|
Buckethead-Carpal Tunnel Slug at 1:37. I want to know how he does this, the guitar sounds like it's in physical pain.
|
#
?
Jun 10, 2009 01:01
|
|
|
|
| # ? May 12, 2024 12:38 |
|
|
S'just a bunch of distortion+bitcrusher probably.
|
|
#
?
Jun 10, 2009 02:19
|
|
|
http://booster.angryhosting.com/samples/murderweapon.mp3 I'd love to know how that bass was made. I seriously lose my poo poo every time I hear it, it's just so incredibly deep and rich. I'm terrible at making bass in general, so if I can get close to this, it will serve me well.
|
|
#
?
Jun 15, 2009 08:51
|
|
|
Future sound of london, papua new guinea (Yeah I know, but the first track I could think of that uses it). The strange noises at 1:08 and 1:16.
|
|
#
?
Jun 18, 2009 09:11
|
|
|
HauntedRobot posted:Future sound of london, papua new guinea (Yeah I know, but the first track I could think of that uses it). The strange noises at 1:08 and 1:16. Do you mean the seagull sound?
|
|
#
?
Jun 21, 2009 19:58
|
|
|
So a friend of mine were trying to figure out this song. It's on a Beatles album called Love and you can hear it on Youtube here: http://www.youtube.com/watch?v=6aLiCZrt85Q from 1:12 to about 1:23. Its the weird sound on the right channel. It sounded like a reversed stringed instrument of some sort but now I think it might be some sort of synth mixture of I dont know. What do you guys think.
|
|
#
?
Jun 21, 2009 20:25
|
|
|
Check out this jazzy tune and please, for the love of god, tell me what kickass instrument makes that whiny high-pitched sound and while you're at it tell me how to recreate that sound and the vibrato in a decent manner. (PS: I use Fruity Loops) Edit: The person who recognizes the tune gets a cookie. (Pro-tip: it's made by a japanese dude...) Bhm fucked around with this message at 21:16 on Jun 21, 2009 |
|
#
?
Jun 21, 2009 21:13
|
|
|
Ohms posted:So a friend of mine were trying to figure out this song. It's on a Beatles album called Love and you can hear it on Youtube here: http://www.youtube.com/watch?v=6aLiCZrt85Q from 1:12 to about 1:23. Its the weird sound on the right channel. it almost sounds like a pitched up sample and they dicked around with the volume knob or something to dip the volume right after they plucked the string. Bhm posted:Check out this jazzy tune and please, for the love of god, tell me what kickass instrument makes that whiny high-pitched sound and while you're at it tell me how to recreate that sound and the vibrato in a decent manner. pretty sure it's a high-pitched saw wave from a synth, lowpass filtered a little bit to cut out the synthetic-sounding highs. It's pretty drat expressive though so I assume it was played by an expert keyboardist with expression wheels and aftertouch and all that good poo poo.
|
|
#
?
Jun 22, 2009 03:44
|
|
|
Mannex posted:pretty sure it's a high-pitched saw wave from a synth, lowpass filtered a little bit to cut out the synthetic-sounding highs. It's pretty drat expressive though so I assume it was played by an expert keyboardist with expression wheels and aftertouch and all that good poo poo. yeah, it's a pretty simple monophonic synth line, you could get something pretty close to that with just about any virtual analog type VST. The important part is the portamento (for the gliding between notes), and a controller with a modulation wheel for the vibrato (aka an LFO modulating the amplitude).
|
|
#
?
Jun 22, 2009 05:36
|
|
|
IanTheM posted:Do you mean the seagull sound? No the kind of grating "vvvvvvvvvHHHHHHHHHHHHH" sound. The sounds at the two timestamps are slightly different variations of the same sound, one's been bandpassed I think. But I don't know what's making the noise to start off with. Best I can guess is its a really high feedback, fast delay being faded in but I've not been able to replicate it.
|
|
#
?
Jun 22, 2009 12:26
|
|
|
h_double posted:yeah, it's a pretty simple monophonic synth line, you could get something pretty close to that with just about any virtual analog type VST. The important part is the portamento (for the gliding between notes), and a controller with a modulation wheel for the vibrato (aka an LFO modulating the amplitude). This but make sure you find the perfect lfo time. So its smooth like a theremin. It is probably a nice vintage analog like a ems vcs3 or something, played by a good player/sound designer.
|
|
#
?
Jun 23, 2009 01:01
|
|
|
Anyone know how to make a sound like the first few notes in http://www.youtube.com/watch?v=UgMjVxk1iYU ? Preferrebly in Logic?
|
|
|
#
?
Jun 24, 2009 04:13
|
|
|
Piuro posted:Anyone know how to make a sound like the first few notes in http://www.youtube.com/watch?v=UgMjVxk1iYU ? Preferrebly in Logic? Its 3 layers or so. Bass guitar on the bottom, probly a saw with resonance in the middle, the top has flanging, ring mod a ton of resonance with control from envelopes. High attack setting slow decay on the effect contolling envelopes. Most likely its some samples chopped and stacked and effected. How do I make this analog brass sound on my xiosynth? http://www.youtube.com/watch?v=ERZditebxKM Rkelly fucked around with this message at 20:10 on Jun 24, 2009 |
|
#
?
Jun 24, 2009 18:18
|
|
|
To answer my how to make synth brass question I went on a search read ten tutorials in different places made 10 or so brass patches. First use one oscillator on saw only. key tracking on filter at 100 percent. lowpass mode 10 percent res. 0 filter freq. mod env connected to filter a 50 d 70 s 67 r 0 vca env a 45 d 0 s127 r 11. add a tad of delayed lfo1 connected to filter freq for vibrato on the end of the note or add it with pitch wheel set to +1 and wiggly very slightly. Add shallow chorus and your money. I like 1 oscillator brass way better that 3 osc detunes or giant unison patches.
|
|
#
?
Jun 25, 2009 23:17
|
|
|
This isn't a synthesized sound, but I hope you guys can help me out with. I read an interview with Ogre from Skinny Puppy a real long time ago where he mentioned a plug-in he uses to chop and speed up his vocals. A good example is at 2:46 in this song. http://www.youtube.com/watch?v=d1IdN3vleXQ Does anyone know what plug-in he was talking about or a similar one that does this type of thing.
|
|
#
?
Jun 27, 2009 09:16
|
|
|
Can someone tell me how to get a Snapcase hardcore/metalcore guitar sound? I've fiddled around with Amplitube but nothing ever sounds quite right. It's never fuzzy/staticky enough. Here's a couple examples: Snapcase - Caboose Snapcase - Run and Fall Snapcase - Weak Tyrant Earth Crisis - Firestorm Can someone point me in the right direction?
|
|
#
?
Jun 27, 2009 22:20
|
|
|
Zyklon B Zombie posted:Does anyone know what plug-in he was talking about quote:or a similar one that does this type of thing.
|
|
#
?
Jun 27, 2009 22:51
|
|
|
How do I make that vocoder effect on the vocals at 3:47? on this track http://www.youtube.com/watch?v=O2jj3YbgX_w I've played around with some vocoder VSTs before but i haven't gotten any sound like that out of them. Maybe it was the vocal sample I was using?
|
|
#
?
Jun 28, 2009 09:45
|
|
|
Tokit posted:How do I make that vocoder effect on the vocals at 3:47? I think that's actually a talkbox.
|
|
#
?
Jun 28, 2009 11:41
|
|
|
A talkbox would be smoother. This can be done by a vocoder; but instead of looking at the vocal sample (the modulator) - look at the carrier you're using, as well as the wet/dry settings. 2 oscillators, both saw waves, with one of 'm detuned -5 semitones. Duplicate the vocal sample, cut away all but the high S- and T-sounds with an EQ, gate it to leave just the clicks, put a compressor over that, and mix it with the vocoded signal. It depends on which vocoder you use - some simply don't have the particular character you're looking for, some do - they're not all created equal.
|
|
#
?
Jun 28, 2009 17:09
|
|
|
Yoozer posted:A talkbox would be smoother.  A bit too much speech coming in so it overpowers the vocoder.  I know the sample shouldn't matter but maybe because I'm trying them on rap acapellas? edit: using orange vocoder demo
|
|
#
?
Jun 28, 2009 18:55
|
|
|
Orange is ancient, like from 1998. Today, I finally tested the vocoder in Live 8 and I found out what makes it sound so typical; it's when you turn the bandwidth nearly to zero that it approximates the glassy character of Orange. Also, your demo's playing chords instead of fifths  .Nah, the actual source should not matter that much - but you could try conditioning it (e.g. throw an EQ on the original signal, cut away everything outside of the human voice range, and put a compressor over it to get constant levels). Here, go try the demo of these things: Eiosis ELS Virsyn Matrix Far more bang for the buck.
|
|
#
?
Jun 28, 2009 19:27
|
|
|
Wrong Thread. Sorry.
An0 fucked around with this message at 15:50 on Jun 30, 2009 |
|
#
?
Jun 30, 2009 15:45
|
|
|
I've been trying to figure out how to recreate a really aggressive synth I've heard in a few songs here and there, I'm sure it's some hardware preset on a Virus or something. Rhapsody of Fire - Never Forgotten Heroes http://www.youtube.com/watch?v=oTKiM5D_PpA At about 3:20 a synth comes in for a solo (which in this case is one of the most awesome parts of any song ever). I keep trying to figure out what makes it so awesome, it's a combination of things, there's like a stereo reverb on it, a little bit of modulation (or he's manually doing vibrato with the pitch wheel  ), and he pitch bends it a few times. It seems like it's not too far off of a basic saw.I'm pretty sure basically the same thing is in The Black Mages - The Man With the Machine Gun at 0:28, that it's just been either phased or the oscs have been slightly detuned. http://www.youtube.com/watch?v=GyGkDWZaVtA
|
|
#
?
Jul 1, 2009 03:26
|
|
|
Gxp posted:I've been trying to figure out how to recreate a really aggressive synth I've heard in a few songs here and there, I'm sure it's some hardware preset on a Virus or something. Nope. It's the MonoLead (or any of the countless variations thereof) found on almost any Korg (sample-based) synthesizer - and they're ridiculously cheap, too. Check out the demos here: A78 MonoLead : http://www.synthmania.com/05r_w.htm Bank C, preset 78 MonoLead : http://www.synthmania.com/n-364.htm Bank C, preset 63 Mg Lead : http://www.synthmania.com/TR-Rack.htm Actually, this kind of sound is really not that easy to do on a Virus.
|
|
#
?
Jul 1, 2009 06:48
|
|
|
Yoozer posted:Nope. It's the MonoLead (or any of the countless variations thereof) found on almost any Korg (sample-based) synthesizer - and they're ridiculously cheap, too. Awesome, high five!I wonder if that's in the Korg legacy collection or something. I'm not a hardware kind of guy. 
|
|
#
?
Jul 1, 2009 07:26
|
|
|
http://www.synthmania.com/wavestation_a_d.htm has the Mono Lead preset too. This is something that partially sucks and rules about Korg sample-based synths - the presets tend to be passed down from machine to machine. My Trinity Rack still has the original M1 piano sample in it.
|
|
#
?
Jul 1, 2009 21:46
|
|
|
Does anyone know how to play the Phantasm Theme on piano?
|
|
#
?
Jul 3, 2009 01:37
|
|
|
I remember it being pretty simple, do you need it transcribed or what?
|
|
#
?
Jul 3, 2009 03:39
|
|
|
I'm not really a musician, I just would like to rework it for a radio promo that I'm recording. So transcribed would be awesome.
|
|
#
?
Jul 3, 2009 04:15
|
|
|
http://www.youtube.com/watch?v=KSdw8kYxnks I would kill to know how the sound playing the melody at the beginning of this was made. It's the best sound I have ever heard in a song. I think it is a voice, but I can't tell for sure. Also, it seems that a lot of the big spacey feeling of Enigma's songs are from a poo poo ton of reverb, but I can never come close to recreating it. Any tips? Freeze_Dried_Chives fucked around with this message at 09:21 on Jul 3, 2009 |
|
#
?
Jul 3, 2009 09:18
|
|
|
Freeze_Dried_Chives posted:I would kill to know how the sound playing the melody at the beginning of this was made. It's the best sound I have ever heard in a song. I think it is a voice, but I can't tell for sure. 
|
|
#
?
Jul 3, 2009 13:07
|
|
|
Freeze_Dried_Chives posted:http://www.youtube.com/watch?v=KSdw8kYxnks http://www.synthmania.com/v-synth.htm - 020 LetThemPray. You can get one of these awesome synths for about $800 secondhand now if you're lucky. quote:Also, it seems that a lot of the big spacey feeling of Enigma's songs are from a poo poo ton of reverb, but I can never come close to recreating it. Any tips? Don't overdo on the reverb, but do use panning and EQ to give each instrument its own space. Cretu used to have a studio that cost tons (then the gov't demolished the gently caress out of it for some stupid reason); good reverb is expensive.
|
|
#
?
Jul 3, 2009 19:13
|
|
|
OK another "general artist" one, but how does Ulrich Schnauss get his sound? I'm specifically talking about the effect that he uses on just about all his stuff, where everything's just smeared across the track. It's not a reverb effect that I can tell, it's like... horizontal motion blur, in sound form.
|
|
#
?
Jul 3, 2009 20:59
|
|
|
I have an Audix D6 and a fairly decent kick drum. How do I make it sound as ridiculously powerful as the kicks on Veil Of Maya's "The Common Man's Collapse" or Born Of Osiris' "The New Reign"? example tracks: http://www.youtube.com/watch?v=yRIjMVfk3Hg http://www.youtube.com/watch?v=lnfh1wTPH7A so good
|
|
#
?
Jul 3, 2009 22:09
|
|
|
Is there a good chamberlain VST? I want some of that Jon Brion sound!
|
|
#
?
Jul 4, 2009 02:03
|
|
|
Yoozer posted:http://www.synthmania.com/v-synth.htm - 020 LetThemPray. You can get one of these awesome synths for about $800 secondhand now if you're lucky. Oh thank you. Now I gotta track one of these bad boys down.
|
|
#
?
Jul 4, 2009 03:21
|
|
|
Ok, done. I based it off of this, wrote the bassline as the left hand part, and edited out everything that I thought wasn't crucial in the interests of having it be physically possible to play on a piano. If I misunderstood and you wanted all of the xylophones and synthovoices and such written down I can do that too. 
|
|
#
?
Jul 5, 2009 02:21
|
|
|
The bass in Get Down by Jack Beats (http://www.youtube.com/watch?v=Z3fh-yZSWoU). Can be heard specifically starting at 1:37. I can tell it's probably a square with high resonance and a speedy LFO on the cutoff, but I can't seem to replicate the cleanliness of the sound. It's super punchy but no muddiness. How? All I can get are dirty squares that come close but are all yucky with distortion-y type nonsense in the lowend. Ideas?
|
|
#
?
Jul 10, 2009 06:14
|
|
|
|
| # ? May 12, 2024 12:38 |
|
|
HauntedRobot posted:OK another "general artist" one, but how does Ulrich Schnauss get his sound? I'm specifically talking about the effect that he uses on just about all his stuff, where everything's just smeared across the track. It's not a reverb effect that I can tell, it's like... horizontal motion blur, in sound form. It still sounds like just a shitload of reverb and delay. He has his synths pitch-bending to sound like an old warped VHS tape. That's about it. Just turn the reverb length all the way up and start cramming stuff in there. That's what Panda Bear does. Mannex fucked around with this message at 07:52 on Jul 10, 2009 |
|
#
?
Jul 10, 2009 07:49
|
|