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Friends Are Evil posted:Lately, I've been really into Francis Bacon, Goya, and a little bit of William Blake. Yeah, I've been getting huge Goya vibes from your stuff since you've been posting them. The only sort of complaint I can make about them is that sometimes your non-ghoulish faces seem stylistically out-of-place. Like this one: With that said, though, I'm getting a huge hankering to bring my inks back out.
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# ¿ Jun 5, 2013 02:39 |
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# ¿ Apr 29, 2024 05:46 |
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I think I'm digging this relief printing thing. This time with real, albeit cheap, wood. I was planning on going all white on the background, but now I dunno. I might start looking into getting some real wood and tools.
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# ¿ Jun 16, 2013 00:58 |
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Friends Are Evil posted:
How big is your stuff, usually?
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# ¿ Jun 18, 2013 03:46 |
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Friends Are Evil posted:Usually, my work's not that big. This one's about 10 by 14, and I usually don't work much bigger. 10x14 is pretty big for ink work (imho, at least)
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# ¿ Jun 18, 2013 17:37 |
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al-azad posted:What kind of paper do you recommend for acrylics? I use heavy, rough watercolor paper for watercolors but I find when using acrylics I can't build up layers. I think it's because the paper is absorbing the paint and causing it to blend instead of layer. Could you put some gesso down, or is what you're going for need the paper absorption? Either that or use hot press; you'll lose the texture but I think it's supposed to be less absorbing.
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# ¿ Jan 20, 2014 23:25 |
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al-azad posted:These guys use cel vinyl which is acrylic based but I've also seen the same effect with tempera which a lot of Japanese studios like Ghibli use. Unfortunately most tempera sold in America is junk. What we generally call "tempera" here in the states isn't really the classically-known tempera. If you want the real stuff, look for egg tempera.
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# ¿ Jan 21, 2014 21:00 |
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My fencing club holds a yearly fundraising auction, and, as usual, I'm doing for it. Since I've never done painting for real (and because I hate myself), I decided now would be a good time to give it a try. So I've been working on this today Acrylic on canvas, 18x24 It's a little less intense in real life (and the greys are less red), but the pic gets the point across. I don't think it's terrible for what's really a first try, but it's not really sale quality, and I'm not quite sure where to go with it, particularly with the glove. I guess I should really force the shading, but should I use the same blue? I kinda want to make this a series with the two other weapons with different colors (thinking a magenta-ish red, and maybe the green from the image below, or a golden yellow). I'm also playing around with this. I like the basic idea better but, again, I'm stumped on where to go. I want to do a dark shadow/motion thing following the figure, and maybe some piping on the figure, but I am a little fond of the stencil quality as it is.
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# ¿ Mar 9, 2014 02:50 |
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More work on my fencing series, now an actual series. The saber painting (far right) is still WIP, foil (middle) is pretty much done (just need to clean up that halo), and epee is somewhere between.
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# ¿ Mar 16, 2014 19:01 |
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Full Fathoms Five posted:Your art is some of my favorite in this thread, and as someone whose never touched ink and hasn't drawn anything in like 10 years, I just wanted to let you know that you've inspired me to give it a try. This is probably a long shot, but are there any books / sites / tutorials you recommend for testing the water with ink and the associated techniques? I honestly don't even know where to begin. Rendering in Pen and Ink is, I think, the gold standard book for line work. It doesn't cover washes, though.
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# ¿ Apr 17, 2014 01:33 |
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Bubbacub posted:
Everyone looks like a space marine in all the gear, even if you're only as big as a toothpick. So she was just wearing the knickers?
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# ¿ Jun 22, 2014 17:40 |
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the posted:How do you price your artwork? Unfortunately, I think the answer is "how ever much you can get for it." If it's a contract piece for something like a magazine, poster, band, whatever, there are market rates and there are books that list them. If it's something you did on your own and want to sell, well... you might want to look around to see what other local artists are charging. Around me a lot of restaurants and bars host local artists selling works; you might be able to get some prices from something like that.
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# ¿ Jul 27, 2014 23:58 |
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Bubbacub posted:What kind of ink and pen do you use? Whenever I draw with india ink through a crowquill pen, it ends up running when I apply watercolor. I've heard lots of love for acrylic inks, but my favorite is this stuff
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# ¿ Aug 5, 2014 03:35 |
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Shnooks posted:Does anyone here have experience with monoprinting and dry point? I want to get back into making prints but I have to use whatever is safe and available at home (no more nice presses and spray boxes for me ). I saw some people discussing plexiglass dry point which seemed pretty rad, and then I was thinking of doing some painting directly onto glass. I haven't done monoprinting but I'd imagine plain old acrylics might dry too fast on you unadulterated (although there are extenders, right?) But, yeah, any intaglio process needs damp paper to help suck the ink out of the grooves.
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# ¿ Nov 30, 2014 03:23 |
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DEO3 posted:"Adrift" How'd you get the background color?
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# ¿ Feb 1, 2015 15:29 |
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JuniperCake posted:It's just a fact that most art supplies will probably kill you if it gets in your blood stream. Between Lead, Cadmium, Chromium, Cobalt, hell Holbein even still has Mercury in their artist grade vermillion red, etc, theres plenty of stuff that is potentially harmful. But you should be okay if you use common sense. It should be noted that while this may be true for very serious artist paints, the tube of liquitex cadmium yellow acrylic you bought at Michael's doesn't actually have cadmium in it (I checked).
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# ¿ Mar 21, 2015 17:45 |
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Pelikan drawing ink is/was my go-to. Works well on everything, including clayboard.
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# ¿ Sep 7, 2015 13:32 |
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x-posting from the daily thread since I try to make a thing from the idea. Variations on a theme (with varying degrees of success), looking towards block printing with two colors, or print on top of paint. I need to do something with the red one. Embrace the temptation to paint the assets for your next game. Especially if it's about this guy. The self-taught thread might have some things for you, but you're doing pretty good already. Def better than I can paint.
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# ¿ Nov 3, 2015 00:43 |
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I used to use those blue animation pencils when doing pen stuff. You have to worry about not indenting the paper, but the line is light and disappears easy without needing to erase.
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# ¿ Nov 6, 2015 14:57 |
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poemdexter posted:How did you get those reds to go on so well? I find reds, greens, and purples go on like watercolor and take like 3 coats before it's a solid color. With my inconsistent brush strokes and amount of paint on the brush, I always end up with a textured look instead of smooth reds like you have on the arms. That may be a pigment thing to a degree, some pigments go on more opaque than others, even among the same general color. Liquitex bottles tend to say how opaque the color is, don't know about other brands.
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# ¿ Nov 8, 2015 22:47 |
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pr0k posted:First ever attempt to paint anything. "Yin and Yang" oil on canvas. I'll leave technique issues to those that know about it, but the composition is kind of a mess. That strong horizontal line isn't really doing anything other than making it look like the canvas ends there. The branches, meanwhile, don't really do anything; having them merge or end near that horizontal line enforces that sense of the canvas ending, there's not much in the way of interesting forms, and there's no balance to speak of on the left piece. The one on the right is closest to doing something interesting, but the only vibe I'm getting from it is "pouring out a can of coke".
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# ¿ Feb 23, 2016 17:08 |
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dog nougat posted:Double post. If that blue's what I think it is it's a fantastic color
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# ¿ Feb 24, 2016 00:48 |
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dog nougat posted:It's more green in real life. It's a mixture of pthalo blue (green) with some hansa yellow and titanium white to give you an idea of the tone. It's a beautiful teal color. Haha, yeah I guessed wrong. Liquitex has a bottle blue that looks just about like that in the picture and it's probably my favorite color ever (and I don't even really paint).
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# ¿ Feb 24, 2016 14:37 |
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Mister Kingdom posted:Wasn't there a guy who took kids' drawings and turned them into 3D sculptures? I don't know about sculptures, but there's Tiny Art Director, one of the best things ever
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# ¿ Oct 3, 2016 16:59 |
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I'm not resolving to do more drawing this year, but I am resolving to take more of what I do draw beyond the sketchbook I might be closer to building that bottle jack press than I thought I was...
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# ¿ Jan 26, 2017 23:16 |
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Back on the printmaking wagon
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# ¿ Feb 12, 2017 00:21 |
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smallmouth posted:These are really cool and would make really neat playing cards. In that vein, I've been thinking I should tackle tarot cards as a theme.
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# ¿ Feb 14, 2017 22:19 |
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Still on a printing roll. Found some old drawings that were calling out for the treatment. Inching ever closer to building that bottle jack press.
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# ¿ Mar 12, 2017 16:11 |
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Yeah, those are legit. Welcome to the club.
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# ¿ Apr 20, 2017 19:58 |
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Time for my annual "no really, THIS time I'm going to get into painting" Nevermind that I ended up doing the detail in ink What do I need to get quality pics? I've got the camera, but what about lighting?
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# ¿ Sep 8, 2017 19:32 |
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Trying something new out Looking at some wood carvings at an exhibit, my wife foolishly says to me "why don't you try that?" I wasn't sure my block printing tools were up for hardwood, but after a sharpening they've been champs (if maybe a little small for blocking out)
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# ¿ Oct 1, 2017 03:04 |
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Trabant posted:I really need to work on my printing. The brayer-and-spoon technique sorta worked, but I really wish I could find a decent press for a price that won't make my eyes water. Time to build a jack press!
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# ¿ Oct 2, 2017 01:47 |
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Trabant posted:Yup, you're right. I tried going the "simple" way and building one powered by a caulking gun, but the resulting print was terrible. I'm pretty confident I built it well enough, so either the gun I was using was somehow bad, or the plywood was warped as hell. I'd wager a caulking gun doesn't need you near enough pressure for anything more than rubber stamp size. The harbor freight thing looks interesting, but I'd be worried about supporting the bottom plate since it doesn't look like you have much room to play with (fwiw I have not yet built a jack stand, so I could be talking out of my rear end)
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# ¿ Oct 2, 2017 13:46 |
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First wood carving project done, the poo poo is fun will carve again Maybe I'll try to get an inktober in right under deadline...
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# ¿ Oct 30, 2017 15:26 |
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tfw you realize that you don't actually know how the head works and what you thought you knew is just a decade-long iconographic lie you told yourself No really, though, it's fun
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# ¿ Nov 7, 2017 19:11 |
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Jack Daniels posted:https://forums.somethingawful.com/showthread.php?threadid=3552870&userid=188650 Bottlejack press on hold due to new, more expensive medium
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# ¿ Nov 20, 2017 21:19 |
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Trabant posted:Is that walnut? Because that would indeed be expensive! Small piece, fortunately
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# ¿ Nov 20, 2017 22:24 |
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Smoothing is like inking a graphite drawing: all your crimes are revealed I'm uncertain about what to do with the background. I had been planning on smoothing, but keeping to give some grounding since the head doesn't go all the way back, but I'm concerned that the figure gets lost in it? But maybe that'll be mitigated when it's fully smooth.
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# ¿ Dec 6, 2017 19:14 |
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If you're on the daily drawing thread you've seen these already, but I'm getting out the paints again to work on some ideas I've been doodling. Maybe with the intention of getting them out into the wild somehow Trying out working on wood instead of canvas or my usual illustration board. The last two pieces were experiments with clear gesso in hope that the wood grain would show and be an interesting part of the piece itself; but between the light grain basswood and clear gesso not being completely clear, it gets washed out. There are other things I could try, but I may just stick with white gesso since it makes the whole working experience a bit easier. Getting a nice solid background is still my boogeyman, but paint markers have been a blessing for the line work (even if it feels like cheating)
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# ¿ Apr 11, 2018 14:57 |
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Jack Daniels posted:these are sweet. the gold paint one esp. fun. Uni posca, though I haven’t yet tried any color other plan black.
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# ¿ Apr 15, 2018 16:28 |
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# ¿ Apr 29, 2024 05:46 |
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Handen posted:I ordered some Speedball fluorescent neon inks and a pewter to add to my mostly Schmincke linocut ink collection, as well as three additional Pfeil cutters to pad out the kinds of marks I can make. How metallic is the pewter? I've tried using the speedball gold but I couldn't get it to sparkle on the paper.
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# ¿ May 2, 2018 13:55 |