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Ccs
Feb 25, 2011


Crespolini posted:

Edit: And also, it's not really a complaint of tactical realism for me, it's that it wasn't (imo) very satisfying storywise. Just too smoothly sailed, and much too much praise heaped on them for it.

I felt like this might be deliberate, story wise, to make Leo betraying Orso later on feel especially twisty. Everything seems to be going so well for the characters we care about. Rikke rebuffed her enemies that even had Bayaz' help, so we sort of suspect things could keep going well and then Leo succeeds in saving Savine and Orso and it's like "awesome, all the pieces are on the board to rebuff Bayaz both in the Union and in the North and for all our protagonists to remain alive and repair their fractured relationships. And then Leo stabs Forest and things go to hell.

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Ccs
Feb 25, 2011


That is a criticism I agree with. Keeping so much from the reader. Rikkes whole POV only works because her whole plan is hidden from the reader. That’s not normally how the povs work in these books, usually we know what the character knows. Not so here, I’m not sure if I agree with that decision as far as consistency goes, but Joe kind of wrote himself into a corner here. It was either leave the reader in the dark or dispense with all suspense.

Ccs fucked around with this message at 04:35 on Sep 19, 2021

Ccs
Feb 25, 2011


Modernish cities in fantasy can usually remain interesting if they diverge in their own way from our history, or have weird fiction elements grafted on. However Joe seems to stick pretty close to history except that there is occasionally a guy who can light people on fire or something.

Ccs
Feb 25, 2011


I dunno, it didn't have huge magical explosions but I think Joe has gotten better and better at making the books a page turner from the start. So many people fail to get into The Blade Itself because its sort of slow and meandering for long periods as we get to know the characters. They have their own goals which we hopefully get invested in, but its nothing like pacing of these books where characters are immediately hurtling forward on very complicated trajectories. Part of it is that readers are already familiar with the world (probably) but also each book has an arc and major events that cap off each arc.

I think the tower section is the most dramatic part of this book. It's the whole reason for Broad's character. Everything after that seems like part of the denouement and the supernatural doesn't play as big a part which is a bit of a let down after 3 books of also hardly any magic happening.

Ccs
Feb 25, 2011


Genghis Cohen posted:

I did think some of the set pieces were great and the prose was better than any of his early stuff. I'm just getting a bit sick of all arseholery and how every big win/loss is the result of some bit of treachery. I think the author under-portrays the effects of simple competence (incompetence is portrayed as ubiquitous and lovingly described) and circumstance in how wars and politics produce results. There was some mention of public opinion, but mostly in how it could be manipulated by Savine.

I've found reading KJ Parker to be a less immediately enjoyable experience but he's similar to Abercrombie except that he provides both sides of a conflict a measure of dignity. Usually the reasons one side collapses over the other is due to things no one could have seen coming, or linked to a very specific tragic flaw, and not just "total incompetence." Competence is so rare in an Abercrombie book its like a superpower.

Ccs
Feb 25, 2011


Yeah Parker reused a lot of ideas and names and concepts between books. It might all be part of the same world, or it might just be the toy box he empties to build his worlds are all from the same parts. He has specific themes he wants to explore that differ between books though all tend to be a bit grim.

Sixteen Ways has a sequel and a third one is coming out soonish, though they’re more contained than most books that are part of a series.

Ccs
Feb 25, 2011


It felt like Broad was basically Logen with a family, minus the semi-supernatural Berserker rage. Instead he just takes off his eyeglasses.

I dunno, I felt like his perspective was sort of useful in the narrative just for showing certain necessary scenes. I don't find any of his chapters boring. I don't think Abercrombie has written a boring chapter in this trilogy. But I did find his arc fairly nonexistent, treading the same ground that had been trod before. Just "man of violence finds he's unable to escape violence. At least his family isn't dead."

Ccs
Feb 25, 2011


Pron on VHS posted:

So Rikkes vision at the end suggests Hildi will grow up to be a John Rockefeller or Andrew Carnegie sort of figure?

Yeah. And then hopefully drive a big train over Leo. Maybe hire a Snidley Whiplash type to tie him to the train tracks.

Ccs
Feb 25, 2011


The Heroes is good.

Ccs
Feb 25, 2011


It does seem like a major theme of these books are “better things aren’t possible” so it sort of fits.

Ccs
Feb 25, 2011


Are there any fantasy authors who have written successful proletariat revolution stories? Even China Mieville, avowed socialist, didn't have his proletariat win. He just turned it into a metaphor about how the ideal revolution is always imminent but will never arrive.

Ccs
Feb 25, 2011


Ainsley McTree posted:

Catching up on the thread after finally finishing the book; I saw a bunch of people mentioning KJ parker, any particularly recommended starting places for his works? I can see he has a bunch of trilogies but I can't tell if you're supposed to read them in chronological order or not

I think The Engineer trilogy is his best long trilogy, followed closely by Two of Swords which was a serial that became compiled into a trilogy.

His best book imo is The Folding Knife. It's a quick read so it could give you a good sense whether you'll like Parker.

Ccs
Feb 25, 2011


KJ Parker's books are always my go to. The Engineer trilogy, in particular.

Ccs
Feb 25, 2011


KJ Parker is real good but I didn’t think he really had the goods yet in Fencer. Wasn’t until Engineer that he was able to truly gently caress over the reader with some revelations, and then he got really good with The Folding Knife before pulling back a bit. His recent stuff since Savages is positively lighthearted compared to early Parker.

Also in the main fantasy thread we’ve been talking a lot about the Commonweal series which I think would appeal to Abercrombie fans for it’s crazy wizards and military tactics. Not as strong characterization though, everything is a bit opaque.

Ccs
Feb 25, 2011


Yeah it reminds me a bit of Malazan in that magic is everywhere and also I have a hard time getting a grip on any of the characters. But it’s not as long as Malazan so an easier read.

Aside from Abercrombie, Christopher Buehlman is probably my favourite fantasy author although his best books are categorized as horror. I don’t know if there’s that many similarities between the two authors though or if they’re both just really good in their own ways.

Ccs
Feb 25, 2011


Buehlman cites Abercrombie as a major influence for his recent The Blacktongue Thief. The voice of the main character reminds me a lot of one of Abercrombie's characters.
And his "Between Two Fires" has the kind of brutal battle scenes I think any Abercrombie fan would enjoy.

Commonweal is more of a stretch. But the military stuff plus the powerful wizards of whom there are only a few (a lot of people have magic in that world but only a few are of legendary status) showing up to possibly help, possibly further their own plans gave me an Abercrombie vibe. But I haven't finished the first book and it definitely has its own thing going on.

Ccs
Feb 25, 2011


The protagonists were younger, so I guess they figured it'd do better as YA.

Ccs
Feb 25, 2011


I reread the first two books in the most current trilogy in the lead up to the third but I don’t think I’ll reread the third ever. I mean I blitzed through it so it’s not like it wasn’t engagingly written, but there were just aspects that didn’t work for me. I think Joe is taking the right approach by taking a break from The First Law world now.

Ccs
Feb 25, 2011


He’s gotten better at writing female characters and probably better at pacing but lost a bit of the magic of the setting. Possibly because he was growing bored with the world.

Ccs
Feb 25, 2011


Sounds like he had some tv stuff in progress…

Ccs
Feb 25, 2011


gently caress, I loved that guy in Rome. He would have been excellent as any number of characters in an Abercrombie adaptation.

Ccs
Feb 25, 2011


I think Abercrombie said somewhere that Graham McTavish would be perfect for Bayaz.

It helps that he’s a fan
https://www.reddit.com/r/TheFirstLaw/comments/117guj1/actor_graham_mctavish_reading_an_excerpt_from_the/

Ccs
Feb 25, 2011


Hey cool. Hope they pull it off

Ccs
Feb 25, 2011


Yeah the new trilogy fell apart a bit at the end. It wasnt bad but it felt like the whole Bayaz thing is running out of steam so maybe after Joe spends some time in a new world he can come back to First Law and conclude the whole Bayaz thing. Three trilogies is a good length for a series.

Ccs
Feb 25, 2011


I reread the first two books of the latest trilogy before the last book came out and they’re good but they are also a promise of something the final one doesn’t deliver. Whereas Last Argument of Kings definitely delivered on what the first two books promised.

Abercrombie is better at shaping books because each of the first two is more satisfying than the individual books of the first trilogy were but he didn’t have as good an idea of what he wanted to do with the final book so the trilogy as a whole is weaker.

Ccs
Feb 25, 2011


I've been watching The Last Kingdom recently and while I think it's a series that anyone who is a fan of Abercrombie's works would enjoy, it also has Simon Kunz as the perfect Bayaz.


quick file upload

I've heard Graham McTavish as a possible perfect casting for Bayaz before, but I think this guy's acting is a cut above. He can't play as commanding as Bayaz in The Last Kingdom since his role as Odda is an advisor to a king who is actually just an advisor and not a puppetmaster, but it's almost there.

Ccs
Feb 25, 2011


I was watching a roundtable discussion with Succession's British writing staff and realized how much The Age of Madness characters remind me of the cast of Succession. Leo is Tom, Savine is Shiv, Orso is Kendall, and Bayaz is of course Logan. Not quite 1 to 1 but close enough to comment on.

Ccs
Feb 25, 2011


Looking forward to reading The Devils. As for the film, I hope it does get shot and released one day but considering the state of the industry, upcoming potential IATSE labor action, etc, I’m not holding my breath. I work in vfx and the downturn in the industry over the past year as well as the extremely uncertain future due to AI and reduced budgets and consolidation has driven a few of my colleagues to homelessness and even a couple to suicide. Film is in a bad place.

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Ccs
Feb 25, 2011


Monica Bellucci posted:

Oh, have y'all read The Blacktongue Thief by Christopher Buehlman? Y'should.

Yes, its very good. I find that Abercrombie's recent stuff actually might appeal to me less that Buehlmans works. Like I tried to read the preview for Abercrombie's newest book "The Devils" and the tone is just a bit too... everybody is so nakedly self serving, but in a way that doesn't make them feel like full human beings. Whereas Buehlman's characters have more of an emotional gamut that comes through in the tone of the writing.

Buehlman also has a lot more range as a writer, with Between Two Fires, The Necromancers House, The Lesser Dead, and The Blacktongue Thief all going for radically different things.

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