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WarLocke
Jun 6, 2004

You are being watched. :allears:

Magnificent Quiver posted:

Can anyone recommend a book with a humanity uber alles theme? I have a weakness for books where humanity gets beaten or starts out as the underdog, then proceeds to kick rear end. Sort of like the first three books of the Uplift series, or that weird Niven book where the elephant aliens invade the solar system.

John Ringo's Legacy of the Aldenata books.

We get contacted by a Galactic Federation, consisting of the Darhel (fox-elf bankers), Indowy (tiny green industrialists), Tchpth ('Crabs') and Himmit (chameleon frogs obsessed with secrets and stories). Unfortunately they don't have good news: another race, the Posleen are methodically butchering and eating them (since every known sentient race besides Humans and Posleen are pacifistic) and oh, they'll be at Earth in 5 years. But they'll give us advanced technology to fight the Posties if we'll in turn help drive them off from their other worlds.

Of course, it's never that simple. But I won't spoil the rest. The first books are pretty much straight military science fiction, then the focus shifts somewhat to more covert groups, although there's still some overlap. The newer books are heading back in the direction of straight-up warfare.

Anyway, try A Hymn before Battle. Ringo has a very distinctive style, but it works well for guys in power armor shooting up thousands of centauroid cannibalistic aliens.

Edit: Wiki page if anyone wants a little more information. Contains a bit of semi-spoiler info though.

WarLocke fucked around with this message at 20:44 on Nov 3, 2009

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WarLocke
Jun 6, 2004

You are being watched. :allears:

Chairman Capone posted:

That series sounds pretty interesting, but on the other hand it is written by the absolutely terrible John Ringo, so is it worth it? Does the story manage to overcome his atrocious high-school level characterization, plots, and writing?

I'm not sure I can give you an objective opinion. I happen to like most of Ringo's stuff, even while recognizing it as pretty bad fiction. But the whole "Humanity, gently caress yeah!" vibe he sets up in this (and the Looking Glass books) really works for me.

I will say that the first four books are relatively light on the over-arching story. They all take place mostly on Earth, with humanity trying to hold back wave after wave of Posleen. There's some cloak and dagger and hints to other things to come, but it's basically Starship Troopers except the Bugs are invading Earth and we are in poo poo up to our ears.

The spinoff series follows Cally O'Neal, daughter of the protagonist of the first books, as a member of the Bane Sidhe, a multi-species underground resistance against the Darhel. It's a lot greyer, but deals much more with how the Galactics hosed us over during the invasion, and continue to do so.

I'm gonna crib a section from A Hymn before Battle here, if it's too much of a wall of text I'll remove it, but this is a pretty good example of Ringo's style in this series:

John Ringo posted:

To take his mind off of the stupid bastard as he waited for last formation to be called, Duncan studied the latest black box they had been issued. It was about the size of the pack of Marlboros in his left breast pocket and flat, absorbent black, very similar in appearance to their AIDs. Black as an ace of spades. And, somehow, it projected a field you could not put a .308 round through. He'd already tried. Several times, just to be sure. And it didn't even move the box when the shells ricocheted off; that was freaky. Mind you, the guys around him moved prrrretty damned fast when those .308 rounds came back up range at the Fort Bragg Rod and Gun club. Fortunately there weren't any jerks around. The other shooters just laughed and went back to jacking rounds downrange from an amazing variety of weapons.

Okay, so it stopped bullets. But the field only extended out about seven feet in either direction and it stopped when it touched an obstacle. Stopped. It didn't wrap around the obstacle. Just stopped, which sucked if you thought about it. And you should be able to brace it into something, not just depend on whatever it was that kept it in place. He'd had a little talk with his AID and it turned out the drat thing had some sort of safety lock. So he'd talked with his AID a little more and convinced it that since they were an experimental battalion, with experimental equipment, they had the responsibility to experiment. The AID checked its protocols and apparently agreed because it had just released the safety interlocks on the device. Ensuring that it was at arm's length, Duncan activated the unit.

The Personal Force Field unit functioned by generating a focused reversal plane of weak force energy as analogous to a laser beam as a line is to a plane, meaning not. The unit was designed to produce a circle 12 meters in area for 45 minutes. Given the option of maximum generation, it generated a circle 1250 meters square for 3 milliseconds before failing. The plane was effectively two-dimensional. It extended outwards 20 meters in every direction, sliding through the interstices between atoms and occasionally disrupting the odd proton or electron.

The plane sliced as effectively as a katana in air through all the surrounding material, severing I-beams, bed structures, wall lockers and, in the unfortunate case of Sergeant Duncan's roommate, limbs. The slice, thinner than a hair, reached from the basement supply room, where it, among other things, sliced through an entire box of Bic pens causing a tremendous mess, to the roof, where it created a leak that was never completely fixed. However, once the entire base was overrun by the Posleen the leak became moot. In addition, the throughput on the unit exceeded the parameters of the superconductive circuitry, and waste heat raised the case temperature to over two hundred degrees Celsius.

"Jesus!" screamed Sergeant Duncan and dropped the suddenly red-hot case as his bunk dropped to the floor. As the floor began to settle, he slid forward as did his roommate on the other bunk. His roommate let out a bloodcurdling scream as his legs, from just below the knees, suddenly slid sideways away from his descending body and arterial blood spurted bright red to blacken the army blanket.

In his time Sergeant Duncan had seen more than any man's share of ugly accidents and he reacted without thought. He rapidly wound parachute cord around the stumps. The knife made an effective tightener for the first tourniquet; placed right it did not even cut the cord. The second tourniquet slowed the blood loss through the simple expedient of using a self-tightening hitch, very common when preparing vehicles for heavy drop or certain kinds of girls for bed. The unfortunate roommate screamed imprecations and began to cry; to such a man the loss of his legs might as well be death.

"Forget it," Sergeant Duncan snarled as he slid a screwdriver under the second tourniquet and tightened it until the blood flow stopped. "They can regrow them now." The soon-to-be ex-roommate was going glassy eyed as the blood loss began to affect him, but he caught the central idea and nodded as he passed out. "I'm the one who's hosed," Duncan whispered at last and cradled his burned hand to his chest as he crawled up the incline to the door. "Medic!" He yelled into the hallway and slumped back against the doorframe staring blank-eyed at the floor sloping towards the mirror-bright cut.

Also, most of the early books are available online in the Baen Free Library. There are links from the wiki page above, or you can read the first book directly here.

WarLocke fucked around with this message at 23:26 on Nov 3, 2009

WarLocke
Jun 6, 2004

You are being watched. :allears:

fritz posted:

isn't that the one where the only dudes bad enough to lead Earth's armies are a bunch of hundred and twenty year old nazis (<-- literal nazis of the 1940s German kind not modern nazis, skinny and monocled not fat and tattooed )

One of the side-story books, Watch on the Rhine, covers Germany's defense over the course of the invasion. And yeah, they invent a reason that Germany can't come up with enough soldiers, so they rejuv all the surviving SS guys and give them futuristic Panzer tanks.

It's not really my favorite of the series. That one and The Hero are pretty bad.

WarLocke
Jun 6, 2004

You are being watched. :allears:

Chairman Capone posted:

Holy poo poo. I just stopped reading that when I got to the "mother-daughter action" and fifteen year old hooker part. Jesus Christ. I take it back, I think I have no need to read this to see how bad it is.

I'm regretting that I brought Ringo up now. He is pretty sick, but I guess I can kind of mentally separate the inner rapist or SS as saviors type stuff and just enjoy the over-the-top war stuff, which he does well IMO.

Shrug. :smith:

WarLocke
Jun 6, 2004

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CaptainCrunch posted:

The Legacy books up to "Hell's Faire" are straight up Ringo, pre-rape fantasy weirdness and are pretty decent if you're just looking for quasi mindless "High tech shoot out" fun. He was still getting started as an author at that point and I find them worth the occasional read. Plus introducing the idea why it's bad to let rednecks play with antimatter.

I.E. if you like the scene in "Predator" where the squad panics and hoses the jungle with machinegun fire while yelling... you can probably be entertained by these books.

This is basically what I was trying to convey at first. The later books, dealing with Cally and the Bane Sidhe, are more about Galactic politics and history and various mindfucks. And I, personally, like that kind of stuff too. But the first four books are straight up 'Humanity, gently caress yeah' military sci-fi.

Another good author for space opera is David Weber. Everybody knows about the Honor Harrington stuff, which I loved when I was younger but yeah, they bog down into politics later on. But he also wrote the Dahak series which is about as pure space opera as it gets (astronaut discovers that the moon is actually a many-thousands-of-years old space ship, becomes its defacto commander, and must find a way to root out a 20,000 year old mutiny/conspiracy - and that's just the first book).

His new Safehold series is pretty loving fantastic, even if it's probably not exactly 'space opera'. The first one read kind of weird, it came off as a weird alternate mashup of The Armageddon Inheritance and Heirs of Empire but once it got going he developed an entirely new universe, and it's become my favorite of his series, I think.

And to tiptoe back into dangerous waters, the Prince Roger series (Weber & Ringo) is another good one. It's almost entirely planet-based, though. And this was early Ringo before he started adding sex and rape to everything.

WarLocke
Jun 6, 2004

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branedotorg posted:

not bad if you like excuses for pitched battles, evolving tactics always based around one (new) trick & obvious character progressions. the evil empire is a green oriented socialist empire btw.

I guess I just have lovely taste in books. :ohdear:

WarLocke
Jun 6, 2004

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Rhymenoserous posted:

They start off well, but about 6 or 7 books in the Author wants to gently caress his subject material a little too much (Honor) and his misogynistic streak starts showing. The way he had written the character up to that point didn't really allow for the "Falls to pieces because the one man she loves can never be hers!" nonsense that occurred.

Turned me off the series entirely.

Um, what? Six books in... so that would be Paul Tankersley. She doesn't 'fall to pieces' what the heck man. What's his name hires a professional duelist specifically to goad Tankersley into a duel so that his death will hurt her. Not only does she not fall apart, she challenges the duelist herself, puts a round through his forehead, and announces she is coming for the noble guy on public video.

I'll agree Weber throws more and more poo poo at Honor as the series goes on (you probably never got to the People's Republic capturing her and starving/torturing her over a period of months on the way to their prison planet) but that's almost the point of the character: she can't turn away from her duty no matter how much it costs her. She just can not quit.

Of course, if you mean her relationship with Earl White Haven that's different, and it was a bit excessive. Approaching the point of 'she doesn't feel she deserves to be happy' angstyness. But the payoff was worth it.

I think a lot of people who really 'get' the Harrington books are really into self sacrifice. I can't think of many other series where the protagonist is framed for a bunch of children's deaths, vilified by an entire planet, survives having her aircar shot down, immediately directs a fleet action that's little more than a close-range slugging match that kills thousands on both sides, then goes to the equivalent of the House of Lords - still wounded, having never taken time for medical attention - and challenges her framer to trial by combat. Yeah, Flag in Exile is one of my favorites. :black101:

It's too bad it seems like we won't be getting an actual end to the series though. At All Costs was supposed to be Honor's Trafalgar, but Weber decided not to kill her. And now he's been working on other series (Hell's Gate and the Safehold books) with no mention of any more Honorverse books in the pipe. And he was setting up something interesting with Mesa (Manticore and Haven teaming up vs the Khan-esque genetic slavers? It's just about the only way I could see the new war ending without one or the other nations being gutted)... :ohdear:

Edit: I don't think all the poo poo Honor goes through is done because Weber's a misogynist. As is often mentioned, her basic character arc is almost lifted straight from Horatio Hornblower. It seems to me that it's more a statement of her strength, having the willpower and determination to carry through no matter what it costs her.

WarLocke fucked around with this message at 04:01 on Nov 17, 2009

WarLocke
Jun 6, 2004

You are being watched. :allears:

mllaneza posted:



I never knew they made a game out of that. :aaa:

I really liked the first 5 or so Harrington books. They're not exactly literary masterpieces, but "Horatio Hornblower in Space" is pretty entertaining. Later on the series starts plodding though, when it starts focusing more on galactic politics and junk. Some of the side stories and spin-offs are pretty good, though.

And while I guess it doesn't really count as space opera, Weber's newer Safehold series is really drat awesome. Except for naming the enemy aliens Gbaba. :psyduck:

We need an alternative history thread in here so I can discuss Flint's 1632 series with other nerds. :(

WarLocke
Jun 6, 2004

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Tanith posted:

Since I love everything Horatio Hornblower ever UP UNTIL FORESTER KILLS BUSH could you elaborate on the parallels?

I'm honestly probably not the best person to list them, since I've never actually read the Hornblower stuff. After reading the Harrington books and finding them compared to it so much, I tracked down a series of Hornblower flicks with Ioan Gruffud (History Channel I think for some reason) and the general character arcs are very similar. Weber himself has admitted that Harrington is partially based on Hornblower.

I even remember thinking that some setpieces were lifted nearly intact, although it's been so long since I saw the flicks the specific ones get fuzzy. There's the core group of noncoms that end up following along with her through the series, the rival captain/noble (several of these) who have it out for her, being captured by the enemy and escaping from a prison, a few others. Oh and I think her duel with Pavel Young is another direct lift, if memory serves.

Some quick googling found a page with short summaries of each book.

The first few books (through The Short Victorious War) are pretty much just space navy goodness. After that the series starts to shift into more relationship and politics stuff (although there's always some military stuff going on too) as Honor gets promoted and starts dealing with nobility and hobnobbing with admirals and such. Personally I think Field of Dishonor through In Enemy Hands are some of the better books in the series, where much of Honor's actual personal growth takes place. The last few books have some nice stuff from the People's Republic of Haven's perspective (the 'bad guys') but the good guy stuff tends to be more affairs of state type stuff since Honor has become too influential to lead fleets herself by then. And of course, in At All Costs Honor was supposed to die at the equivalent of the Battle of Trafalgar but Weber backed out of that at the last minute.

Baen has a bunch of their books online if you want to try reading them to see if you like them, while the first Harrington book is here.

Edit: And since this is the space opera thread, Weber's Path of the Fury (or In Fury Born which is some sort of reprint with a huge extra lump of content that's almost an entire 'nother book on the front end) is pretty much the quintessential space opera. And there's the Dahak books which are kind of the antithesis of the Harrington stuff - the tech is mindblowingly advanced and over the top, he doesn't even try to depict 'realistic' space warfare what with battle planetoids the size of moons slashing into fleets composed of hundreds of thousands of ships.

WarLocke fucked around with this message at 03:09 on Jun 9, 2010

WarLocke
Jun 6, 2004

You are being watched. :allears:

Tanith posted:

Does this six-legged psychic cat-thing get more important, or is it just a bit of fun?

Yeah, it does. It becomes a pretty big part of Honor's character. Not really the best part of the books, but much more would be spoilers, so I'll leave it at that.

I also want to take the opportunity to mention Weber's Safehold books again. If you like his writing/dialogue style (as opposed to the Hornblower in Space plot of the Harrington books) then you may enjoy them. They're much more traditional naval books.

Summary of the first book at wikipedia.

WarLocke
Jun 6, 2004

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Chairman Capone posted:

I take exception to the idea that John Ringo ever wrote anything good, ever.

Ringo is one of my dirty pleasures. I'll be the first to admit that his books are horrible, but they're balls-to-the-wall over-the-top fun cheese horrible.

(Except for the sex stuff in his Ghost books. I almost mentioned it earlier, in reply to Hamilton's sex scenes, but it's not a space opera and they quite frankly make me feel dirty after reading them...)

I really like his Looking Glass books, even though it's basically 'The Adventures of Two-Gun Berg the Mary Sue' it's also goddamn glorious.

WarLocke
Jun 6, 2004

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Noricae posted:

The more science, the better, in my sci-fi, if that helps, and is probably what determines what I pick up more often than not

I like James P. Hogan and Stephen Baxter for more technical science stuff, although Hogan tends to err toward :techno: instead of 'hard' science (I just really like his premises). Peter Watts' Starfish is nice too, although it's not a space opera. Robert A. Metzger's Cusp is a really wicked look at transhumanism, it took me longer than normal to really digest it.

Sean McMullen's Souls in the Great Machine is for all intents and purposes a space opera minus the space ships, and I highly recommend it. I haven't read the sequel(s), though, so no idea if the quality continues on.

I happen to like Catherine Asaro's Skolian Empire series, it's pretty much the definition of space opera. But she's definitely more of a 'girly' writer, lots of talk about feelings and relationships, so probably not for everyone.

On the MilSF front, Keith Launer's BOLO stuff is pretty technical, if you really get into weapon specs and weight of armor and force calculations and such.

Joel Shepherd's Cassandra Kresnov books (Crossover, Breakaway, Killswitch) are also pretty good, very technical, but more small-unit tactics than space opera.


I fully expect most of those to get panned. I've come to the realization that I have pretty terrible taste in books. :saddowns:

WarLocke
Jun 6, 2004

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Noricae posted:

Stephen Baxter is added to my list though (similar to Poul Anderson apparently? sold!); thanks multiple people!

If you like Anderson then you will love Baxter. Probably also Charles Sheffeild. Tomorrow and Tomorrow is a personal favorite.

WarLocke
Jun 6, 2004

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Psion posted:

I've said this before but I'm absolutely convinced now -- Weber is writing so much poo poo lately that when he gets stressed for deadlines he falls back on his wargaming. So his books read like dice rolls; you can hear the loving things as he and his friends sit around a table making excel charts on their laptops while the Space Dungeon Master discusses how many superdreadnoughts the shipyards built that week with ECM3 AMBAM DSMBL MDM bhurfhgh blurghl.

I'm curious, have you read any of his Safehold books? I think it's a much better series than the Harrington books. Weber still tends to fall into the rut of the good guys being shining virtuous knights, although most of the 'bad guys' in the series are at least a little nuanced (but there's a handful of examples that are terrible cardboard cutouts; in their defense I'm pretty sure that's intentional).

The reason I ask is that I know I have terrible taste in books (for example I think Ringo's Buckley joke in the Legacy of the Aldenata series is hilarious, what's not to love about a guy who gets his hand blown off, a starship dropped on him, blown up, then alien crabs take his dead body and model/market a personal AI after him, so that every single one is a psychological mess and prone to breakdowns even though it's no longer 'alive'?) so I'd really like an outside opinion.

WarLocke
Jun 6, 2004

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Psion posted:

My concern is that #4 seems to be Weber's magic number; the horribly blatant telegraphing of a character death late in the book is a bad sign.

Gah. I wasn't even aware there was a fourth Safehold book out, I'm only up to By Heresies Distressed. :ohdear:

If he kills off Sharleyan I am going to be so pissed :argh:

I don't know what it is about Weber's stuff that grabs me; I can recognize that a lot of his stuff is crap but I like it anyway (the same for Ringo, if I'm being honest). And then you have the rare diamonds in the rough like the Safehold books and In Fury Born...

Psion posted:

Really the problem with the HH books is he intended to kill Honor at the end of the last one and it's been incredibly obvious that his attempt to massage that change into these new books failed. The inconsistencies are legion in the 'transition' from old war (i.e. Peeps) to new war (i.e. Machiavellian Mesa Alignment) and it's just painful. Doubly so since, as I claimed above, he's not sure how to do it so his solution is to bury the inconsistencies in technobabble and dice rolls.

I'll agree with this much. It was very obvious that he intended to do it (And I think he mentions it in the foreward of the book, even) and even when I first read it I was thinking "Isn't it time for her to exit the stage?" She had nearly a dozen books, there's really not much more Weber could have done with her. Oh well.

WarLocke fucked around with this message at 17:50 on Jun 22, 2010

WarLocke
Jun 6, 2004

You are being watched. :allears:

Psion posted:

Man In Fury Born annoys me since he took a perfectly good, tightly written book (Path of the Fury) and just plastered on a bunch of ham-handed foreshadowing in the 'prequel' bit as well as meaningless, meaningless technical detail.

I think I just like masochistic melodrama. Path of the Fury was a good book, but the setup he added later (with Alicia becoming a drop commando, the cadre being betrayed, everyone but her dying, then her finding out about it and almost snapping) really added a lot to everything later, post-Tisiphone. In my opinion, I guess.

It's the same thing that gets me about Merlin's situation on Safehold; what he's doing is probably going to take centuries, and even though Weber is probably not going to address it, the thought that he's effectively immortal and everyone he knows is going to grow old and die, over and over again, while he works toward his goal is incredibly bittersweet.

I think the only Weber books I've read that don't have some sort of noble sacrifice angle are the Dahak ones. Hell, even The Armageddon Troll had shadows of the 'immortal with knowledge of a possible future' thing going on.

Added a spoiler just in case someone does decide to read Path of the Fury/In Fury Born because of this discussion. Which they should. :3:

WarLocke
Jun 6, 2004

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Psion posted:

But all of that was in Path of the Fury. It was implied instead of spelled out in painstaking detail, but it was still there.

I don't know, I felt it was the other way around. In Path of the Fury, you're told that Alicia was a drop commando, and they are badass. And you're told she was betrayed, but then the scale of what she does comes out of right field. With In Fury Born you at least get shown how she became a commando, what that means, what happened that was such a betrayal, and how much control she exerted to simply walk away instead of just starting to kill people. It explains just how far she's willing to go later on much better, to me.

And the Dahak books should never be taken seriously, I thought that was obvious. I mean, the moon has always been a disguised spaceship, seriously?

WarLocke
Jun 6, 2004

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Astroman posted:

Really fun reads. I'd never read any of his stuff before and was pleasantly surprised. I'll definitely be looking for the third in the trilogy.

They're pretty good books. The Shores of Tomorrow ends up with some really mindblowing stuff in it, although it all follows logically from the premises laid out in the preceding books. The scale of it is just hugemongous though.

WarLocke
Jun 6, 2004

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fritz posted:

The only good time travel story is All of an Instant but that's not space opera

I don't know if I'd go so far as to say this is the only good time travel book, but it is really, really awesome and a unique take on the idea.

For a space opera with decent time travel (although it really isn't a focal point of the plot until near the end, just an explanation for how space travel works) check out Roger MacBride Allen's Chronicles of Solace trilogy: space travel is done by flying out to the middle of nowhere for 50+ years (while the crew is in cryogenic suspension) to 'wormhole farms' where you drop through one, end up 100+ years back in time, then spend ~50 more years flying back to wherever you're going.

It creates interesting scenarios such as 'Time Patrol' ships that hang out around these wormhole farms and make sure that the arriving ships don't communicate with anyone and alter the timeline by sharing future knowledge.

WarLocke
Jun 6, 2004

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Midget Fist posted:

I've had Dragon's Egg on my reading list for a while but have yet to stumble across it in a second-hand bookshop:(

It's not really time travel (except in the 'beings who evolved on a neutron star would live waaaay faster than us' sense) but it's a really good read. Basically you follow this alien civilization as they go from worshipping the new lights in the sky (us) to a more-advanced-than-us technological civilization over the course of a month or so.

WarLocke
Jun 6, 2004

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Flipswitch posted:


Are these books direct sequels? You mentioned avoiding Absolution Gap, so am I not missing the ending plot-wise? or are they similar to the Culture novels, where they're based in the same universe and only loosely tie into each other?

Revelation Space, Redemption Ark, Absolution Gap are direct sequels. Chasm City takes place between RS and RA (IIRC) and involves a couple characters from the other books, but is mostly self-contained.

He warned you away from AG because the ending is retarded. I enjoyed the first half, though.

Edit: Actually wait, AG is the one with the moving temples right? Yeah, that whole book is kind of retarded, the only cool part Reynolds didn't even follow up on (the shell aliens that had been hiding from the Inhibitors for millenia)

WarLocke fucked around with this message at 00:01 on Aug 26, 2010

WarLocke
Jun 6, 2004

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Trig Discipline posted:

I'm getting either a dragonfly or a dick. Or maybe a dragonfly dick.

Yes. It also destroys entire worlds.

WarLocke
Jun 6, 2004

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You could try John Ringo's Looking Glass books if you like the whole 'space marines versus hordes of aliens' trope, but for the love of god stay away from his other books.

VVV: Weber's Honor Harrington stuff has all of that but aliens (they exist in the universe but don't really interact with humanity).

WarLocke fucked around with this message at 23:36 on Nov 21, 2010

WarLocke
Jun 6, 2004

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Midget Fist posted:

I was hesitant at first after seeing that it was Eric Flint who is responsible for the time-travelling-alternate-history-rednecks take guns back in time-stuff which admittedly I haven't read, but don't see how it could be good.

1632 can be pretty 'hoo-ah rednecks versus loving backwards europeans' but the rest are actually pretty interesting and get more into how these people from the future integrate into their new world and the changes that would naturally occur (like royalty paying people to copy history books in an attempt to shape events with knowledge of the future, but since everyone is doing it nobody can predict anything anymore).

Then again I apparently have really lovely taste in books. :ohdear:

WarLocke
Jun 6, 2004

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Ferrosol posted:

I have to admit John Ringo is a big guilty pleasure of mine. Something about his over the top right wing views and blatant rape fantasies is very amusing to me

Yeah, I think of it as "trainwreck syndrome" - it's terrible and you know it is, but it's entertaining to read simply because it is so bad.

The Looking Glass and Legacy of the Aldenata books are probably his 'best' work (in the sense that they don't typically include the rape stuff, just over-the-top militarism) but I think it's because they pretty clearly draw an "us versus them" line so he can go balls out with AMERICAEARTH/HUMANITY gently caress YEAH (which can definitely be a guilty pleasure of mine every once in a while).

You still have stuff like the huge linebacker nerd being trapped in a collapsed building with an uber-hot woman in the middle of an alien invasion, having sex with her then later escaping, marrying her and joining a power-armor military unit to slaughter millions of aliens though :ohdear:

WarLocke
Jun 6, 2004

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I'm trying to remember a book I read at one point that featured a Matrioshka Brain, I want to say it was one of the Culture books but I honestly don't remember.

In any case, the idea of an entire solar system repurposed into nothing but a stupendously powerful megacomputer has always seemed totally rad to me. I'm wondering if any of you goons know of examples of such (or really any type of mega-engineering, such as the Ringworld) in books (most likely in stuff that would qualify as space opera I suspect, which is why I'm asking here)?

WarLocke
Jun 6, 2004

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If I have absolutely abysmal taste in books and have read (and enjoyed) the majority of the Baen catalog, where would I go from there?

I'm not even sure how to describe my tastes when it comes to MilSF, I like (relatively) 'hard' series (Legacy of the Aldenata, In Fury Born) as well as more 'space fantasy' stuff (Ashes of Empire), space navy (Harrington, Lt. Leary) as well as groundpounder stuff (Empire of Man, Safehold). I'm just all over the place. :negative:

I saw the Vorkosigan book mentioned a few pages back, I might try to track them down. I'm not sure what else to try.

WarLocke
Jun 6, 2004

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Ceebees posted:

He already said that he read Drake's RCN :v:

And the first few Harrington books are pretty much straight-up Hornblower anyway :v:

(I haven't read the books but I did watch the Ioan Gruffyd[? I probably mangled his name] Hornblower series as a youngster)

Thanks for the advice, I'm gonna check those out.

WarLocke
Jun 6, 2004

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Patrick Spens posted:

"what if the French Foreign Legion was made up of the disembodied brains stuffed into giant bipedal war machines?"

Sold! :shepspends:

WarLocke
Jun 6, 2004

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Internet Wizard posted:

I'm on the lookout for some scifi, preferably milsf, that has ancient astronaut themes. Quality isn't necessarily a priority, so long as it isn't like, weird Ringo style stuff like child rape or reenacting Mogadishu with super soldiers or whatever.

Not sure if it qualifies as 'ancient astronauts' but Weber's Excalibur Alternative is about a 14th century English troops forced to fight for aliens.

WarLocke
Jun 6, 2004

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Chairman Capone posted:

I feel like there's another story of a similar type that was about a Roman legion that gets abducted by aliens and made to fight for aliens. Possibly it's set in the same series because I think there was another story in that collection involving the Spanish Armada and aliens?

I think there's a whole sub-genre about this kind of stuff. That wikipedia page mentions a David Drake book with a similar idea. Weber's was just the one that popped into my head because it was the first one I read.

Or, well, second now that I think about it. I read W. Michael Gear's Starstrike first, but it's a bit far from an 'ancient astronaut' book.

WarLocke
Jun 6, 2004

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Just Another Lurker posted:

Oh that looks interesting, it's the third in the series *buys all three for a kindle spree*. :yum:

Unless I am seriously misremembering, Excalibur Alternative was a one-off?

VVV: Those are both good suggestions, but stop reading the Inheritance stuff after the third book (Entoverse is... not as good).

WarLocke fucked around with this message at 20:17 on Apr 26, 2015

WarLocke
Jun 6, 2004

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Just Another Lurker posted:

Looks like they have repackaged three books under the "Ranks of Bronze Series" banner, 1 & 3 by Webber an #2 by Eric Flint. :shrug:


Read Inherit The Stars years ago, a great little book... agree with you on the sequels as well.

Cool, something else to look up then. Excalibur Alternative isn't exactly Asimov but it was a fun read.

And yeah, Inherit the Stars is pretty grounded (for what the plot/backstory is), I don't think the second and third books are exactly bad but the overall quality does droop as bit as it goes on. The fourth book is not that good and the fifth is a ham-handed attempt to tie up all the hanging plot points that really doesn't work IMO.

WarLocke
Jun 6, 2004

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Drone posted:

I forced myself to lay on the couch last night and breeze through a few chapters. I don't actively hate it, but drat are its flaws really apparent. Is it a general rule of thumb that pulpy space opera series like these tend to get better over time or something? Apparently the Honorverse is popular enough to actually... you know, have a name like "the Honorverse" associated with it.

Parts of his writing get better as the series goes on, but some of it never changes. On the technical/'actual writing' side he improves, but he's always in love with big monologues, excessively detailed battle scenes (until the battles got so huge he had to stop writing them into the books), cartoonish political characters (this does get a little better with the introduction of some characters, but other long-running ones stay foppish), and the Mary-Sue-but-not-really-honest! Honor herself.

The first book is the closest one to being 'literally Hornblower in space'. In the next few books Weber lifts some Hornblower stuff (my memory is vague but the 'left on station with a crappy boat while the commander leaves to make him(/her) look bad and wash out, but instead the day gets saved' thing is also pure Hornblower) but he starts fleshing out his own universe fairly quickly. Book 2 introduces the Graysons and Masadans, which become rather pivotal features of the universe. After that it goes back to the war with Haven and into cliche territory, though the Haven stuff pays off about a dozen books later (if you get that far).

If there wasn't so much sheer mass of pages reliant on it I would almost suggest starting with one of the offshoot series. The Torch of Freedom stuff (starting with Crown of Slaves) is very light (almost nonexistent) on space navy stuff, it's all ground-level spy crap. Still with Mary Sues, but Honor only shows up for the occasional couple page cameo.

WarLocke
Jun 6, 2004

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Prolonged Priapism posted:

If you want crazy pulpy sci-fi military action, I'd look at the Autumn Rain trilogy, by David J. Williams. They're basically insane action movies in book form - set in ~2100, featuring a cast of badass space marines and soldier/hackers, blasting up everything from space elevators to big warships to O'Neil cylinders to transatlantic vacuum trains to moon bases. If you don't like the first book, don't bother with the others. The first half or so of the second novel is the most insane action set piece I've ever read - just when you think it's done, it gets turned up to 12, again. And again.

There's no deep characters or anything, but there's enough variety in the action, betrayals, and revelations that I was hooked all the way through.

Well, I'm sold. Gotta keep feeding the Bad Taste Engine.

WarLocke
Jun 6, 2004

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Libluini posted:

What are you all talking about? The last time I read Weber, his books were about 19th century politics and sailing, not science fiction.

Or did he start writing books about space ships again? Guess I missed that, huh.

I was about to reply to this and mention the Safehold books but I see what you did there.

WarLocke
Jun 6, 2004

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Cythereal posted:

I can't stand Weber's sci-fi, but I don't mind the Safehold books when things are actually happening in them. Which excludes the entirety of his latest book. The big naval battle near the end of Off Armageddon Reef was great stuff for showing just how horrifyingly outmatched galleys are against cannon-armed galleons.

Yeah I'm not sure they really qualify for this thread but they're a lot better than the Harrington stuff. I'm sure part of it is that he's got more experience writing now.

And seconded that the big naval battles are pretty horrifying. The last coupe books have felt a bit bogged down with lots of sitting around talking politics, but I really want to see where they go with Ghost in the Machine Nahrman and android-double Nimue.

WarLocke
Jun 6, 2004

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Drakhoran posted:

I'm not familiar with Odyssey. Could it have been the Troy Rising series by John Ringo? That's at least a Homeric name.

The Troy Rising books are legit 'modern military space opera' (?) books, I loving love the absurdness of a 10-kilometer diameter asteroid battle station with a doomlaser powered by the sun and if that spoiler doesn't get you even a little hyped there's something wrong with you.

Ringo even manages to avoid most of his creepy habits (the one exception being the alien retrovirus that makes blondes perpetually horny). That's... pretty bad but it's the only 'Ringo-ism' I spotted in those books. The rest is straight-up old-school 'big sci-fi' and/or "this is how Space MarinesMailmen would work".

WarLocke
Jun 6, 2004

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Deptfordx posted:

Eh I couldn't get past the first hundred or so pages.

The latter half of the first book (and both the second and third) are nothing like the first bit. Tyler Vernon becomes a background character and only makes token appearances. In fact the PoV character for the last two books is Dana somethingorother, a Marine shuttle pilot.

And yeah, the Johanneson Worm thing is pretty drat bad. But compared to some of the other stuff Ringo has publishes it's rather tame in comparison. He makes a point to mention early in the second book that there's a fix for the virus, it's just (of course) expensive and has to be done tailor-made to the individual.

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WarLocke
Jun 6, 2004

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DolphinCop posted:

this is the most john ringo thing i have ever seen

There's also the naval destroyer with a hologram AI avatar that likes to stand on the bow being all huge and I think he wrote a character looking up her holo-skirt for some reason.

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