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Lots of competition for gigs here in North Dakota: http://fargo.craigslist.org/muc/4460435863.html definitely fake but i lol'd all the same edit: since craigslist posts get taken down so often, here's what it said in case it gets flagged: quote:Dynamic Bass Player Available (Fargo (some restrictions))
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May 9, 2014 02:27
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I feel like I've read that before. Recurring gag maybe.
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May 9, 2014 02:35
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Digital Jesus posted:I feel like I've read that before. Recurring gag maybe. Yeah, it seems to make its way to every city on craigslist.
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May 9, 2014 02:54
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So I think I'm slowly coming to terms with the fact that, no matter how much I want it to, my 62 RI Precision neck and I just don't get along that well. It's more of a proportional issue than how wide it is; I've played 57 RIs that feel better despite being thicker front to back. There's just something about the wide/shallow 62 neck that makes it feel like I'm playing a 2x4 or something. Everything else about it is great, though. I already found a guy with a 57 RI who's interested in doing a neck swap, but I'm not sure yet. Other options include getting a replacement neck from Musikraft or something, but I'm really trying to talk myself out of just saying gently caress it and ordering a custom Creston. Feel free to talk me into/out of doing something stupid.
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May 9, 2014 18:39
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I've never tried a bass neck from Warmoth but that could be an option but hey if you've got a guy willing to swap necks with you and that's free then go for it I just think it's worth to spend extra to make sure it's what you want, you know?
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May 10, 2014 04:12
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more fusion for the fusion gods https://soundcloud.com/fro_tone/jumbly-towers-complete-trax-mix-11/s-ujGhv Drums are still out in front a bit too much on this one, and I really want some sub 100hz frequencies boosted a tad. But super happy with this one, it's one of my two cuts on the EP. I'd written both of them years ago but was never able to find the right band to fully develop them.
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May 12, 2014 00:58
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Scarf posted:more fusion for the fusion gods https://soundcloud.com/fro_tone/jumbly-towers-complete-trax-mix-11/s-ujGhv This mix sounds better to me, but still has too much of some drums and cymbals. I think the rhythm guitar is a bit front during solos also, maybe just a touch of reverb could tone that down and move it further back in the soundstage. I don't think it should get buried, but it drew my ear more than I would expect.
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May 12, 2014 02:15
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CaseFace McGee posted:This mix sounds better to me, but still has too much of some drums and cymbals. I think the rhythm guitar is a bit front during solos also, maybe just a touch of reverb could tone that down and move it further back in the soundstage. I don't think it should get buried, but it drew my ear more than I would expect. Agreed, glad it wasn't just me... Thanks for taking a listen!
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May 12, 2014 02:31
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Yeah, the bass could definitely be filling out more of the bottom end, but other than that everything seems to sit nicely. The odd time signature stuff was executed expertly. Cool track!
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May 12, 2014 04:30
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Seventh Arrow posted:Yeah, the bass could definitely be filling out more of the bottom end, but other than that everything seems to sit nicely. The odd time signature stuff was executed expertly. Cool track! Thanks!
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May 12, 2014 04:52
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Scarf posted:more fusion for the fusion gods https://soundcloud.com/fro_tone/jumbly-towers-complete-trax-mix-11/s-ujGhv It actually sounds pretty good on my MBP speakers. Some sexy bass playing there.
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May 12, 2014 05:44
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I'd like to get involved with a band or a jam group, but I don't have a bass amplifier that I could use. On the other hand, I've never done this before so I don't know if I'd even enjoy it and wouldn't want to waste the cash (right now I play into my PC speakers). Many people have suggested on this thread that a Bass-Driver into a PA is the way to go for onstage work, but I doubt that'd fly in my situation. I'd really appreciate some input on my best course of action please. My budget would be derived from selling other gear, so probably $500 max.
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May 12, 2014 08:05
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I've been playing almost exclusively on a Schecter Stilletto Extreme 4 and I love it as my first bass and the one I've learnt the basics on. I dont mean to change it but I'm on the market for a used mid range bass to toy with. I've tested a Lakland Skyline 44-60 in a shop and was really amazed with its playability so I'm pretty much set on them, and luckily I found someone selling a Skyline DJ5 around (850 euros which is pretty much my budget). Now obviously the DJ5 is a fiver but I also read that it was 35', so I want to test it thoroughly to see if it really suits me and no shop carry them around here. Can you guys give me some pointers as to how different 5 strings and 35' basses feel and what to look for to see if it'll be unconformtable for me in the long run? I'll definitely try it before I buy it but I might be biased from the start since the bass is gorgeous and I really trust Lakland to put out great instruments. I may not have that much time to play it either. While I'm here a quick a suggestion for the OP is to add Jon Liebman's book Bass Aerobics to the reading list for beginners and intermediate players. It's part mechanical workout part style studies and it's very effective if you learn theory on the side and/or want some mindless practice fun. Probably the only book I'd keep right now and definitely the one that had me progress the most.
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May 12, 2014 08:51
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Southern Heel posted:I'd like to get involved with a band or a jam group, but I don't have a bass amplifier that I could use. On the other hand, I've never done this before so I don't know if I'd even enjoy it and wouldn't want to waste the cash (right now I play into my PC speakers). It depends on the situation...if you're going to a jam night at one of the local bars in town, then they'll usually have an amp there already. Also, if you get a band together and rent a rehearsal studio then they'll also usually have amps there that you can use in the meantime. When playing live you could use a DI box into the PA, but you don't always know if the house PA and/or speakers can handle the lower frequencies so it might not be best to risk it. As far as amps in the $500 range goes, I tried out the SWR Redhead and it was really nice, although I'm not seeing it at musician's friend.
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May 12, 2014 12:33
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Southern Heel posted:I'd like to get involved with a band or a jam group, but I don't have a bass amplifier that I could use. On the other hand, I've never done this before so I don't know if I'd even enjoy it and wouldn't want to waste the cash (right now I play into my PC speakers). Seventh Arrow posted:It depends on the situation...if you're going to a jam night at one of the local bars in town, then they'll usually have an amp there already. Also, if you get a band together and rent a rehearsal studio then they'll also usually have amps there that you can use in the meantime. When playing live you could use a DI box into the PA, but you don't always know if the house PA and/or speakers can handle the lower frequencies so it might not be best to risk it. As far as amps in the $500 range goes, I tried out the SWR Redhead and it was really nice, although I'm not seeing it at musician's friend. All good info from Seventh Arrow. Don't discount used gear too, "I don't know if I'd even enjoy it and wouldn't want to waste the cash" Your $500 will get you more amp and you're far more likely to break even if you decide to sell it. It's been a long while since I've been in the "gear loop", but I think that the SWR Redhead Bass Combo Amp has been discontinued. If you can find a used one, then that would be a solid purchase. As for specs. I would go for at least 150 Watt, 12" speaker (or two 10"), DI & headphones out (and if you can swing it audio IN as well). The Ampeg BA-210SP isn't too bad... I had an Ampeg similar to this for a while for rehearsals, practice, and small venues. It didn't sound "bad", but if you decide you really enjoy playing with outer people, you'll probably want to upgrade eventually.
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May 12, 2014 13:15
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Ericadia posted:It actually sounds pretty good on my MBP speakers. Some sexy bass playing there. Thanks, I appreciate it. I've got all of the tracks uploaded to a private playlist on soundcloud. If anyone wants to take a listen just PM me and I'll send the link.
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May 12, 2014 14:55
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Anyone have any experience with Eden's EX112 cab? I'm thinking about ordering one and getting a second one later. It seems decent, light AND fairly cheap, but it's pretty rare to find something that ticks all 3 of those boxes 
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May 13, 2014 06:43
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You guys probably get posts like this all the time, so I'M SORRY. I've been playing (using the term very loosely) guitar for about ten years and I'm getting into bass. I notice the OP hasn't been updated in about four years. I just want to make sure before I pull the trigger, are the three guitars in the OP still generally recommended as quality instruments? I don't want to miss out on some amazing deal that came out in 2012 and has taken the bass world by storm.
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May 14, 2014 20:15
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Paineopticon posted:You guys probably get posts like this all the time, so I'M SORRY. Only suggestion I would make is to save up a little extra money, bypass getting the Ibanez GSR200s and go straight for the Squier VM. It'd serve you much better for much longer. Don't get me wrong, the GSR200 is still a solid beginner's instrument, but you'll likely outgrow it in a year and it's resale value is MAYBE $50-$75...
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May 14, 2014 20:30
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Scarf posted:Only suggestion I would make is to save up a little extra money, bypass getting the Ibanez GSR200s and go straight for the Squier VM. It'd serve you much better for much longer. Don't get me wrong, the GSR200 is still a solid beginner's instrument, but you'll likely outgrow it in a year and it's resale value is MAYBE $50-$75... Backing this. Squier has been pumping out beginner instruments that are completely road/studio worthy after a few upgrades (or none, sometimes). I started off my bass playing with a GSR and now my main bass is a VM 70s J Bass. I have a Music Man Bongo that costs way more than the Squier and it's nowhere close to the feel and sound of it.
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May 14, 2014 20:35
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Paineopticon posted:You guys probably get posts like this all the time, so I'M SORRY. Any of the Squier Vintage Modified or Classic Vibes will be great for starting out. I'd look up some demos comparing Precisions & Jazzes and figure out which one you like more, though one of the biggest differences is neck size (Jazzes are almost always skinnier) & figuring out what's comfortable is probably more important than the sound differences. In other words you'd want to try both before making a choice.
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May 14, 2014 20:38
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That's great news. I tooled around in the bass section on my lunch hour and I really, really liked the feel of the 70s VM J Bass there. I probably would have bought it on the spot if it had been the color I wanted. Glad to hear it's highly recommended. How about amps? I already have a terrible, terrible practice amp, but my friends and I are going to tool around together and I'll need to be heard over the drums. OP recommendations still good?
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May 14, 2014 21:00
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Paineopticon posted:That's great news. I tooled around in the bass section on my lunch hour and I really, really liked the feel of the 70s VM J Bass there. I probably would have bought it on the spot if it had been the color I wanted. Glad to hear it's highly recommended. The only amp I know of in the OP is the Roland Micro Cube, which won't stand a chance against a drummer (unless your drummer is elite at volume control (most aren't)). I do love amp chat so I'm going to throw out that I recommend all of Carvin's bass amps. They're light, loud, sound great, and priced well. You should also look into some of Peavey's combo amps, I don't remember the exact names but I remember trying some of their 1x15" combos recently and was satisfied with the sound. There isn't a set wattage that equates to "louder than drums" but I think for solid state bass amps, we usually recommend 300+ watts. You'll probably spend around $500+/- EDIT: You can get away with a 100-200watt amp but you'll likely be maxing your volume to keep up with a band. Always go for better gear than what you need at the moment imo Ericadia fucked around with this message at 21:11 on May 14, 2014 |
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May 14, 2014 21:07
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Peavey MAX 115. 300 watts, sounds pretty good, about a dollar a watt E: Alternatively, go used. You can find some decent SWR/Ampeg/GK stuff that will let you keep pace with a band for $250 or less Declan MacManus fucked around with this message at 00:25 on May 15, 2014 |
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May 15, 2014 00:21
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Always go used. New gear isn't worth it unless it is actually not available on the secondary market.
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May 15, 2014 01:25
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I can vouch for finding amazing gear used, with some hard searching and a little luck. Still playing a 90's MiM Fender J that I got for free from a guy who wasn't using it, an early 00's SWR 350 I had shipped through Guitar Center's used section for around $300ish, and an 80's Carvin 2x15 I got for $75 from a guy who didn't know any better. Throw in a the VT Bass I'm using as a preamp ($125) and you're looking at a stage ready rig for just about $500; I paid more than that for my first electric guitar. In other stories, my friend who lives outside of St. Louis found a busted rear end stand-up bass on the side of a highway and had it restored for a couple hundred. Another was fortunate to have been friends with people with sizable collections already, and when he volunteered to be the bassist for a new project band, things just sort of clicked and he ended up pretty much getting handed his entire rig. Yet another saw Punkstick's website, back in the day when that was still around, and built his bass out of scrap wood and a Seymour Duncan, and used a toilet seat for a body. 
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May 15, 2014 07:32
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Jeff Goldblum posted:Yet another saw Punkstick's website, back in the day when that was still around, and built his bass out of scrap wood and a Seymour Duncan, and used a toilet seat for a body. was the toilet seat used?  fake edit: oh you mean he owned a Bongo?!?!? HEH sorry
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May 15, 2014 07:52
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Thanks for the tips. I'm sure I'll be back as I start to delve into theory and such. It's something I mostly skipped while learning guitar and I want to correct that on bass.
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May 15, 2014 15:56
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Would anyone recommend the Eden DI box/preamp over the usual sansamp DI? I've been looking for something like this and have heard it's also a good preamp for cello, so I was thinking of selling my fishman pro eq 2 and picking this thing up so I have a preamp for both bass and cello. Anyone ever used it? The only thing I've really noticed it doesn't have that the sansamp does is being able to be powered by phantom, but that doesn't really bother me too much. ferroque fucked around with this message at 21:27 on May 18, 2014 |
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May 18, 2014 21:25
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My GKRB700-II started to crackle in rehearsal. A little bit of percussive maintenance fixed it but it started up again. I'm planning on just hitting spots with contact cleaner and blasting it with canned air. Is this the way to go for it?
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May 19, 2014 00:17
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Noise Machine posted:My GKRB700-II started to crackle in rehearsal. A little bit of percussive maintenance fixed it but it started up again. I'm planning on just hitting spots with contact cleaner and blasting it with canned air. Is this the way to go for it? hit the pots with contact cleaner and turn the knobs back and forth a few times. check the cables blah blah blah.
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May 19, 2014 18:52
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If anyone has a bass that they are looking to sell, please PM me or reply here. thanks!
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May 23, 2014 18:14
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Kleen_TheRowdyDog posted:If anyone has a bass that they are looking to sell, please PM me or reply here. thanks! I'll sell you my stealth MM Bongo 5 for a lot of money.
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May 23, 2014 19:55
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I'm selling my Warmoth medium scale J/P locally if you happen to live near Vancouver. 5 months into the Dingwall wait now, and it's not getting any easier. Digital Jesus posted:I think the body and neck are the same, it's just the pickups (2xFD3n pups at the bridge) and the Darkglass Electronics preamp that are different. Have you seen this NG-2 demo? https://www.youtube.com/watch?v=Nrsvm_usgf0 I like the tone way better than Nolly's gear run-through. Juaguocio fucked around with this message at 23:24 on May 23, 2014 |
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May 23, 2014 23:15
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Uhh yeah that sounds awesome. I hadn't seen that, thanks!
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May 24, 2014 00:16
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A guitar builder got interested in the debate of "does wood make a difference in the sound of electric guitar or not?" so he decided to test it out himself. Unlike some other people, he used a waveform as a means to compare the sounds. These tests are done with a guitar, but they should apply to basses as well. What are your thoughts on this? First he tested the difference in sound between bodies: https://www.youtube.com/watch?v=1mH5hwLkxCI Then he tested the difference in sound if a guitar has no neck: https://www.youtube.com/watch?v=KTKfHkHZ6qQ
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May 26, 2014 10:13
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Certis Baliano posted:A guitar builder got interested in the debate of "does wood make a difference in the sound of electric guitar or not?" so he decided to test it out himself. Unlike some other people, he used a waveform as a means to compare the sounds. These tests are done with a guitar, but they should apply to basses as well. What are your thoughts on this? It's pretty clear to me that if wood does make any difference, it is very slight compared to pickups, amplifiers, speakers, EQ settings and especially playing technique. I think "tonewood" is mostly promoted by people who are trying to justify high price tags for "vintage" or "exotic" stuff. That stuff can be nice for other reasons (appearance and playability), but not because the wood has magical tone properties (which is really what the argument comes down to).
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May 26, 2014 12:13
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So one of my instrument projects this weekend was a restring and set-up on my Schecter, heading back up to medium strings since my hand strength is returning. Man, I'd forgotten how much of a drat power cable low E is on a medium set. I haven't had much in the way of play time on it since the swap, but initially it felt odd to me. Hopefully I can get over it, because the lights were bending way too easily, and bass that pulls sharp is EvilTM.
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May 27, 2014 22:36
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Any opinions on the Ibanez Artcore AFB200? I started talking to a friend about finally picking up a bass to learn on and he linked me a few on Ebay. I want a shorter scale and I have a boner for hollow/semi-hollow. Also, whats the go-to cheap, small amp for learning on?
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May 28, 2014 11:31
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I spent 10 days away and came back with a raging desire to compose tunes. Unfortunately, my only bass amp was a flubby practise amp from the 70's. I decided to upgrade (plus guitar amp and my CV with Flats) to a Fender Rumble 100: I can't believe how loud this guy is, incredibly light and lovely sounding. I'm putting the finishing touches on a bass-forward recording to try and demo the DI-out sound.
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May 28, 2014 12:23
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