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High Warlord Zog
Dec 12, 2012

precision posted:

I know everyone hates Orson Scott Card, including me at this point, but before he went full rear end in a top hat I read a few of his books in the early 90s. In particular, I have always been struck by this exchange at the very opening of Xenocide:

"The inability to move frees me from the obligation to act."
"You who speak languages, you are such liars."

I don't want to give OSC too much of a sloppy blowjob here (not that he wouldn't enjoy it, I'm sure) but goddamn, that is one of those short little things with surprising depth. I'm not saying it's on the level of a great Zen koan, but I think it's pretty interesting.

Orson Scott Card rightly gets a lot of flack for his lovely beliefs, but no one ever talks about just how much the quality of his prose (which was never deathless to begin with) has devolved over the years.

Orson Scott Card posted:

The door behind them opened. A terrified Chinese woman looked at them. Rube didn't hesitate. He shoved the door open wider, picked up the woman, and carried her farther inside as she shouted in Chinese. Cole followed and slammed the door behind them. They were inside a narrow Chinese restaurant. "Does this place have a back door?" Rube demanded.

The woman only continued screeching in Chinese. A terrified old Chinese man came through a curtain, carrying a shotgun. Rube, who still had hold of the woman, dragged her down as Cole also hit the floor. The shotgun went off, blasting right where they and the Chinese woman had been standing.

And now some good writing.

Mark Twain in Huck Finn posted:

Two or three days and nights went by; I reckon I might say they swum by, they slid along so quiet and smooth and lovely. Here is the way we put in the time. It was a monstrous big river down there—sometimes a mile and a half wide; we run nights, and laid up and hid daytimes; soon as night was most gone we stopped navigating and tied up—nearly always in the dead water under a towhead; and then cut young cottonwoods and willows, and hid the raft with them. Then we set out the lines. Next we slid into the river and had a swim, so as to freshen up and cool off; then we set down on the sandy bottom where the water was about knee deep, and watched the daylight come. Not a sound anywheres—perfectly still—just like the whole world was asleep, only sometimes the bullfrogs a-cluttering, maybe. The first thing to see, looking away over the water, was a kind of dull line—that was the woods on t'other side; you couldn't make nothing else out; then a pale place in the sky; then more paleness spreading around; then the river softened up away off, and warn't black any more, but gray; you could see little dark spots drifting along ever so far away—trading scows, and such things; and long black streaks—rafts; sometimes you could hear a sweep screaking; or jumbled up voices, it was so still, and sounds come so far; and by and by you could see a streak on the water which you know by the look of the streak that there's a snag there in a swift current which breaks on it and makes that streak look that way; and you see the mist curl up off of the water, and the east reddens up, and the river, and you make out a log-cabin in the edge of the woods, away on the bank on t'other side of the river, being a woodyard, likely, and piled by them cheats so you can throw a dog through it anywheres; then the nice breeze springs up, and comes fanning you from over there, so cool and fresh and sweet to smell on account of the woods and the flowers; but sometimes not that way, because they've left dead fish laying around, gars and such, and they do get pretty rank; and next you've got the full day, and everything smiling in the sun, and the song-birds just going it!

High Warlord Zog fucked around with this message at 02:38 on Feb 7, 2016

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