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http://www.youtube.com/watch?v=K6F3nc_I-w4 this song came out a few years ago. I'm definitely not the hippest dude around, but I still see white labels from time to time. But most of the time, if a dude puts "(dubplate)" on his tracklist, it most likely means its just an mp3 the artists doesn't want released out of the few dudes he gave it to.
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Dec 14, 2009 20:57
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| # ¿ May 14, 2024 23:11 |
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IanTheM posted:http://strangersong.bandcamp.com/ Very classy dude, I love them. That 2nd track especially. You've come a long way with your hats. Very clean. You really feel the 2step.
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Dec 27, 2009 17:33
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colonp posted:So that's just how it is with headphones I guess? Bummer. Ya, in my experience, you really shouldn't mix on headphones. It messes with your perception of the music and it changes so much from headphone to headphone. Get some nice reference monitors.
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Dec 31, 2009 15:58
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trill rear end posted:i think im loosing grip on reality ahahah, definitely. that breakdown is insanity. pretty good, but kinda corny/haunted house. i love it, personally, but i love corny & crazy things.
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Dec 31, 2009 15:58
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now that you say it, that is definitely a pervasive vibe.
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Dec 31, 2009 18:03
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PCs have firewire ports, but what specifically are you looking to get the interface for? Just for djing, just for running one mixer in to? You've gotta consider how many inputs you're gonna need, what type of inputs (will rcas be fine? are you gonna need a bunch of xlrs for mics?) I wouldn't be surprised if 80% of the devices you start looking at picking up are USB.
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Jan 7, 2010 16:51
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that made me smile ear to ear 
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Jan 7, 2010 22:39
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The Cleaner posted:Sorry no, I don't mean I'm DJing. What I mean is I am remixing and sequencing an electronic song I made into a club mix. It really really depends on the style you're making. If you're making a drum and bass song or a 2step garage song, no one's going to be able to mix it if the intro is too busy. But the intro really sells the drop 95% of the time. You can't just half rear end it, start with the drums, add in your instruments and just build it up. It takes a little more nuance and creativity than that. 32 bars is probably about right for an intro. You could do more no problem, but probably don't do much less. But the outro IS mechanical like that. DJs aren't going to be playing your track until it runs out. If you're really club centric, be nice and give them a predictable outro. That's that kinda situation where you'll simply break down the song and run the drums solo for like 8-16 bars.
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Mar 4, 2010 20:57
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oredun posted:wow, i thought it was going to be good and it took the worst direction possible. the sample was good(very pretty lights sounding) and then the drums kick in and you just lost me. I think every other measure or so, you need an extra kick drum in there. Before that last snare, you need a kick right before it. If the kicks sounds just a little bit more hip hop-y, it'd rule! You also gotta switch up the patterns more. Make your 4th snare hit a beat late or something. More variation the patterns, less plodding. A good, moody, swelling futuregarage start, but you aint ready to tour with Starkey yet!
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Mar 19, 2010 16:49
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Dicky B posted:Yeah, FL Studio's synths aren't very good. Sorry if that comes off as sounding quite fanboyish. I think FL Studio is a pretty great piece of software but I've never got on at all with the built in synths. Even generating a simple sine wave tone on its own with the 3osc synth seems to result in an audible distortion. Like I get people problem with FL's bundled synths and why the prefer other things, but I don't think it's fair to write of Sytrus as garbage or a lesser synth.
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Mar 29, 2010 20:27
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BUTTERWORBS posted:Ok, I had this idea for a project I want to do where I sample lovely/stupid songs and make them really glitchy/bizarre. Not the most original idea in the world but I'm having fun with it. I have one track mostly finished and I wanted to get some opinions if anyone has time to check it out and let me know what's up.
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Aug 11, 2010 19:31
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