|
Jackard posted:Here's a spoiler-free track from season two of the Mandalorian. In the House, In a Heartbeat from 28 Days/Weeks Later and Kick-rear end has similar progression, but it might also be a variation of this track from The Last Jedi.
|
# ? Jan 18, 2021 17:38 |
|
|
# ? May 15, 2024 03:30 |
|
Master composer Austin Wintory has been doing some videos on composing and his latest is pretty cool, about when not to put music in a film and it made me think of Cast Away in a whole different way. https://www.youtube.com/watch?v=ZTdF9kKjXFE
|
# ? Apr 16, 2021 20:50 |
|
Stare-Out posted:Master composer Austin Wintory has been doing some videos on composing and his latest is pretty cool, about when not to put music in a film and it made me think of Cast Away in a whole different way. His insights on music on play watch listen is one of the reasons it’s become a top podcast for me. Also the banter between the 4 is fantastic.
|
# ? Apr 16, 2021 21:06 |
|
LionArcher posted:His insights on music on play watch listen is one of the reasons it’s become a top podcast for me. Also the banter between the 4 is fantastic. I still need to check that out. Wintory is also one of the nicest people around, I've talked with him a few times and he's really humble and generous with his time to talk about music.
|
# ? Apr 16, 2021 21:12 |
|
Thanks for linking that, he has a great conversational style and it lines up quite neatly with what I’m teaching my middle schoolers rn
|
# ? Apr 22, 2021 18:25 |
|
Hawkperson posted:Thanks for linking that, he has a great conversational style and it lines up quite neatly with what I’m teaching my middle schoolers rn Oh that's cool, you're welcome!
|
# ? Apr 23, 2021 15:16 |
|
The Green Knight has a good as hell score
|
# ? Aug 1, 2021 09:41 |
|
I'm having trouble remembering a film score that I was reminded of by the score for Ema. What's another movie that has big single electronic chords like that?
|
# ? Aug 21, 2021 04:07 |
|
Jenny Agutter posted:The Green Knight has a good as hell score It's very good but felt very oppressive at times. It kind of felt like The VVitch or Midsommar to me
|
# ? Aug 22, 2021 11:18 |
|
Really digging Ryuichi Sakamoto's Minamata score. Also it was the fastest I've managed to pick him out as the composer for a movie while watching it, the second I heard the main theme on a piano I knew it was Sakamoto which got me very excited.
Stare-Out fucked around with this message at 18:54 on Oct 29, 2021 |
# ? Aug 25, 2021 06:51 |
|
Zimmer's Dune score is interesting. It worked well with the movie but on its own it's pretty weird and slightly disjointed but on the whole feels like he left his comfort zone quite a bit. I was disappointed by the inclusion of the middle-eastern sounds early on. Not because they weren't good but combined with the whole desert aesthetic it felt like something that's been done to death and I was hoping for something a bit more novel there. And it's off particularly since the movie obviously doesn't even take place in the middle-east. But otherwise I'm enjoying it I guess.
|
# ? Oct 29, 2021 18:58 |
|
Stare-Out posted:And it's off particularly since the movie obviously doesn't even take place in the middle-east. but it is meant to be a rough stand in/allegory for that land/its people nonetheless. a very deliberate one from Herbert at that.
|
# ? Oct 29, 2021 20:50 |
|
aBagorn posted:but it is meant to be a rough stand in/allegory for that land/its people nonetheless. a very deliberate one from Herbert at that. Yeah, I guess I should've said that I got that since it's apparent and all, but even so, and it's not a huge critisism by any means, just when I first heard it I was a bit let down because it was exactly what I would've expected to hear when I was hoping Zimmer would've done something different there. It only happens early on in the score though so it's not that bad.
|
# ? Oct 29, 2021 21:00 |
|
It was good but the best stuff was the themes for the other planets. The Atreides and Sardaukar music was great. For space middle east music you can't top Paul Ruskay's Homeworld 2 music.
|
# ? Oct 30, 2021 00:36 |
|
Stare-Out posted:Zimmer's Dune score is interesting. It worked well with the movie but on its own it's pretty weird and slightly disjointed but on the whole feels like he left his comfort zone quite a bit. I didn't love it when I first heard it, but its great in the movie itself, like you said. On the flip side, I loved the James Bond score when I first listened, and like it less after seeing the film. That final death scene didn't do it for me so that it ruined the "standard Zimmer crescendo song" that accompanied it. Darko fucked around with this message at 22:55 on Dec 14, 2021 |
# ? Oct 31, 2021 22:36 |
|
I hope that's not a spoiler for the Bond movie because I haven't seen it yet. But as for Dune, I've been listening to it now over the course of the past few days and it's definitely growing on me but it feels.. light? I was hoping for more texture between the high points (as in, the film's more dramatic moments) but it just kind of floats from one to the next. I love the bag pipes but they just come and go. It's such a strange beast. And it doesn't have the trademark Zimmer finale at all which I was hoping for, to be honest. No Chevaliers De Sangreal or Lost But Won here which for the first time in a while I feel the score kind of needed.
|
# ? Oct 31, 2021 23:01 |
|
I didn't even know that Tron Legacy got a "complete" score release last year. It's only nine extra tracks that play after the original score but hey, that's something and it's pretty great. It even has the version of "Outlands" with the organ coming in which I've wanted since the movie came out 10 years ago!Darko posted:stuff Yeah buddy, that's a pretty big spoiler in your post for the movie.
|
# ? Dec 14, 2021 19:29 |
|
All those tracks got released when the score came out, they were just strung out through different places. Some were only Apple, some were only some phone companies, ect. But they were all at least on YouTube or files. Very weird roll out
|
# ? Dec 14, 2021 21:04 |
|
CelticPredator posted:All those tracks got released when the score came out, they were just strung out through different places. Some were only Apple, some were only some phone companies, ect. But they were all at least on YouTube or files. Call me old-fashioned, but a track being on YouTube doesn't really count as a release of anything, with or without YouTube Music.
|
# ? Dec 14, 2021 21:27 |
|
I remember there being some extra tracks but only a couple so I was surprised to see them all on an actual album release like this because I hadn't heard most of them, few as there are. Still, the tracks are great for the most part and who doesn't want more Daft Punk Tron music?
|
# ? Dec 14, 2021 21:27 |
|
Sodomy Hussein posted:Call me old-fashioned, but a track being on YouTube doesn't really count as a release of anything, with or without YouTube Music. It is old fashioned!
|
# ? Dec 14, 2021 21:34 |
|
Stare-Out posted:I didn't even know that Tron Legacy got a "complete" score release last year. It's only nine extra tracks that play after the original score but hey, that's something and it's pretty great. It even has the version of "Outlands" with the organ coming in which I've wanted since the movie came out 10 years ago! My bad; I thought I had spoiled that whole line, messed up.
|
# ? Dec 14, 2021 22:56 |
|
Another thing worth noting about the 'complete' version of the TRON: Leagacy score is that it was made available in high-res audio for the first time, if you're into that sort of thing. Also Joseph Trapanese - who worked in the score with Daft Punk - wouldn't agree with the name of that release. https://twitter.com/JoeComposer/status/1340021645415596032 Trapanese's score for TRON: Uprising is also worth a listen, you get a good idea of what parts of Legacy's score was more him than Daft Punk. https://www.youtube.com/watch?v=g5A83fXUikc
|
# ? Dec 15, 2021 01:01 |
|
I watched both movies directed by Tom Ford last month and both had scores by Abel Korzeniowski that have just been haunting me ever since. https://www.youtube.com/watch?v=rb5Q2ejcxE4 https://www.youtube.com/watch?v=ePPx8rCCssA
|
# ? Feb 19, 2022 11:45 |
|
A Single Man, besides being a fantastic film, does have an amazing score. It's kind of weird listening to it without Colin Firth narrating over it.
|
# ? Feb 19, 2022 12:47 |
|
I LOVE Abel Korzeniowski! Check out the score for W.E. if you haven't already
|
# ? Feb 19, 2022 15:23 |
|
Happened to rewatch the forgotten Spielberg movie The Terminal and honestly, Williams does some wonderful stuff for it. The clarinet is just terrific. https://www.youtube.com/watch?v=cVMaJNwpUS8
|
# ? Aug 31, 2022 20:03 |
|
I watched Merry Christmas Mr. Lawrence after hearing the main theme a few weeks ago. Great movie, even better music. https://www.youtube.com/watch?v=4AS_hGzkoQY
|
# ? Aug 31, 2022 20:52 |
|
Ryuichi Sakamoto is amazing. I loving love his score for The Sheltering Sky. Here's he's conducting a live version and it's just stunning. https://www.youtube.com/watch?v=xLRpPISVgoA
|
# ? Aug 31, 2022 20:58 |
|
https://www.youtube.com/watch?v=Kyk-eAQi5rk Williams going full luxuriant Steiner melody with this one Cross-Section fucked around with this message at 15:26 on Sep 3, 2022 |
# ? Sep 3, 2022 14:56 |
|
Haven't mentioned this for fear of seeming too spammy, but I run a podcast (Right on Cue) that interviews film/TV/video game composers every 1-2 weeks. We've gotten some killer guests recently: Andrew Prahlow for Outer Wilds, Ted Shapiro for Severance, and one of the members of Son Lux for EEAAO, to name a few. Another fun recurring feature is getting composers to offer track commentaries on some of the most integral/fun/interesting tracks, which is such a treat. Today's ep is with Ben Lovett who scored the new Hellraiser -- we dug into a lot of interesting stuff, from building a "tortured" piano by detuning it, wrapping chains around it, etc., to juggling Christopher Young's original themes with Lovett's own approach. Hope y'all enjoy! https://open.spotify.com/show/0kpZClQu3Kl9veO6HYU9bi?si=4c90b014843a441d Hewlett fucked around with this message at 19:07 on Oct 29, 2022 |
# ? Oct 29, 2022 19:04 |
|
That’s cool, I’ll check it out. I loved listening to film music podcast like Art of the Score, though they stopped updating.
|
# ? Oct 29, 2022 19:12 |
|
checkplease posted:That’s cool, I’ll check it out. I loved listening to film music podcast like Art of the Score, though they stopped updating. Thanks! Yeah, I loved them, and Score: The Podcast, but a lot of film score podcasts drop pretty quickly, which is a shame. If you're looking for other good film score podcasts that are also running, The Film Scorer is another scrappy small one like mine I can recommend. And it's Disney, but I really dig Jon Burlingame's "For Scores" pod.
|
# ? Oct 29, 2022 19:22 |
|
Really enjoyed the soundtrack for The Menu. Not at all what I was expecting but works really well for the movie and is really interesting outside of it too.
|
# ? Nov 28, 2022 02:43 |
|
Ryuichi Sakamoto died on Friday.
|
# ? Apr 2, 2023 15:04 |
|
The cancer finally got him huh
|
# ? Apr 2, 2023 15:17 |
|
What are some favs by him? Not sure I’m as familiar with him.
|
# ? Apr 2, 2023 16:36 |
|
Merry Christmas, Mr. Lawrence, The Last Emperor and The Sheltering Sky are some of his more famous film scores, and more recently there were the scores to The Revenant and Minamata.
|
# ? Apr 2, 2023 17:05 |
|
https://www.youtube.com/watch?v=FFioda0kMzw I dare say Johnny W's still got it
|
# ? Jun 29, 2023 02:30 |
|
|
# ? May 15, 2024 03:30 |
|
Idk. I listened to one track and it was just the belly of the beast from last crusade and the end theme sounds like an old man getting up from bed. It feels very freaky.
|
# ? Jun 29, 2023 02:49 |