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BonesJackson
Aug 12, 2005
*grumble grumble*

My favorite Frost poem:

The Witch of Coös

I staid the night for shelter at a farm
Behind the mountains, with a mother and son,
Two old-believers. They did all the talking.

MOTHER: Folks think a witch who has familiar spirits
She could call up to pass a winter evening,
But won't, should be burned at the stake or something.
Summoning spirits isn't 'Button, button,
Who's got the button,' I would have them know.

SON: Mother can make a common table rear
And kick with two legs like an army mule.

MOTHER: And when I've done it, what good have I
done?
Rather than tip a table for you, let me
Tell you what Ralle the Sioux Control once told me.
He said the dead had souls, but when I asked him
How could that be -- I thought the dead were souls,
He broke my trance. Don't that make you suspicious
That there's something the dead are keeping back?
Yes, there's something the dead are keeping back.

SON: You wouldn't want to tell him what we have
Up attic, mother?

MOTHER: Bones -- a skeleton.

SON: But the headboard of mother's bed is pushed
Against the' attic door: the door is nailed.
It's harmless. Mother hears it in the night
Halting perplexed behind the barrier
Of door and headboard. Where it wants to get
Is back into the cellar where it came from.

MOTHER: We'll never let them, will we, son! We'll
never !

SON: It left the cellar forty years ago
And carried itself like a pile of dishes
Up one flight from the cellar to the kitchen,
Another from the kitchen to the bedroom,
Another from the bedroom to the attic,
Right past both father and mother, and neither stopped
it.
Father had gone upstairs; mother was downstairs.
I was a baby: I don't know where I was.

MOTHER: The only fault my husband found with me --
I went to sleep before I went to bed,
Especially in winter when the bed
Might just as well be ice and the clothes snow.
The night the bones came up the cellar-stairs
Toffile had gone to bed alone and left me,
But left an open door to cool the room off
So as to sort of turn me out of it.
I was just coming to myself enough
To wonder where the cold was coming from,
When I heard Toffile upstairs in the bedroom
And thought I heard him downstairs in the cellar.
The board we had laid down to walk dry-shod on
When there was water in the cellar in spring
Struck the hard cellar bottom. And then someone
Began the stairs, two footsteps for each step,
The way a man with one leg and a crutch,
Or a little child, comes up. It wasn't Toffile:
It wasn't anyone who could be there.
The bulkhead double-doors were double-locked
And swollen tight and buried under snow.
The cellar windows were banked up with sawdust
And swollen tight and buried under snow.
It was the bones. I knew them -- and good reason.
My first impulse was to get to the knob
And hold the door. But the bones didn't try
The door; they halted helpless on the landing,
Waiting for things to happen in their favour.'
The faintest restless rustling ran all through them.
I never could have done the thing I did
If the wish hadn't been too strong in me
To see how they were mounted for this walk.
I had a vision of them put together
Not like a man, but like a chandelier.
So suddenly I flung the door wide on him.
A moment he stood balancing with emotion,
And all but lost himself. (A tongue of fire
Flashed out and licked along his upper teeth.
Smoke rolled inside the sockets of his eyes.)
Then he came at me with one hand outstretched,
The way he did in life once; but this time
I struck the hand off brittle on the floor,
And fell back from him on the floor myself.
The finger-pieces slid in all directions.
(Where did I see one of those pieces lately?
Hand me my button-box- it must be there.)
I sat up on the floor and shouted, 'Toffile,
It's coming up to you.' It had its choice
Of the door to the cellar or the hall.
It took the hall door for the novelty,
And set off briskly for so slow a thing,
Stillgoing every which way in the joints, though,
So that it looked like lightning or a scribble,
>From the slap I had just now given its hand.
I listened till it almost climbed the stairs
>From the hall to the only finished bedroom,
Before I got up to do anything;
Then ran and shouted, 'Shut the bedroom door,
Toffile, for my sake!' 'Company?' he said,
'Don't make me get up; I'm too warm in bed.'
So lying forward weakly on the handrail
I pushed myself upstairs, and in the light
(The kitchen had been dark) I had to own
I could see nothing. 'Toffile, I don't see it.
It's with us in the room though. It's the bones.'
'What bones?' 'The cellar bones- out of the grave.'
That made him throw his bare legs out of bed
And sit up by me and take hold of me.
I wanted to put out the light and see
If I could see it, or else mow the room,
With our arms at the level of our knees,
And bring the chalk-pile down. 'I'll tell you what-
It's looking for another door to try.
The uncommonly deep snow has made him think
Of his old song, The Wild Colonial Boy,
He always used to sing along the tote-road.
He's after an open door to get out-doors.
Let's trap him with an open door up attic.'
Toffile agreed to that, and sure enough,
Almost the moment he was given an opening,
The steps began to climb the attic stairs.
I heard them. Toffile didn't seem to hear them.
'Quick !' I slammed to the door and held the knob.
'Toffile, get nails.' I made him nail the door shut,
And push the headboard of the bed against it.
Then we asked was there anything
Up attic that we'd ever want again.
The attic was less to us than the cellar.
If the bones liked the attic, let them have it.
Let them stay in the attic. When they sometimes
Come down the stairs at night and stand perplexed
Behind the door and headboard of the bed,
Brushing their chalky skull with chalky fingers,
With sounds like the dry rattling of a shutter,
That's what I sit up in the dark to say-
To no one any more since Toffile died.
2o3 Let them stay in the attic since they went there.
I promised Toffile to be cruel to them
For helping them be cruel once to him.

SON: We think they had a grave down in the cellar.

MOTHER: We know they had a grave down in the cellar.

SON: We never could find out whose bones they were.

MOTHER: Yes, we could too, son. Tell the truth for once.
They were a man's his father killed for me.
I mean a man he killed instead of me.
The least I could do was to help dig their grave.
We were about it one night in the cellar.
Son knows the story: but 'twas not for him
To tell the truth, suppose the time had come.
Son looks surprised to see me end a lie
We'd kept all these years between ourselves
So as to have it ready for outsiders.
But to-night I don't care enough to lie-
I don't remember why I ever cared.
Toffile, if he were here, I don't believe
Could tell you why he ever cared himself-

She hadn't found the finger-bone she wanted
Among the buttons poured out in her lap.
I verified the name next morning: Toffile.
The rural letter-box said Toffile Lajway.

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BonesJackson
Aug 12, 2005
*grumble grumble*
A few other favorites, because naming one is hard.

William Carlos Williams posted:

Danse Russe

If I when my wife is sleeping
and the baby and Kathleen
are sleeping
and the sun is a flame-white disc
in silken mists
above shining trees,--
if I in my north room
dance naked, grotesquely
before my mirror
waving my shirt round my head
and singing softly to myself:
"I am lonely, lonely.
I was born to be lonely,
I am best so!"
If I admire my arms, my face,
my shoulders, flanks, buttocks
against the yellow drawn shades,--

Who shall say I am not
the happy genius of my household?


Pablo Neruda posted:

Those Lives
Translated by Alastair Reid (Seriously, don't look at the other translations; they're awful.)

This is what I am, I’ll say, to leave this written
excuse. This is my life.
Now it is clear this couldn’t be done -
that in this net it’s not just the strings that count
but also the air that escapes through the meshes.
Everything else stayed out of reach -
time running like a hare
across the February dew,
and love, best not to talk of love
which moved, a swaying of hips,
leaving no more trace of all its fire
than a spoonful of ash.
That’s how it is with so many passing things:
the man who waited, believing, of course,
the woman who was alive and will not be.
All of them believed that, having teeth,
feet, hands, and language,
life was only a matter of honor.
This one took a look at history,
took in all the victories of the past,
assumed an everlasting existence,
and the only thing life gave him was
his death, time not to be alive,
and earth to bury him in the end,
But all that was born with as many eyes
as there are planets in the firmament,
and all her devouring fire
ruthlessly devoured her until the end.
If I remember anything in my life,
it was an afternoon in India, on the banks of a river.
They were burning a woman of flesh and bone
and I didn’t know if what came from the sarcophagus
was soul or smoke,
until there was neither woman nor fire
nor coffin nor ash, It was late,
and only the night, the water, the river, the darkness
lived on in that death.


Peter Didsbury posted:

That Old-Time Religion

God and His angels stroll in the garden
before turning in for the night.
They've adopted the style
of rich and gifted young Englishmen this evening
and also, bizarrely even for them, decided that they shall speak
in nothing but Sumerian to each other
which all agree was a truly heavenly language.

It isn't long before God starts boasting
in Sumerian of course, that He's the only Being He knows
who knows by heart The Bothie of Tober-na-Vuolich,
and is about to prove it when Lucifer intercedes
to make the points that

a) they've all agreed to speak Sumerian, which was never the tongue of that estimable poem, and that unless He wants to
pay the usual forfeit, which wouldn't really be consonant
with His divinity, He'd better give up the idea;

b) should He decide to do it into
instantaneous and perfect Sumerian metres,
a feat of which they're all aware He's capable,
He wouldn't be proving His grasp of the original
and would run the risk of them thinking Him a show-off;

& c) since He, God, and not Arthur Hugh Clough must be regarded
as the only true author of The Bothie, as of all things,
he, Satan, doesn't see what the point of it would be anyway.

In the silence which follows the Creator is keenly aware
of the voice of the nightingale, then murmurs of consensus,
them much delighted laughter from the angels.

Lucifer bows.

The nightingale stops singing.

God sighs. He could really do without these bitches sometimes
but then where would He be?

As if to answer this question to Himself
He withdraws to the farthest reaches of the garden,
and leans on the parapet, smoking in fitful gloom,
for what seems like an eternity.

He lights each gasper from the butt of His last
then flicks the flowing end far into the dark,
displeased at His foreknowledge of where it will fall.
To KNOW what His more intelligent creatures have thought
of these lights that appear in August out of Perseus
and not to have disabused them of it, as He's always meant to,
is unforgivable. He gazes in their direction in the dark
and gives them His Word that soon He will change all that,
silent at first, then whispered, then shouted in Sumerian.

BonesJackson has a new favorite as of 17:23 on Nov 16, 2013

BonesJackson
Aug 12, 2005
*grumble grumble*

a kitten posted:

Suicide's Stone

I really dig Robinson Jeffers but I haven't read a whole lot. Thanks for posting this!

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