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crabrock
Aug 2, 2002

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He agreed.

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crabrock
Aug 2, 2002

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Well think to yourself, "Why am I writing these words?" Is it because that's how you heard somebody else say it?

In normal everyday speech, this is what we do most often: put phrases together and use idioms. You want to try to avoid that as much as possible. Learning to recognize it is just a matter of reading your story and thinking "why did I write things that way?" Don't write things just because that's how you've seen other writers do it or because that's how you've heard it. Make something new and weird.

That said, write your stories with cliches. I do. Just get that feeling out and the story done. Let your brain take a shortcut while you focus on getting the story out. Going back and punching up the dialogue is easy, and best saved for a later edit. Some people would probably disagree with me.

crabrock
Aug 2, 2002

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Sometimes I write things that just plain don't work in TD. I've written stories with all dialog and ones with no dialog. Some of the stories I like the most others hate.

Worst case scenario is that you lose. And who cares. Hillock just lost and he's a good writer. What he tried didn't work but nobody hates him for it.

crabrock
Aug 2, 2002

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Stuporstar posted:

ou all just want to cruise along doing whatever? Fi

generally, yes.

crabrock
Aug 2, 2002

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ravenkult posted:

I wanna try TD but I'm decidedly a genre writer. Will I be stomped?

sure come on by and just do whatever you want. That's how we roll in TD. Feels good.

crabrock
Aug 2, 2002

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The only thing that really matters in TD is becoming a better writer. You do that by putting in a story, and if it's poo poo people tell you it's poo poo. If it's good people get jealous and tell you it's poo poo. At the end, if you stick with it, you get better. I've seen several people get way better, and even I've gotten marginally better. It really helps to just produce something every week and put it out there and have people give you feedback. For free!

But yes, it's totally a trap. We like to lure in new people so we can laugh at their awful writing. And then watch them get better and secretly curse their names when they beat us.

crabrock
Aug 2, 2002

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Stuporstar is like the dad who "goes out for cigarettes" when you're 7 and then shows up on your front porch when you're 19 to complain that you don't go to church anymore.

crabrock
Aug 2, 2002

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for non-genre "war is hell" I'm gonna have to go with one of the best books ever written: Catch-22. It also helps that it is an amazingly fun read.

crabrock
Aug 2, 2002

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why not just describe them pretty much how you just did?

although, i'm partial to the "high-five of negativity"

crabrock
Aug 2, 2002

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organburner posted:

Okay, here's a small sample of some exposition.

"“drat....” Just having somebody say a cuss word is a wasted opportunity for story/character develoment. It's basically useless filler. They kept walking through the deserted streets. blocking Nikodemus hadn’t noticed please tell me what else he hasn't done. the charred bodies that seemed to be seemed to who? since nobody is noticing? whose POV is this from? everywhere, faces frozen in mid-scream. There were burned out car wrecks car wrecks? and the sidewalks were filled with debris.
Okay Daniel, since you know what’s going on here, what the hell is the plan?”
Plan? Right now our only priority is to get out of here.”
“Out of here, and then where?” moving the plot forward by having characters ask/answer questions is boring.
“I was thinking the old arms factory.”
The old arms factory had been built during the war, when Russia invaded Europe again. After heavy fighting most cities east of Helsinki had been evacuated, and many of the refugees had moved to Norway to the war refugee camp that became known as Uusi Porvoo. Norway decided to build a new arms factory there to keep up with the high demand of weapons, and once the war had ended the factory was shut down, but the city that had been built around it for the workers remained, even if most of the workers had since moved away. is this relevant to the plot? just reeks of world building
Now the factory building still stood there, empty. It was a big place surrounded by open fields, the nearest buildings being 300 meters away and the nearest forest 500. these are very specific measurements. why are they important? can whatever's after them only see 200 meters? can their best shot shoot 600 meters?
“Okay, that sounds like a good idea, but we-” more filler dialogue Nikodemus was interrupted mid-sentence by Daniel who covered Nikodemus’ mouth with his hand and pushed him against the wall.
He made the “shush” sign. redundant Nikodemus heard what Daniel was hearing, no, also, does this mean we're in Nik's POV now? the sounds of beating wings, bigger wings than any of the angels so far had shown. Daniel removed his hand and crept along the wall to the next corner, Nikodemus followed. blocking
"

The problem here with your exposition is that it's pretty boring and pointless. You're not directing a movie, you're telling me a story. Don't tell me the layout of the buildings unless it's really important. Give me the RELEVANT details. Are there windows that need to be boarded? Good look out towers? Always be asking yourself: "Why does the reader care?" If your answer is "to set the mood." then BZZZZT, try again. Backstory should be only so I can understand stuff about the characters.

crabrock
Aug 2, 2002

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Cussing is A-Ok, but it needs to be more than just a base response. Usually things you're telling the reader by saying "drat" can be better expressed through the characters' actions.

crabrock
Aug 2, 2002

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Congrats, blue squares!

crabrock
Aug 2, 2002

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I just include a different emoticon for every bit of dialogue; it's a great way to tell a story!

crabrock
Aug 2, 2002

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"God is dead." -Nietzsche
"Time is dead" -Faulkner
"Philosophy is dead." -Stephen Hawking
"Print is dead." -Egon Spengler from ghostbusters
"Facebook is dead." -Some idiot journalist
"Hip hop is dead." -NAS
"Ding dong the witch is dead." -Dorothy
"Paul is dead." -John Lennon

crabrock
Aug 2, 2002

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LaughMyselfTo posted:

Okay, really weird thing to post about, but...

I have this really weird, obsessive thing where I demand that the sentences in my paragraphs never begin at the beginning of a line. That is, the first word of each line in a paragraph (except for the first, indented line) must not be the first word of a sentence. I wind up wasting some fraction of my time while writing rewriting my sentences to modify their lengths to make sure that they stay this way. Does this make me completely unfit to be a writer? :(

pretty much, because not only can you never send your stuff off for publication, but any editing you'd do would gently caress it up, and you're going to be more concerned with how it looks than how it reads. You're literally sacrificing parts of your story for something that doesn't matter. STOP DOING THAT.

crabrock
Aug 2, 2002

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magnificent7 posted:

What is Marquez and no I need to sleep.

But what is it.

Here. This is Marquez. A nice, short story filled with wonderful.

http://salvoblue.homestead.com/wings.html

crabrock
Aug 2, 2002

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I'm with ChairChucker, but a little lighter on the "never." I do cuss sometimes, but only when I feel like it really adds to the character.

crabrock
Aug 2, 2002

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I cuss like a sailor IRL, but it always sticks out to me in writing unless it's purposeful.

Just like every other thing you write, you should put it in there because that's the only thing that actually conveys the feeling, not just because you don't know what else to stick in there. I hate when characters just say "gently caress." and nothing else, because it's not really useful. I consider it a special form of "telling." Might as well just say "I am angry!"

crabrock
Aug 2, 2002

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Christmas Jones posted:

But having said that, I still find it a bit shocking that such a thing as cursing is being looked down on as a crutch for poor writers and/or as the vice of people whose stories aren't worth telling. ultimately They are harmless except to a society's mores, and an everyday fixture of speech across most classes , something that frankly anyone who posts on SA goons should be pretty used to.

critted this for you.

crabrock
Aug 2, 2002

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I kinda feel like you're taking the approach of a high schooler saying "Well, I can earn more money NOW if I skip college and just start my own business" rather than going to business school.

You're working on your book, but asking questions about how to use its and it's, and myriad other basic writing things. I feel like if you put the book on hiatus for a bit and work on shoring up your writing abilities, when you go back to the book you can worry about plot and characters and not be worried about all the minutia of writing.

But also I'm in like my 9th year of college with no end in sight so maybe I should shut up.

I'll earn money one of these days :(

crabrock
Aug 2, 2002

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Jagermonster posted:

That business school analogy is horrible.

My analogies in this thread are a pile of cat poo poo. They are terrible but they also contain parasites.

crabrock
Aug 2, 2002

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Shageletic posted:

Please be gentle.

Why? Would you rather be a good writer or a delusional bad one?

crabrock
Aug 2, 2002

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i hope what does and does not constitute a writer takes up three pages of internet arguing.

hey, at least we're getting words down :whatup:

crabrock
Aug 2, 2002

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congrats! That is super good news. I am jealous, and still hoping to publish literally anything. So many rejections :(

crabrock
Aug 2, 2002

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CB_Tube_Knight posted:

features the apostrophe as the twenty-seventh letter of it's alphabet.

loving this

crabrock
Aug 2, 2002

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break up "he ran, he jumped" with stuff in between. thoughts, scenery, dialogue.

John jumped. "Whoa, a spider just crawled out of my rear end." the spider looked like the bastard child of a kiwi and an old commodore 64. his heart beat quickened, and he ran.

crabrock
Aug 2, 2002

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all the best writing is about communism that's why I only write about communism but also sometimes socialism when I'm feeling a little off.

crabrock
Aug 2, 2002

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sebmojo posted:

You are everything that is wrong with everything, commie.

ok, MOM

crabrock
Aug 2, 2002

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Character could walk through the forest without ducking; each tree's lower branches had been cleeved off by an unknown woodsmen, each left with several sap-oozing holes.

crabrock
Aug 2, 2002

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organburner posted:

As much as it shames me I have to admit, I do not face criticism well.
When I posted a little excerpt here for critique it left me in a weird state and I just could not write at all and I think that was a couple of months ago now.

I feel like I should address this since I gave you your crit.

I was the same way. That's why even though I've wanted to be a writer since I was little, I only got started at 30. The thing is, that's just something you have to push yourself to get over. The main way you do that is by getting a lot of criticism and forcing yourself to move past it.

I was so loving nervous the few times I entered Thunderdome and put my stories out there, knowing that there would be harsh criticism afterwards. And you know what? It really sucked to have people tell me my writing was dog poo poo. But I didn't want to write dog poo poo, so I learned and now I write something that's more like that dog pee? I am bad at analogies. And criticism is just a thing that happens now. I don't even care anymore.

Make yourself get over it.

crabrock
Aug 2, 2002

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So you're saying you don't work? Who the hell buys your food and pays your rent?

crabrock
Aug 2, 2002

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The Saddest Rhino posted:

andard operating procedu

that's what you get for having a real job, sucka.

crabrock
Aug 2, 2002

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I'm pretty much only using this emoticon from now on, so you'll just have to infer my meaning when I post.

:sparkles:

crabrock
Aug 2, 2002

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mostly this one tho :suicide:

crabrock
Aug 2, 2002

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CB_Tube_Knight posted:

I am thinking I might sit here and try and come up with alternate interpretations for the Four Horsemen because the Bible isn't as concrete on most of their names as we're led to believe. I don't know where people got this whole thing with Pestilence from, but that's not even close to what the text says.

congratulations!

crabrock
Aug 2, 2002

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I dunno, in my opinion this is a situtation where telling is better than showing. It's so hard to understand what the hell you're trying to say with lopsided squints...

"Two suns were in the sky; one looked lower and smaller than the other, but was actually just further away."

Is the whole two suns, one smaller, one lower, thing even important in your story? or is it just a "oh man we sure on an alien world!"

crabrock
Aug 2, 2002

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I wouldn't talk about the sun period, because I have a modicum of self-respect :colbert:

I know it's short as hell, but it says everything that I feel it needs to.

fixed for blue squares:

"Two suns the sky; one lower and smaller than the other, but further away."

crabrock fucked around with this message at 17:20 on Mar 22, 2014

crabrock
Aug 2, 2002

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It is readable. You have some issues with grammar (a lot of missing commas) that lead to ambiguous (albeit hilarious) statements like "As I entered Dad."

I read about half and got bored, mostly because I didn't know what was the main motivation was. She was going to go get some chip implanted in her brain for whatever reason, and she was scared. I don't know why she needed the chip or what it would do, so I didn't know what her limitations were. You at least need to tease me with the knowledge if you're going to draw it out, because your character already knows, and I should know too if I'm going to understand her.

You have a bit few too many adjectives for my taste.

But I've seen worse written by "not dyslexic" people.

crabrock
Aug 2, 2002

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he posts a billion of them. they all have to do with having sex with your dad. he probably makes millions on amazon

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crabrock
Aug 2, 2002

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thanks for the video. i can both identify good stories where i've basically done that, and lovely stories where i'm like "whoops, that's what's missing."

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