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So what makes this a movement worthy of an "-ism" label as opposed to just a sonic tool available as part of a greater palette? Is it just that it's still in its experimental phase or what? To me the examples are sort of reminiscent of John Chowning's early FM synthesis pieces, which are mostly just nerding out about this ONE WEIRD TECHNIQUE, or "exploring the medium" if you'd prefer to put it that way.
snorch fucked around with this message at 17:09 on May 12, 2015 |
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May 12, 2015 17:06
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| # ¿ May 22, 2024 09:31 |
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