapes and historical events. The above painting, The Fighting Temeraire, was voted Britain's favorite painting in a 2005 BBC poll and is now part of the new £20 note along with Turner's self-portrait.

quote:

Gently Bond drew the chair nearer to the desk. Murik was opening one of the drawers. He removed a small buff folder, opened it and passed two photographs to Bond. 'Tell me about these photographs, Mr Bond.' Bond said they were pictures of China Blue.

'Almost correct.' Murik smiled again: a deep secretive smirk. 'They are brothers. You see — I will not bore you with the documents — just over four years ago I had a mare in foal, here on the estate. I happened to be in residence at the time, and was in at the birth, so to speak. Happily I have a vet who knows how to keep his mouth closed. It was a rare thing, Bond. Two identical foals. Absolutely identical. No expert could have told them apart, though it was obvious to the vet and myself that the second would always be the weaker of the two. That is usual in such cases.'

He paused for effect. 'I registered one only. They were from good racing stock. There is one China Blue — the one you saw running at Ascot — with tremendous stamina and the natural aptitude for racing. The other? Well, he races, but has no speed and little stamina. Though still, at four years, you would be hard put to tell the difference in build. Now, I've shared a secret with you. I am attempting to establish a trust between us. But if it ever leaks out, I promise you are a dead man.'

This simple trick is actually a real one in horse racing. While having convenient twins makes it easier, horses can have their coats painted or bleached to adjust their appearance.

One of the biggest horse racing scandals in British thoroughbred racing would actually occur in 1982, when it was discovered that "Flockton Grey" was swapped for a stronger horse, Good Hand, who was far too strong for the young horse competition he was meant for. The insane margin of victory (20 horse lengths ahead of second place!) was so obviously suspicious that bookies refused to pay out, and a veterinarian examining the horse found a distinctive scar that the real Flockton Grey didn't have when he was found at a stable. The owner, Ken Richardson, was fined £20,000 (plus another £25,000 in court costs) and given a suspended 9-month sentence and an unprecedented 25-year blacklisting from racing.

Richardson was a crook at heart, though, and in the 1990s he would emerge again to take majority ownership of Doncaster Rovers Football Club. After running the club into the ground in a failed attempt to build a new stadium, he desperately hired several men to burn Belle Vue stadium for the insurance money in 1995. They were caught and Richardson received 4 years in jail, while the stadium was rebuilt and used until 2006 when a new stadium began construction. A possible boiler theft (!) caused a gas leak that blew the closed stadium to bits in 2007. The disgraced loser, Richardson, was left to return to running East Riding Sacks and making paper bags, because life is a comedy.

quote:

'Nobody's going to hear it from me.' As he spoke, Bond moved the chair even closer, taking out his gunmetal cigarette case and the package of cigarettes provided by Q'ute. The Laird of Murcaldy had just answered a prize question. The man was a cheat and a fraud. Franco was in the house, and, for Bond, that was enough. M had been right to send him: this was certainly no panic or fool's errand.

Quickly he removed a couple of the cigarettes from the packet and placed them in his case. At the same time Bond pressed on the side of the packet, expelling one of the small electronic micro-bugs into his hand. Murik was still chuckling as he picked up the photographs from the desk. As he leaned down to return them to the drawer, Bond slid his hand under the foot-well of the desk, pressing the adhesive side of the bug hard against the woodwork. Now the Laird of Murcaldy's inner sanctum was wired for sound.

With everything finished, Murik sends Bond off to bed so he's nice and ready to participate in the games tomorrow. All of his bags have already been taken to his room and Donal is assigned to lead him there.

quote:

As he left, Bond caught Lavender's eyes in his, warm, friendly, but with a lonely message hidden within. Of one thing he was certain, she was a living virgin on the rocks — though he admitted to himself that he was being presumptuous about the first part of that statement.

He followed Donal up the stairs, anxious to get at the receiver in his case and set it up so that any further business transacted by Murik in his inner sanctum could be recorded and listened to at leisure.

Donal opened the door, intoning, 'The East Guest Room, sir,' and Bond stepped into an Aladdin's Cave for the passing visitor.

chitoryu12 fucked around with this message at 20:02 on Sep 16, 2020

chitoryu12
Apr 24, 2014

Chapter 9: All Mod Cons

quote:

The room was decorated almost entirely in black, with soft lighting hidden high up behind pelmets, where there must once have been ornate old picture rails. It took Bond a second to realise that there were two rooms and not one; for half of each of the bedroom walls and a large section of the ceiling was made of mirror — difficult to distinguish against the black decor. This gave the illusion of more space; it also had the unnerving effect of disorientation. Donal spoke just as Bond confirmed, to himself, that an archway led from the bedroom into a bathroom.

That's a terrible sense of decor!

quote:

'You did not leave the keys to your luggage, sir; otherwise I would have had your clothes unpacked and pressed. Perhaps tomorrow?'

'Certainly,' Bond turned his back, speaking sharply. 'Goodnight, Donal.'

'Goodnight, sir.' The butler withdrew, and Bond heard a very solid click as the door closed. He went over and tried the handle, immediately realising he had been correct in his identification of the sound. The door was fitted with a remote-controlled electronic lock. He was virtually a prisoner. At least, he thought, setting the roomy briefcase on a side table, he would not be a prisoner who would be secretly watched or overheard.

Unlocking the briefcase by turning the keys twice, he pressed down hard on the catches, which lifted on small hinges, revealing the real locking devices underneath: three wheels of numbers on each side. Bond spun the dials, and the briefcase opened. With this one they had made little effort to hide the equipment inside, the top of the case being a simple tray in which his toilet gear rested. Lifting out the tray, Bond uncovered the few pieces of hardware beneath.

The largest item was the one Bond required —the standard VL 22H counter-surveillance receiver, which looked something like a chunky walky-talky, but with headphones and a hand-held probe.

Bond plugged in the headset and probe, slipped the instrument's shoulder strap around his neck, adjusted everything and switched on. For the next ten minutes he carefully ran the probe over the entire room, covering every corner and fitment. The built-in verifier would quickly determine any type of bug, differentiate between various signals and even lead him to any television cameras hidden behind the large expanses of glass; or secret fibre-optic lenses, the size of pencil holes, in the wall. He followed a well-learned pattern, completing the sweep with great care. Nothing snowed. The note in the earphones remained constant, and the needle in the VU unit did not waver.

While this would be obviously suspicious if Bond was on camera, in his defense he is playing the character of a paranoid mercenary who even scouts his new boss's estate with night vision goggles before showing up. He'd probably be much more suspicious if he just went right to bed!

quote:

Returning the counter-surveillance unit to its hiding place, he pulled out the larger piece of luggage. Checking the locks, he once more used his keys to open the lid, throwing the clothes out in a manner that would have made the sinister and fastidious Donal wince. When the case was empty, Bond returned to the locks, turning the keys a further three times in each. At the final click of the right lock, a minute panel slid back in the far left-hand corner of the case bottom, revealing a small numbered dial.

Bond spun the dial, selecting the code arranged between Q'ute and himself only a few days previously. Another click and he was able to slide a larger portion of the case bottom to one side, disclosing some of Q Branch's special hardware, packed neatly in velvet-lined trays. Removing the tiny receiver/recorder — based on the STR 440, and only eighty-four by fifty-five millimeters in size, complete with a specialised tape cassette and foam-padded minute headset — Bond switched on, set the control dial to the figure 1, and saw a small light glow like a red-hot pinhead. The bug placed in Murik's study was now active. A cassette lay ready attached to the machine. Now, any conversation or movement in Murik's room would be recorded on Bond's receiver. He looked around and decided that, for the moment at least, it was safe to leave the receiver on the long dressing table that took up the bulk of one wall. He put the small piece of apparatus carefully on the dressing table and started to unpack, first sliding the hidden compartment in the case back to its locked position.

Now that his room is confirmed bug-free except his own, Bond takes a few minutes to put away his clothes and takes a look at the room.

The bed, in particular, is the most bizarre seen in Bond canon yet! Two massive semi-circular padded panels surround the bed, embedded with TV screens, a Ceefax teletext system, a telephone, and a massive collection of cassettes of every kind of music and video cassettes of movies that only just left theaters.

quote:

Bond recognised the bed as the famous and exclusive Slumberland 2002 Sleepcentre, with some modifications, made probably on Murik's own instructions. He noted that the console provided sound and light programmes marked 'Peace Mood', 'Wake', 'Sleep' and 'Love'. Something Q'ute would have appreciated, he thought with wry amusement.



I am shocked to say that this bed is a real thing! It was a 1978 concept developed as part of a model of what the homes of the future looked like. It was a classic example of the smart home concept, integrating everything from business to entertainment to shaving into sleeping and waking. Slumberland hoped they could have it on the market by the 90s, but it never made it past one mockup.

quote:

It took a lot of will-power for Bond to leave the so-called Sleepcentre and investigate the bathroom which also had several intriguing gadgets, including a sunken whirlpool bath, and even a blood-warm lavatory seat. 'All mod cons,' he said aloud.

With a short chuckle, Bond returned to the bedroom. He would try out the communications system and complain that his door seemed to be jammed. As he headed towards the bed, a glance at the receiver on the dressing table showed the tape revolve for a second and then stop. The bug placed in Murik's study was picking up noises. Grabbing the receiver and headset, Bond dived into the Sleepcentre, slipping the 'phones over his ears.

Someone was in Murik's study. He heard a distinctive cough, then Murik's voice: 'Come in, the door's open. Close it and shoot the bolt. We don't want to be disturbed.'

The sounds came clearly through the headphones: the door closing, and then the rustle as someone sat down.

'I'm sorry about dinner,' Anton Murik said. 'It was unavoidable, and I didn't think it wise for you to show yourself to my visitor, even though he probably wouldn't recognise you from Adam.'

As the conversation with Franco continues, it becomes apparent that Murik really has bought into Bond's mercenary claims. Murik is currently examining his background; M made sure to have a full cover set up of him as a Guards officer and likely SAS commando who left with a bad reputation.

quote:

Murik was still speaking. '… but I smell the need for money. Mercenaries are good earners, if they live, yet they all have that tendency to spend as though tomorrow did not exist. Or they turn to crime.'

'You must keep sights on all strangers until they are proved.'

'Oh, I'm testing him. He'll give us some interesting sport.' The laugh was unpleasant. 'At least we'll see what he's made of. But, my dear Franco, you're leaving shortly, and I want to get things finalised.'

'Everything in my head. Clear as day. You know me well now, Warlock. The teams ready in England, France and Germany. No trouble. They are on call. Listening the whole time. There is only America, and my people wait there for me.'

'And you'll be in the States by tomorrow night?'

'Afternoon.'

There was a long pause and a rustling of paper before Murik spoke again. 'You're quite certain of your American people?'

'The same as the others.'

'Willing to expend themselves in the cause?'

'Absolutely. They expect death. I have said it is not likely for them to survive. This is good psychology. Yes?'

He's recruited Republicans!

quote:

'I agree. Though as long as they do exactly as they're told, there'll be no risk. That's the beauty of it. First, the fact that we only need to place four men in each station — to secure themselves within the control rooms — and take orders from me alone. Second, that they refuse to maintain contact with anyone outside — no hostage-taking, nothing to distract them. Third, that I make it plain to the governments concerned that they have twenty-four hours only, from the moment of takeover. The twenty-four hours runs out … then Boom: England, France, Germany and the United States have big problems on their hands for many years to come — problems, if all the scientists are correct, that will not be confined to the four countries concerned. The death toll and damage could cover almost half of the world. This is the one time that governments will have no choice but to give in to blackmail.'

'Unless they do not believe you.'

'Oh, they'll believe me,' Murik chuckled. 'They'll believe me because of the facts. That's why it's all-important that your people go in at the same moment. Now, your Americans. How long will it take to brief them?'

There was another pause, as though Franco was trying to make up his mind. 'Twenty-four hours. One day at the most.'

'For both lots? For Indian Point Unit Three, and San Onofre Unit One?'

'Both. No problems.'

'It's the San Onofre that's going to scare the wits out of them.'

'Yes, I've studied papers. Still active, even though the authorities know how close it is to a fault. A seismic fault — is that how you say it?'

'Yes. America will press Europe. They just won't be able to take the risk. As long as your American people know what is expected and do only what I tell them. You must stress — as you have done in Europe — that if they obey orders, nobody can get at them for a minimum of twenty-four hours. By that time Meltdown will all be over anyway. So I see no reason why Meltdown cannot go ahead at twelve noon British Summer Time on Thursday, as planned.'

Meltdown was the original title of the book by Gardner. He had a lot of difficulties over the years with publishers, especially on the American side, trying to change names to occasionally hilarious ones.

quote:

'There's one thing …'

'Yes?' Murik's voice, sharp.

'How are you to give the signals — pass on the instructions — without detection?'

A slight chuckle, subdued and humourless. 'Your people have the receivers. You have a receiver, Franco. Just use them, and let me worry about the rest.'

'But with radio signals of that strength — covering Europe and the United States — they'll pinpoint you faster than you can do your Times crossword; which is fast.'

Not when the fuckers make such unfair clues!

quote:

'I told you, Franco. Let me worry. All is arranged, and I shall be quite safe. Nobody'll have the slightest idea where any instructions are coming from. Now, Franco, we are on schedule for Thursday, which is ideal. If you can really finish everything in America within twenty-four hours, it means you will be in a position to carry out the other assignment for me on Wednesday night. You think you can make that location?'

'There is time enough. Better I should do it than someone else …'

Even with the headphones on, Bond was suddenly distracted by a click from the door. His head whipped around, and he saw the handle turn a fraction. In one movement he grabbed the 'phones from his head, stuffing the receiver under the pillow before launching himself out of the Sleepcentre towards the door.

His hand shot out, grasping the door and pulling it sharply towards him.

'It's okay,' whispered Mary-Jane Mashkin, 'only me.' She slipped inside, the door swung to heavily, and Bond heard the locks thud into place again. His heart sank. Mary-Jane Mashkin was a handsome woman, but not Bond's fancy at all. Yet here she was, dressed a shade too obviously in a heavy silk Reger nightdress and wrap, her dark hair hanging around her face; a flush to her cheeks. 'I thought I should come and see that you're comfortable,' she murmured coyly. 'Have you got everything you need?'

If this were Moore's Bond, he'd be 10 seconds from being inside her.

quote:

Bond indicated the door. When Donal had closed it, Bond had realised there was some kind of automatic locking system. The noise following Mary-Jane's entrance had confirmed his fear. 'How do you get through that system? It's electronic, isn't it?' he asked.

She pushed herself towards him, smiling in a faraway manner. 'Some of the rooms — like this — have electronic locks for safety. The doors can always be opened from the outside; and all you have to do is dial "one" on the 'phone. That puts you through to the switchboard. They'll open it up for you. If Anton agrees, of course.'

Bond backed away. 'And that's what you'll do? To get out, I mean.'

'Oh, James. Are you telling me to leave?'

'I …'

She slid her arms around his neck. 'I thought you needed company. It must be lonely up here.'

Bond's mind scrabbled around for the right actions and words. There was something decidedly wrong here. A carefully orchestrated seduction scene by this American woman: an intellectual, mistress to Anton Murik, and almost certainly in on whatever villainy was being planned at this moment by the doctor and Franco.

This might be the first time we've seen Bond awkward and uncomfortable with romance.

quote:

'James,' she whispered, her lips so close that he could feel her breath, 'wouldn't you like me to stay for a while?' Mary-Jane Mashkin, fully dressed, made up, and with her hair beautifully coiffured, seemed a handsome and attractive woman. Now, close to, with her body unfettered from corset or girdle, and the face cleaned off, she was a very different person.

'Look, Mary-Jane. It's a nice thought, but …' He wrenched himself free. 'What about the Laird?'

'What about him? It's you I've come to see.'

'But isn't this risky? After all, you're his … trusted confidante.'

'And I thought you were a man who was used to taking risks. The moment I set eyes on you, I … James, don't make me humiliate myself …'

She was a good actress, Bond would say that for her. The whole thing smelled of either a set-up or a special reconnaissance. Had he not just heard Anton Murik talk about testing him? Women involved with men like Murik did not offer themselves to others without good reason. Bond took the woman by the shoulders and looked her straight in the eyes. The situation was delicate. A false move now might undo all the good work which had got him into Murik Castle. 'Mary-Jane, don't think I'm not appreciative, but …'

Skipping the drinks seems to be helping his cognition!

quote:

Her lips tightened into a petulant grimace that changed her expression into one of acid, unpleasant hardness. A lip curled upwards. 'I've made a fool of myself. Men used to flock …'

'It isn't like that,' Bond began.

'No? I've been around, James Bond. You think I don't know the signs by now?'

'But I'm Anton Murik's guest. A man can't abuse hospitality like …'

She laughed: a derisive single note. 'Since when did a man like you stand on that kind of ceremony?' She stood up. 'No, I just misread the signals; got my wires crossed. You should know by now, James, that a woman can always tell when a man finds her – well, I guess, unattractive.'

'I told you. It's not like that.'

'Well, I know it is. Just like that.'

She was at the door now, turning, her mood changing to one of anger. 'I could've saved you an awful lot of hassle, James. You could've avoided much unpleasantness with me on your side. But I could make you regret the last few minutes. You'll see, my friend.'

It's like dating someone with BPD!

quote:

It all sounded very melodramatic, and Bond was becoming more and more convinced that Mary-Jane's presence in his room — her thrusting, unsophisticated attempt to seduce him — was an act designed for some other purpose. Her hand reached out to the door.

'Shouldn't I ring the switchboard?' he asked, trying to sound suitably subdued.

'No need. They have warning lights that go on and off when the bolts move; but I have arrangements with them. There's also a way out for the members of this household.' From the folds of her robe she produced a small oblong piece of metal the size of a credit card and slipped it into a tiny slot that Bond had not noticed, to the right of the lock. The bolts shot back, and Mary-Jane Mashkin opened the door. 'I'm sorry to have troubled you,' she said, and was gone in a rustle of black silk.

Bond sat down on the bed and looked at the door. Possible friend or eternal enemy? he wondered. The whole business had been so bizarre that he found it difficult to take seriously. Then he remembered the receiver and Murik's conversation with Franco.

Murik and Franco had finished their conversation when Bond was dealing with being molested by a weirdo, so he rewinds the tape to see what he missed. After some talk about planning and the use of an air rifle firing a gelatin projectile for assassination, the bug is suddenly knocked off the desk. The voices are now so muffled that the only thing Bond can figure out is something related to Majorca, and the weapon's planned use from a catwalk to cause a coma and fatal heart attack.

quote:

The whole thing was deadly, and Bond knew that M's worst fears were proved. This was no ordinary little plan but a full-scale, worldwide conspiracy of great danger. As for the contract killing, he could not even start to think how that fitted in. The weapon would be an air rifle, undoubtedly firing a capsule containing some quick-acting poison. As for the place and target, it was anybody's guess. The word palace had been mentioned, and the victim was a woman. Bond immediately thought of royalty. The Queen, even. Then there was the word Majorca. A meeting place, perhaps? These were things he would have to pass on to M as soon as possible. It even crossed his mind, as he carefully packed away the receiver, to trigger the pen alarm now, inside the house. But that could prove more dangerous than helpful. Murik had him neatly stowed away, and the place was a fortress. Stay with it for the time being, Bond decided.

He was just returning the headset to the closet, packed away in the case, when he heard the click of the door bolts again. His stomach turned over. Surely Mary-Jane would not have the nerve — even at Murik's instigation — to return to his room for a second visit? The handle was turning, and for the second time that night Bond moved quickly to the door and yanked it open.

Trin Tragula
Apr 22, 2005

chitoryu12 posted:

a Ceefax teletext system

Having a teletext-enabled television in the UK even in the mid-90s was a sure sign of a house with a bit of extra cash to spend on its TV (particularly if it also had Fastext red/yellow/green/blue buttons on the remote control). A system for embedding browsable-by-number text pages in a television signal, which could then be appropriately decoded by a sufficiently-advanced television, it was originally developed by the BBC as Ceefax in 1974. By 1976 there was a World System Teletext standard which quickly spread to Europe: the French, of course, developed their own Antiope system, the development of which led them naturally to the iconic Minitel. Teletext was never really a thing in North America from what I can work out, but there's a whole generation in the UK and Europe who'll get misty-eyed and nostalgic about playing Bamboozle, reading Digitiser, and "watching" the football (or local equivalents), to the point where there's a small but strong market for retro Ceefax-styled mugs and t-shirts.

It died out with the switch to digital television from the mid-2000s. The BBC maintains a similar-but-different interactive text service on the Red Button, which has just had a reprieve from idiotic cost-cutters who know the price of everything and the value of nothing.

The presence of a Ceefax-enabled television in 1980 is, of course, originally an indicator of unimaginable luxury, and now it's gone just the same way as that Doner Kebab in From Russia With Love.

Trin Tragula fucked around with this message at 23:09 on Sep 18, 2020

chitoryu12
Apr 24, 2014

Chapter 10: Dilly-Dilly

quote:

There was a little squeal as Lavender Peacock half fell into the room, and James Bond's arms. She quickly recovered, snatching at the door, but was too late to stop it closing behind her, with its ominous electronic click.

'Blast,' she said loudly, shaking out her long sheen of hair. 'Now I'm locked in with you.'

'I can think of worse fates,' Bond said, smiling, for Lavender was also dressed in her night clothes, making a distinctly more desirable picture than Mary-Jane Mashkin. 'Anyway,' he asked, 'haven't you got one of those neat little metal things that opens the door from inside?'

She leaned against the wall, pulling her wrap around her, one hand brushing back her hair. 'How do you know about those?' she started. Then: 'Oh Lord, has Mary-Jane been up here? I can smell her scent.'

How much perfume is this woman wearing to leave a trail?

quote:

'Miss Mashkin did play a scene of some ardour, but I fear she didn't go away contented.'

Lavender shook her head. 'She wouldn't expect that. I thought I might get here before they started to play tricks with you. Anton has a warped sense of humour. I've seen him put her on offer before now, just to test people. Have you got a cigarette?'

Bond took out his case and lit one for each of them. His mind had gone into a kind of overdrive. Quite suddenly he had recognised two of the things overheard in Murik's conversation with Franco, via the bug: two names that were familiar — Indian Point Unit Three and San Onofre Unit One. He was beginning to come to some conclusions.

I think if you Google those names and look at the name of his operation, you'll figure out his plan pretty quick!

quote:

Lavender inhaled deeply, then shook her head again. 'No, I haven't the privilege of being allowed to carry electronic keys. In this place I'm usually just as much a prisoner as yourself.' She gave a little smile. 'Don't doubt that you're a prisoner, Mr Bond.'

'James.'

'Okay; James.'

Bond gestured towards the bed, 'Make yourself comfortable now you're here, Lavender; and you might as well tell me why you are here.' He did not doubt that this might be yet another test.

She moved away from the wall, heading for one of the armchairs. 'I think I'd better sit over here. That bed's too much. Oh, and call me Dilly, would you? Not Lavender.'

'Dilly?'

'Silly old song — "Lavender blue, dilly-dilly" — but I prefer it to Lavender. You're honoured, incidentally. Only real friends call me Dilly. Nobody here would dream of it.'

https://www.youtube.com/watch?v=qvAJUcbTJHU

quote:

Bond settled himself on the Sleepcentre, where he had a good view of his latest visitor. 'You still haven't told me why you're here, Dilly.'

She paused for a moment, taking another long pull at the cigarette. 'Well, I shouldn't be. Here, I mean. I suppose I'm taking a chance. Don't know if I should even trust you, James. But you've come out of the blue, and I've got to talk to someone.'

'Talk away.'

I wonder if Bond still has that gangster-esque look that everyone in Fleming's time saw.

quote:

'There's something very strange going on. Mind you, that's not unusual for this place. My guardian is not like other men: but you know that already. I should ask you what you know about him, I suppose.'

Bond told her that he gathered Anton Murik was wealthy; that he was a nuclear physicist of some note; and had half promised him a job.

'I should be careful about the job.' She smiled — a knowing, somewhat foxy smile. 'Anton Murik hires people to do the dirty work. It's a terrible thing to say, but when he fires them, he does it in a literal sense,' she lifted her hand, holding the fingers as a child will play at using its hand as a gun. 'Bang!' she said.

Bond looked straight into her eyes. She was the kind of woman who had an immediate appeal for him. 'You sure you wouldn't be more comfortable over here?' There was a challenge in her eyes, and Bond thought he detected that familiar charge of static pass across the room between them.

Not the time, Bond!

quote:

'Probably too comfortable. No, James, I came to give you some advice. I said something strange is going on. It's more than that. It could even be something terrible, disastrous.'

'Yes? What sort of thing?'

'Don't ask what it is because I just don't know. All I can gather is that it has something to do with the Laird's plans for building a new kind of nuclear reactor. He left the International Atomic Research Commission because they wouldn't fund his idea. He calls it an Ultra-Safe Reactor. There's a mountain of money needed, and I think he plans to use you in some way. But first — apart from the danger of being involved with him — he's going to put you at risk. Tomorrow. I heard him talking to Mary Jane.'

'Tomorrow? But he has his Games tomorrow.'

She stubbed her cigarette out in one of the large glass ashtrays. 'Quite. It probably has something to do with the Games. I really don't know.'

'I might get hurt then. It wouldn't be the first time.'

Has it ever been throwing your back out on a caber toss?

quote:

'No, but … Another cigarette?'

'Smoking damages your health, Dilly. It says so on the packets.'

'It's not just smoking that can damage you here, James. Give.'

He went over to her, lit her cigarette, then bent down and kissed her lightly on the forehead. She drew back fractionally, putting a hand up to his shoulder. 'That wasn't what I came for, James.'

'No?'

It isn't bloody obvious?

This isn't exactly Fleming's Bond, but I enjoy seeing someone shutting down his awkward come-ons.

quote:

Firmly she moved her head. 'No. People've already got into a lot of trouble because of me. I just came as a kind of Cassandra, uttering warnings.'

'Just uttering warnings? I wonder, Dilly. You said you were taking a risk to trust me; that you were virtually a prisoner like me. I wonder if you came hoping that I'd get you away; that I'd take fright and run, carrying you off on the pommel of my saddle.'

'That's not on, I'm afraid. But I think you should get out, and I'm willing to help you.'

'So that I can ride back with the Fifth Cavalry and save you?'

'Maybe I'm beyond salvation.'

https://www.youtube.com/watch?v=hiUnVFCLaco

quote:

Bond squeezed her shoulder and went back to the bed. For a time they were silent. Did she, he asked himself, have any inkling of what was really going on? Already his mind had latched hard on to the locations of Indian Point Unit Three and San Onofre Unit One. He knew exactly what they were, and the possibilities of Murik's involvement with them carried things into a nightmare world.

He returned to Lavender's last words, 'Why beyond salvation, Dilly?'

'Because I am who I am — the Laird's ward, a distant relative, trapped in the outmoded traditions of this place, and by my guardian's intrigues.'

Is she calling out her own cliched backstory?

quote:

'Yet you're willing to get me out?'

'I think you should. Not just you, James. I'd probably say it to any stranger who came here and took the Laird's fancy.'

'I can't go yet, Dilly. You've whetted my appetite about what's going on here. If I find that it's something really dangerous, or even criminal, then I'll take you up on your offer. I'll let you give me a hand. If it comes to that, will you ride off for help with me?'

Once more she slowly shook her head. 'I was brought up here. It's all I know. Prisoner or not, there are certain responsibilities …'

Bond showed surprise. 'Brought up here? I thought you had only been his ward …' he stopped, realising he had already given away too much.

This is a basic spycraft thing, Bond! Come on!

quote:

'Legally only for a short time. But I've lived here — well — for ever.'

'And you don't like it, and yet don't want to leave?'

She said that if she ran away now and something went wrong, things could be very bad for her. 'At least you can get out now, while the going's good.'

This sort of summarizing of dialogue is a really annoying choice a few authors make. I last saw it with William Control's awful three-part BDSM misery porn. Obviously it's okay if a character needs to catch someone up on the entire plot, or you need to keep something hidden from the reader with a third-person narrative, but there's no reason whatsoever to replace a single line of dialogue with a description of what was said in the middle of a conversation!

quote:

Bond said that was the last thing he wanted to do. Privately he also knew that it might be the only thing he could do. Triggering off the pen alarm from the castle roof — if he discovered the full extent of Murik's plans — might put a spoke into the Laird's wheel; but spokes can easily be mended. No, he told Lavender, if he discovered something really criminal going on, then he would get out and bring help. He added that he would be happier if she came as well, but she gave a stubborn shake of her head. Bond found it difficult to believe that a girl of her spirit would allow herself to remain in these circumstances. She really was a virgin on the rocks; or a damned good actress.

'Well, for your sake, I hope you find out something quickly.' Lavender rose, went over to the door, realised there was no way out, and turned to walk back to her chair. 'It'll break this week, I'm pretty certain. We're off to do a fashion show and if he is up to something, that could be perfect cover for him.'

Bond tried to sound surprised at the mention of the fashion show, and Lavender explained what he already knew, that Anton Murik owned the controlling interest in one of the world's leading fashion houses. 'Roussillon. I am lent out to them for major shows. A clothes' horse with legs, that's me, James; but I can tell you, those shows are the high spots of my year.'

'You slip the leash, eh?'

She almost blushed, and Bond slid from the bed, walked over to her chair, sat on the arm and put a hand across her shoulders, drawing her close. She looked up at him, her eyes cold.

'James. No. I only cause trouble.'

'What kind of trouble?'

'The kind I wouldn't want to bring on you.' She hesitated, indecisive for a moment. 'Okay. The first time was years ago. A boy. Worked here on the estate. I was about sixteen or seventeen. Mary-Jane Mashkin caught us and sent for Anton. The boy — David — disappeared, and his family were moved. I'm pretty certain Anton had him killed.'

Okay, yeah, her being in Bond's room is definitely a problem for him.

quote:

'And, if I touched you? What would he do to me?'

'You'd end up the same way. David was just the first. After I began to model for Roussillon there was a guy in Paris. I didn't know anyone had discovered, but he was found in an alley with his throat cut. Yes, I think he would kill you, James. He was once forced to buy someone off, but that was in Rome — one of the modelling jaunts again. The man was from a wealthy Italian family. One day things were fine, the next I had a letter saying he had to go away and wouldn't be seeing me any more. A year later I heard my guardian talking to Mary-Jane. He said it had cost almost a quarter of a million dollars, but it was money well spent.'

Bond bent down and kissed her on the lips. 'I'm willing to chance it, Dilly. You're …'

"...someone half my age that I just met."

quote:

She pulled away again. 'I mean it, James.' Then she smiled, putting a hand up to his cheek. 'Not that I … Well, perhaps I'm being selfish. If something sinister really is going on here, you're my one hope — if they don't do for you at the Games tomorrow. I'll get you out, and you can bring in the storm troopers: rescue the damsel in distress.'



quote:

'Some damsel,' Bond laughed. 'How do you get out of this room, then? Or are we forced to spend the night together in separate corners?'

Lavender said she would have to stay now — until early morning, at least, when Bond could ring down and get the locks taken off. 'You can say you want to go for a walk or something, when it's light. They'll let you do that because they can keep an eye on you then.' She giggled: 'We could bundle.'

'Aye, we could do that an' all,' Bond laughed, thinking of the old custom of courtship by sharing a bed, fully dressed, with a bolster to separate the couple.

"Bundling" was indeed a courtship practice up until the Victorian times, when increasing prudishness led to even this level of separation in a bed being too close. It probably didn't help that plenty of young couples waited until they were alone and hopped over the side anyway; a full 1/10th of children born in colonial New England (where this was practiced) were born 8 months after marriage.

quote:

'I'm for that. I'm bloody tired as well.' Lavender stood up. 'I hope there's a spare bolster in that mobile gin-palace the Laird's provided you with.'

They made do with pillows, and Bond found it a frustrating experience, being so near and yet so far from this delightful girl. When they were settled, she asked if he really would go for help if anything came to light.

'I'd be happier if you came as well. But I understand your wanting to stay. In the long run you'll be safer. But, yes, if there is something that means taking urgent action, I'll get the hell out as quickly as possible — with your help — and be back to bring your precious guardian to book.' Then, trying to make it sound like an afterthought, Bond asked if he was the only stranger in the castle.

Just use dialogue, man!

quote:

She did not hesitate. 'There's someone else here, but he's become a regular visitor. Anton calls him Franco, and we're all under instructions not to talk about him. When you turned up he was pushed out of sight; but I think he's due to leave early in the morning.'

'You think he's got something to do with what's going on?'

'I'm certain of it. He spends a lot of time closeted with Anton when he's here.'

I'm sure.

quote:

'How does he come and go?'

'In the helicopter. My guardian has a helicopter pad tucked away behind the old part of the castle.'

'Thank you, Dilly. You just hang on and we'll sort it out; and thanks for the warning,' he reached over the pillows and squeezed her hand.

'If we get out of here, James …'

'Yes?'

'Oh, nothing. There might be no need to get out at all. Sleep, eh?'

For a few moments Bond's mind was in a turmoil of anger, the eye of his personal hurricane centered on Anton Murik: cheat, fraud; a man willing, and ruthless enough, either to kill or buy off his ward's lovers. He was like some Victorian millionaire martinet. Slowly Bond pushed down the anger. It was no good becoming emotionally outraged. Coolness would be the only way to deal with Murik, and he would have to establish himself quickly to gain the man's trust and get him to fill in some of the details of Meltdown. Then he must get word out fast to M — who would have his own problems explaining the source of his information to M.I.5 and the Special Branch.

With this in mind, Bond set his own mental alarm, which seldom failed to work, and drifted into restful sleep, waking accurately at five in the morning, just before dawn.

He roused Lavender and asked about the electronic locks. She told him the door locks on rooms in the castle were made up of three cylindrical bolts, activated by an electro-magnet. When the locks went on, the bolts slid into tightly fitting housings. At the end of each housing the bolt completed an electric circuit, activating an 'on' light in the castle's switchboard room.

Lavender explains that because the lights occasionally malfunction, the technicians probably didn't notice the light flickering on and off in the night. Unfortunately, the electronic keys for the locks are only held by certain people so there's no way for her or Bond to simply pilfer one. After getting dressed, Bond dials the switchboard and plays dumb about not knowing why his door is jammed. Requesting permission to take some morning exercise is enough to get the door opened.

quote:

Within a minute they heard the locks fall back. Bond tried the door, and it opened easily. He kissed Lavender on the cheek, and to his surprise she reached up and kissed him quickly but firmly on the mouth. Then she was gone.

Within a few minutes he had checked the room to make certain nothing incriminating was left lying around. With a final cautious look, he left.

The first hint of dawn was touching the sides of the glen as James Bond went along the corridor, down the stairs and out into the castle grounds. As he emerged, the sound of a helicopter came throbbing in from the west. He waited until the machine — a small Bell JetRanger — came up the glen, turned, hovered, and slowly dropped out of sight behind what had once been the keep of the old castle.

Hunching his shoulders, Bond began to jog around the house, heading for the wide lawns where, only last night, he thought he had glimpsed a marquee set up for the day's Games. He wanted to give his body the best possible work-out. He knew all his reserves of stamina would be needed that day.

Somebody fucked around with this message at 04:31 on Sep 22, 2020

Midjack
Dec 24, 2007



RIP Hugo Drax: https://www.cnn.com/2020/09/21/entertainment/michael-lonsdale-obituary-trnd/index.html

Edit: I’ve also seen the conversation summary device used to show that a viewpoint character’s attention was drifting from the conversation to his own internal thoughts or something happening in his line of sight but that doesn’t appear to be what’s happening here.

Midjack fucked around with this message at 22:28 on Sep 21, 2020

chitoryu12
Apr 24, 2014


God, how many people in these threads have loving died while I was doing them?

Runcible Cat
May 28, 2007

Ignoring this post

chitoryu12 posted:

Is she calling out her own cliched backstory?

Bond's basically wandered into a lovely gothic novel at this point. I'm just amazed she didn't come out of a secret panel.

It's crying out for a woman-in-nightie-running-away-from-ominous-dark-house cover.

chitoryu12
Apr 24, 2014

Chapter 11: The Slingshot Syndrome

quote:

Later Bond was to learn that the four acres of beautifully kept grass which ran down the far side of Murik Castle — bordered with shrubs, gravel paths and topiary work — had been known as the Great Lawn for at least two centuries.

Even at this early hour the estate workmen were out and about, putting the finishing touches to two large marquees, a number of small tents and an oblong arena the size of a small landing strip.

As he jogged past, Bond reflected it would be somewhere in this arena that he would probably face whatever test Anton Murik had devised for him. He used the jogging as an opportunity first to get the lie of the land, and second to settle his mind and concentrate on the numerous problems he had to resolve.

It was obvious, from what he had overheard of the conversation between Murik and Franco the previous night, that they planned at least five terrorist attacks, in Europe and the United States. The two in America, he knew from the names, were connected with nuclear power stations. Logically, the ones in Europe would be similar targets. He also knew that the codename was Meltdown. If his suspicions were correct, Meltdown could mean only one terrifying thing. What intrigued Bond even more was the codename Anton Murik appeared to have adopted for himself — Warlock.

You guys are gonna love the reveal about the codename.

quote:

Jogging around the castle, Bond slowly made up his mind. In spite of what he had said to Lavender, there were two clear choices. Either he could get out now and alert M with the information already in his possession, or stay, face the test and glean the full details of the plot. If he could make a good showing, it was possible that Murik would put more trust in him; maybe even reveal everything. That this final course of action was dangerous, Bond did not doubt; yet it was the path he had to take.

Again he thought about Murik's conversation with Franco the night before. Meltdown, the Laird had said, would begin at twelve noon British Summer Time on Thursday. That would be noon in England, one in the afternoon in France and Germany, seven in the morning at the place they called Indian Point Unit Three, and four in the morning at San Onofre Unit One. The operation was to be held strictly to twenty-four hours, and it involved the blackmailing of governments. For the time being he put the other problem, the contract killing by Franco, to one side. In time all things would be made clear.

After eleven circuits Bond returned to his room in the castle. Things now appeared to be stirring throughout the building. The morning noises of a house coming alive.

Bond could smell his own sweat from the harsh exercise, but as he opened the door to his room, his nostrils caught another scent. Somebody else had been there during his absence.

Quickly he checked the cases. They were out of alignment, but the locks showed no sign of having been forced or tampered with in any way. Murik was checking him out — on the spot as well as through his own, possibly dubious, outside sources. Bond made a mental note to look at the Saab at the earliest opportunity — not that anyone would easily be able to penetrate its secrets. The car certainly looked all right as he had jogged past it, parked between Murik's gleaming Rolls and a wicked black B.M.W. Ml, which was probably Mary-Jane Mashkin's speed.



"Wicked" is right! Mary-Jane's BMW M1 was produced only from 1978 to 1981, the result of a failed deal with Lamborghini to produce a mid-engined racing car. Only 453 were made, all hand-assembled of fiberglass over a tubular chassis. The interior is very plain and lacking in amenities and all of them were produced in standard left-hand drive configuration, so Mary-Jane would have to be a serious speed freak to want one over a more luxurious automobile.

quote:

Returning to his toning up, Bond ran through his usual morning press-ups, sit-ups and leg raising. Then he cleared a space in the room and started that magic, dance-like series of elegant, deadly, movements which make up the first kata — or formal exercises — of Uechi's style of karate: the Sanchin which you see men and women performing in parks and gardens, during the early morning or evening, in the East. Bond's body moved in a smooth, prearranged pattern as he went twice through the routine. By the time he had completed the physical and mental exercises, Bond's body was soaked in perspiration. He stripped off, padded through to the bathroom and showered — first under scalding water, then with an ice-cold spray.

https://www.youtube.com/watch?v=B7YDkZrJ-V0

Bond's martial arts set was kept somewhat vague by Fleming, reflecting the time period's lack of understanding of Asian fighting styles (remember how he describes Oddjob's karate training?). By the 1980s, however, the world had moved beyond the exoticism of kung fu, judo, and karate. Bond's specific style here is Uechi-ryū, an Okinawan art that focuses on a stiff, tough body and quick strikes, especially with the arms. A kata is a series of choreographed moves used to memorize perfect form, and you can see how much the practitioner in the video is tensing his muscles to shield himself from blows.

quote:

After a good rub down and shave, he changed into lightweight slacks with a matching beige shirt and cord anorak. He slipped his feet into comfortable Adidas sports shoes. Normally he would have preferred the soft moccasins, but, as a possible confrontation was imminent, Bond thought it best to choose reliable athletic shoes that would not slide or let him down.

Quite the un-Bondian outfit! I don't think the original Bond even owned sneakers, let alone brought them on a mission to pair with a hoodie.

quote:

He filled the gunmetal cigarette case — making a resolution that he would not smoke until after the test, whatever it might be — and put it in the jacket, together with his Dunhill lighter. The pen alarm was clipped into the inside of the jacket, while Q'ute's version of the Dunhill was deposited in his right-hand trouser pocket.

Quietly he left the room. Passing through the hall, Bond heard voices from the dining room. Breakfast was obviously in progress, but first he had to take a quick look at the Saab.

The car was locked. Perhaps they had not got around to running a full check on it. Certainly, once he was inside, he saw that nothing seemed to have been moved or touched. Slipping the keys into the ignition, Bond started the motor. It fired straight away, and he allowed it to idle for a few seconds. When he switched off, Bond found Donal standing on one side of the car, and the man he recognised from last night as Hamish on the other.

Removing the keys, he put on the wheel lock and activated a switch under the dashboard, then climbed out with a curt 'Yes?' to Donal.

'Breakfast is being served in the dining room, Mr Bond.' The butler's face showed no emotion, and Bond assumed the man had about as much sensitivity as a block of stone. He replied that he was just going in. Not looking at either of the men, Bond locked the driver's door and stalked into the house.

In another highly un-Fleming moment, Bond chooses to skip a large breakfast(!) to eat nothing but some dry toast and black coffee.

quote:

Both Mary-Jane and Lavender greeted him with seeming pleasure, and Bond had only just seated himself when Anton Murik came in, dressed, as befitted a Scottish laird, in kilt and tweed jacket, his pugnacious face all smiles. He also seemed pleased to see Bond, and the talk was easy, Lavender giving no sign of what had passed between them during the night. All three appeared to be excited about the Murcaldy Games, Murik himself particularly bouncy and full of good humour — 'It's my favourite day of the year, Mr Bond. Even tried to get back here for it whenever I was out of the country. Landowners and people like myself have a responsibility to tradition. Traditional values mean anything to you, Mr Bond?'

'Everything.' Bond looked straight into the lava of the eyes. 'I've served my country and abide by its traditions.'

This is one aspect of Bond that did not waver until the modern day. Fleming wrote his character as loyal to the Crown to a fault and unable or unwilling to find a job that didn't involve killing for it. While the film Bonds dropped most of the complexity of the character (Moore especially), he remained a quintessentially British character with a Union Jack parachute and a cameo by a fake Margaret Thatcher (the real one will appear in this thread....). License to Kill was the only film to seriously break Bond away from MI6 entirely and even get pursued by an agent to be apprehended.

One of the controversial elements of Craig's Bond has been his much reduced loyalty to the concept of England as a whole, perhaps in an attempt to bring the writing closer in line with expectations for modern action films. Except for Casino Royale, Bond finds himself fired by, suspended by, or retiring from MI6 in every film and either having to be dragged back into the fray by circumstances or going on an unauthorized mission. His loyalty is more personally to M as a surrogate mother figure until her death in Skyfall, and his motivations are often about either personal revenge or ensuring that something destructive on an especially massive scale doesn't happen.

quote:

'Even when it lets you down, Mr Bond? Or should I call you Major Bond?' Murik let out a small cackle of laughter.

So the Laird had swallowed the bait: followed up the one clue available — the Saab registration — and got the facts back, as M had arranged. Bond tried to look puzzled.

It's also refreshing after Wood's writing to have villains who don't instantly recognize Bond is a spy and keep him around despite multiple assassination attempts.

quote:

'We'll talk later, James Bond.' Again the laugh. 'If you're able to talk. I think your breath may be taken away by the Games. It's quite a show.'

'Quite a show,' echoed Mary-Jane, smiling. She had said little during breakfast, but appeared unable to take her eyes off Bond — an experience which he found disconcerting, for the look she gave him lay half-way between one of feminine interest, and that of a Roman empress sizing up a gladiator. There was no hint of the malice she had shown on leaving his room the previous night.

Bond remarked that things seemed to be starting outside. He was rewarded by Murik, who launched into a complete and lengthy programme of events that would take place throughout the day. 'Almost dawn to dusk. I must get going. After all, the Laird is the host. You will excuse me, I trust.' He turned at the door. 'Oh, Mr Bond, I would particularly like to see you at the wrestling. My man Caber is Champion of Glen Murcaldy — that's the equivalent to being the Laird's Champion around here — a singular honour. He takes challengers at noon sharp. Please be there.'

On the other hand, some assassination attempts are much less intentional!

quote:

Bond had no time to answer, for the man was gone, almost with a hop, skip and jump. So that was it: a bout with the giant Caber. Bond turned to the ladies, trying to be gallant, asking them if he could be their escort. Lavender said yes, of course; but Mary-Jane gave her enigmatic smile, remarking that she would have to accompany the Laird. He would, she said, have to 'make do' with Lavender. Bond could not decide if the remark was meant to sound belittling, but Lavender hardly seemed to notice, rising and asking Bond if he would give her a few minutes to get ready.

'The child doesn't get much company.' Mary-Jane slid an arm through Bond's, in a surprisingly familiar manner. 'There aren't many of the right sort around here, and she's impressionable.'

'You make her sound very young and unsophisticated.' Bond spoke quietly.

'In many ways she is. I've tried — for Anton's sake of course — but I fear unless a good and understanding man arrives in the area, she'll have to go to London or Paris. She needs a good course in sophistication.' She giggled, 'Perhaps if you please the Laird he'll present her to you as a prize.'

Bond gave her a cool, humourless, look.

Oh, as if you weren't trying to bed her last night?

quote:

'Oh come on, I was only joking.' She laughed again.

'Look,' said Bond, trying to change the subject, 'I wonder — do you have a library? I realised last night that I came without any reading matter.'

'Of course. I'll take you there before I go out to join the Laird. But what a pity, James, that you won't allow other things to occupy your nights. No hard feeling about last night, by the way.'

'None for my part,' said Bond, puzzled by her friendliness.

'Pity,' she giggled. Then her expression changed, and he glimpsed the face behind the mask. 'For my part there are a lot of feelings. I said you could avoid trouble, but you refused, James, and you'll be sorry. I have suggested a small test at the Games. Anton agrees. In fact he thought it amusing. You will be matched with Caber at the wrestling, and Caber has his blood up. Given his head, he'd kill you.' Another laugh. 'And just for giving him a bloody nose. How vain men are. But come, I'll show you the library. You may need it, and a lot of bed-rest, when Caber's finished with you.'

I think this woman would have torn Bond to shreds if he accepted her offer.

quote:

The library backed on to the drawing room, and was decorated in light colours. Three of the high walls were covered with books, and there were library steps on fitted rollers for each wall. The fourth wall contained three large, bay windows, each provided with a padded surrounding seat.

It took Bond a few moments to get his bearings and work out how the books were graded — moving the high steps along each wall until he found what he wanted. First, he quickly chose a book to cover his story — snatching one of his old favourites, Eric Ambler's The Mask of Dimities, from its place among the novels. Then he made for his real quarry: a thick, beautifully bound copy of Webster's Dictionary, which he dragged out and placed on a large lectern.

I think that's a typo in the book. It's The Mask of Dimitrios, a 1939 spy novel that Bond was previously seen reading on the plane in From Russia With Love. It was quickly adapted into a film in 1944 starring Peter Lorre and Sydney Greenstreet fresh off the success of Casablanca.

quote:

Thumbing the volume to the letter W, Bond ran his finger down the lines of words until he came to Warlock. Rapidly he scanned the entry. It gave the usual definition 1: 'One given to black magic: SORCERER, WIZARD. 2: CONJURER.' Then Bond's eyes slid up to the derivations, and his heart skipped a beat. 'Old English — wrloga one that breaks faith, scoundrel, the Devil.'

One that breaks faith? Bond wondered. Could that be it? Was Murik having his own unholy joke in choosing Warlock as his name for the direction of a terrorist operation he had planned? Was he, in turn, scheming to break faith with the international terrorists he had hired through Franco? A man so obsessed by his own brilliance as a nuclear physicist, and feeling snubbed and cheated of his triumph, might well be forced to such lengths.

Yeah, there it is. I guess.

quote:

He was replacing the heavy copy of Webster, when a sound made him whirl around, his hand moving naturally to the hip, where he would normally be carrying a pistol, in the field; realising a fraction of a second later that there was no weapon there.

Lavender stood just inside the library door, wearing a pink creation which gave her a cool, poised look. In one hand she carried a large matching hat. As Bond approached, he saw she was pale under the smoothly applied make-up.

She put her finger to her lips. 'James, he's putting you up against Caber in the wrestling.'

Bond grinned. 'I know, the Mashkin told me with great relish, Dilly.'

'It's not funny. He's asked me to take you out there. He wants us to mingle. Caber knows, and he's after you. The business last night: apparently some of the lads have been pulling his leg. Did you really nearly break his nose?'

'Gave it a butt in the right place. Made it bleed a bit.'

'He'll pound all hell out of you, James. I've seen him in action. He's a rough fighter — knows a lot of tricks. He's got the weight and tremendous strength as well. Making Caber look stupid with a nosebleed could drive him wild with anger.'

Bond is finally getting a real boss fight!

quote:

'Let me worry about Caber, Dilly darling.' Bond took hold of her hand and squeezed it. 'If you get no other message from me, can you come to my room tonight?'

'I can try.'

'With a way to let me through the main gates?'

'You're going to run?'

'Only if I've got the full story, and it's bad enough to take some definite action. I'll do my damnedest to have enough on your guardian and his crew to bring the law — or worse — into this place. If not, then we'll just have to do some more bundling.'

'You'll be lucky if you're not just a bundle yourself by the end of the morning.'

'I told you — just work out a way for me to get through the gates, and leave Caber to me. If not tonight, then tomorrow night will have to do. Okay?'

She replied with a worried nod; and he could feel her body trembling close to his as they went out through the hall and into the sunlight.

The band of a well-known Scottish regiment was playing on the Great Lawn and already the Games were in full swing. Bond thought the village of Murcaldy would be a ghost hamlet today; and certainly there were many people who had obviously made more lengthy journeys to the Murcaldy Games. Murik did not stint his guests on this occasion: there was free food and drink for all, and plenty of entertainment. Bond was cynical enough to wonder what price the local people had to pay in service — and silence — to the Laird for this one day of blatantly feudal fun.

Groups of men and women in Highland costume were preparing to dance, while brawny young men were at the far end of the arena indulging in the incredible sports of tossing the caber and hammer throwing.



The Scottish Games, or Highland Games, are a Victorian invention in their modern form. While many of the competitions and games date back a thousand years, the concept of a centralized event with kilts, caber tossing, and literal tons of beer and fried food emerged as a way to spread Scottish culture among Scottish diaspora around the world. They're now organized and held worldwide in a semi-standard format with many of the same games and traditional music and dancing.

https://www.youtube.com/watch?v=xb0FU8rSisU

Caber, of course, is named after the caber toss. The origin of this extremely simple athletic competition is unknown, with suggests being lumberjacks throwing logs into streams for transport or training for throwing a log as a bridge over a stream to in battle. The thrower merely needs to lift a 12.5 stone (175 pound), 19.5 foot pole and throw it so that it flips completely over, lands on the other end, and falls away from them. The straighter it falls away from you, the better your score.

Easy, right?

quote:

Several people doffed their bonnets or bowed to Lavender, showing great respect. Bond also noticed that they glanced at him with undisguised suspicion. Out of long habit and caution, he tried to pick out the more dangerous of the Laird's private army — the big young men with watchful eyes, quiet and careful, silent and alert as loyal Mafiosi. Of one thing he was sure: there were a lot of them. For the next couple of hours he remained with Lavender, watching with interest the traditional sports and dancing.

The Kilt Mafia, armed with switchblades in their socks.

quote:

Eventually a crowd started to gather around an area at the castle end of the arena, and Bond allowed himself to be led towards it by Lavender, who whispered that this was where her guardian wanted him.

Mats had been laid down, and he saw the little figure of Murik talking to a group of men on the far side, his mane of hair slightly ruffled, but a smile permanently set on the bulldog face. He spotted Bond and waved cheerfully before making his way towards the pair.

'Well, Mr Bond. My champion is almost ready to take on all comers. Do you feel like facing up to him?'

Bond smiled, pretending the Laird was joking. 'I mean it, Bond.' The trickling deadly lava was back, deep in the eyes. 'I want to see what you're made of. If you do well, there may be much in it for you. Can I announce you as the first competitor?'

Now Bond laughed aloud. 'I hardly think I'm his weight, Laird. He'd lay me out with one finger.'

Anton Murik's face was set, grim as a tombstone. 'That's not the point, Bond. I want to see what stuff you're made of — if you've got the guts to go into a wrestling bout with someone as dangerous as Caber. It's not a question of beating him, but standing up to the man, even avoiding him. Guts, Mr Bond, that's what I'm looking for. Guts.'

https://www.youtube.com/watch?v=e3QoGKdUU9M

Traditional wrestling in this is Scottish Backhold wrestling, in which the two competitors assume a standard grappling position and attempt to get their opponent to lose their grip or touch the ground with any body part except their feet. You might be noticing that most of the games here involve being strong as hell!

Caber, unfortunately, does not seem like the kind of guy to do traditional wrestling.

quote:

Bond smiled once more, 'Oh, well,' he spoke casually, 'that puts a different complexion on it. Yes, Laird, I'll take a bout with your champion.'

He heard Lavender's sudden quick intake of breath as Murik gave a tough little grin: 'Good man. Good man,' and disappeared over the mats to the far side of the arena.

In a moment he was back, this time in the centre of the mats, holding up his arms for silence. A hush came over the crowd. The pipes and drums played on in the distance, but for a man of his size the Laird of Murcaldy had a strong, carrying voice. 'Friends,' he shouted. 'As you all know, it's time for the unquestioned Champion of Murcaldy — Champion of the Laird of Murcaldy — to offer himself to anyone who wishes to challenge his right. Give your hands to my Champion, Caber.'

Caber emerged from the crowd, among which he had been sitting, hidden from public view.

Bond had only really caught a glimpse of the man on the previous night. Now he seemed even larger and more formidable — well over normal height, his chest roughly the size of a standard barrel, and the biceps standing out like miniature rugby footballs. Yet like many big men in peak condition, the Scot moved with a sure-footed, almost silent grace, nodding his large, but fine-looking head in answer to the appreciative applause of the crowd.

The Laird was motioning for silence. 'Friends, there is one who has come to take up the challenge,' he announced. Then, with a dramatic pause, 'One from over the border.'

He's lucky these aren't the Irish games.

quote:

A buzz went around the crowd. Even though he had not yet been singled out, Bond could sense the hostility. He felt in his right hand trouser pocket to be certain that what he needed was there. Then he quickly slipped out of his anorak, handing it to Lavender. 'Look after this please, Dilly,' he said, grinning.

'James, take care. Last night … I wish we …' she whispered. Her sentence trailed off as the Laird called his name:

'From over the border. A Mr James Bond.'

Bond sprang on to the mats, holding up his hands against the now angry mutterings of the crowd. 'Not altogether from over the border,' he cried out. 'I'll grant my mother did not come from here, but neither was she a Sassenach; and my father had good blood in his veins — a true Highlander — and I take up the challenge, Caber.'

If you think Gardner is playing up Bond's Scottish heritage, you clearly haven't seen Skyfall.

quote:

'Well done!' The Laird thrust his head forward in his birdish manner. 'Well done, James Bond.' Then, quietly to Bond, 'I didn't know you had Scottish blood. How splendid.'

Bond, well-built and tall as he was, felt like a pygmy next to Caber, who merely smiled at him with the confidence of one who knows he has never been bested. There was only one way to deal with the situation, and Bond knew it — keep away from those hands for as long as possible; stop Caber from getting a deadly lock on him: then move at just the right moment.

The two men squared up, and the Laird asked each one if he was ready. Bond nodded and Caber said, 'Aye, Laird, it'll no tak' long.'

'Then … Wrestle,' Murik shouted, ducking out of the way.

Caber came straight at Bond, who sidestepped, attempting a trip with his ankle as he did so; but the huge Caber was very quick. Before he knew what was happening, Bond felt the man's hands grasp his forearms and he was lifted into the air and unceremoniously thrown, hitting the mats square on his back, the wind knocked from his body.

It seems like the rules for this match are "Whoever loses consciousness first loses."

quote:

Caber made a dive for him, but this time Bond fractionally beat him to it — rolling clear so that Caber was forced to handspring back to his feet. He rounded on Bond, coming in fast again. Bond weaved, but it was no good; Caber performed a quick cross-ankle pick-up, sending Bond sprawling again.

This time there was no rolling free, for Caber had one arm and a good deal of weight on Bond's right shoulder. At the same time, the giant of a man drew back his right arm. Bond saw the motion and in a split second realised that Caber was playing for keeps. The Scot's fist was balled, ready to strike hard into Bond's face. It was time to use science in all its forms.

Bond's left arm was free, and he just managed to roll his head to one side as Caber's blow came hurtling towards him. The fist grazed his ear and thudded hard, and painfully, into the matting beside his head.

Caber was slightly off-balance, but still holding down Bond's right shoulder. Time to use the left arm; and use it on the area of greatest weakness in all men — even a wrestler as strong as Caber. An instructor had once pointed out to Bond that you do not have to hit hard on what he called 'the golden target' to be effective. The little nutbrown instructor's voice was ringing in Bond's ears as he brought the left hand up, fingers pointed in a sharp jab at Caber's groin. As he heard the big man grunt with pain, Bond remembered that the move used to be called the 'Ganges Groin Gouge'. It worked, particularly when followed up by another, slightly stronger attack at the same target.

The "Ganges Groin Gouge" comes from The Secret Arts of the Fighting World, a 1963 book by Robert W. Smith under the pseudonym John F. Gilbey. Smith was a legitimate martial artist who served as a CIA agent in Taiwan as a liaison to Chiang Kai-shek's government (which had fled China after Mao Zedong's takeover and unification of the country and still the official diplomatically recognized government of China until 1979). While Smith was an important figure in introducing legitimate Asian martial arts to the west, Secret Arts was actually a parody book giving exaggerated moves along the level of something in Kill Bill.

An entire chapter is dedicated to the Ganges Groin Gouge, in which the amazing power of the practitioner is able to disable an opponent with the calmest brush or lightest slap of the hand against the balls. Srim Baba, the teacher of this technique, doesn't even bother with any attacks except for rapidly waving his hand at your nuts until he makes an impact! The "nut-brown" description of the instructor comes directly from Smith's book, but the book was taken seriously by so many people that I can't tell if Gardner was making a sly joke or if he mistook it for a legitimate martial arts manual.

quote:

Caber grunted again, and Bond felt his shoulder freed as the Scot fell forward, rolling as he did so. Bond backed away. Caber was rising quickly, the pain of those two blows showing in his eyes. It was the moment for Bond to be most alert. He had hurt Caber who, like a wounded animal, was now enraged. That he had been willing to maim and mutilate at the start of the bout was clear to Bond. Now the big man would kill if he had to.

Bond let his right hand drop to the level of his trouser pocket, and, as Caber came in for the attack, Bond launched himself forward in a leg dive, the movement covering his right hand, which slid quickly in and out of the pocket.

He hit Caber's legs, though it was like diving into a wall. The big man hardly wavered, but Bond now had Q'ute's special Dunhill firmly clasped in his hand. He twisted, trying to bring Caber down, but the man just laughed and kicked hard, throwing Bond aside, stretching his arms out and diving for Bond again.

This time Bond's right hand came up as though to ward off the certain pinioning by the giant. His right hand moved across the face of his target, and, as Caber's tree-trunk arms caught his shoulders, so Bond readied the Dunhill.

Q Branch's version of the Dunhill lighter was cunning and efficient. It contained no flint or electronic mechanism to spark a light. Neither was it filled with inflammable liquid, though its contents could be expelled, in four specially measured bursts, by activating the flip-top.

The Dunhill was loaded, under pressure, with a liquid containing a high base of the anaesthetic Halothane. One burst of Halothane near the mouth or nose should have the desired effect, for the drug — first produced in the early 1950s — is quick-acting, highly potent, and yet produces no nausea or irritation of the mucous membranes. In Q'ute's own words, 'They won't know what hit 'em — before, during or after.'

Halothane is indeed an anaesthetic, which is no longer in use in the United States but still used in many developing countries. If anyone wants to replicate this stunt, I highly recommend against it: anesthesiology is a very complex and cautious discipline that requires carefully measuring a patient's body weight and drug tolerance to precisely deliver enough anaesthetic to knock them out for surgery while not accidentally stopping their heart. A dose that knocks out someone like Caber in one blast to the face would likely kill a smaller person.

quote:

Bond's hand was in exactly the right place to deliver the primary burst, Caber's mouth and nose being less than two inches from the hidden Dunhill as he flicked the flip-top. As he moved his fingers, so Bond prepared to roll clear. He had seen the lighter demonstrated and did not particularly want to get a whiff of the Halothane himself.

Caber simply kept on coming, like an aircraft landing heavily with its undercarriage down but not locked. Bond was just able to glimpse the look of surprise, then the glazing of the big Scot's eyes as he collapsed — Bond rolling clear just in time. As he rolled he grabbed at Caber's now inert arm. To the crowd, the whole thing would look like a clever, or lucky, jab to the face, and Bond had to leave some kind of mark. Twisting Caber's arm he turned the man over, though it was like trying to move a ton of lead. Once Caber was on his back, Bond dived at the shoulders, and delivered two swift blows, using the cutting edge of his hand to the jaw. Caber did not move. Even his head remained rigid.

A good way to figure out if someone is unconscious!

quote:

As he sprang back and away Bond returned Q'ute's useful little toy to his pocket. There were three more shots in that if he needed them.

A hush had come over the crowd. Then Murik, looking shaken, was by his side, and two men were leaning over the prostrate Caber. One of them — Malcolm this time — looked up at the Laird. 'Yon's oot cold, Laird. Oot cold.'

Murik swallowed hard, glancing uncertainly at Bond, who smiled pleasantly. 'Shouldn't you announce, or proclaim, or whatever you have to do?' he whispered. 'I think I'm your new Champion.'

There was a pause lasting only a few seconds. Then the Laird of Murcaldy gave a watery smirk, took a deep breath, and announced, 'Ladies. Gentlemen. Friends. People of Murcaldy. You've seen the result of this match. We have a new Champion — I have a new Champion — and you'll treat him with the respect and honour always afforded to the Champions of Murcaldy. I give you, Champion of Murcaldy, Champion of the Laird of Murcaldy — Mr James Bond.'

There was an uncertain silence, then the cheers began, and Bond was lifted shoulder-high to be carried around the Great Lawn with drums beating and the pipes skirling the strains of 'Highland Laddie'.

https://www.youtube.com/watch?v=7rjbrqcQ5Sw

quote:

David and Goliath, Bond thought, knowing that it would be a good idea to keep out of Caber's way once the former Champion had regained consciousness. He had successfully played David to Caber's Goliath, and Q'ute had provided him with the ultimate in the slingshot syndrome.

Through the crowd he saw Lavender Peacock looking at him with warm admiration in her eyes. Well, if he worked on Murik with speed, Bond might even have all the information he needed, to get away before the next morning. Then, once M was alerted, there could even be time to get to know Dilly Peacock really well.

Runcible Cat
May 28, 2007

Ignoring this post

chitoryu12 posted:

The Kilt Mafia, armed with switchblades in their socks.

A-hem. The correct name is sgian-dhu.

chitoryu12
Apr 24, 2014

Chapter 12: A Contract, Mr. Bond

quote:

Though Anton Murik had presented the major trophies for the Murcaldy Games, people seemed reluctant to leave. On the Great Lawn, groups still performed reels and strathspeys, while those who had not been good enough to enter the major competitions were now availing themselves of the equipment, and space, to practise or emulate their superiors in the arts.

https://www.youtube.com/watch?v=mnFTMu85A2Q

This book has more bagpipes than ever before!

quote:

The marquees and tents remained thronged; there would be many a sore head or upset stomach in the glen by the following morning. It was now just past six in the evening, and after an enthusiastic speech amidst much applause and cheers, the Laird had set off in the direction of the castle, motioning Bond to follow him.

Lavender was left with Mary-Jane Mashkin, who, Bond noted, was never short of young and well-built male company – a fact that seemed not to upset the Laird. The previous night's experiences still puzzled Bond, who had begun to wonder how genuine the two women were. It could be a case of playing the hard and soft roles, as in a classic interrogation. Yet of the two, he would rather have Lavender on his side.

Murik led Bond through the hall, past the main staircase, pushing open a set of swing doors that led to a corridor, blocked at the far end by the great dividing line between old-style servants and their masters — the green baize door.

The Laird stopped half-way down the corridor, bringing out the ever-present keys — this time from his sporran — to unlock a solid oak door strengthened with steel grilles. Bond followed him down a wide flight of stone stairs. Tiny guide lights gleamed, throwing vague shadows in the darkness. Half-way down, Murik turned towards him. With his mane of white hair, against the face in darkness, the visage took on the appearance of a negative. When he spoke the Laird's voice echoed eerily. 'You've already seen my inner sanctum. We're going to the most interesting part of the castle this time. The oldest remaining relic of my heritage. Now you are my Champion, Mr Bond, you should know of it.'

This guy seems to be purposefully channeling gothic horror!

quote:

The air smelled dank, and the stone stairs seemed endless, descending deeper and deeper underground until they came out into a flagged open space. Murik reached out to a switch hidden in the wall and the place was suddenly flooded with light. Huge arches supported the vaulted ceiling, which Bond thought must be as old as the original castle. There were two more doors, one on each side of the flagged space, while ahead of them another narrower passage continued. Murik nodded, 'That way leads to the old dungeons.' His jowl moved in a twitching smile. 'They are occasionally useful. To our right, a room which I do not like using. The old torture chamber.' He pushed open the door and Bond followed him in.

At one end of the room Bond identified a rack, bolts and chains set into the walls, a flogging frame, brazier, and all the old and sinister instruments — from whips and branding irons to pincers and gouges. Murik pointed out other devices: 'You see, Mr Bond, all the old Scottish pleasures — the thumbikins and pilniewinks, and, of course, the boots. Very nasty things, the boots. Having your feet gradually crushed with wedges is not the way to ward off fallen arches.'



While some torture devices (like the iron maiden and Pear of Anguish) are believed to be Victorian inventions for sensationalized displays of the brutality of the medieval period, the thumbscrews and similar devices for feet were indeed real and used in the Early Modern period as late as the mid-18th century.

quote:

'Nor deal with your corns.' Bond shuddered in spite of the light-heartedness. In his time, he had suffered much physical torture, and its instruments were not unknown to him. Yet when he looked towards the far end of the room his blood ran cold. The walls there were tiled in white, and in the centre was an operating table. Cabinets along the far wall were of modern design, and Bond guessed they would contain more terrifying instruments than the brutal weapons of pain — hypodermics and drugs to send the mind reeling to the very edge of madness, and possibly even the means of inflicting agony through electrodes attached to the most sensitive areas of a man or woman. A man, well-trained, might withstand the exquisite pain that could be inflicted by the crude implements of torture; but few would keep truth or secrets for long in the more sophisticated part of this, Murik Castle's chamber of horrors.

'Very occasionally this room is put to use, Mr Bond. Have care. All who serve me are given a guided tour. It usually does the trick, as a salutary warning. You defeated the good Caber, so you automatically serve me. Let your glimpse of this place act as a warning. I demand complete loyalty.'

I feel like there's not enough paperwork being signed to make this employment official...

quote:

Murik led the way out and across the flagged area to the door facing that of the torture chamber. He turned, smiling before he opened the door. 'My operations' room.'

The contrast was staggering. They were in a long, low, vaulted chamber. Its grey walls were covered with weapons: ranging, at the end nearest the door, from artistic and obviously valuable broadswords, rapiers, dirks and knives, through magnificently engraved crossbows decorated with inset stones, to wheel-lock, snaphance and flintlock pistols and muskets; and finally, on the far wall, there were modern rifles, carbines, pistols and automatic weapons.

'The most valuable part of your collection?' Bond recalled that Murik had already told him the best pieces were elsewhere in the castle.

Murik smiled, and Bond could not resist one gibe. 'No thermonuclear devices to bring it right up to date?

This is almost as bad as Bond running up to Emilio Largo and saying "spectre" over and over in front of him to see if he would crack.

quote:

The Laird's face darkened, then cleared into a seraphic smile. 'We have no need. The world provides them. They are all around us, sitting there ready and waiting to wreak disaster at the right moment.'

Murik reached up, touching a large broadsword, 'A claidheamh mor,' he said. 'A two-handed sword that once belonged to an ancestor of mine.' Bond nodded. He was certainly impressed, but his gaze had moved beyond this unique collection of weapons to the far end of the vault which, indeed, looked like some kind of operations' room, with its long console desk, computer monitors, radio equipment and a large transparent map of the world covered in chinagraph markings.



That's the sword more commonly known as a claymore. The Gaelic name simply means "great sword" and today commonly refers to a large two-handed sword with a distinctive forward-sloping crossguard with quatrefoils at the ends. This design was not standardized and swords of varying patterns were used in medieval Scotland for clan warfare, but gradually standardized on the above style. The claymore joined the Highland Games, tartan, bagpipes, and other distinctively Scottish forms of identity in creating a romanticized 19th century ideal of Scotland and Scottish heritage. The anglicized term "claymore" is a Victorian one, and many reproduction swords were made in the Victorian period for decoration.

quote:

Murik motioned him to the console table, gesturing to one of the comfortable leather swivel chairs behind it. He took the other chair himself and gave a throaty laugh. 'From here, Mr Bond, I control the destiny of the world.'

Bond, uncertain whether Murik was joking or not, laughed with him. There was an uneasy silence for a moment, giving Bond the opportunity to glance up at the map. Quickly he took in the fact that Indian Point Unit Three and San Onofre Unit One were both plainly marked on the American map. As he turned his gaze back to Anton Murik he knew that another couple of glances would probably give him the names of the targets in Europe. At the moment, however, it took all his will-power to drag his eyes back to the Laird. Don't seem too eager, he told himself, willing relaxation — even disinterest — into his brain.

'You know who I am?' Anton Murik was asking, and Bond replied that he was Dr Anton Murik, Laird of Murcaldy.

Murik laughed. There was far more to him than that. 'I am probably the greatest nuclear physicist who has ever lived,' he said in an alarmingly matter-of-fact way.

Nothing like modesty, Bond thought. Aloud he tried to say 'Really?' with a convincing gasp.

Without sounding sarcastic?

quote:

'Let me tell you …' Murik launched into his own version of his brilliant career. Most of what he said corresponded with what Bond already knew, deviating only when the Laird started to talk about his final disagreements with the International Commission. In Murik's version, he had resigned out of protest. 'Those who fight for the abolition of nuclear power stations in their present form are right,' he said in a voice that had slowly been rising in agitation. 'Note, Mr Bond, I say in their present form. They are unsafe. Governments are keeping the truth concerning their potential dangers from the general public. Government agencies have tried, again and again, to muzzle people like me. Now they deserve a lesson. They say that the only way out of the energy crisis is to use nuclear power. They are right: but that power must be made safe. How is electricity made, Mr Bond?'

'By turning a generator.'

'Quite; and the generator is operated usually by a turbine, in turn operated how, Mr Bond?'

'Water, in hydro-electric plants; boiling water producing steam in other types of plant.'

'Good; and the steam is produced through boiling the water, using coal, oil, gas — or the core of a nuclear reactor.' He gave another little laugh. 'An expensive way to boil water, don't you think? Using nuclear power?'

'I hadn't thought of it like that. It's always struck me as being one of the few sure ways to produce energy and power without using dwindling supplies of oil and fossil fuels.'

And in fact, nuclear power on the whole has been far less destructive to the environment and public health than coal and oil!

quote:

Murik nodded, 'In many ways I agree. I do not go along with Professor Lovins when he says that using nuclear power to boil water is like using a chainsaw to cut butter — though he does have something on his side: wasted heat. No, the problem, Mr Bond, is one of safety and control. Nuclear reactors, as they now stand throughout the world, put our planet and its people at risk …'

'You mean the problem of radioactive waste?'

'No. I'm talking about unavoidable accident. There have already been incidents galore. If you're an intelligent man you must know that: 1952, Chalk River, Ontario; 1955, Idaho Falls; 1957, Windscale, England; '58, Chalk River, Canada; '61, Idaho Falls; 1970, Illinois; '71, Minnesota; '75, Alabama; '76, Vermont. Need I go on? Or should I mention the Kyshtym catastrophe in the U.S.S.R, when an atomic waste dump exploded in the Urals? Spillage, partial fuel meltdown. One day, with the kind of reactors we have at the moment, there will be catastrophe. Yet governments remain silent. The Carter Administration almost admitted it…' He rummaged among some papers. 'There. 1977 — "Between now and the year 2000 there will be a serious core meltdown of a nuclear reactor; but with proper siting such accidents can be contained". Contained? Proper siting? Do you realise what a core meltdown means, Mr Bond?'

Of course, Murik turned out to be correct. On April 26, 1986, the Chernobyl nuclear power plant in Ukraine suffered a meltdown. This is an accident in which a runaway nuclear reaction generates excess heat that can't be removed by the cooling system, causing the fuel to melt. This can leach into the coolant, or cause a hydrogen explosion or steam hammer effect that could destroy containment altogether and contaminate the environment with radioactive material.

https://www.youtube.com/watch?v=xulAgMNK5Jk

The Chernobyl accident, as famously dramatized in the miniseries Chernobyl recently, was caused by an accident during a simulated power outage for safety testing. An unexpected delay meant an unprepared night shift was on duty instead of the staff trained properly for the simulation, and a combination of human error and design flaws in the reactor caused an uncontrolled nuclear chain reaction. The ensuing steam explosion and open-air reactor core fire caused massive contamination of the surrounding area for over a week. Over 110,000 people were evacuated from the exclusion zone around the reactor, leaving the city of Pripyat a ghost town to this day. 2 people were killed in the explosion, and 28 died of massive radiation exposure in the following months. It's suspected that at least 14 others died of radiation-induced cancer within the next 10 years and potentially up to 16,000 could have suffered an early death from cancer caused by the fallout across Europe.

One thing that puts Murik's fears into perspective is that fatalities for these accidents is incredibly tiny compared to their apparent severity. It's very difficult to judge deaths that may occur years or decades after the fact as having been definitively caused by radiation (the Kyshtym disaster has an estimate ranging from 50 to 9000) and most of them only resulted in the deaths of a few people immediately exposed to the danger (or in the case of the 1961 Idaho Falls disaster, impaled to the ceiling by a launched control rod). On the whole, however, nuclear power is believed to prevent more deaths than it causes due to the extreme pollution caused by fossil fuels. It's estimated that a complete replacement of nuclear power with coal today could cause as many as 7 million additional deaths by 2050.

quote:

'Is that something to do with what they call the China Syndrome? I saw a movie with Jane Fonda …' Bond continued to play innocent.

https://www.youtube.com/watch?v=bIGH1AfIS18

The China Syndrome was a 1979 thriller starring Jane Fonda as a reporter who, along with her cameraman played by Michael Douglas, uncover corruption in a nuclear power plant that threatens to cause a world-ending meltdown. It was released only 12 days before the Three Mile Island incident, boosting its popularity, but the science...leaves something to be desired.

quote:

Anton Murik nodded. 'A nuclear reactor produces its enormous heat from a core — a controlled chain reaction, and as long as it's controlled all is well. However, if there is a failure in the cooling system — a ruptured pipe, a shattered vessel, the coolant lost — that's it. The core is just left to generate more and more heat; create more and more radioactivity …'

'Until it goes off like a bomb?' Despite Anton Murik's fanaticism, Bond found himself absorbed in what the man was saying.

Murik shook his head. 'No, not quite like the big bang, but the results are fairly spectacular. One of the great American-born poets wrote, "This is the way the world ends; not with a bang but a whimper." The whimper would be a kind of tremor, a rumble, with the earth moving, and one hell of a lot of radioactive particles being released. The core itself would become so hot that nothing could stop it, right through the earth-rock, earth, metal — nothing could stand in its way. Right through to China, Mr Bond; the Peking Express — and that could happen in any one of the nuclear reactors operating in the world today. The trouble is that I could make it safe for them.' He gave a long slow smile, then a shrug. 'But, of course, as usual, the money men won't play. My system is foolproof, but they won't allow me to build it, or show them how.' He paused again, looking hard at Bond, 'Can you blame me, Mr Bond? I'm going to demonstrate how unsafe the present systems are and at the same time show them just how safe they could be.'

Murik is correct in that a nuclear reactor can't detonate like a nuclear bomb; a nuke requires an extremely specific set of circumstances and steps all happening perfectly, and it'll fizzle otherwise. Even a nuclear bomb that was blown up by a conventional weapon would simply scatter its radioactive material everywhere rather than turning the base and its surroundings into a crater.

Where Murik is clearly insane is that "China syndrome" is a completely fictional phenomenon created by the movie! The movie claims that the melting down reactor core is so hot that it would simply melt right through the floor, theoretically all the way through to the other side of the Earth, but more likely hitting the water table and blasting into radioactive steam that could "render an area the size of Pennsylvania permanently uninhabitable." In reality, even in the worst case scenario it would take days to melt through multiple meters of solid concrete and the core would solidify and cool in the soil. The Three Mile Island core only melted 15 millimetres downward before stopping.

Murik believing in "China syndrome" is equivalent to basing your evil plans on the science of Star Trek.

quote:

Bond shook his head. 'No, I wouldn't blame you for doing that if your system is as safe as you say.'

For a second he thought the Laird of Murcaldy was going to lash out at him.

'What do you mean?' Murik screamed. 'What do you know, Bond? If my system is safe? If my system is as safe as I say? I'm telling you, I have the only positively one hundred per cent safe nuclear reactor system; and because of grasping economists, because of contracts and profits, because of self-seeking politicians, they've tried to make a laughing stock of me.' He seemed to relax, drawing back into his chair.

https://www.youtube.com/watch?v=CX6PID8vOkY

quote:

During the long speeches about nuclear reactors, Bond had managed to steal two more glances at the large map. The American targets were ringed in red chinagraph. Now he had managed to identify the English and French locations. Heysham One and Saint-Laurent-des-Eaux Two. What was this man going to do? Was his brilliance so unhinged that he was prepared to expose governments or organisations he hated by sending suicide terrorists into nuclear reactor sites to manufacture disaster that might affect the entire world? Would his madness carry him that far? Meltdown — of course.

Murik was speaking again. 'I have prepared a master plan that will do both of the things I require.' He gestured towards the map, giving Bond the opportunity to take another look, his eyes moving unerringly to Germany. There it was, marked in red like the others.

Bond experienced a sinking deep in his stomach when he realised that there were two targets marked in the German area, one in the Federal Republic, the other in the East – in the DDR. So, even the Eastern Bloc had not been left out of Anton Murik's plans. In the East it was Nord Two-Two. The site in West Germany could be identified as Esenshamm. Now Bond had them all locked in his brain. The job would be to lead Murik on to reveal the bulk of his Operation Meltdown; though, even without further information, Bond considered the mission complete. If he could get out that night, M.I.5 would be able to track down and isolate Murik and with luck collar Franco through the American security agencies. Meltdown could be blown, and with it the instigator, Warlock: Anton Murik.

Murik's plan, of course, is not mere extortion. He wants the world to know just how dangerous nuclear power is, so he's going to arrange for a few little accidents all over the world. The money he gets will fund his own reactor design and save humanity!

quote:

'How?' Bond asked, convinced that a straightforward question would produce a reflex answer. But Anton Murik, in spite of the hysterical outbursts was not easily trapped.

'It's a complicated business. But you will play your part, Mr Bond. Ours was a happy meeting; a pleasant coincidence.'

'What sort of part?' Bond dropped his voice, sounding wary.

'There is one essential piece of the operation: to ensure no legal action will be taken against me. It is something that has to be done so that nobody ever knows I have had a part in what will happen. Your job is to kill one man. A contract, Mr Bond. I am giving you a contract — that's the right terminology, I believe?'

'You think I'll just go out and kill someone?'

'I see no reason for you to be squeamish. From what I gather, you are not a man who values human life very highly. Also, the job pays well. According to my information you need around £20,000 quite soon. I'm offering £50,000, which I'm certain is more than your usual basic fee. It should also serve to keep you silent.'

'I don't know what you mean,' Bond said flatly. Inside, there was a mild sensation of elation. Anton Murik had been fed the entire cover story. 'I mean, you know nothing about me …'

'No?' Murik's eyes clouded, the old dangerous lava flow hot in their depths. 'I think you will find I know far more than is comfortable for you.'

This is a lot more spycraft than Bond originally did. While Bond used covers on occasion in Fleming's days, it was usually a brief one that was barely questioned and he repeatedly used the same front even as he knew it was compromised.

quote:

'How … ?'

'There are ways, Mr Bond. Major Bond. Who won the Sword of Honour for your year at Sandhurst?'

'Fellow called Danvers …' Bond tried to make it sound spontaneous.

'And you used to call him Desperate Dan, yes?'

Bond allowed his face to take on a puzzled expression, 'Yes, but … ?'

'And you went into the Guards, like your father before you, like the late Colonel Archie Bond? Correct?'

Bond nodded silently.

'You see, James Bond, I have my informants. I know about your career. I also know about your heroism. I have details of the great courage you displayed while assigned to the SAS …'

'That's confidential information,' Bond blurted out, 'highly classified.'

Murik nodded, unconcerned. 'Like the name of all officers seconded to the Special Air Service – yes. But I know. Just as I am up to date with your failures: how they allowed you to resign rather than face a court martial after that unfortunate business with the Mess funds; how you have lived by your wits and skill ever since. I have details of the small jobs you have performed in Third World countries, and I also have a record of the unpleasant gambling gentlemen who would like to get their hands on either you or the £20,000 you owe them.'

This is the level of cover a real spy needs to have. If you've got a fictional background, you need pretty much an entire personal history back to childhood and ancestry memorized and ready to go at any given time. Answers need to flow from you as flawlessly as if they're from your own life. Minor habits and quirks flesh you out and make you seem real.

quote:

Bond allowed his shoulders to slump forward, as though he had been defeated by some clever policeman. 'Okay,' he said softly, 'but how do you know all this about me?'

'By wits and weapons, James Bond: that's how you've lived since the Army let you go,' Murik went on, ignoring the question. 'Apart from mercenary engagements, I can make an informed guess concerning the contract killings you've performed.'

M had certainly placed the information well. Bond wondered exactly how Murik's informants had been manipulated as channels for Bond's mythical past. He sat up, his face impassive, as though Murik's knowledge of his supposed profession as mercenary and contract artist was something with which he could deal. 'Okay,' he said again. 'I won't deny any of it. Nor am I going to deny that I'm good at my job. It's not a profession of which a man can be proud, but at least I do it very well. How's Caber?' There was a tinge of malice in his voice. Bond had to show Murik he was unafraid.

The Laird of Murcaldy was not smiling. 'Bewildered,' he said coldly. 'Nobody's ever really beaten Caber until today. Yes, you are good, Mr Bond. If you were not, I wouldn't be offering you a sum of £50,000 for a contract killing now.'

'Who's the lucky client?' Bond assumed a straightforward, professional manner.

'A man called Franco Oliveiro Quesocriado.'

Ah yes. Frank Olive Cheeseman.

quote:

'I don't think I've had the pleasure.'

'No. Probably not. But at least you'll have heard of him. Hijackings, bombings, hostage-taking: his name is often in the papers — his first name, that is. He is said by the media to be the most wanted international terrorist on the books.'

'Ah.' Bond opened his mouth, allowing a flicker of recognition to cross his face. 'That Franco. You're putting out a contract on him?'

Murik nodded.

'How do I find him?'

'By staying close to me. There will be no problems. I shall point you in the right direction. All you have to do is remove him — but not until you're told. You will also do it in a prescribed way. The moment will come, in the operation I am about to set in motion, for Franco to disappear. Vanish. Cease to exist, leaving no trace.'

'For that kind of money I might even throw in his birth certificate.'

Murik shook his head. In a chilling voice he said, 'That has already been taken care of. You will be his death certificate.' Both men were silent for a moment. Bond looked down and absently fingered a knob on the console in front of him. Then he looked Murik straight in the eye.

'And the money? How shall I receive it?' he enquired firmly.

'You will be free to collect £50,000 in bank notes of any currency of your choosing a week from today at my bank in Zurich. I assure you it is the most respectable bank in Europe. I shall arrange for you to call them from here tomorrow — on the public telephone system, of course. I have no private connection. I shall leave you alone to ascertain the number from the Swiss telephone directory and verify the arrangement personally. But I can allow you only one call to Switzerland.'

Amazingly, we're already halfway through the book!

quote:

'Sounds fair enough,' Bond said, wildly thinking that here was a heaven-sent opportunity for getting word out to M. But he knew full well the call would be monitored and intercepted the moment he tried any sort of bluff. It was on Bond's lips to ask what would happen should he fail and Franco escape, but he remained silent.

Murik stood up and began to walk calmly down the long room. 'I think we should get ready for dinner now, Mr Bond. Then I would suggest a good rest. It is likely to be an active and taxing week.' There was no suggestion that Bond might like to consider the proposal, no polite enquiry even as to whether he would accept. Murik had already assumed the terms were agreed and the contract sealed.

Bond started to follow Murik towards the door and as he did so, caught sight of one of the weapons on display in the Laird's collection. On a small shelf among grenades and other devices stood a cutaway German S-Mine, from the Second World War — a metal cylinder with its long protruding rod housing the trigger. Bond knew the type well, and the display version showed clearly how deadly the mine could be. You buried the thing until only the tip of the slender trigger showed above the ground. An unlucky foot touching the trigger activated the mine, which then leaped about seven feet into the air before exploding to scatter fragments of its steel casing, together with ball-bearings loaded into the sides of the device.



As a World War II commando, Gardner would have been intimately familiar with the "Bouncing Betty." S-mines were a major part of the Third Reich's defensive systems during the war thanks to their low cost and high effectiveness. When the pressure sensor on the tip receives 7 kilograms or more pressure, it activates a 4-second fuse that leads to a percussion cap detonating a black powder launching charge. This flings the mine a few feet upward (not the excessive 7 feet Gardner lists) before the main charge detonates after about half a second. The shrapnel is deadly enough that simply trying to run is ineffective unless cover is immediately nearby, so the ideal defense is to drop prone on the spot and allow the shrapnel to pass overhead. It'll hurt, but you'll likely survive.

quote:

The cutaway S-Mine had been so arranged as to show the ball bearings in position, and also separately. A small pile of these steel balls, each about a centimetre in diameter, lay beside the weapon. They looked just the right size for Bond's purpose. Loudly he asked — 'You're tied up with this Franco fellow? In this scheme of yours?'

Before Murik had time to stop and reply, Bond had quietly reached out his hand and scooped three of the ball bearings from the display, slipping them into his pocket, out of sight, as Murik turned.

'I am not going into the finer points, Mr Bond.' Murik stood by the exit as Bond caught up with him. 'There are some things you should know, I suppose.' Murik's voice was low, with a rasp like the cutting edge of a buzz saw. 'Yes, friend Franco has contacts among all the major terrorist organisations in the world. He has provided me with six suicide squads to infiltrate half-a-dozen major nuclear power stations. They are fanatics: willing to die for their respective causes if need be. For them, if my plan works, it will mean vast sums of money set at the disposal of their several societies and organisations. Terrorists always need money, Mr Bond, and if the plan does not work, it is of no consequence — to the suicide squads, at least.' He gave another of his unpleasant chuckles, before continuing.

How convenient that he's able to get so many terrorists from different causes to all work together on a suicide mission for an unrelated terrorist!

quote:

'All these men are willing to sit in nuclear control rooms and, if necessary, produce what you have called the China Syndrome. If they have to do that, a very large part of the world will be contaminated, and millions will die from radioactive fallout. I personally do not think it will happen — but that is up to me. I have provided Franco with the means to get these squads into the reactor control rooms. I have, through Franco, trained them so they can carry out destructive actions at my command. At the end of the day there will be a huge ransom. Franco is to get half of the final ransom money, which he will split with the groups according to his prior arrangements. It is up to Franco to come to me in order to collect his share. He has even tried to tell me that the terrorist groups are pressing for assurances that the money will reach them. Lies, of course. It is Franco himself who needs the assurances. He will get none.'

They were now back in the main flagged hall. Murik quietly closed the door to the armoury.

'You will understand, Mr Bond, that I do not intend Franco to collect anything. For one thing, he is the only living person who would be able to tie me into this operation — identify me – when the security forces of several countries begin to question the terrorist squads. For the other' — he shrugged lightly — 'I need all the money myself in order to build my own reactor, to prove that I am right. It is all for the benefit of mankind, you understand.'

As ridiculous as it is to get a bunch of random terrorists all sacrificing themselves in unity for nuclear safety, it does provide one wrinkle to Bond's operation: the people Murik has put in charge of destroying the world are fanatical and likely unstable. Murik might not even be in control of the situation completely and his death might not stop the operation.

quote:

More than ever, Bond realised that he must make a bid for freedom. They made their way slowly, side by side, to the foot of the stone stairway.

'There is one thing,' Bond said calmly, hands clasped behind his back.

'Go on,' Murik encouraged him. The two men might have been discussing new staffing arrangements at a respectable City company.

'If you want Franco removed,' Bond continued politely, 'to — ah — protect your little secret and to save on expenses, why should I suppose you'll not have Caber and his men similarly dispose of me as soon as I've done the job? And why not anyway simply put something in Franco's nightcap and get Caber to dump him in the loch?'

Murik stopped in mid-stride and turned to beam at Bond.

'Very good, Mr Bond. You show yourself to be the man of wits I'd hoped for. You are right to question my trustworthiness. It would be all too easy for me to arrange matters as you prognosticate. Except, of course, your last suggestion. I would not wish Franco's remains to be discovered on my doorstep.'

Murik said this in a tone of mild parental shock. They resumed strolling back to the stairs.

This is why the Mafia puts your remains in a car and crushes it!

quote:

'As to your own wellbeing,' Murik continued, 'it is by no means assured by my proposal. One false move would certainly bring about Caber's longed-for revenge. He is a savage man, Mr Bond, but I can control him. All the same, I should point out that neither could you be sure, had you declined my offer, that I would not be able to make your future life — or death — very unpleasant. The choice remains yours. Even now you can walk out of here freely, without a penny, and spend every minute of the days to come wondering where and when I might catch up with you. No one would believe the cock-and-bull story you might think of imparting to the police, or anyone else. So you have only my word for good faith. But remember, much greater risks lie on my side of the contract.'

'You mean,' Bond interjected, 'that you are gambling on my not taking up with Franco at the last minute, instead of killing him, so as to aid him in collecting a much larger sum even than the generous fee you have suggested for me?'

'Precisely.' Murik flicked the switch and the vault was once again plunged in gloom. They mounted the stairs in silence.

chitoryu12
Apr 24, 2014

Apologies for any slowness in posting. An ex-coworker probably gave me COVID because she was a denialist never wearing a mask and constantly partying and I’m basically bedridden with a fever!

Psion
Dec 13, 2002

eVeN I KnOw wHaT CoRnEr gAs iS
that's hosed up! hope you pull through okay


also I have a lot of trouble taking the nickname Dilly seriously

the more you post the book saying (writing?) it, the less I like it.

Midjack
Dec 24, 2007



chitoryu12 posted:

Apologies for any slowness in posting. An ex-coworker probably gave me COVID because she was a denialist never wearing a mask and constantly partying and I’m basically bedridden with a fever!

Be well dude. We’ll be here.

Runcible Cat
May 28, 2007

Ignoring this post

That sucks, I hope you get through it with no worse than that. Idiot loving denialists.

Pershing
Feb 21, 2010

John "Black Jack" Pershing
Hard Fucking Core

Obviously poisoned by MI6 for knowing too much.

Seriously though get well... praying for you.

Hieronymous Alloy
Jan 30, 2009


Why! Why!! Why must you refuse to accept that Dr. Hieronymous Alloy's Genetically Enhanced Cream Corn Is Superior to the Leading Brand on the Market!?!




Morbid Hound

chitoryu12 posted:

Apologies for any slowness in posting. An ex-coworker probably gave me COVID because she was a denialist never wearing a mask and constantly partying and I’m basically bedridden with a fever!

Hope you recover rapidly. Let us know if anything we can do.

chitoryu12
Apr 24, 2014

Currently the illness is coming and going. I'll write when I can.

Chapter 13: Nightride

quote:

The names of the six nuclear power stations were in the forefront of Bond's mind for the rest of the evening, running like a looped tape in his head. His knowledge of nuclear power, and the location of reactors throughout the world, was sketchy; though, like his colleagues, he had done a short course on the security of such power plants.

Indian Point Unit Three was somewhere near New York City — he knew that because of a remark made during a seminar. A serious accident at any of the three Indian Point plants could cause grave problems in New York itself. It was the same with San Onofre One, situated a hundred miles or so from Los Angeles. There had been criticism of the siting of that plant so near a possible off-shoot of the San Andreas fault, he recalled.

Heysham One was in Lancashire, near the coast, and only recently operational. Saint-Laurent-des-Eaux Two, in France, he knew was in the Orleans area. As for the East and West German reactors — Nord Two-Two, and Esenshamm — Bond had no clues.

While I don't know for sure about Nord Two-Two, all of these other plants are real (if not referred to by their exactly proper designation.) Esenshamm's plant is actually the Unterweser Nuclear Power Plant, and "Nord Two-Two" could be Rheinsberg Nuclear Power Plant to the north in Brandenburg.

quote:

At least he had the names, and the knowledge that they were subject to terrorist squad takeover on Thursday. Small squads in the control rooms, the Laird had said. Get out, Bond's experience told him. Get the information to M and leave the rest to the experts. Sir Richard Duggan's boys from M.I.5 almost certainly had Murik Castle under surveillance, and it would not take long for troops to move in. If they were on the ball, Franco would already be in the F.B.I.'s sights in the United States. It should not take much to pull him; and if part of Meltdown was already under way, strict security at the target points would mop up the suicide squads.

Eliminating David Ayer once and for all.

quote:

Bond did not have time to start thinking of the delicate intricacies of Murik's plan. Already there was enough on his mind, and it was essential for him to appear completely relaxed in front of Murik, Mary-Jane Mashkin and Lavender Peacock.

The old adage about the best form of defence being attack might not be either tactically or strategically sound on a battlefield, but here, round the Laird of Murcaldy's dinner table, Bond knew it was his only salvation. He drew the talk around to his favourite subject of golf, and took over the conversation, launching into a long and amusing account of a game he had recently played. It was, in fact, a highly embellished description of a round with Bill Tanner, and Bond felt it was perfectly within the interests of the Service to slander M's Chief-of-Staff outrageously.

You bastard!

quote:

Even Murik appeared to be amused by the long tale, and Bond was so caught up in the telling that he had to pull himself from the half-fantasy when the ladies withdrew, coming down to earth as he faced Anton Murik alone over the table.

Little passed between the two men except an explicit warning from the Laird, who obviously felt he had already told Bond too much about his plans. As they finally rose, he placed a hand on Bond's arm and said, 'Stay alert,' the note of command clear in his voice. 'We shall probably be leaving here in a day or two, and I shall want you on hand all the time before you go out and earn your money. You understand?'

Bond thought of the old English word wrloga — one that breaks faith — and knew that, if Murik was going to break faith with desperate men like Franco's terrorists, there would be little likelihood, had Bond really been a contract mercenary, of any money coming his way. Franco's death would undoubtedly be followed quickly by Bond's own demise, whatever Murik said about his good intentions.

Upon returning to his all-black bedroom, Bond begins quickly working to lay out all of his luggage and gadgets for a rapid escape once Lavender shows up. As far as M is concerned, Bond's job is finished and theoretically he could have a team assaulting the castle within hours of his escape.

quote:

Last of all, Bond laid out a pair of dark slacks and a black roll-neck sweater, together with the dullest-coloured pair of moccasins he possessed. Then, after placing the three steel ball-bearings, filched from Murik's control room, near the door, he showered, changed into the dark clothing, stretched out on the Sleepcentre, and lit a cigarette. Near his right hand lay the last piece of equipment, a wide strip of thick plastic, one of many odds and ends, screwdrivers, wires and such, provided by Q'ute.

We've finally gotten the literary Bond into the tactleneck!

https://www.youtube.com/watch?v=8FYJfEHOuY0

quote:

Time passed slowly, and Bond occupied himself by working on the remaining pieces of the Meltdown puzzle — should he not get through, it would be best to have some operational diagram in his head.

Six nuclear power stations were to be taken over by small suicide squads. Murik had stressed that the squads were small, and would occupy the control rooms. This probably meant that Anton Murik himself, with his many contacts in the hierarchy of worldwide nuclear power, had been able to supply identification and passes for the terrorist groups.

From what little Bond knew of nuclear power stations, the control rooms were self-sufficient and could be sealed off from the outside world. With desperate and determined men inside, the situation would be tense and fraught with danger.

If Meltdown did happen, and even if troops and police were brought on to the six sites, it would take time to break into those vault-like rooms. Besides the authorities would be loath to precipitate matters, particularly if they knew the terrorists were prepared to die — and take a lot of people with them — by cutting off the cooling systems to the nuclear cores.

Logically, Anton Murik would be making demands at some very early point. From what the little man had said, the demands obviously concerned money or valuable convertible items alone. It would be a lot of money; and, if Murik was as shrewd as he seemed, the time limit had to be minimal. Whatever the governments of countries like Britain, the United States, France and Germany had said about never giving in to terrorist blackmail, Meltdown would present them with the gravest dilemma any country had yet faced.

With hostages, aircraft, embassies and the like, governments could afford to gamble and sit it out — establish a dialogue and find a way to stall matters. Yet if this situation arose, the governments would be left with no option. The hostages would consist of large tracts of land; cities; seas; rivers; and millions of people — all caught in a deadly pollution that would be devastating, and could even alter the whole course of the world for decades to come.

It was, Bond decided, the ultimate in blackmail — worse even than the threat of a thermonuclear device hidden in the heart of some great city. For this very real threat meant — technically at least — that six nuclear cores would not only wreck six plants, throwing their radioactive filth over large areas, but also bore their way, gathering heat, through the earth itself — possibly producing radioactive expulsion at other locations on the way, and certainly at the final point of exit.

Anton Murik was thorough. He would have worked out every move, down to the smallest detail, from the takeover by the terrorist squads, and the making of his demands, right down to the collection of the ransom, and the point where Bond would rid him of Franco — and he would rid himself of Bond.

Yet there was still one factor for which Murik had not accounted: the circumstances Bond had considered earlier — the trigger-happy, death-wish uncertainty of any terrorist group under pressure. This thought — above anything else — strengthened Bond's commitment to get out and back to M as quickly as possible.

The funny thing is that outside the contrived method of getting a bunch of suicidal terrorists from disparate groups all planted in these reactor control rooms for years, the plot is actually far more realistic in its scope than something like Goldfinger. There's no need for a private actor to acquire a black market nuke or move a physically impossible amount of gold. While the "China Syndrome" is complete fiction, the Chernobyl accident only 5 years after publication would prove just how badly a serious nuclear accident could contaminate a widespread area.

The bigger question becomes how likely this is compared to Chernobyl. The Chernobyl accident happened so easily during a test because the reactor was a highly flawed design that was very unstable outside of its strict design specifications and lacked an adequate containment vessel that would prevent radioactive material from leaking into the environment in the event of an accident. Obviously the exact methods by which you could cause a similar accident at a less dangerous reactor are not generally available to the public, but nuclear reactors are produced with the knowledge of how dangerous an accident could be and will shut themselves down automatically and safely if things go haywire. It's questionable just how many people would need to be in on the plot to disable every safety system to cause an accident.

quote:

It was almost one in the morning before he heard the click of the electronic lock. Bond sprang like a cat from the bed, the strip of plastic in one hand, the other scooping up the trio of ball bearings. Gently he pulled back on the door, allowing Lavender to enter the room. Raising a hand, he signalled silence, then slipped one ball-bearing into each of the circular bolt housings, softly tapping all three, so that the bearings rolled gently to the far ends of the housings. If Bond's thinking was accurate the metal bearings would make contact at the bottom of the bolt housings. By rights the 'on' lights would be activated in the castle switchboard room. If luck was with them the flicker as Lavender unlocked the door would have gone unnoticed. Bond then inserted the thick plastic strip over the bolt heads, to prevent them locking back into place. Only then did he partially close the door.

Lavender was still in the dress she had worn at dinner. In one hand she carried what looked like a pocket calculator, and, gingerly in the other, one of the duelling pistols, which Bond recognised as coming from the valuable set in the hall.

You couldn't get anything else, huh?

quote:

'Sorry I'm late,' she whispered. 'They've only just gone to bed. A lot's been happening. Caber came up to the house with some of the men. The Laird's been giving them instructions, Lord knows what about, but Caber's in a fury. I heard them talking in the hall. It's a good thing you're going, James. Caber is threatening to kill you; but I heard Anton say, "Not yet, Caber, your turn will come." Have you any idea what's going on?'

'A fair amount, Dilly: enough to call in help. Yes, it is serious, I'd be foolish not to tell you that much. While I'm away, I want you to keep to yourself as much as possible. If things get bad, try and hide somewhere — and would you please not point that thing in my direction?' He took the duelling pistol from her.

She told him it was safe: the hammer was down. 'I just thought you should have some kind of protection — some weapon; and I know how to load these. Anton showed me years ago. There's a ball in it, and powder, and a percussion cap.'

'Just hope it doesn't blow up in my hand if I have to use it.' Bond looked with some misgivings at the piece.

Lavender said it was fine. 'The Laird tests them regularly — about once a year. He told me once that he shouldn't, but he seems to enjoy it. That one's Monro's pistol, by the way. The man who won.'

https://www.youtube.com/watch?v=5Z0wEVxL30Q

Sometimes you wonder just how much later scriptwriters read the non-Fleming books, with things like the Colonel Sun torture sequence showing up. In Skyfall, Bond finds himself captured by Silva and forced to shoot a glass of Macallan off his mistress's head, partially as a way of mocking his secretly poor results in his fitness test that M fudged to get him back in the field. It doesn't end well.

quote:

Bond nodded, trying to hurry her along by asking about the main doors, and the best way out. She told him there was a red button high up on the top right-hand side of the main door. 'You'll find a small switch just beneath it in the down position. Move it up, and the alarm system'll be disconnected. Then just press the button, and the main door locks will come off. They'll know in the switchboard room straight away, so you won't have much time. I've checked, and your car's still in the same place outside.'

'And that?' Bond pointed to the flat black object.

'The main gates,' she told him. They apparently had a permanent guard on the gates, which were also equipped with electronic locks. 'Both Anton and Mary-Jane carry these in their cars.' She demonstrated that the flat box had two controls, marked Open and Close. The rest was obvious. If you started to press the Open button at around fifty yards from the gates they would unlock and swing back of their own accord. 'That's about all the help I can give you.'

'It's more than enough, Dilly, darling. Now I'm going to let you have about three minutes to get well clear, and back to your room, before I start. If everything goes to plan, I'll have help here, and there'll be some unmasking to do. I fear your guardian could end up in the slammer for a long time.'

'Just take care, James. Dear James.' She put her arms around his neck and he kissed her. This time there was no doubt about her intentions as she pushed close to him and their mouths locked. It was no way, Bond considered, to start out on a wild dash to safety. 'Take care,' she whispered again, and he opened the door — holding the plastic strip in place — wide enough for her to get out.

Bond slipped the remote control for the gates into a hip pocket, then slid the hard barrel of the duelling pistol into his waistband, making sure the hammer was right down, and thinking of the dangers he would be running if it wasn't. Next he picked up his car keys and the flat box of his own. This was also a remote operator — one of the many extras provided by Communication Control Systems for the Saab. With this, he could turn on the ignition and have the motor running almost before he was out of the main castle doors; that was unless somebody had wired a bomb to the ignition — the true security reason for having a remote starter anyway.

Remote starters for cars had already existed since the 1960s, albeit as very expensive aftermarket alterations. Cars in these days weren't computerized, so installing a remote starter was a matter of a lot of wiring and connections.

quote:

Taking several deep breaths, Bond clutched the car keys, remote ignition control, and the suitcase in his left hand, leaving the right free. Opening the door, he allowed the thick plastic to fall and pulled the door closed behind him. The bolts shot home, and he waited anxiously to see if the mechanism would jam against the ball bearings. It didn't.

For a few seconds Bond stood in the darkness of the corridor, letting his eyes adjust. Then, slowly, he moved towards the gallery.

Bond carefully makes his way down to the front door, walking along the side of the steps where the wood is less likely to creak, and throws the bolts on the door. Unfortunately, the bolts are incredibly loud, and the door swinging open is accompanied by all the lights flashing on and a voice shouting at Bond to get his hands up.

quote:

It was Donal. Bond recognised the voice, and judged the butler to be somewhere just to the left of the stair bottom. Trusting his own experience and intuition, Bond's hand grasped the duelling pistol, cocking the hammer as he drew it from his waistband. He whirled around as the end of the barrel came clear.

It was a risky shot, and the pistol made far more noise than he had bargained for, the metal jerking in his hand like a trapped snake and a cloud of white smoke rising from the explosion. But Bond's senses had been accurate. Donal was just where his ears had placed him. A pistol of some kind clattered over the floor as the butler wheeled in a complete circle, clutching his shattered shoulder where the ball had struck and whimpering in a high-pitched squeal, like a terrified animal.

Of this Bond had only a brief and blurred picture, for he was already out of the main door, pressing his own remote ignition control and dropping the duelling pistol so that he could grasp the keys to the Saab. He had the impression of lights coming on and the shadows of running figures rising from the lawns near the great gravel sweep and heading towards the Saab as its motor sprang to life.

Bond makes it to the Saab, practically dragging his case behind him, and locks the door. Right as someone begins running toward the car, he opens one of the hidden compartments under the seats to retrieve his M1903 and spare set of night vision goggles.

quote:

There were at least five men around the car now; even before he had the goggles in place, Bond could see two of them carried what looked like machine pistols, pointing towards him. He thought Caber was there in the background, but he was not going to hang around to find out. One of the men was shouting for him to get out of the car. It was then that Bond hit the tear gas button.

One of the safety devices — a standard fitment in the C.C.S. 'Supercar', as they call it — consists of tear gas ducts placed near all four wheels. At the press of a button, the gas is expelled enveloping the car, and anyone attempting to assault it.



This was one of the functional gadgets placed on the replica car. Unfortunately, they had to use smoke generators for something stupid like "safety."

quote:

Bond heard the thud and hiss as the canisters opened up, then saw the effects as the five men began to reel away and the angry white cloud rose around the windows. There was a portable oxygen unit, with masks, within reach, in case the gas penetrated the car or the air ran out; but Bond was more concerned with getting the Nitefinder set around his head, slipping the remote control for the main gates on to his lap and putting some distance between himself and the castle. He snapped on the seat belt, slammed the machine into gear, took off the hand brake. Holding down the foot brake, he slowly pressed the accelerator, building up power. Then, suddenly taking his foot off the brake, Bond let the car shoot forward, skidding wildly on the gravel. Straightening as he gained control, he drove at breakneck speed away from the castle. Through the rearview mirror he could see the men coughing and reeling about, shielding their eyes, bumping into each other, and one huge figure — it could only be Caber — lunging into their midst, as though reaching out for a weapon.

https://www.youtube.com/watch?v=WV75-3rlgQo

As part of the marketing, the BBC actually did an interview with Gardner in 1981 to show off all of the gadgets. They even further disproved the James Bond Wiki by making sure Gardner pulled out a Blackhawk from its hidden compartment!

quote:

He did not see the flashes; only felt the heavy bumps as a burst of automatic fire hit the rear of the Saab. Best not to be concerned about that: there was enough armour plating and bullet-proof glass around him to stop most kinds of weapon. Maybe an anti-tank gun would have some effect, but certainly not automatic fire.

Bond changed up, still with his foot hard on the accelerator. Then touching the brake, he took the turn in the drive too fast, and sent up a great spray of gravel as he slid outwards, before regaining control. There were two more heavy thuds. One of the tyres, he thought. No problem there: Dunlop Denovos — puncture and split-proof.

Unlike many of the gadgets based in real tech we've seen, these are real run-flat tires introduced in 1972! While not the very first run-flat tires, they were the first commercially successful ones (costing only £99 a set in 1975) and had a self-supporting interior that would allow a deflated tire to continue for a surprisingly long time; they had a Fiat drive from Scotland to Italy, then a Corvette from coast to coast in the United States, on deflate tires just to demonstrate them.

quote:

He could see the gates in the distance, and one hand went to the locking device on the gun port built in just below the dash. A turn and slide, and the port was open. Bond removed the old and unauthorised heavy Ruger Super Blackhawk-·44 Magnum, pushing it into a spot where he could easily grab the butt.

He changed to third, the gear stick moving with comforting, firm precision. The gates were coming up fast, and Bond's hand now went to the remote control given him by Lavender. It flashed through his mind that this might not work and he would have to run at the gates full-tilt, relying on the stressed steel ram bumpers fitted to front and rear. After the experience with Donal and the waiting men in front of the castle, Bond had begun to doubt Lavender and her instructions. So far, the events had all the marks of a set-up; so it was with some relief that he saw the gates start to move as he pressed the control button.

Then, from the right, he caught sight of a figure running towards the gates, one arm raised. A small yellow flash, followed by a thud; then another. The gatekeeper was firing at him. Bond went for the Blackhawk and, still keeping his eyes on the opening gates, thrust the muzzle through the gun port, twisting the weapon to the right to allow himself the most extreme field of fire.

The gates, still opening, came up with alarming speed as Bond let off three shots in quick succession, the noise and smell of powder filling the car and battering at his eardrums. The figure of the gatekeeper was now out of sight, but the slowly opening gates were on him. He felt both sides of the Saab scrape against the metal. There was one long ripping sound and he was free, changing up again, and hurtling along the metalled road away from the castle.

https://www.youtube.com/watch?v=Gh4TYj5PS0Q

"Quick succession" is not how most people would describe shooting a single-action .44 Magnum.

quote:

The speedometer showed well in excess of 85 m.p.h.; there was no moon, but the view was clear as day through the Nitefinder. In a moment the Saab would be off the metalled road and on to the wide track leading to the village. Time, Bond thought, to give M some warning. He reached for the pen alarm.

This is the second time a "metalled" road is referenced. While it can also refer to a paved road, the fact that it's called uneven suggests it's just a gravel road.

quote:

At first he imagined it had merely slipped inside his pocket, so often had he checked it. More than thirty seconds passed before he realised that the alarm was missing — dropped outside the castle, or rolling around somewhere inside the Saab. As the stark fact penetrated Bond's mind, he glimpsed the lights of another car, far back towards the castle. Mary-Jane's B.M.W., he would guess, crammed with Caber and the boys, carrying machine pistols and automatics.

Goddammit Bond!

quote:

Bond had to make up his mind in a matter of seconds. The village would have been alerted by this time. He reasoned that the most dangerous path lay straight ahead. The answer would be to take the Saab around, going back on his own heading, following the track which ran parallel to the castle — the way he had come to reconnoitre the previous night. Without lights, the Saab would be difficult to follow and he reckoned that, even on the rough track, it would not take long to make the road to Shieldaig. At some point there would be a telephone. A call to the Regent's Park building would bring all hell down upon Murik Castle in a very short time.

The car was bucketing badly along the uneven road, but Bond held his speed. In the mirror, the twin beams of the chase car did not seem to have grown any larger.

Keep the speed up, he thought. Hold her straight, and try for a feint at the village, which was now visible, and appeared uncannily close — the bulk of the kirk and other houses sharp against the sky, standing out like fists of rock. Would they be waiting? Bond tried to picture the junction near the kirk, with its little wooden signpost. Watch for the signpost and drag the car around.

Without warning a light came on, then another: twin spots from near the kirk. The reception committee; the spots wavered, then homed in on the Saab, like spotlights following the demon king in a pantomime. Bond started to pump the brakes, changing down, slowing, but still travelling at speed. Slow just enough to let them think you're going to run straight through. Make them think the spots are affecting vision. That was the godsend about the Nitefinder.

Bond took in a gulp of air as he saw the first flicker of automatic fire from near the kirk, coming from between the spots. Then the slow, coloured balls curved towards him — tracer, lazy, but deadly. Once again he shoved the Blackhawk through the gun port, stood on the brakes and wrenched at the wheel, slewing the car to one side and blasting off two more rounds as he did so. Then one more shot. That was the Blackhawk empty. He reached for the Browning, clawing it from the shelf as he saw, with some elation, that one of the spots had gone out.

This is a pretty strong start for the first big action scene from Gardner!

quote:

Now, his subconscious seemed to yell. Now — drive straight at them. The Saab kicked and jarred on the rough heather and gorse as Bond spun the wheel to right and left in a violent Z pattern.

The remaining spot lost him, then caught the Saab again as a second burst of tracer began its arc towards him. Bond squeezed the Browning's trigger in two bursts of two, loosing four shots through the gun port as it came into line with the spot. For a second the firing ceased, and he realised he was driving flat-out towards the village, ears bursting with the noise and the car filled with the acrid reek of cordite. Get it as near as you can, then skid-turn on to the other road. In his mind he saw the pattern as a hairpin with himself travelling fast along the right hand pin. He had to negotiate the bend on to the left pin, and there was only one way to do that while still leaving the reception party wondering if he was going straight on — presumably into a second road block in the village itself. At speed it was a dangerous confidence trick. One sudden or misjudged action and he could easily run right out of road, or spin the car over on to its back.

He saw the little wooden signpost almost too late. There were figures of people running, as though afraid he would smash into them. Wrenching the wheel and doing an intricate dance between brake and accelerator, Bond went into the violent skid turn. The world seemed to dip and move out of control as the Saab started to slew round, the tyres whining, as though screaming because they had lost their grip on the rough surface of track, or heather. For a second, as the car spun sideways on, Bond knew that all four wheels had left the ground, and he had no flying controls. Then he felt a judder as the wheels took hold of the earth. He spun the wheel to the right, put on full power, in a racing change down, and began to slide, broadside on, towards the signpost.

While Fleming was a car enthusiast, I'm not sure how big Gardner was on them. I do know that along with the above clip of him driving the Silver Beast himself and peeling away on camera, part of his time writing the books included some driving of the Saab in Finland that led to him repeatedly drifting into snowbanks. The way he describes the driving is realistic enough that I can't help but think that he had some interest in it.

quote:

The car must have torn the post straight out of the ground. There was a teeth-jarring bump as the nearside door hit the sturdy sign. For a second Bond knew he was at a standstill; then he had his foot down again, heaving the wheel to the left. The Saab plunged like a horse, shuddering, shaking its tail violently, then smoothly picked up speed again. Briefly, in the midst of the noise, Bond thought he heard another engine running in time with his own.

He sighed with relief. He was now moving fast up the track which he had followed with such caution the night before. At least the dirt track was minimally smoother than the one he had just negotiated. There was no sign of the following lights, which he had assumed to be the B.M.W. He changed up, feeling confidence grow with every second. He needed as much speed as possible to cover the ground parallel to the glen and Murik Castle. He would not be happy until he was completely clear of the castle area, away somewhere to his left, on the far side of the rise.

For reassurance he felt down, touching the butt of the Browning, at the same time glancing towards the panel — something he rarely did; but with the lights off and instruments dimmed right down, the head-up display was not as clear as normal.

He looked up again and immediately knew he was in trouble. A shape showed through the Nitefinder goggles, above and just ahead. Automatically, he changed down and pumped the brake. Then the shape moved, splaying a great beam of light across his path and he heard the engine noise he thought he had imagined back at the turn near the kirk. The helicopter. He had not counted on the helicopter. But there it was, backing away slowly like some animal gently retreating, uncertain of its prey.

Well, if he hit the damned thing it was too bad. Bond did not slow down. Again he reached for the Browning, pushed the barrel through the gun port, pointed upwards and fired twice. The helicopter was dangerously low, yet remained directly in front, still backing away. Then, without warning, it lifted and retreated fast. From directly in front of the Saab came a massive flash and boom — like a huge version of the SAS 'flash-bang' stun grenade. The Saab shook, and Bond felt the inertia reel harness clamp hold of him. Without it he would have been thrown across the car. He slammed a foot on to the brake as he felt, with the intuition of experience, that another grenade would follow the first. Certainly the helicopter was coming forward, and low, again. Bond prepared to haul the wheel over and put power on the moment he saw the chopper alter attitude.

Maybe you should have saved the .44 Magnum for when you really need it, Mr. Bond?

quote:

It came just as he expected — the same manoeuvre, a dipping of the nose, a fast slide up and back. Bond swung the wheel to the right, changed into second, and allowed his foot gently to increase pressure on the accelerator.

The Saab changed course, going off the track to the right as the second large 'flash-bang' exploded. His mind was just starting to grapple with the strategy he would need to use against the chopper when the Saab began to lift its nose.

With the horrific clarity of a dream over which one has no power, Bond realised what had happened. He had been fool enough to do exactly as the helicopter had wanted. The little metal insect had probably been watching his progress — on radar, or by other means — almost from his moment of escape. The sudden appearance of the machine, dropping its large 'flash-bangs' in his path, was a lure. They had wanted him to go to the right, and at speed. Had not Mary-Jane Mashkin told him about the digging? A new drainage system? Had he not seen the evidence of it on his visit to this spot?

Yep, still the classic Bond.

quote:

All this flashed through Bond's head as he applied the car's brakes too late. The nose of the Saab reared up, and he was aware of the Mashkin woman telling him the size and depth of the pit. The wheels clawed at empty air, then the Saab began to drop forward, tipping to one side, bouncing and bumping in a horrible crunching somersault.

In the final moments Bond was buffeted around in his harness, and something, possibly the Blackhawk, caught him on the side of the head. He felt the numbness, but neither fear nor pain as the red mist came in, with ink in its wake, carrying him floating off into its black impenetrable sea.

Out on the track, the lights of the B.M.W. could be seen in the distance as the helicopter slowly settled on the heather. 'Got him,' said Anton Murik with a smile.

The pilot removed the Nitefinder goggles taken from Bond the previous night. 'They work well, these,' he said. 'Clear as sunlight up to over five hundred feet.'

Cassius Belli
May 22, 2010

horny is prohibited

chitoryu12 posted:

Currently the illness is coming and going. I'll write when I can.

Don't push yourself too hard! I hope you get better soon.

In the spirit of this thread, though, what's your preferred recipe for a hot toddy? It seems like they'd be welcome relief even if not strictly medicinal.

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chitoryu12
Apr 24, 2014

Yond Cassius posted:

Don't push yourself too hard! I hope you get better soon.

In the spirit of this thread, though, what's your preferred recipe for a hot toddy? It seems like they'd be welcome relief even if not strictly medicinal.

https://www.youtube.com/watch?v=bWEaQrNySZ4

quote:

2 oz. -or- 60 ml. Whiskey
.5 oz. -or- 15 ml. Simple Syrup
2 dashes Angostura Bitters
4 oz. -or- 120 ml. near boiling water
Garnish with a lemon twist

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