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Barudak
May 7, 2007

MrMojok posted:

The trap aspect works well, making Luke look impotently on while the fleet is destroyed. I loved the Palp-Luke-Vader stuff there, but couldn't they have used a different plot device or setting, rather than a second death star with a critical weakness?

Everything involving Luke, Vader, and the Emperor during ROTJ is peak fuckin' Star Wars and I will take all comers on this.

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FutonForensic
Nov 11, 2012

I think repeating the use of the Death Star in RotJ was a mistake, but I did find it more entertaining than the one in ANH. The Falcon flying around inside the guts and blowing up the giant core is a great spectacle even if it isn't as... um, thematically strong? as the first trench run.

I didn't really mind Starkiller Base, though I did wish it had a few more scenes that showed off the scale of it. It's hard to wrap my brain around an equator-sized weapon, even more so than Laser Moon.

PittTheElder
Feb 13, 2012

:geno: Yes, it's like a lava lamp.

Even the first trench run is stupid as poo poo. It doesn't take a genius to notice - hell, Luke says it during the film - that having two people fly right behind the point man during the trench run, making no attempt to disrupt their attackers, is real dumb.

I'm sure he's copying some famous WWII film that I haven't seen, but every time I see it my mind screams "what the gently caress is the point of this? Just hurry up and have the journeying hero blow this thing up like we knew all along he was going to".

Beeez
May 28, 2012

Barudak posted:

Everything involving Luke, Vader, and the Emperor during ROTJ is peak fuckin' Star Wars and I will take all comers on this.

I can't imagine virtually anyone would disagree with you.

SuperMechagodzilla
Jun 9, 2007

NEWT REBORN
The main issue is that the original Death Star has a full-fledged environment that's fairly easy to understand. Prisoners are kept here, garbage goes there, it's all connected through a network of catwalks and elevators, etc. Think of how Lucas constantly emphasizes the difficulty of navigating the environment, with little scenes like Luke swinging over the death-pit and the where they Han blasts his way through the detention level's security.

Death Star 2 really only has Sheev's garage and Sheev's penthouse. It doesn't stand on its own.

Death Star 3 does have a variety of locations, but they aren't very well-defined, and blur together with the locations on Ren's ship. Like, there are two near-identical torture rooms in the film, but the garbage chute is only mentioned in a brief reference.

It's basically the same variation between how Tatooine is presented in those same three films.

Think of how clearly every little detail of how podracing is depicted in Phantom Menace, down to the dudes selling hotdogs and the personalities of the pit-crew droids. By comparison, the workings of the New Order are borderline incomprehensible.

SuperMechagodzilla fucked around with this message at 06:03 on Feb 24, 2016

The Cameo
Jan 20, 2005


PittTheElder posted:

Even the first trench run is stupid as poo poo. It doesn't take a genius to notice - hell, Luke says it during the film - that having two people fly right behind the point man during the trench run, making no attempt to disrupt their attackers, is real dumb.

I'm sure he's copying some famous WWII film that I haven't seen, but every time I see it my mind screams "what the gently caress is the point of this? Just hurry up and have the journeying hero blow this thing up like we knew all along he was going to".

Yes, let's just fly one ship down there and - oh, they blew it up. Let's try that again - oh wait it happened again.

The other fighters are bait to keep the guns off of the bomber. Or, assuming something goes wrong, to take his place if need be, because they're working under a real, real tight deadline with catastrophic consequences. Luke and Wedge and the other dude going into the trench is a last-ditch, unplanned thing after the Y-Wings fail - thus why the shot repeats of entering the trench, and why they mention going in at top speed. The whole plan is "distract the enemy long enough to get at least one guy down the trench to squeeze off the shot needed".

So the fighters keep the TIEs busy, and the bombers drop in as teams of three - to minimize the time they're out there, because again, there's a (literal) doomsday clock ticking.

And that's why, of course, everything goes wrong.

This is how tension is built. Every best effort and best idea they have fumbles or fails completely and puts everything down to a miracle shot by a farmboy whose whole backup is two guys, one of which is blown up and the other is forced to pull away.

PittTheElder
Feb 13, 2012

:geno: Yes, it's like a lava lamp.

It would probably be more effective at distracting the enemy if the escorts found a way to use their weapons, like, at all. Protecting the lead guy should not preclude maneuvering. In fact, we get a great example of just how useful it is when Luke is saved not by the guys flying pointlessly behind him, but by a guy who was never flying in the trench at all. And that's without raising the question of why they thought trying to fire torpedo-ish weapons into a hole should be done from a 90 degree angle. It's all so nonsensical that I'm sure Lucas must be copying some other film, but to me that seems like a dumb thing to do.


And there is no tension, and can be no tension, because anyone who isn't a literal child knows that Luke is the hero, and that he's going to save the day.

SuperMechagodzilla
Jun 9, 2007

NEWT REBORN
Tactical realism in Star Wars thread.

VolticSurge
Jul 23, 2013

Just your friendly neighborhood photobomb raptor.



PittTheElder posted:

It's all so nonsensical that I'm sure Lucas must be copying some other film

Dambusters,I believe.

The Cameo
Jan 20, 2005


Literal children know Luke's gonna pull it off at the end, the same way they know Bugs is never actually going to get caught and cooked or stuffed by Elmer Fudd or Yosemite Sam or a 1930s racist caricature of an African tribesman.

But literal children don't care and neither do most adults, because of course he is, 90% of the joy is how close to the precipice will the hero get before he manages to succeed, and how will he stop from tumbling over to his doom. Nobody thinks Indy's going to lose to the Nazis, either, the entire enjoyment, and the mystery of it is, how's he gonna do it? against odds that are not only building against him, but changing and shifting and forcing changes in plan.

wyoming
Jun 7, 2010

Like a television
tuned to a dead channel.

VolticSurge posted:

Dambusters,I believe.

Yep.
https://www.youtube.com/watch?v=lNdb03Hw18M

Schwarzwald
Jul 27, 2004

Don't Blink

The Cameo posted:

Nobody thinks Indy's going to lose to the Nazis, either,

This is a poor example because Indy actual does lose to the Nazi's in the first movie.

Sir Kodiak
May 14, 2007



That's incredible, thanks for posting it, though it's nice to see that the coolest shot in the sequence, the approach to the canyon ending with the camera wildly bouncing around, wasn't a lift.

edit: At least not a lift from that.

Sir Kodiak fucked around with this message at 07:29 on Feb 24, 2016

Barudak
May 7, 2007

SuperMechagodzilla posted:

Death Star 2 really only has Sheev's garage and Sheev's penthouse. It doesn't stand on its own.

It is, as far as the film is concerned, a giant throne for Sheev to shoot lasers from, as he quite literally parallels in what he does to Luke, both of which are surprises of being full operation. Outside of the basic "it is a repetition of a plot device we have seen early" problem, I think the problem with it is that when only the OT exists, the audience understands that Death Star = Laser Blasts so it parallels less well with the Emperor who we have no idea has that ability. while When viewed with the PT the parallelism is more obvious; the last time we see the Emperor use lightning he is defeated by it implying he can no longer use it. His ability to pull it out on Luke, therefore, retains the same surprise as the Death Star II being fully operational.

Also in my opinion if ROTJ were two films, one being scenes with Luke and one being scenes sans-Luke the Luke film would be the #1 Star Wars film and the sans-Luke would be dead-goddamn last.

Barudak fucked around with this message at 07:32 on Feb 24, 2016

CelticPredator
Oct 11, 2013
🍀👽🆚🪖🏋

Schwarzwald posted:

This is a poor example because Indy actual does lose to the Nazi's in the first movie.

Lose = Death. So he doesn't lose.

Hat Thoughts
Jul 27, 2012

PittTheElder posted:

And there is no tension, and can be no tension, because anyone who isn't a literal child knows that Luke is the hero, and that he's going to save the day.
That's not how it works dude

SuperMechagodzilla
Jun 9, 2007

NEWT REBORN

Barudak posted:

It is, as far as the film is concerned, a giant throne for Sheev to shoot lasers from, as he quite literally parallels in what he does to Luke, both of which are surprises of being full operation. Outside of the basic "it is a repetition of a plot device we have seen early" problem, I think the problem with it is that when only the OT exists, the audience understands that Death Star = Laser Blasts so it parallels less well with the Emperor who we have no idea has that ability. while When viewed with the PT the parallelism is more obvious; the last time we see the Emperor use lightning he is defeated by it implying he can no longer use it. His ability to pull it out on Luke, therefore, retains the same surprise as the Death Star II being fully operational.

Also in my opinion if ROTJ were two films, one being scenes with Luke and one being scenes sans-Luke the Luke film would be the #1 Star Wars film and the sans-Luke would be dead-goddamn last.

Even so, the big issue with saying "Deathstar 2 represents Sheev" is that, well, what does Sheev represent? That sort of self-referentiality isn't interesting.

Frankly, the Luke (sub)plot of Episode 6 is overpraised. It's intertwined with the poo poo outside, and frequently misinterpreted anyways. People invariably focus all their attention on killing Sheev, for example. It's so bad that Lucas made a trilogy of films criticizing it, while Disney has taken great pains to erase it from history - pretending it never happened.

RBA Starblade
Apr 28, 2008

Going Home.

Games Idiot Court Jester

Hat Thoughts posted:

That's not how it works dude

It's so tense, every single image has so much going on.

Natural 20
Sep 17, 2007

Wearer of Compasses. Slayer of Gods. Champion of the Colosseum. Heart of the Void.
Saviour of Hallownest.

Cnut the Great posted:

So, moving on to a new topic--

Why am I wrong in thinking that the design of Han Solo's freighter (a central plot location, mind you) is mediocre to the point of being instantly forgettable?


(Sorry for the low image quality, but I don't think it makes much of a difference.)

I know I'm probably being horribly unfair to the film by hypocritically refusing to see the hidden aesthetic merits of its design philosophy. I apologize in advance, and submit myself willingly to the thread's incredulous scorn.

That's the entire point.

When the Falcon gets swallowed up, the protagonists immediately think that this is the First Order doing this. But the ship itself is visually indistinct which doesn't mesh with anything that we've seen of the First Order during the first act. These motherfuckers want you to know it's them, an unmarked transport isn't their game.

The first thing I thought when I saw that ship was simply "It's not the First Order," which visually sets up the surprise of Han and Chewie showing up by creating a dissonance between what the audience suspects and what the protagonists think.

It gels even better with Han as he first appears who is a former General of the Republic military who's now just an indistinct person in the background of the galaxy. His move to the Falcon indicates his return to the forefront.

I really like it.

Parachute
May 18, 2003
I had to google "Sheev" the first time I saw you legion of nerds using it instead of Palpatine for whatever reason like y'all are on some kind of first-name-basis with the loving Emperor.

No Dignity
Oct 15, 2007

Parachute posted:

I had to google "Sheev" the first time I saw you legion of nerds using it instead of Palpatine for whatever reason like y'all are on some kind of first-name-basis with the loving Emperor.

It's a funny name

Myrddin_Emrys
Mar 27, 2007

by Hand Knit

Parachute posted:

I had to google "Sheev" the first time I saw you legion of nerds using it instead of Palpatine for whatever reason like y'all are on some kind of first-name-basis with the loving Emperor.

It was Lucas's very last attempt on making GBS threads on SW before Disney took over the franchise.

Cnut the Great
Mar 30, 2014

Yorkshire Tea posted:

That's the entire point.

When the Falcon gets swallowed up, the protagonists immediately think that this is the First Order doing this. But the ship itself is visually indistinct which doesn't mesh with anything that we've seen of the First Order during the first act. These motherfuckers want you to know it's them, an unmarked transport isn't their game.

The first thing I thought when I saw that ship was simply "It's not the First Order," which visually sets up the surprise of Han and Chewie showing up by creating a dissonance between what the audience suspects and what the protagonists think.

It gels even better with Han as he first appears who is a former General of the Republic military who's now just an indistinct person in the background of the galaxy. His move to the Falcon indicates his return to the forefront.

I really like it.

Ah, so everything is bad on purpose. I see.

You know, in ANH, Lucas managed to make the Lars homestead come across as a dreary and monotonous place while still giving it a clear personality and design sense. The two aren't mutually exclusive.

You should never bore your audience. You can communicate that something is boring within the world of the film without literally boring the audience sitting in the theater. In fact, that's what you must do. The audience should never lose interest in what's being shown on the screen. The goal is to make them feel the characters' boredom, not their own.

I've personally never made the "It's bad on purpose" argument in defense of the prequels, because I think it's a bad argument.

Cnut the Great
Mar 30, 2014

Myrddin_Emrys posted:

It was Lucas's very last attempt on making GBS threads on SW before Disney took over the franchise.

Supreme Leader Snoke.

Parachute
May 18, 2003

Myrddin_Emrys posted:

It was Lucas's very last attempt on making GBS threads on SW before Disney took over the franchise.


Cnut the Great posted:

Supreme Leader Snoke.

Poe Dameron

a shitty king
Mar 26, 2010
I just found out I have a friend on the script department of episode 8. I'd pump them for info but I'm sure a Disney mole is shadowing their every move.

Canemacar
Mar 8, 2008

Mowglis Haircut posted:

I just found out I have a friend on the script department of episode 8. I'd pump them for info but I'm sure a Disney mole is shadowing their every move.

Next time you guys hangout, look for the glowing red dot that follows their head around.

euphronius
Feb 18, 2009

Emperor Steve.

I like it.

Natural 20
Sep 17, 2007

Wearer of Compasses. Slayer of Gods. Champion of the Colosseum. Heart of the Void.
Saviour of Hallownest.

Cnut the Great posted:

Ah, so everything is bad on purpose. I see.

You know, in ANH, Lucas managed to make the Lars homestead come across as a dreary and monotonous place while still giving it a clear personality and design sense. The two aren't mutually exclusive.

You should never bore your audience. You can communicate that something is boring within the world of the film without literally boring the audience sitting in the theater. In fact, that's what you must do. The audience should never lose interest in what's being shown on the screen. The goal is to make them feel the characters' boredom, not their own.

I've personally never made the "It's bad on purpose" argument in defense of the prequels, because I think it's a bad argument.

I'm unclear as to where I said "Visually indistinct" is bad. I'm also unsure as to why it's boring. I mean I felt at least some tension when it looked like Rey and Finn were going to gas Han and Chewie.

Chucat
Apr 14, 2006

Myrddin_Emrys posted:

It was Lucas's very last attempt on making GBS threads on SW before Disney took over the franchise.

Wasn't Sheev from a book in the new EU, so it would have had nothing to do with Lucas at all.

Vintersorg
Mar 3, 2004

President of
the Brendan Fraser
Fan Club



TFA was so good that people need to grasp at the tiniest straws known to man to bring it down.

homullus
Mar 27, 2009

Vintersorg posted:

TFA was so good that people need to grasp at the tiniest straws known to man to bring it down.

Because what's better than a Death Star, or another Death Star? ANOTHER other Death Star, but instead of being, like, the size of a moon, it's the size of a PLANET!

--TFA scriptwriter, age 8

Sir Kodiak
May 14, 2007


homullus posted:

Because what's better than a Death Star, or another Death Star? ANOTHER other Death Star, but instead of being, like, the size of a moon, it's the size of a PLANET!

--TFA scriptwriter, age 8

Just watch Colin Trevorrow give us a literal Star of Death in Episode IX.

RBA Starblade
Apr 28, 2008

Going Home.

Games Idiot Court Jester

homullus posted:

Because what's better than a Death Star, or another Death Star? ANOTHER other Death Star, but instead of being, like, the size of a moon, it's the size of a PLANET!

--TFA scriptwriter, age 8

It worked out pretty well until it blew up again.

Vintersorg
Mar 3, 2004

President of
the Brendan Fraser
Fan Club



Star Wars isnt Star Wars without pulpy bullshit. Deal with it.

homullus
Mar 27, 2009

Vintersorg posted:

Star Wars isnt Star Wars without pulpy bullshit. Deal with it.

So, this is true, right? But the problem is not that it's pulpy bullshit, the problem is that it was nigh meaningless. People leave the movie not even knowing what planet got starkilled, and even once you find out, it doesn't matter, because no characters are from there, no pulpy Star Wars bullshit takes place there, and Starkiller is also gone by the end. As SMG pointed out, it's a disjointed and vague location, that does something very like what we've seen before, to a planet we don't care about AT ALL, because we've never heard of it. No, I am not claiming we need to be shown that blowing up entire planets full of people is bad to believe it, but I am claiming that no work at all was put into making it an interesting thing.

Are you . . . are you seriously telling me that you think that Yet Another Death Star was a good idea in TFA?

SuperMechagodzilla
Jun 9, 2007

NEWT REBORN

Vintersorg posted:

Star Wars isnt Star Wars without pulpy bullshit. Deal with it.

Actually, Star Wars wasn't bullshit. It had always been well-executed.

PittTheElder
Feb 13, 2012

:geno: Yes, it's like a lava lamp.

Sir Kodiak posted:

Just watch Colin Trevorrow give us a literal Star of Death in Episode IX.

It's a star they've attached engines to somehow, and they fly it around gobbling up planets like a hungry hungry hippo.

computer parts
Nov 18, 2010

PLEASE CLAP

homullus posted:

Because what's better than a Death Star, or another Death Star? ANOTHER other Death Star, but instead of being, like, the size of a moon, it's the size of a PLANET!

--TFA scriptwriter, age 8

"We had an assistant named JJ Abrams. One day last summer he walked into our office and said, 'You know that Death Star, who Luke and everyone blows up? The one that the Empire built in A New Hope and again in Return of the Jedi?' 'Yeah?' 'Well,' said JJ, doesn't it make sense that the Empire would build another one? What else are they going to do?' 'You're right,' we said. 'That does make sense.' 'And what if this Death Star was actually the size of a planet?' This year, JJ Abrams is a writer on the film."

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Vintersorg
Mar 3, 2004

President of
the Brendan Fraser
Fan Club



homullus posted:

So, this is true, right? But the problem is not that it's pulpy bullshit, the problem is that it was nigh meaningless. People leave the movie not even knowing what planet got starkilled, and even once you find out, it doesn't matter, because no characters are from there, no pulpy Star Wars bullshit takes place there, and Starkiller is also gone by the end. As SMG pointed out, it's a disjointed and vague location, that does something very like what we've seen before, to a planet we don't care about AT ALL, because we've never heard of it. No, I am not claiming we need to be shown that blowing up entire planets full of people is bad to believe it, but I am claiming that no work at all was put into making it an interesting thing.

Are you . . . are you seriously telling me that you think that Yet Another Death Star was a good idea in TFA?

I don't think it was a bad idea and maybe they could have done something else but I'll live with it. Maybe they thought it would have been tougher to kill? The only reason our heroes stood a chance is because someone broke free of the brainwashing and led them to the main parts. Maybe it was always there in RoTJ?

None of that is important though.

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