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celadon
Jan 2, 2023

Is girl genius actually meant to end? I sort of stopped reading a year or two back but it eventually felt like it was just sort of doing the endless serials thing where you have the long term goal but never get there. Just an endless array of new sets and small plots that just introduce new sets and small plots. Like its fine and fun to read though! I also don't know if its gotten more focused recently but I am gathering from those remarks that it has not.

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disposablewords
Sep 12, 2021

It has not gotten any more focused. It finally joined a few other things in getting pruned from my feed reader recently because I can barely keep track of what's going on anymore and I have no desire to go reread years of archives to remember most of these people and what's going on.

MikeJF
Dec 20, 2003




There do seem to have been a number of major plots set up in the very early days of the comic that have made a surprising amount of progress lately in the last few years since the comic reached England half a decade ago. While there's always little adventure ones that get set up in each location there are a few clearly overarching ones.

MikeJF fucked around with this message at 17:40 on Aug 4, 2023

the holy poopacy
May 16, 2009

hey! check this out
Fun Shoe

MikeJF posted:

There do seem to have been a number of major plots set up in the very early days of the comic that have made a surprising amount of progress lately in the last few years half decade. While there's always little adventure ones that get set up in each location there are a few clearly overarching ones and they've moved forward a decent amount since reaching England.

Yeah, there's a very slow drip feed of progress on the big plot arcs and they've never abandoned them outright, the Foglios just love spending a year+ on random adventures (not even counting interludes!) between plot beats.

Splicer
Oct 16, 2006

from hell's heart I cast at thee
🧙🐀🧹🌙🪄🐸

SlothfulCobra posted:

Well, after nearly a full year on its sidestory, Girl Genius is finally back to its main plot.
I dare you to articulate what the main plot is.

If you said "fighting the other" well done! But that's more of a motivation than a plot

the holy poopacy
May 16, 2009

hey! check this out
Fun Shoe

Splicer posted:

If you said "fighting the other" well done! But that's more of a motivation than a plot

It can be both! What makes it a plot is that there are several central mysteries that are slowly being unraveled, including quite a lot of time travel shenanigans, through which we've already seen a glimpse of the climax. So the plot is working its way towards that predefined point.

Bobulus
Jan 28, 2007

Splicer posted:

I dare you to articulate what the main plot is.

If you said "fighting the other" well done! But that's more of a motivation than a plot

*cracks knuckles*

The plot of Girl Genius can be (currently) divided into two arcs:

1) To reach and reclaim Mechanicsburg
2) To rescue Mechanicsburg from the time-fuckery that the Baron did

In order to accomplish Goal Two, Agatha has embarked on a series of small quests to gather allies, information, and tools. After freeing herself from the clutches of the would-be Storm King, she traveled to Paris, last known location of a professor renowned for his time mad science. Instead, she found the professor had been waylaid into a separate quest to find a time-slowing artifact, and while investigating that, stumbled into a plot to conquer Paris. Once that was resolved, both the professor and the time-slowing artifact were gone, headed to England, domain of a powerful god-queen. So Agatha headed to England.

In England, Agatha found many diversions from her quest. This was not helped in the least by the Queen herself, who seems to be rather fond of 'collecting' interesting people, and has been attempting to distract Agatha with flirty British spies, old theater friends, and scientific curiosities. During the distractions, Agatha learned she had a time-limit on freeing her town, because the time-fuckery is attracting weird beasties from beyond time and space. The professor showed up, dead, and the time-slowing artifact was taken by a master assassin. Agatha and her friends followed the master assassin to an uncharted island, where they found new The Other machinations afoot. They killed the master assassin and reclaimed the artifact, but were forced to flee. For now, Agatha does not have any new leads about how to go about freeing her town, but probably the current conversation will give her some new hints to chase...

Rand Brittain
Mar 25, 2013

"Go on until you're stopped."
I think you could generally articulate the main plot as "Agatha reclaims her family legacy," which involves both taking up rulership of her father's family lands and becoming the Heterodyne, and dealing with her mother's plans to take over the world.

MikeJF
Dec 20, 2003




"fighting the other" is a motivation, but the overarching plot is more about learning the nature of The Other as a time travelling entity, presumably linked in some way to The Muse of Time, the thing that we glimpse through the first time portal we see, in the first couple of pages of the comic. The Other, the time portals, the Queens, and The Muse are all linked together to form the big overarching mystery of the comic.

And then that's distinct from the goal of Agatha that keeps pushing her on, which is reclaiming/freeing Mechanicsburg and her family's legacy and forms the day-to-day quest plot.

SlothfulCobra
Mar 27, 2011

I feel like the main plot is about Agatha's maturation as an adventurer and the effects of that on Europa as a whole. First she needed to learn what she had special that was going for her and claim her legacy, now she's been working to recover her town, and it turns out as part of that, she's going to be confronting the powers that threaten the entire order of the continent on her journeys.

I think there's also some kind of metaplot about planting the seeds for adventure stories that will warp and change as they get further away from her, but there hasn't been much of that lately, it was a lot stronger at the beginning of the comic with all the stuff about traveling Heterodyne shows and the Baron as an imposing force that put an end to the silliness and brutal chaos of those bygone days.

celadon posted:

Is girl genius actually meant to end? I sort of stopped reading a year or two back but it eventually felt like it was just sort of doing the endless serials thing where you have the long term goal but never get there. Just an endless array of new sets and small plots that just introduce new sets and small plots. Like its fine and fun to read though! I also don't know if its gotten more focused recently but I am gathering from those remarks that it has not.

There absolutely has always been some kind of plan for where it will go. Most obviously there's been the time portals (that still haven't paid off), there's also been things where the Foglios put out a card game with "here are some of the characters in the comic", and those characters wouldn't actually be introduced for like 15 or so years.

That's not to say everything has been planned out specifically, I think there's been signs of plans changing over time (although I don't know if the Foglios have ever said anything specific about pivoting). I feel like sometimes they may have over-planned some bits, like they ended up stuffing to many things into one part of the plot. I really got that impression from the Mechanicsburg arcs and how a lot of aspects seemed redundant.

I think the amount that they've put into "post-plot" content implies that the Foglios might want to toddle around with one-off adventures after whatever ending that they've been planning for the comic proper though.

celadon
Jan 2, 2023

I generally had considered whenever i was reading it that the time portals needed to get resolved before the comic could even begin to reach endgame, and it didnt super seem like that was happening beyond the breadcrumbs level. Like stuff kept feeding back into that for a while but its just a very long time to have a story going. I think I'd want to start from the beginning again if I restart the comic and thats a ton of stuff to get through.

Rand Brittain posted:

I think you could generally articulate the main plot as "Agatha reclaims her family legacy," which involves both taking up rulership of her father's family lands and becoming the Heterodyne, and dealing with her mother's plans to take over the world.

Yeah I think this is a good summary but given the scope of that legacy its quite a lot to resolve.

mycatscrimes
Jan 2, 2020

celadon posted:

Is girl genius actually meant to end? I sort of stopped reading a year or two back but it eventually felt like it was just sort of doing the endless serials thing where you have the long term goal but never get there. Just an endless array of new sets and small plots that just introduce new sets and small plots. Like its fine and fun to read though! I also don't know if its gotten more focused recently but I am gathering from those remarks that it has not.

All I know is I will never start reading it again unless it does end, because I found the endless diversions and how long it took to get resolution on anything maddening, even though I liked it well enough.

Also after a while the whole treatment of Sparks as superior, even with lip service to the idea that their personalities can make them dangerous and destructive, just got grating to me. More of a me issue, I think, it's not really conflicting with the tone of the story or anything, I just dislike it.

mycatscrimes fucked around with this message at 22:14 on Aug 4, 2023

Drakyn
Dec 26, 2012

mycatscrimes posted:

All I know is I will never start reading it again unless it does end, because I found the endless diversions and how long it took to get resolution on anything maddening, even though I liked it well enough.

Also after a while the whole treatment of Sparks as superior, even with lip service to the idea that their personalities can make them dangerous and destructive, just got grating to me. More of a me issue, I think, it's not really conflicting with the tone of the story or anything, I just dislike it.
I forget if it was always both of these with me or if it started as the first and then the more I looked back on it the more the whole thing turned into the second. Whacky shithead megalomaniacs running everything that are born superior seems bad enough, having much of the answer to that turn out to be the protagonist being a whacky shithead megalomaniac that was born the MOST superior due to her cool heritage of having the best whacky shithead megalomaniac aristrocratic ancestors that were all born indeed very superior seems worse.

Drakyn fucked around with this message at 22:42 on Aug 4, 2023

the holy poopacy
May 16, 2009

hey! check this out
Fun Shoe
It's a comic about mad scientists :shrug: Having a literal mad science gene does lead to some unsavory implications, but the comic is also very clear that it is not actually a good thing; there's a reason that late 19th century Europe exists in a largely medieval state despite the existence of futuristic technology. The "good" rulers like Wulfenbach, Voltaire, and Albia are still very much the least bad options.

SlothfulCobra
Mar 27, 2011

mycatscrimes posted:

All I know is I will never start reading it again unless it does end, because I found the endless diversions and how long it took to get resolution on anything maddening, even though I liked it well enough.

Also after a while the whole treatment of Sparks as superior, even with lip service to the idea that their personalities can make them dangerous and destructive, just got grating to me. More of a me issue, I think, it's not really conflicting with the tone of the story or anything, I just dislike it.

It sure has meandered for a long while, but in that respect it's not really very different from most longform narrative content. It's rare for most of these things to have much actually planned for what the ending will be. But it's also perfectly natural to get tired of that, especially if you've gotten older and seen a lot of other stories just not finish after going on forever (or coming up with some last minute bullshit when they do finish).

As for the spark stuff, it has been a while since spark/nonspark dynamics have come up. I think a lot of it tends to work on cape comic logic where a significant amount may be good and become great heroes, but the majority turn out evil. Politics seem to be dominated by people who are good t corralling sparks so that they aren't a threat to society at large.

It also seems blurry as to who's a spark and who's not. I think the sidestory with Franz didn't feature any sparks in it at all. There's a lot of hypercompetent non-sparks running around, but that still makes the story drift further away from relatability.

TwoPair
Mar 28, 2010

Pandamn It Feels Good To Be A Gangsta
Grimey Drawer

Bobulus posted:

*cracks knuckles*


Very good, now be sure to add this when reading all that

https://www.youtube.com/watch?v=hXZ12NiziBo

mycatscrimes
Jan 2, 2020

the holy poopacy posted:

It's a comic about mad scientists :shrug: Having a literal mad science gene does lead to some unsavory implications, but the comic is also very clear that it is not actually a good thing; there's a reason that late 19th century Europe exists in a largely medieval state despite the existence of futuristic technology. The "good" rulers like Wulfenbach, Voltaire, and Albia are still very much the least bad options.

Yes that's what I mean by paying lip service to it. However in terms of what's actually in the comic, the Sparks are always the best, most impactful, etc etc. It's not about the worldbuilding or set dressing, either, it's about who gets to be narratively important and a mover and shaker in the plot, as well as the nonpowered characters, even ones we are supposed to find very cool and competent, constantly being shown up by the mad science ubermenschs. No one character is actually allowed to outshine a Spark, even in what is supposed to be their core competency, ala Gil and his spy butler, or Viola and Tarvek.

Even the one character who wants to get rid of Sparks is a Spark, lmao.

I get that it's a genre thing, it's just not one I enjoy. I've enjoyed a lot of super power fiction that manages not to fall into that, and consistently don't really enjoy when it does, but I don't think fiction has like, a moral obligation not to or anything. It's not wrong for a writer to be overly enthusiastic about the 'power' part of super power fiction. Just the longer it goes on and the more blatant it gets, the more it turns me, personally, off.

SlothfulCobra posted:

It sure has meandered for a long while, but in that respect it's not really very different from most longform narrative content. It's rare for most of these things to have much actually planned for what the ending will be. But it's also perfectly natural to get tired of that, especially if you've gotten older and seen a lot of other stories just not finish after going on forever (or coming up with some last minute bullshit when they do finish).

As for the spark stuff, it has been a while since spark/nonspark dynamics have come up. I think a lot of it tends to work on cape comic logic where a significant amount may be good and become great heroes, but the majority turn out evil. Politics seem to be dominated by people who are good t corralling sparks so that they aren't a threat to society at large.

It also seems blurry as to who's a spark and who's not. I think the sidestory with Franz didn't feature any sparks in it at all. There's a lot of hypercompetent non-sparks running around, but that still makes the story drift further away from relatability.

I agree it's a natural trap for long serialized fiction, GG is far from the only work I'm waiting to see if they actually end before I put more energy into reading it. It's exactly as you say, getting older and a little tired of it all. I also am hesitant to pick up long running unfinished manga/anime or book series. GG is just a particularly excessive example. But the authors clearly have a lot of passion for the project and they have shown they are going somewhere and definitely in it for the long haul, so I do think it will get there eventually!

I'll take your word for it on the spark/nonspark dynamics having progressed, I haven't read the comic in a few years after all.

mycatscrimes fucked around with this message at 00:47 on Aug 5, 2023

mycatscrimes
Jan 2, 2020
I feel like that was all very negative. The comic isn't bad and I don't mean to be too down on it, I had a lot of fun with it before I stopped reading.

mycot
Oct 23, 2014

"It's okay. There are other Terminators! Just give us this one!"
Hell Gem

mycatscrimes posted:

Yes that's what I mean by paying lip service to it. However in terms of what's actually in the comic, the Sparks are always the best, most impactful, etc etc. It's not about the worldbuilding or set dressing, either, it's about who gets to be narratively important and a mover and shaker in the plot, as well as the nonpowered characters, even ones we are supposed to find very cool and competent, constantly being shown up by the mad science ubermenschs. No one character is actually allowed to outshine a Spark, even in what is supposed to be their core competency, ala Gil and his spy butler, or Viola and Tarvek.

I feel you, this is sort of like a thing I've noticed in some fantasy where there will be some token acknowledgment that nobles are not inherently more valuable than peasants and it is incredibly evil to even think that way, but the author can't help themselves from making every noble the most beautiful powerful competent (even if some of them are evil) and obviously doesn't really care for the non-noble characters in the same way. But the entire base concept of "special" people is kind of problematic when you really get down to it, so you just have to swallow it.

habeasdorkus
Nov 3, 2013

Royalty is a continuous shitposting motion.
I feel like Viola was significantly more competent than she let on, re: her and Tarvek and smoke night poo poo.

celadon
Jan 2, 2023

Does anyone know where to find that comic where the guy wished for teeth to be drugs, and then the world collapsed? I dont know if I'm just looking extremely poorly but I can only find people asking for where to find it.

Rexxed
May 1, 2010

Dis is amazing!
I gotta try dis!

celadon posted:

Does anyone know where to find that comic where the guy wished for teeth to be drugs, and then the world collapsed? I dont know if I'm just looking extremely poorly but I can only find people asking for where to find it.

https://imgur.com/a/FTytK

World Famous W
May 25, 2007

BAAAAAAAAAAAA
also looking for something. actually two somethings


one is a maakies comic titled something like "vacations of the classes". had a rich dude at a resort, then a middle class in a walled garden, then finally uncle gabby sitting in a run-down shack tripping his rear end off.

the other is some alien uplifts a beast. the uplifted being is angered by their new sapience and fights and kills the alien before de-evolving themselves

isasphere
Mar 7, 2013
The second one sounds familiar, but I can't find either, sorry!

Also, hey, Anthony Clark unfucked Nedroid's website and it's functional again, and he's posting new comics!

https://nedroid.com/

celadon
Jan 2, 2023


thank you!!

Splicer
Oct 16, 2006

from hell's heart I cast at thee
🧙🐀🧹🌙🪄🐸
In which Birdie is introduced to the concept of maps

Captain Oblivious
Oct 12, 2007

I'm not like other posters
Some disorganized Wilde Life thoughts

Judging by the comments section, it seems like a lot of people think that this is still partly a romance comic where the OTP are set up in the first act and then everything else is an expression of their inevitable romance. Oscar and Sylvia in this case. But Eliza has yet to be wrong about the supernatural and one thing she has consistently stressed is that ghosts are bad news bears. I really think that getting Sylvia to move on is gonna be part of Oscar closing the door on his own unhealthy relationship with grief/inability to 'let go' and so on.

Just a question of how bad the blowout from kicking the ghost can down the road is gonna be.

Regy Rusty
Apr 26, 2010

Captain Oblivious posted:

Some disorganized Wilde Life thoughts

Judging by the comments section, it seems like a lot of people think that this is still partly a romance comic where the OTP are set up in the first act and then everything else is an expression of their inevitable romance. Oscar and Sylvia in this case. But Eliza has yet to be wrong about the supernatural and one thing she has consistently stressed is that ghosts are bad news bears. I really think that getting Sylvia to move on is gonna be part of Oscar closing the door on his own unhealthy relationship with grief/inability to 'let go' and so on.

Just a question of how bad the blowout from kicking the ghost can down the road is gonna be.


Wow that is a wild (haw haw) take. I'm completely with you on this, its never occurred to me that there would be a romantic thing between them and the comic has foreshadowed her needing to move on eventually numerous times.

Wittgen
Oct 13, 2012

We have decided to decline your offer of a butt kicking.
I think Wilde Life is more horror/slice of life than it is romcom. So yeah, I agree with you.

Captain Oblivious
Oct 12, 2007

I'm not like other posters

Regy Rusty posted:

Wow that is a wild (haw haw) take. I'm completely with you on this, its never occurred to me that there would be a romantic thing between them and the comic has foreshadowed her needing to move on eventually numerous times.

You would be surprised how many people out there are absolutely convinced that the comic is trying to convey

Oscar and Sylvia as some kind of destined star crossed lovers and I’m out here feeling like I’m being gaslit. Really this is just me trying to confirm I haven’t lost my mind

disposablewords
Sep 12, 2021

Captain Oblivious posted:

You would be surprised how many people out there are absolutely convinced that the comic is trying to convey

Oscar and Sylvia as some kind of destined star crossed lovers and I’m out here feeling like I’m being gaslit. Really this is just me trying to confirm I haven’t lost my mind

I thought it was going to do that relatively early on, but it did become clear that this would be Not Good if it did happen.

Sally Forth
Oct 16, 2012

Captain Oblivious posted:

You would be surprised how many people out there are absolutely convinced that the comic is trying to convey

Oscar and Sylvia as some kind of destined star crossed lovers and I’m out here feeling like I’m being gaslit. Really this is just me trying to confirm I haven’t lost my mind

The comic is 100% building to an arc where Sylvia's unhappiness tips over and they have to find a way to help her move on before someone gets hurt.

The Lone Badger
Sep 24, 2007

I really don't feel like a romance with Oscar is safe for either party.

JuniperCake
Jan 26, 2013
Yeah I definitely agree.

I guess I can see why people would think otherwise since some of Oscar's first interactions with Sylvia was him literally hitting on her. And both of them seem to mean well in their interactions. But I think the writing in the comic has been pretty clear at stating that things will get really really bad at some point. Isn't there even some implication that she's been passively (likely unknowingly) draining his strength to become more tangible? I don't remember when but I could have sworn there was.

Either way, this is definitely not a healthy nor sustainable situation for either of them.

Wittgen
Oct 13, 2012

We have decided to decline your offer of a butt kicking.
I hate to post about posting, but why are spoiler bars being used for this Wilde Life discussion? It is just discussion of things that have already happened and speculation on the future of the story. I do not think any of it constitutes spoilers.

flatluigi
Apr 23, 2008

here come the planes
it's likely because this is the general webcomic thread and not a thread for wilde life specifically, meaning that you can't assume everyone reading this thread is fully caught up with that specific comic

Splicer
Oct 16, 2006

from hell's heart I cast at thee
🧙🐀🧹🌙🪄🐸

flatluigi posted:

it's likely because this is the general webcomic thread and not a thread for wilde life specifically, meaning that you can't assume everyone reading this thread is fully caught up with that specific comic
Yeah, I've picked up or been reminded of a couple of webcomics from this thread and it takes a while to catch up. It would suck having to dip out of the thread for a couple months every time someone mentions a new comic I might like.

Captain Oblivious
Oct 12, 2007

I'm not like other posters
It takes very little effort to spoiler stuff so, why not I figured.

Pogonodon
Sep 10, 2010
I was wondering if y'all might know this webcomic I can't find anymore. It was super stylish, maybe touched on voodoo stuff a little? Main boy had several little spirit monster things, and he could merge with them or something to power up. It ended up being dropped by the creator, I believe. May have been around 2017 when I read it? I've been wanting to reread it for some reason and I can't seem to Google it up.

I wish I had a better description lol my memory for that far back is really bad.

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mycot
Oct 23, 2014

"It's okay. There are other Terminators! Just give us this one!"
Hell Gem

Pogonodon posted:

I was wondering if y'all might know this webcomic I can't find anymore. It was super stylish, maybe touched on voodoo stuff a little? Main boy had several little spirit monster things, and he could merge with them or something to power up. It ended up being dropped by the creator, I believe. May have been around 2017 when I read it? I've been wanting to reread it for some reason and I can't seem to Google it up.

I wish I had a better description lol my memory for that far back is really bad.

Was it Vibe?

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