|
 Ko Phi Phi by Tom Olson, on Flickr
|
#
?
Apr 8, 2017 10:13
|
|
|
|
| # ? May 28, 2024 13:50 |
|
|
Bring it on jesus saves by yoohoo, on Flickr cars at night by yoohoo, on Flickr brooklyn promenade by yoohoo, on Flickr bicycles on the corner by yoohoo, on Flickr sidewalk sun by yoohoo, on Flickr dumbo by yoohoo, on Flickr
|
|
#
?
Apr 12, 2017 03:31
|
|
|
Shooting on the street with a Moskva is a lot of fun, people don't seem to mind it compared to pointing a DSLR at them. Moskva012.jpg by Iain Compton, on Flickr  Moskva006.jpg by Iain Compton, on Flickr Does not like being pointed anywhere close to the sun though.  MoskvaBW003.jpg by Iain Compton, on Flickr  MoskvaBW004.jpg by Iain Compton, on Flickr
|
|
#
?
Apr 12, 2017 08:32
|
|
|
|
|
#
?
Apr 13, 2017 03:15
|
|
|
 Ayutthaya by Tom Olson, on Flickr
|
|
#
?
Apr 13, 2017 20:32
|
|
|
 Bristol; April 2017 by dunos, on Flickr  Bath; April 2017 by dunos, on Flickr  Bristol; March 2017 by dunos, on Flickr
|
|
#
?
Apr 15, 2017 09:15
|
|
|
dunos posted:
I dig these two.  Untitled by Jason Martin, on Flickr  Untitled by Jason Martin, on Flickr  Untitled by Jason Martin, on Flickr
|
|
#
?
Apr 15, 2017 20:06
|
|
|
Also: Untitled by Jason Martin, on Flickr
|
|
#
?
Apr 15, 2017 20:24
|
|
|
I waited a few minutes for someone to walk past but this end of town is pretty quiet most of the time and I got bored of waiting. Murray St Under The Freeway by Justin Wake, on Flickr
|
|
#
?
Apr 18, 2017 14:52
|
|
|
Karl Barks fucked around with this message at 06:46 on May 7, 2017 |
|
#
?
Apr 20, 2017 01:57
|
|
|
Literally pictures of streets. Untitled by Jason Martin, on Flickr  Untitled by Jason Martin, on Flickr  Untitled by Jason Martin, on Flickr  Untitled by Jason Martin, on Flickr
|
|
#
?
Apr 20, 2017 03:38
|
|
|
Fine, I'll keep going. Untitled by Jason Martin, on Flickr  Untitled by Jason Martin, on Flickr  Untitled by Jason Martin, on Flickr  Untitled by Jason Martin, on Flickr
|
|
#
?
Apr 23, 2017 00:53
|
|
|
thetzar posted:
thetzar posted:
thetzar posted:
these good as hell
|
|
#
?
Apr 24, 2017 11:18
|
|
|
thetzar posted:
Wow, I'm really digging this one.
|
|
#
?
Apr 25, 2017 06:21
|
|
|
atomicthumbs posted:these good as hell ReverendHammer posted:Wow, I'm really digging this one. Thanks, all!
|
|
#
?
Apr 25, 2017 19:21
|
|
|
Shots from around DC R0023849 by Harvard J Nasty, on Flickr R0023691 by Harvard J Nasty, on Flickr R0023773 by Harvard J Nasty, on Flickr R0023689 by Harvard J Nasty, on Flickr R0023739 by Harvard J Nasty, on Flickr Untitled-216-2 by Harvard J Nasty, on Flickr
|
|
#
?
Apr 27, 2017 19:07
|
|
|
Just a couple of shots before/after work trying to experiment with multiple simultaneous light temperatures.  Moving Truck by John Girgis, on Flickr  Santa's Hideout by John Girgis, on Flickr
|
|
#
?
Apr 28, 2017 03:54
|
|
|
 Untitled by Jason Martin, on Flickr
|
|
#
?
Apr 29, 2017 16:40
|
|
|
|
|
#
?
May 7, 2017 18:56
|
|
|
Cool
|
|
#
?
May 8, 2017 04:55
|
|
|
thanks man ^^^
|
|
#
?
May 9, 2017 00:59
|
|
|
  The lessons I learned in doing this are that pushing Ultramax to 1600 is a cruel and terrible thing to do to a film that already has a hard enough time as it is and the film bows in the middle so bad its impossible to scan nicely and just won't flatten no matter how much weight or heat I use. I wasn't willing to have the lab scan this with their nice Noritsu since the rest of the roll is just function test shots of junk in my home for a Yashica Electro I repaired and everything film related in Canada costs a small fortune.
|
|
#
?
May 12, 2017 06:05
|
|
|
 Untitled by Jason Martin, on Flickr
|
|
#
?
May 16, 2017 14:41
|
|
|
     
|
|
#
?
May 17, 2017 00:16
|
|
|
|
|
#
?
May 17, 2017 00:58
|
|
|
All of these are great, this one is my fav
|
|
#
?
May 17, 2017 04:39
|
|
|
 provia for street photography? yes.
|
|
#
?
May 17, 2017 07:17
|
|
|
Is it safe to assume that these look like they were shot on an old 35mm compact camera with a built-in flash because they were? Excellent in any case.  Untitled by Jason Martin, on Flickr
|
|
#
?
May 21, 2017 22:46
|
|
|
I mean no disrespect in asking this, but ... what do y'all like about these? Nothing strikes me about these, but it seems they're a hit for other people. So I figure I'm missing something. (No offense, ansel, I'm not trying to impugn your photos, just I don't personally find these interesting and I am curious why others do.)
|
|
#
?
May 22, 2017 02:24
|
|
|
Krakkles posted:I mean no disrespect in asking this, but ... what do y'all like about these? Nothing strikes me about these, but it seems they're a hit for other people. So I figure I'm missing something. That's pretty much why photography is so subjective though.
|
|
#
?
May 22, 2017 03:41
|
|
|
Krakkles posted:I mean no disrespect in asking this, but ... what do y'all like about these? Nothing strikes me about these, but it seems they're a hit for other people. So I figure I'm missing something. that's cool man you don't gotta like anything
|
|
#
?
May 22, 2017 16:13
|
|
|
Krakkles posted:I mean no disrespect in asking this, but ... what do y'all like about these? Nothing strikes me about these, but it seems they're a hit for other people. So I figure I'm missing something. Sure, I'm willing to talk about photography. On a roll with that already today, it seems. First-off, the high-falutin' stuff: Everything is context/reference. Everything that I see that I like I do because it makes me thing of or remember things — other things I've seen, things I've thought, new ideas that it gives me based on past one. When I see these shots, stylistically, they remind me of a certain place/time/style. They look like they might have been taken in the 80s, which brings up a sense of nostalgia in me. They feel vernacular and off-the-cuff, which makes me think of them as authentic. They provide a sense of being-there which I have no idea about the authenticity of, but which rings a bell in my head that I like. I think the subjects are well-chosen and interesting. I think that each composition has an interesting and good sense of balance/dynamism. And there's something to be said for seeing these as a group — they provide a united front of feeling. They are stronger together. Here, let's go through one by one. Not my favorite of the bunch, but I like how it works. There's a sense of connection with the subject. She's looking at me with a sense of disgust or impatience (I get that a lot, hurrr). She's being interrupted in what looks like her taking a picture. Her hand/phone pops against the dark figure behind her. That figure is balanced by the man to her right. There is a sense of energy and action here that I like. I'm a sucker for flashes and dragged exposures. As someone who always tries to be as sharp as possible, I respect photographs that aren't perfectly sharp, but where I can still see all the detail I needed. If this photo had been sharper/faster, it would lose energy. We can't see what the two men are looking at, but it seems to have made one angry, the other apprehensive. There is a looming darkness behind and activity front. And this was shot, at night, on the street, close to someone angry(?) with a flash — this is the sort of photograph I don't have the guts to take. Are these ladies happy? ARE THEY? What did the one in front DO to get those beads? This is probably my least favorite of the set. Just a little slice-of-life. I do not know, but I think this man is holding a giant cross with an LED sign on it. I think he is at mardi gras or a similar street celebration. I think he is trying to tell the people around him that he thinks that are damned. I think he is sad and sober and flatly lit like he's in a mug shot. I think that the people behind him are happy and laughing and drunk and swirling around in the lights of the night. This lady as happy and smiling but she is not looking at the man kissing her. The man kissing her is an amorphus shadow. She is looking at me. She wants my dick. Oh, and the overlit laughing man on the right is God and the shadowy scowling one on the left is Satan. Aaaand that's it for this installment of Art School Crit Wall.
|
|
#
?
May 24, 2017 03:58
|
|
|
I can dig that! Thank you for responding genuinely. I appreciate it and truthfully appreciate the photos a bit more thanks to it.
|
|
#
?
May 24, 2017 05:22
|
|
|
thetzar posted:Sure, I'm willing to talk about photography. On a roll with that already today, it seems. Wow I suddenly have a newfound appreciation for these photos. I was on board with Krakkles before, but looking at them in this way changes them entirely.
|
|
#
?
May 25, 2017 02:06
|
|
|
Backs of heads are still cool right? RAISED by the STREETS by Cacator, on Flickr  Symbols by Cacator, on Flickr  Levels by Cacator, on Flickr
|
|
#
?
May 25, 2017 08:46
|
|
|
Cacator posted:
This was a really nice catch!
|
|
#
?
May 25, 2017 08:52
|
|
|
alkanphel posted:This was a really nice catch! Agreed. The class on the floor, the couple on the balcony, the single person in the window, all fo them following the swoop of the framing arch. Really nice. It's rainy today.  Untitled by Jason Martin, on Flickr  Untitled by Jason Martin, on Flickr  Untitled by Jason Martin, on Flickr  Untitled by Jason Martin, on Flickr
|
|
#
?
May 25, 2017 17:38
|
|
|
thetzar posted:Agreed. The class on the floor, the couple on the balcony, the single person in the window, all fo them following the swoop of the framing arch. Really nice. I wanted to try a thing, although GIMP at work made it a challenge especially on the second one:  
|
|
#
?
May 25, 2017 18:09
|
|
|
Pham Nuwen posted:I wanted to try a thing, although GIMP at work made it a challenge especially on the second one: Yeah, I kinda prefer them crooked. They seem like more interesting frames to me that way.
|
|
#
?
May 25, 2017 20:52
|
|
|
|
| # ? May 28, 2024 13:50 |
|
|
thetzar posted:Yeah, I kinda prefer them crooked. They seem like more interesting frames to me that way. With the solo umbrella girl photo, the angled look works really well in making the eye follow a diagonal focus from bottom-left to top-right of the image, which makes me feel like the umbrella itself is nearly popping out of the photo. While with the schoolboy one it helps to emphasize his movement in the picture. Also for the women crossing the road photo, I really like the two main subjects have opposite sides of their face obscured and everyone else's face in the background is also hidden due to an umbrella. Keep it up, I think these an some of the other one's on you flickr are brilliant.
|
|
#
?
May 27, 2017 02:57
|
|