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killabyte
Feb 11, 2004
Blue Horeshoe Loves Anacot Steel
I just bought 2 rolls of 36 exp that expired in march for $12.50 a roll. I plan to shoot it in Yosemite.

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killabyte
Feb 11, 2004
Blue Horeshoe Loves Anacot Steel

DNova posted:

I have a box full of expired superia 110 that I'd like to use. Trouble is, nobody seems to be processing 110 anymore. While there are a couple of places on the internet that still process and print 110, I'm wondering if I can process them with B&W chemicals.

I've read you can cross process C-41 in B&W chems, but I've never done any darkroom work at all so I don't know if there's an equipment limitation for handling the film itself.

How are you going to develop it? Do you have a reel that can handle 110 film?

Honestly, I think 110 is one of those formats that is just not worth the trouble. It's always sucked. You might be better off selling it on eBay to the Lomo people.

killabyte
Feb 11, 2004
Blue Horeshoe Loves Anacot Steel

DNova posted:

I'm positive it's going to suck, but that's not really the point. So I need to get a reel for 110 film, is that the only thing I would need that a rental darkroom might not have?

Hmm, after checking ebay it seems this film might actually be worth something.

Most likely all you need is the reel and a tank it will fit in. You are better off selling it and buying some other film.

killabyte
Feb 11, 2004
Blue Horeshoe Loves Anacot Steel
Scored a Minolta X-570 at the flea market today for $15. The lens it came with had a little fungus and the light seals needed to be replaced but it works fine otherwise. Neat little camera that just screams "1980s".

killabyte
Feb 11, 2004
Blue Horeshoe Loves Anacot Steel

Dr. Cogwerks posted:

I routinely use 99-cent rolls of medium format color film that expired 10+ years ago. 2005 and partly refrigerated should be just fine, I'd think.

If you're doing paid work (especially studio work) that has to be reliable and consistent between rolls, don't use expired film. Otherwise, it probably doesn't matter much. You might see a bit more graininess. If it was really badly stored (too hot, too humid) or quite old, you'll start getting color shifts (either discolorations within the image, or a general hue change througout), base fogging, and some loss of film speed.

One thing I will caution people on is using expired high speed film. I don't think I would trust 800+ speed film if it is more than a couple of years out of date. It is much more sensitive to cosmic rays (which eventually does in ALL film), so shooting it is likely to yield poor results.

killabyte
Feb 11, 2004
Blue Horeshoe Loves Anacot Steel

echobucket posted:

I got this camera at the local Goodwill for $3. Everything seems to be in working order, it even had good batteries in it. It has a 50mm F/1.9 lens, and there's not too much dust showing up through the view finder.



This would be my first film SLR, I normally shoot DSLR Nikons. I never really considered doing much with film, but having gotten this little camera and cleaning it up and finding out that everything seems to be functioning on it, I'm kind of excited to experiment a bit.

I've started reading through this thread a bit, but it's quite long and there's a lot to get through. I don't think I want to jump straight into developing my own film yet, but I do like the idea of shooting some B/W. Based on some of the stuff I've read, I think I'll probably start with Kodak Tri-X 400.

I'd love to here some recommendations of any decent online photolabs that would develop my negatives and digital scans for a reasonable price.

If you don't want to develop your own film but want to shoot B&W, you should consider starting with XP2 Super 400, which is a B&W film that can be developed by any walgreens.

Developing B&W film is pretty easy and can be done very inexpensively...the cost of sending out a few rolls of film will pay for the equipment.

killabyte
Feb 11, 2004
Blue Horeshoe Loves Anacot Steel

GWBBQ posted:

I've heard that the quality of C41 black and whites is terrible compared to normal B&W film, but I have no experience with them.

Terrible is a pretty strong word. I like them personally, they are very versatile, and the Ilford product has no orange mask and can be printed in a darkroom if you so like, and also works with ICE so they scan nice too.

killabyte
Feb 11, 2004
Blue Horeshoe Loves Anacot Steel

echobucket posted:

Guilty. On my first roll of film I messed with the rewind and ended up screwing it up by winding the film back into the roll where I can't get to it. Unless there's some magic trick to pulling it back out that roll is toast.

(I was messing around because I noticed the frame advance is busted on my $3 camera. I guess I can still shoot until I can't wind the film anymore, or keep track of the frames manually or in my head.)

You can get a film leader retriever which can remove it, or you can try to (in the dark) roll it into another roll. Or, you can just take it and get it processed and get whatever images are there.

killabyte
Feb 11, 2004
Blue Horeshoe Loves Anacot Steel

Paul MaudDib posted:

I think there's actually still a tiny niche for them. The smallest flashbulb has a guide number of 150, the largest available had a GN of 550. They don't act like a point light source like an electronic flash - it acts like a diffuse light source the size of the reflector.

But I've never used them and I don't know anyone who does, so it is probably a dedicated luddite thing.

Nice haul by the way. Is that Eurynar a Tessar-formula lens? It looks pretty nice, you might want to see if you can make a rollfilm back fit it.

I've used flash bulbs on a super speed graphic. They make a really satisfying sound when they go off. Buy yourself a crown or speed graphic with a graflite and put them to use...you will be a hit at parties.

killabyte
Feb 11, 2004
Blue Horeshoe Loves Anacot Steel

Sushi in Yiddish posted:

I think I can top that. A friend of mine gave me a negative anti-dust brush in a very thick box.

Displayed proudly on the label was "contains plutonium", which apparently would push the dust right off the negs or disrupt static cling.

Those are staticmaster brushes, and it's not plutonium, but polonium, which is a completely different element. I have one, they are still sold and work pretty well.

killabyte
Feb 11, 2004
Blue Horeshoe Loves Anacot Steel

Stumbletron posted:

Sorry if it's been asked before but I leave soon and still have ~2000 posts to go.

How hosed will my film be if it goes through an airport xray machine? It'll be in my carry on bag and I'll ask them to hand check it but I'm not sure how pleased they'll be about that in Vietnam. There's conflicting reports all over the place, has anyone had any first hand experience?

I'm taking HP5+, Portra 400 and Velvia 100. I normally push HP5 to 1600, and I'm worried about that and the Portra. Most of what I've read says that says the problem is with ISO400+ film and stuff that's underexposed.

Put it through, it will be fine. I used to be a stickler for hand checking but it is pretty much a waste of time. I wouldn't send it through the xray for 50 consecutive passes.

Somewhere on Kodak's website there is a whitepaper about this that can put your mind at ease if you are really worried.

killabyte
Feb 11, 2004
Blue Horeshoe Loves Anacot Steel
Developer is really cheap...why chance it? Do you want to go out and spend time taking shots only to cheap out on something that may cost $1 or less?

Use Rodinal, HC-110, Diafine, or Xtol. These are all cheap developers. a 5L batch of Xtol mixed 1:1 or 1:2 will last a long, long time. I've never actually finished a batch before I have tossed it due to age.

killabyte
Feb 11, 2004
Blue Horeshoe Loves Anacot Steel

McMadCow posted:

So do I. But at, what, $8 for 5 liters of it, I'm not going to risk reusing it. Especially when all my tests are done with a 1:1 solution.

I mix it at extremely high dilutions for processing 4x5 in a Combi-Plan tank to prevent uneven development, because the drat thing takes 30 seconds to fill and 30 seconds to drain, which is why it lasts so long.

I pretty much find Xtol to be the best, most versatile developer out there, along with HC-110 being a close 2nd. I hate mixing up the xtol powders though, I always inhale a bunch of it when I pour it out of the bag.

killabyte
Feb 11, 2004
Blue Horeshoe Loves Anacot Steel

Zegnar posted:

Something a little different... I found a film behind a warehouse, just rusted enough I was sure it would be totally fogged. The canister had 'marina' written on it in white out. I almost threw it away but I was so curious I couldn't resist developing it.


FP4 @ 125; 4 Minutes in Ilfosol 3

If you fancy yourself as an eStalker you might consider searching Facebook for local people named Marina and see if you can find her. How old did the film look?

killabyte
Feb 11, 2004
Blue Horeshoe Loves Anacot Steel
I have 10 rolls of it. Fortunately they are only 24 exp rolls. I will be trying to shoot some of them off in Yosemite next week.

killabyte
Feb 11, 2004
Blue Horeshoe Loves Anacot Steel

Tshirt Ninja posted:

Did you buy from jasminehd? I can't really tell if that listing is for real, the price seems too low and the bulk too high for me to not be suspicious.

I bought that stuff too. The 24 exp doesnt bother me and it was cheap enough. Showed up reasonably quickly but I haven't tried to use it yet.

killabyte
Feb 11, 2004
Blue Horeshoe Loves Anacot Steel

Tshirt Ninja posted:

So I've taken several shots on this roll in the K1000 but the exposure counter hasn't moved from 24. Did my film not catch on the spool or something? How do I tell?

Does the counter on a Pentax count down from 24 to 1? That's kinda weird, most cameras count up from like -2.

killabyte
Feb 11, 2004
Blue Horeshoe Loves Anacot Steel

ZoCrowes posted:

I just got one myself and I love it. Very sharp lens on that sucker and the light meter does a nice job for being as old as it is. You're going to run into some trouble with the battery but you can easily work around it. The viewfinder is big and bright and it's very easy to focus with. You're going to love it.









It seems like there is something funky with the far right side of the 3rd image. Is that a window or a double exposure or something?

killabyte
Feb 11, 2004
Blue Horeshoe Loves Anacot Steel

HPL posted:

Try washing with hot water. My Acros negatives come out super transparent and clear, no purple at all. Lots of films will result in purple water when washing, even 35mm film.

It's the anti-halation layer. Tri-X is the worst offender, especially in 35mm. They always look purple to me.

killabyte
Feb 11, 2004
Blue Horeshoe Loves Anacot Steel
M5 is an interesting camera. Sorta reminds me (looks wise) of a Fed 5.

I always get tempted to buy another Leica (I've owned an M3, an M6, and an MP) but every time I think about the propsect of shooting 35mm I think twice about it and don't pull the trigger. The M3 I sold because I couldn't deal with the double stroke wind and no wide angle, the M6 I sold because I bought a 300mm AF-S nikon lens, and the MP I sold because I couldn't bear the though of that expensive camera sitting in my bag never being used.

killabyte
Feb 11, 2004
Blue Horeshoe Loves Anacot Steel

Pompous Rhombus posted:

Bessa R2a/R3a

I've actually owned an R3M. The drat rangefinder used to get misaligned all the time so I sold it, but the 50/2 heliar was a cool lens.

killabyte
Feb 11, 2004
Blue Horeshoe Loves Anacot Steel

ExecuDork posted:

I just picked up from the shop the first roll of film I've shot since I bought my DSLR. One of the ebay lenses I bought unexpectedly came with 2 rolls of Fuji Pro 160, and I'm pretty happy with how the first roll turned out. They expired September of 2009, and I'm poking around ebay looking for good deals on similar expired film.

I really like the colours in the Ektachrome stuff posted on Flickr, but ebay prices are up around $10 / roll, which seems really high for old stuff. Two somewhat silly questions:
1. Can slide film be developed to CD-ROM, or would I need to have it printed as slides, and pay for scanning (or find a scanner)?
2. C-41 film is much cheaper. Anyone have any prefered brands that give interesting results?

1. The process is no different than the way C-41 is put on CD. The negatives are developed and the film is scanned.

2. Try Ektar 100, it's basically the newest tech. Ilford XP2 is a black and white C-41 as well.

killabyte
Feb 11, 2004
Blue Horeshoe Loves Anacot Steel

Tshirt Ninja posted:

I've got a scratch running the length of a fairly important negative because I guess my squeegee had some crap on it or something. Is there anything I can do to fill it or am I screwed?

Oh, and tomorrow is the last day I'll have access to a familiar darkroom. Why aren't there public darkrooms? :(

Don't squeegee your film. Just use photo-flo and let it air dry. Touching the film unnecessarily is only asking for trouble, as you have found.

killabyte
Feb 11, 2004
Blue Horeshoe Loves Anacot Steel
Keeble in Palo Alto has a lot of 120 film. That's typically where I go if I can't wait for some delivery.

killabyte
Feb 11, 2004
Blue Horeshoe Loves Anacot Steel

GWBBQ posted:

Does anyone here by some remote chance have any Kodak Technidol developer? *waits for orange lime to show up*

It pops up on eBay, but Photographer's Formulary TD-3 was also made for tech pan and is still available.

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killabyte
Feb 11, 2004
Blue Horeshoe Loves Anacot Steel
Has anyone figured out how to scan Velvia? My Velvia scans look like crap. They are muddy and unsharp. Looks like I scanned it through vaseline.

E100G on the other hand looks amazing. I love that film.

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