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The Sandwich Maker posted:
Not to mention a better case than most US brands. And dang it does feel nice to be able to post in this thread once again: Peavey Classic 30; I wanted a 1x12 Vox AC30 but could never find one. This one came with JJ tubes, a Celestion V30 and the better-looking old cab style. I'm running it in stereo with the Ampeg - the C30's top-boost sounds great with the SJ-12T's wooden-boxy plunk.
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# ¿ May 14, 2008 01:55 |
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# ¿ May 14, 2024 11:40 |
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mono posted:Those drums are jawesome. More pics please
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# ¿ May 14, 2008 03:24 |
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Dr.Mosh posted:It's so nice and clean (well, aside from the ride). my kit is a dirty mess Also I don't play enough.
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# ¿ May 16, 2008 03:05 |
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Not really a 'purchase' but it's in my studio so I get to play plink plonk on it anytime I want: My friend's Wurlitzer, not sure of the model (200? 200A? It's the one with the internal speakers) - he's letting me use it while he's off at college, since I loaned him a guitar for a few years.... ...which coincidentally has recently returned home:
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# ¿ May 30, 2008 21:23 |
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bisticles posted:
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# ¿ Jun 10, 2008 14:53 |
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Good choice, the SD Jazz is one of the nicest Gibson-style neck pickups I've heard.
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# ¿ Jun 17, 2008 23:25 |
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ForbiddenWonder posted:As someone who has terrible pickups, how do neck pickups sound under distortion? When I use mine it doesn't even sound like a guitar anymore.
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# ¿ Jun 18, 2008 01:16 |
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Schatten posted:1985 Made In Japan, 62 Reissue - Fender Telecaster. An awesome craigslist find today. Not sure how things were in the '80s, but generally the only real weak point with MIJ/CIJ Fenders is the pickups. My Jazzmaster had a kind of narrow Strat coil under a bigger cover, and the few Strats I bought had bar magnets under slug polepieces. No big deal, really, there's an infinite number of better aftermarket choices.
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# ¿ Jun 22, 2008 13:45 |
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Thoogsby posted:That is loving gorgeous but dot inlays on an SG See that look on Pete's face? He's wondering what is wrong with you.
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# ¿ Jul 7, 2008 12:16 |
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Sinten posted:
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# ¿ Jul 9, 2008 00:34 |
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Houston Rockets posted:I'm just worried it's going to be too similar to my Strat,
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# ¿ Jul 22, 2008 03:04 |
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Volume & tone knobs only roll off the signal; without them the pickup is always sending full signal to the amp. Looks great, Valve. I love the neck lamination!
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# ¿ Jul 31, 2008 18:41 |
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Prof Eli ASSBLASTER posted:
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# ¿ Aug 2, 2008 14:05 |
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ZombiePeanut posted:I doubt it would even make it faster at all considering how I tend to do my strings. I just pull it taut through, wrap around and crimp it over with pliers. The only string that ends up going around the peghead more than once is usually the high e.
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# ¿ Aug 10, 2008 15:10 |
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Sure, if it works for you. But by "correct," we're talking "efficient."
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# ¿ Aug 10, 2008 19:49 |
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ZombiePeanut posted:Efficient how so? The technique I use has none of the problems you claimed it does and it's most certainly faster than any technique that requires a string winder. Unless you don't know how to use needle nose pliers or something. Take a rope and wrap it around a pole - if you wrap it one time, it'll slip if tension is applied. Now, wrap it several times - the more wraps, the more the rope will withstand tension and stay in place (picture how Indiana Jones manages to swing across the chasm with his whip).
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# ¿ Aug 11, 2008 04:48 |
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Prof Eli ASSBLASTER posted:Huh, just looked it up and you're right. I could have sworn that it was shorter than that.
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# ¿ Aug 21, 2008 13:58 |
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Mr. Belding posted:The reason this pisses me off is that extra wraps are more dangerous tuning wise on guitars with tremolo bridges. When you hit the whammy the strings coils can overlap causing you to go sharp. Of course if you have lovely tuners when you pull back down it will go flat. Too many wraps will cause what you describe, the string binding on itself and going flat/sharp. Too few wraps will increase tension on the bend point where the string goes through the tuner hole, increasing the chance of a break. 2-3 wraps for wound strings, 4-5 for unwound. That's all you need. And no,locking tuners don't need wraps, that's their whole point.
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# ¿ Sep 8, 2008 16:25 |
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Handen posted:Rashomon posted:I too will add, for the record, that I have Dean Exotica acoustic guitar and think it is great.
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# ¿ Oct 28, 2008 18:51 |
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Costello Jello posted:And where are your pickup selector/tone knobs?
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# ¿ Oct 30, 2008 19:40 |
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SteelWav posted:Too much guitars in this thread. I really should stop spending money on one-trick cheesytoy synths and just get something decent.
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# ¿ Nov 13, 2008 14:03 |
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Ha, I wasn't lumping the Wurly in that "one-trick pony comment. The Quartet isn't really a "synth" in the usual sense, basically an ARP-branded copy of the Siel Orchestra. It just has Nintendo-ey Organ, Piano, Brass & Strings patches, though it is a lot of fun with effects pedals.
Uncle Caveman fucked around with this message at 18:07 on Nov 13, 2008 |
# ¿ Nov 13, 2008 18:01 |
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3toes posted:When I want a REALLY muted sound I kind of weave humps up through the strings so it kind of covers them on all sides.
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# ¿ Nov 14, 2008 03:02 |
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Thoogsby posted:edit: Although I really want a Jumbo Cumberland but I think they're discontinued.
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# ¿ Dec 10, 2008 20:07 |
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JohnnySmitch posted:It's one of 4 'collector' guitars that Gretsch brought out, and they started off selling them at $150 a pop. I guess they sold like poo poo, because they ended up on Overstock.com @ $50 each, then $30 when it was down to only 2 of the designs left. They actually sold really well, but I guess were just a one-off production run. By all accounts, the usual cheap-guitar fixes (better nut, bridge, tuners & strings) make these into great little players.
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# ¿ Dec 29, 2008 01:26 |
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# ¿ May 14, 2024 11:40 |
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Wang Broom posted:...or someone went to great lengths to make it look like it has. Otherwise, that cab does look great, and 1x15 guitar amps are sadly under-appreciated. Nice score.
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# ¿ Jan 27, 2009 14:35 |