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Paracelsus
Apr 6, 2009

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AYC posted:

So, what does everyone think of this show? Personally, I think it's somewhat amusing, though I'm worried we'll settle into "nothing loving happens" territory a little too soon...
Things will continue to happen, and there is plot development, but not necessarily leading to resolution.

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Paracelsus
Apr 6, 2009

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Autonomous Monster posted:

Hayate is actually funny, though. :colbert:

(Nisekoi is alright, but I'm only in it for the faces)
The first two seasons of the Hayate anime were legitimately hilarious, but the comic hasn't actually been funny for a long time.

Nisekoi is at its best in Tsugumi or Ruri chapters, but overall I find it a lot funnier than the Hayate manga.

Paracelsus
Apr 6, 2009

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jackofarcades posted:

Yeah, there's no sense of real progression except for the harem count and how dere Chitoge is.
We do get a slow drip of things related to the key/promise/"Zawse in Love."

Paracelsus
Apr 6, 2009

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I have a theory that SHAFT draws their inspiration much more from theatrical conventions than cinematic ones. The backgrounds are more like set backdrops that suggest the environment than they are like standard backgrounds that actually depict it, crowds of people are either suggested or abstracted rather than being actually shown, and there's a tendency towards one-on-one conversations instead of group scenes. If you go back to Pani Poni Dash! (possibly the SHAFTiest thing that SHAFT ever did), the backgrounds were literal sets, with crew and understructure visible during many scenes.

Paracelsus
Apr 6, 2009

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HiveCommander posted:

You know, that makes a ton of sense and I wouldn't be surprised if SHAFT themselves admit that this is the full intention behind their animation. It certainly draws enough attention and differentiates them from other studios, which could be another alterior motive behind SHAFT doing SHAFT things.
I think there are two important insights that SHAFT made in their style choice. The first is that they treat animation as its own medium, not as a substitute for film, which frees them from a number of constraints about how things are "supposed" to be shot* and allows them to use the more theatrical shortcuts.

The other is that it's possible to produce striking and memorable imagery in a fashion that will often minimize the workload on their animators, or at least conserve their available man-hours for the crazy stuff. Take the scroll paintings from the most recent -Monogatari series; they're visually gorgeous and it's easy to remember how impressive they are, but when you get down to it they probably didn't take much more time than something like 6 or seven ordinary backgrounds you'd use in a couple of minutes of ordinary footage, then they can draw the use of those paintings out for minutes at a time, not have to bother with coming up with keyframes or farming out the in-betweening for that entire time, and if the audience is anything like me they'll eat it up regardless.

Similarly, they're free to cut out all the extraneous stuff that gets tossed in to make things look more "real," like having a whole host of animated (or even drawn stills of) background characters that the audience fundamentally doesn't care about but everyone adds in anyway; instead they replace them with crude stills (PPD), pink/blue icons (HS), or barely-glimpsed foreground stills/general emptiness (BMGT). This both keeps the audience focused on where the story is going (no, the classmate bullying Nadeko isn't going to become a recurring character, they exist only as a force set against the protagonist) and saves lodsamone.

*Not to say that they ignore how they're shooting; they're one of the best in the business at framing single images. They just aren't hung up on those images being part of a sequence that moves in time with normal human perception.

Paracelsus
Apr 6, 2009

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BlitzBlast posted:

It's the iron law of romantic comedies: the funniest one is the best.
Which is why Tsugumi and Ruri are vying for the top spot. :colbert:

Paracelsus
Apr 6, 2009

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JosephWongKS posted:

Anyone who could frighten Marika has got to be quite a character.
It's probably because she knows Marika's real accent.

Paracelsus
Apr 6, 2009

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Marika's dad was perfect. Gendo's VA, The Pose, and the NERV references in the elevator.

Paracelsus
Apr 6, 2009

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HiveCommander posted:

I think she's more worried that Raku's come into contact with the only other girl that doesn't have the memory-span of a goldfish :v:
Comedy ending: Tsugumi is actually the promise girl, but she forgot about it.

Paracelsus
Apr 6, 2009

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boredsatellite posted:

Hahha gently caress Rui and Onodera's expression are great
All of page 13 was magical. Check out Chitoge's face and ribbon in the upper left.

Paracelsus
Apr 6, 2009

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Who cares, we got Tsugumi faces.

Paracelsus
Apr 6, 2009

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The Ruri faces.

I'm dyin' over here.

Paracelsus
Apr 6, 2009

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Allarion posted:

A lot of good faces this chapter though.
There have been better individual faces, but this is certainly the most facial volume we've had in a long time.

That new year's card though, girl doesn't waste any time.

Paracelsus
Apr 6, 2009

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Super Jay Mann posted:

Poor Ruri, I don't know how she deals with that crap.
Acting out aggression on you-know-who.

Paracelsus
Apr 6, 2009

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Nathilus posted:

The anime found a weak spot of mine. I despise most of the characters and hate the narrative but I'm incredibly goddamn invested in discovering WHAT IS INSIDE THE loving LOCKET. WHATS loving IN IT?!?!? I MUST KNOW. And it better not be another, smaller locket.
We haven't heard bupkis about the locket in ages, seems like it's about time to bring that up again.

Paracelsus
Apr 6, 2009

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rizzen posted:

The real question is, how is the best character going to shoehorn her way into living there as well.
It's not like she's going to suddenly stop being Chitoge's bodyguard.

Paracelsus
Apr 6, 2009

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As long as the faces keep coming, I don't think people who read it (including myself) are going to care.

Paracelsus
Apr 6, 2009

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Alpha Kenny Juan posted:

Anime: Was that an anime original, or did I miss all of those magical kosaki chapters? :confused: I remember one, maybe two chapters. That aside, it was okay. Shuu owns, but we already knew that.
There are 7 chapters out.

Paracelsus
Apr 6, 2009

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Mikl posted:

Honda: literally a ninja.

Nope, still love this manga :allears:
They had better deliver on that fight scene instead of just cutting away to Raku and Chitoge.

Paracelsus
Apr 6, 2009

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snivell posted:

I can't watch this show because it reminds me of past sexual experiences I'd rather forget.

Blushing doesn't count as a sexual experience.

Paracelsus
Apr 6, 2009

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I didn't expect a reference to UPMC to pop up. Don't think they're owned by a Japanese family, though.

Paracelsus
Apr 6, 2009

bless this post ~kya

University of Pittsburgh Medical Center has floors where all of the signs are labeled in arabic along with english, because that's where the Saudi royal family goes for medical care. I'm quite certain that's what's being referred to.

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Paracelsus
Apr 6, 2009

bless this post ~kya

Bad Seafood posted:

I remember reading the first chapter of this when it was new, then forgetting about it. Since it just ended I decided I might as well jump ahead to the last one.

I don't feel like I missed too much. Shame about childhood promise girl I guess.

Nisekoi's always been more about the in-the-moment delivery of silly faces and blush porn.

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