corkskroo posted:

Yup, I know all about compression. (I used to be a hack independent filmmaker and did a compression shot or two in my day) I've thought about the differences in tele vs wide and just would like a little more flexibility. But yeah the 50 is very nice in terms of minimizing any sort of weird warping. Maybe a lens isn't what I need. Maybe I need to focus on lighting.

That said, this also looks like maybe a nice compromise: Canon EF 28-105mm f/3.5-4.5 II USM