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Drunkboxer
Jun 30, 2007

Ugly In The Morning posted:

The "art of fighting without fighting" scene is a favorite of mine to this day.

So much of the coolness of that movie is in the way Lee delivers his lines. "It is like a finger, pointing away to da moon..."


edit: I guess the sequel to Drunken Master is too modern for the theme of this thread? The fight choreography in that is untouchable in my opinion.

Drunkboxer fucked around with this message at 01:45 on Jul 22, 2013

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Drunkboxer
Jun 30, 2007

Synonamess Botch posted:

Thing about Chan is his best films aren't really martial arts movies. They all incorporate martial arts, but when I think of Jackie Chan I think of Police Story, Rumble in the Bronx, Who Am I, and then his later American films. I would never discount the inclusion of his earlier work on the genre (Drunken Master is basically required viewing), but Chan in his prime and at his best was the spectacle of stuntwork and choreography, with the martial arts serving to back those up. Traditional kung fu flicks are also thematically very different from the films he became famous for.

This would be true if The Legend of Drunken Master (Drunken Master II) didn't exist. It's the pinnacle of Chan's physical humor (I don't think he could abuse himself like that when he got a little older) and the fight scenes are really just masterpieces. It has the Axe Gang fight to top all Axe Gang fights (arguably I guess) and the final sequence is just flat out amazing. My memory's not totally clear on this but I think the last bad guy was portrayed by Chan's real life bodyguard, and the scene resulted in some actual serious injury to both parties. I wish I was better at describing films so I could do more than just rave about how great this movie is, but you work with what you got I guess.

HUNDU THE BEAST GOD posted:

A world in which Drunken Master 2 "doesn't count" is not a world I want to live in.

Yesss.

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