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post-genre
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Dec 24, 2014 00:21
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| # ¿ May 16, 2024 09:32 |
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Sjoewe posted:retro post-genre 
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Dec 24, 2014 00:47
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Sizone posted:So which one of you bonerhitlers is going to step forward and do the assembleage/mastering for bonerjamz? i'll def put my name down to do this at some point but not sure this theme is the ideal one for me to work on... can someone remind me of the dates/deadlines again?
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Jan 6, 2015 14:31
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hail satan
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Jan 6, 2015 15:39
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toadee posted:Mastering to VHS you say? I thought the thing with VHS head was all the sounds came from VHS tapes, rather than the other way around...? Rhetorical question: why not do both.
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Jan 6, 2015 17:24
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Startyde posted:Also roll call on who would like a compact cassette in the post, appropriate stock will be used for running time so quantities may be limited. Bonererz get priority, natch. wow hell yeah (& will send you a tape in return if you include a return address) also i've no boner related jam as yet but i'm gonna knuckle down tomorrow & do a thing.
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Jan 29, 2015 14:09
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deadline bonerjam submission - https://soundcloud.com/scatterfold/grey-bleed - boners courtesy of emulator ii samples (c'est un sexy instument, non?) and actual porn heh what's your e-mail address for pre-mastered versions startyde?
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Jan 31, 2015 16:02
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hey startyde i got an email from wetransfer today saying my download link would expire in a couple of days & hadn't been downloaded; did you get the e-mail?
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Feb 6, 2015 10:30
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Startyde posted:Tried to be as inoffensive as possible without being milquetoast. HiFi VHS bounce was not a real threat. I did fish out my old KLH 1/4" deck I was going to slap it on to but she didn't take kindly to sitting in storage, so that was out. Sounds good to me - thanks. Lots of good tracks here. Scatterfold - Grey Bleed https://scatterfold.bandcamp.com/releases
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Feb 9, 2015 10:44
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Sizone posted:hail satan owns bonez really liking: flipperwaldt's M1 piano track, stillvisions' and the Bafficolo track. also the synth repair man track obvs. 
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Feb 12, 2015 14:21
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magiccarpet posted:This box is basically every overdrive/distortion/saturator in one and is overpriced and therefore I need it. "wrecking" might be an overstatement
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Feb 16, 2015 21:58
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snorch posted:If y'all aren't reverbing in stereo you're doing something wrong. Some mono verbs are good: springs and (sometimes) plates. I can think of times when I might also reverb one part rather than a buss in mono.
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Feb 26, 2015 12:21
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wayfinder posted:Why do some (cool and good) people write "bus" correctly, and others write "buss", which is clearly wrong and incorrect and feels like something they'd want to retcon into being sort-of-torturedly justified when it really, really isn't? i did music tech at school & that's what we were taught (also in our books), so i absorbed it & i never thought about it; but you're right & i'm wrong and now i feel shame.
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Feb 27, 2015 14:46
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A Winner is Jew posted:...between the A4 keys and Pro 2 with the latter way ahead of the former. I'm also having an Elektron v. DSI centrepiece quandary; why is the Pro2 ahead for you?
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Mar 2, 2015 09:20
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Thanks v much; lots of useful info there. There's one thing thats edging me towards the Analog Keys at the mo and that's the studio will be, in less than 6 months, taken over entirely as a bedroom (At the moment it's half & half: cot & changing table / synths) and I'm likely going to have to downsize to 1 synth, my MD and a tape deck somewhere else in the house. I know a lot of people rate the Pro 2 almost as a centrepiece of a set-up with its CV control but despite it sounding far superior to the Pro 2 I'm not sure if it'd work covering all the synthy bases. If only the Pro2 engine was inside an AK sequencer set-up... Is there anything else I'm missing that'd pair really well with an Elektron MD that's A4/AK-like? At least my daughter & I have a few months to enjoy the nursery/studio combined space...  
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Mar 3, 2015 14:18
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Sizone posted:Don't be fooled by appearances, she will pick that poo poo up and bash you in the mouth with it. It's true, it happened to me. it's cool i don't mind if she gets into PE or harsh noise
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Mar 3, 2015 15:19
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A Winner is Jew posted:This Is only $540 and there is literally zero menu's to dive through. He'll have to get a keyboard to play it but it's a really cool little box for the price, in fact I might just have to pick one up... just bought one  the sound is really nice; i'm excited to run my 202 (& maybe 303) through its delay. or maybe everything through it's delay. move over Pye Corner Audio...still gonna buy a centrepiece synth....
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Mar 5, 2015 12:25
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question is: with an internal delay, does it pass the Sizone Threshold of Effect Usage on Synths?
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Mar 5, 2015 13:06
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...and then there's the timbrewolf 
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Mar 11, 2015 16:49
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Oldstench posted:"Glassy" screams FM to me. "Watery" makes me think of Korg-like filters. Everyone else will have a different idea. wavetables on a blofeld; restrain yerself w/ effects?
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Mar 12, 2015 21:33
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oh gently caress yeah a wavestation; the vst must be like £30 now. worth it.
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Mar 12, 2015 22:27
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BonoMan posted:Hell yeah. I kinda want the physical thing, but just my initial search seems like it may be hard to get one that isn't a bit dodgy. I really like the VST. It must be about 10 years old now but Korg nailed it and the M1 and tbqh seeing as both are digital synths anyway it doesn't seem to me like you're losing much by having them inside a computer. There's a lot of WS on this ep; it's def a unique synth.
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Mar 12, 2015 23:54
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Your Computer posted:How do you even use it, though? Apart from using the presets, I've had no luck in even trying to just pick out a single sound (the presets are usually a lot of sounds layered) because the UI is so difficult to use I think they're about the same (M1 & WS). It looks more painful than it is:  The heirarchy is preset->perform.->part/patch, where each of the last has a max of four waveforms [in the case above: FollowMe, EPIANO_3, 2x Airvox], and the mix of those sounds as you move the stick is determined by the matrix to the right; and that movement can be automated. Probably the easiest thing to do starting off is find a patch with one performance and limited parts and start fiddling. The pads will probably be hella complicated; so maybe try a bell sound? I'm not in the studio at the mo but will be able to help more later on if you like...
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Mar 13, 2015 11:40
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Oldstench posted:My birthday is coming up. one of those  circuit bent kids toys on ebay
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Mar 17, 2015 15:34
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lads...  ladss...  i have ~ Embraced ~ ~ Modula ~  lads
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Apr 1, 2015 00:27
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It is, as Borat would say, "very. nice."
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Apr 2, 2015 09:13
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i've only had an evening to play around with it so far, and christ it's going to take a lot of learning - but, it does feel almost 'alive'; i don't think i've played any electronic instrument quite like it. I did this last night with the DPO, Phonogene (with a sample of birdsong I SOSed off of the Macauley Library) and the Echophon. https://soundcloud.com/scatterfold/shared-system-test
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Apr 2, 2015 10:01
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snorch posted:What the hell do you want with a thing that's just one voice? the Shared System? It's definitely not.
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Apr 2, 2015 13:51
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stillvisions posted:I can't say for sure it's very good for constructing songs, but it's always great as a musical version of a (very expensive) zen garden; you'll also get used to the fun of not wanting to unpatch things because it's sounding just right, or the pain of "It sounded so perfect, WHAT DID I CHANGE" and never finding it again. Just remember to let it go... Yeh i realised this pretty quickly last night when i suddenly thought "oh, that was good, now... to get back to that i just... oh...". So i moved it next to the tape recorder and am capturing everything. & there's something about that I like.
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Apr 2, 2015 22:18
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I took my Shared System & a tape recorder away to the country for the bank holiday and did a few things but this was the most coherent bit of the weekend: https://soundcloud.com/scatterfold/fynderne-cascade Sitting outside in the evening with some whisky, eurocrack and a tape recorder is serious territory imho
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Apr 9, 2015 13:35
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Postmodular have 7 in stock at the moment if you're in the UK or thereabouts: http://postmodular.co.uk/expert-sleepers/disting
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Apr 16, 2015 09:42
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Mr. Glass posted:oh hey! i think it was seeing your setup that inspired me to build mine into an old briefcase: nice
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Apr 25, 2015 07:42
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toadee posted:I think we can all learn a valuable lesson from this track (according to the description made all with 2007 era VA) https://soundcloud.com/user18081971/pretend-analog-extmix-2b cool if true [but remember to take everything RDJ says with a big rear end pinch of salt]
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May 15, 2015 11:55
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lmaoooo https://www.youtube.com/watch?v=ju2KGJFst08 Fire Emblem, a 2003 Gameboy Advance Game from Nintendo and Intelligent Systems, features a collection of heavily armored warriors engaging in combat to save their fantastical world from the forces of evil. Cut scenes between combat events are utilized to progress the story. Up to four characters are presented on screen from the chest up, in traditional role-playing game style as text bubbles appear above the one currently speaking. During these scenes, characters will blink intermittently. These blinking events are the driving force behind the Eyes modules. A hour long portion of the game was recorded using screen capture software. Processing was then used to count the milliseconds between each character's blinks to produce a data table. This data table was then uploaded as firmware to the Eyes module's microcontroller. The blinking LEDs are are perfect copies of the original blinks of the game's characters."
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Jun 4, 2015 14:06
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i dunno if I'm going to be a lone voice here but I think the 202 and Buchla Easel albums Cortini put out are some of the hollowest, most talentless and thoroughly flaccid examples of any music I've heard in the last decade; i'm completely perplexed as to why he has such a fanbase
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Jun 19, 2015 23:01
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The Cleaner posted:Fixed that for you. Perhaps so  I think the two issues I have with those albums (and what I've heard of the 303 one) is that, no matter which instrument he uses, the output is always the same: a series of arpeggios, in a sound without much textural interest. On the one hand he's obviously totally in control of the instrument: he's making the music he wants to make, even if that's decidedly Kraut-y sounds from the original East Coast plinkyplonky machine. On the other hand it reminds me of composers who don't understand the instrument they're writing for. Like John Adams; obviously a very skilled guy, but if you're in an orchestra and playing one of his parts - whether its a picollo part, or a percussion one, or 2nd violin it's all clearly been written at a keyboard. They're all keyboard parts. And they don't work with the instrument, instead forcing it to play a similar role. He doesn't think "oh this bit would be best orchestrated with a flute"; he thinks "oh I need loud here so I'm going to boost the same part with the flute/strings/percussion, whichever". Phil Glass is the same; even worse perhaps. And its the same for Cortini. He's not "playing" a Buchla. He's using a Buchla to play something which could be played on pretty much anything; especially when it's been sent through the same layers of tape hiss, wow and flutter, etc as the 202, or 303. But at the same time he's using the fetishisation of Buchla, and 303s, almost as advertising. Hence why I found it all so hollow. That all said if you enjoy it; you enjoy it. And that can't be analysed or criticised. I'm not going to tell anyone they're wrong for liking it.
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Jun 21, 2015 20:00
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The Cleaner posted:Don't know if I can enjoy listening to him the same way after reading that all too in-depth tear-down.  lol sorry; i just wanted to qualify my point rather than just bash Cortini baselessly
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Jun 22, 2015 09:49
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what a waste of a reboot
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Jul 6, 2015 17:31
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Mr. Glass posted:here's a thread on muffwiggler with a teardown of one of the new roland dsp modules hahah wow 
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Jul 15, 2015 23:04
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| # ¿ May 16, 2024 09:32 |
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Radiapathy posted:That was hilarious. And yikes at that soldering. I've tried to write four different posts now and none of them have been as funny as the raw concept/execution of these Roland euro modules.
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Jul 15, 2015 23:28
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