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I'm happy to answer questions and talk about poo poo, if that's not weird. I've been doing an author's commentary that digs into some of the subtler stuff happening in the book. It's full of spoilers, so save it until you're done!
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# ¿ Oct 9, 2015 15:36 |
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# ¿ May 15, 2024 16:15 |
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Hedrigall posted:I stayed up until 2am to finish this last night. Great book. Soul-crushing, but great. I can't tell you exactly, that'd ruin it! One of my goals with the book is to find stuff in real life that feels uncanny, impossible, and otherworldly — the eerie mundane. (This is why the southern Oriati territories have a bunch of natural fission reactors, ecosystems adapted to radioactive water, and a religion around cancer: it could happen, with a little geological and timescale jiggering, but it's not something that actually occurred very widely Earth.) But there may also be supernatural elements out there! Who can say? quote:2) Also, what exactly are the Stakhi mansions? I think at one point it's mentioned that they're underneath the mountains in the north, so now I'm picturing huge Moria-like underground kingdoms. Imagine a low-budget Moria meets Andean terrace farms — I try not to do easy analogies for real-world civilizations, but it's a beautiful and harsh place with a lot of ingenuity on display, both above and below ground. quote:3) Have you made any map, even a sketch on a napkin, of the wider world beyond Aurdwynn? I'd love to see what the shape of the land looks like. I have a general outline, but I haven't written it down. When I need art I turn to my partner, who's really good at this stuff. She did the map for this book! quote:4) Could you tell us more about your other projects that you mentioned in the Clarkesworld interview*? Both Exordia and Durandal sound really cool, I need them now. I'm hoping for cool alien races in both. Exordia is a crazy space opera set in a universe that's just discovered a physical basis for morality, left over by whoever built the place (and apparently died in the process without quite wrapping up the loose ends). A race breaks out to get the keys to the system, so that the winner can define themselves as universally good. You can read a short story based on the opening [url=http://www.shimmerzine.com/anna-saves-them-all-by-seth-dickinson/]here. The other one (which I'm calling Titanomach right now) is about a really depressed young Indian woman who manages to open a wormhole and jump through as a way to get out of her lovely life — but her half-sister follows her through. They end up on a huge starship trapped in orbit around an alien megaconstruct, and because the crew is infected with a mental virus and the ship's AI has gone megalomaniacally insane, they have to take command of the ship and try to get it home. Kinda Portal meets Marathon meets Narnia. quote:5) Tangential question, what are your favourite alien races in SF, and your favourite fantasy races in fantasy? Doesn't have to be limited to just books. Oh man! I think the Scramblers from Blindsight have to be first, but I also had a weakness for the aliens of David Brin's Startide Rising growing up. Nancy Kress' Fallers were pretty terrifying, as were the MorningLightMountain guys in one of the Peter Hamilton novels. When it comes to alien machines, Reynolds is great at freaking me out. My interest in fictional aliens is mostly in the parallax they can provide on humanity — challenging our assumptions about whether our brains are really optimized, adaptive, or inevitable.
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# ¿ Oct 12, 2015 17:21 |
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Ah, the month is almost over! I'll never be this famous again! I think it's important to leave a wall between writer and reader so that the reader has room to interpret the text without the author drooling all over. But whatever gently caress that, I'll talk about some poo poo. I'm curious how many people picked up on/cared at all about the more subtle threads in the book. I tried to bury the plots of other novels in the story, then make Baru resolutely ignore them (because she's so focused on her goal). Part of the idea was to reward rereads, part of the idea was to seed future stories that would be interesting, but mostly I wanted the novel to illustrate that the world was bigger than Baru. Just off the top of my head: Heingyl Ri's plan to take over Aurdwynn. The true identity of the actress in the bar (this one's super easy). Exactly which vengeance-crazed individual killed Duke Sahaule, and why Baru presumes it was done! Xate Yawa's motives throughout the novel (pretty explicitly revealed), and the identity of her backer. The fate of Xate Olake's daughter with Tain Ko. The identity of the man with the iron circle that Tain Hu mentions, although it'd be a mad stretch to guess this one just from the textual evidence. Exactly what brought down the Tu Maia heartland. The scientific error that drives Masquerade eugenics. I'll try to remember if I dropped any other threads!
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# ¿ Oct 23, 2015 19:56 |
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Nah, they didn't have those constructs. I'm sure people would have socially recognized tastes, but it'd be more like 'I like vanilla ice cream' than 'I am a vanilla-eater'.
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# ¿ Oct 24, 2015 19:00 |
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Super good posts. I don't know if I'm overstepping here in deploying Authorial Intent: I hope not. but I see the tragic queer narrative as the final boss of the story - the last cultural script Baru must confront. The whole novel is a series of stock fantasy narratives (colonizers arrive; feudal Game of Thrones power struggle; tragic queers; each one usually written from the perspective of the colonizer, the feudal lord, the straight person) into which Baru is deployed to claim power, subvert the story, and take over. It's a reaction to the argument that there are certain stories in which you couldn't write a queer woman of color as a protagonist because she'd be too oppressed to have agency - Baru is always able to find a way to claim agency and act as a driving protagonist, it just comes at increasing personal cost, because the forces she's fighting against wouldn't be worthy opponents unless they could inflict punishment on those who defy. The Masquerade uses a conditioning game on its prisoners: provide hope, take it away, repeat, until the prisoner falls into a state of learned helplessness, conditioned to believe that a happy ending is impossible. The Masquerade tries to use this same game on Baru, teaching her that queer relationships always end in tragedy, forcing her to reenact the dissolution of her family. Baru constantly 'solves' the Masquerade's challenges by both enacting and subverting them - is she supporting them, or fighting them? Where's the line? Is Tain Hu's death a transformative moment of hope, or a final surrender? And the book itself is structured to perform the same conditioning game on the reader. Do you see the ending as a continuation of the cycle, or an end to it? Do you walk away with a sense of hope, or profound despair? Has the Masquerade convinced you that its logic is total and inescapable? Do you believe that Baru can ever retire happily with a wife and a legacy she's proud of? Or does she finally love Big Brother? I think it's important to note that the final act is almost wholly driven by Tain Hu. We don't know how she was captured. Is it possible that she turned herself in so that she could get back to Baru and fulfill her vows both to the Fairer Hand and to Vultjag? Yeah, definitely, even if the text doesn't outright confirm or deny it. But either way, Tain Hu was able to learn from and deploy Baru's own skills in manipulating information to force Baru's hand. Through her conversations with Apparitor, she made herself the Throne's primary control over Baru, and then she put herself in a position so that Baru could remove that control. She also got it on record that Baru was lesbian, so Baru no longer has to conceal this fact from the rest of the Throne, hopefully giving her a chance to move forward into more open emotional space. As a reader of (my own) text, I'm embarrassed to admit I'm a little moved by Tain Hu's resolve and dedication. I do wish that I had more explicitly highlighted the happy queer relationships in the book, like Tain Hu's friendships with her other lovers. At the time I wrote it I felt that Baru would subconsciously deny recognition of these relationships as part of her own psychological self-defense. It was very hard to try to illustrate Baru's character with this kind of negative space, using things she didn't see as information. I hope I managed to show that the tragic queer story is a story enforced by Masquerade power, a story vulnerable to subversion and defiance, not a story intrinsic to the logic of the world itself.
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# ¿ Nov 1, 2015 06:46 |
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I'm glad you can't patch books, I'd be tweaking sentences left and right! Last month I put out another installment of this mod I work on (for the old game FreeSpace 2), and while the ability to go back and rework systems you're not satisfied with is great, I think it's a much better idea for games than books.
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# ¿ Nov 18, 2015 22:44 |
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Ceebees posted:I finished this yesterday and thought myself clever for guessing before the ending that Baru had not yet committed enough treason to be the Traitor, and that there was only one prize left to deliver. But i missed every one of those posed questions entirely so... good job hiding things in her blind spots, i suppose. Any comparison to Use of Weapons is a good comparison! I'll get Tor to put you right on the cover I'm glad you liked it! I am still working on the second book and hope to have it out in fall 2017.
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# ¿ Jan 11, 2016 02:03 |
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Affi posted:But that is two years from now It was supposed to be out this next fall but after crunching really hard working on Destiny I got super depressed and that set me back about a year I've thrown about 300,000 words on this second book, which is more than twice the length of the first one! Fortunately this latest draft seems to be sticking...
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# ¿ Jan 11, 2016 03:07 |
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I will do it for you son It seems like Ri seduced Bel Latheman (the banker), manipulated Nayauru into jumping into the war too early, used Latheman to wreck Governor Cattlson's finances, then, once Cattlson was out of money and Parliament was on his rear end to kill the rebellion without wasting more time and funds, she forced Cattlson (and her dad) to go die at Sieroch, leaving her and Latheman married and in charge of the province. The actress in the bar is plainly Nayauru. Duke Sahaule the Horsebane is killed at Haraerod by the scar-faced soldier woman from the bar in Act 1, who lost a horse to him a while ago and who has been on a crazed quest for horse vengeance. Xate Yawa has been offered exactly the same deal as Baru, but by (presumably) Hesychast or Renascent, not Itinerant. Xate Olake's daughter with Tain Ko...aaaah, I shouldn't spoil that one. You can track her down very quickly if you're sharp-eyed. The man with the iron circlet is related to the story of Duchess Erebog. Tain Hu killed him in a forest skirmish when she was young. The Tu Maia heartland fell to a species of beetle that ate the poo poo out of their cash crops. Masquerade eugenics are Lamarckian.
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# ¿ Feb 1, 2016 06:21 |
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Here is a random rough draft scene from the sequel, and I do mean rough, it's all pretty basic sketch-level writing. I just like the factorquote:There was a patient in the Rainbow Room.
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# ¿ Feb 1, 2016 15:50 |
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Affi posted:Could you put up your different builds and uses for those builds? Like what different medics do you use and why? I know you've done a lot of this in the different posts but yknow gathering it in one place would be really cool. Ditch the infantry and all that poo poo, don't worry about crits. Focus on teching up infrastructure systems like bureaucracy (to track food/population/labor and reduce corruption), ideology (to maintain loyalty over widely dispersed populations) and hygiene (to reduce attrition and unlock surgery). The goal is to rush for control of the market and gain control of all the factors necessary for the opponent's build to work. Engineering is great for keeping aqueducts and the like running but you should be sure it's secondary to good economics (and then you'll get a nice spiraling takeoff). It's weak to rushes in the short term but your win rate will go way up and I guarantee it'll change the whole meta.
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# ¿ Feb 3, 2016 00:35 |
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19th century's a bit premature. Torpedoes were in play during the Islamic Golden Age, and naval mines were around by the 16th century too. The Masquerade and Oriati are right on the edge of a transition towards cannon armament (which also happened in the late 16th/early 17th in our world), but right now the Masquerade's incendiaries are much better, and since they won the last war with firestarters they're doctrinally attached. Nor is the Masquerade's scientific and economic knowledge super 20th century — it's again drawing a lot on the Islamic golden age, Indian Ocean trade circle communities, and financial gambits as old as Ancient Egypt. Speaking of literate people (sorrrrry I couldn't resist), the sentence about putting up notices reads right like this, at least in my manuscript (maybe it got fumbled in page proofs?) quote:Jurispotence Xate Yawa ordered a bulletin posted on every door in Aurdwynn and read to the illiterate in every market and square: A lot of the research that went into the book involved creating situations that felt anachronistic but still made structural and technological sense, to show how our own narrative of history is shaped by the way we remember the origin of innovations and social mores (Taranoke's society is largely based on some tribes in the Amazon). Next book will be going even harder on the things-that-feel-unrealistic-but-totally-could've-happend! I've never read Neveryon or 'Diving into the Wreck', alas. Thank you for the comments!
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# ¿ Feb 4, 2016 00:17 |
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Kids who go through Masquerade schooling, whether in a basic form or the full residence treatment, will tend to be more literate than their parents, and if kids can read posted notices the parents can't, you're (in the Masquerade schema) helping draw them away from their existing cultures and making them, literally and figuratively, intermediaries between the two. Plus you can hopefully get them involved in reporting on their parents and earning rewards.
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# ¿ Feb 5, 2016 05:58 |
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Thank you! That's great to hear.
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# ¿ Feb 18, 2016 05:42 |
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I say BAH-roo, if, uh, that makes sense? Soft a, emphasis on the first syllable.
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# ¿ Feb 18, 2016 06:05 |
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DACK FAYDEN posted:GB, I don't know if you play Magic at all, but I was watching a pro (LSV) stream and he started talking about books and said he really liked Lies of Locke Lamora, so I asked if he'd read TTBC and he said "that was one of the books I read on my last trip and honestly I think it was the one I enjoyed the most." Whoa, that's awesome! What a good thing to hear. Here's some random poo poo, spoils the end of the first book quote:As the firestorm burnt up everyone who’d trusted and believed in him, as the monsoon rain of rocket arrows and incendiary bombs lit his ships like screaming human skewers, Awoharo Abd tried his very damndest to die.
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# ¿ May 19, 2016 05:44 |
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Hopefully! If it survives the editing process.Poldarn posted:Another question from the peanut gallery: Thanks! I'm glad to hear it. I don't have a HEMA background but I did just enough krav maga to realize what a clumsy rear end in a top hat I am (which played into the hand-to-hand fights), and I did a lot of HEMA research to get the sword bits right. Some of the choreography's just a straight rip of demo fights on Youtube. RiotGearEpsilon posted:Hey, as long as I've got you in the thread - are the Clarified at all inspired by / derived from the Dunyain from the Second Apocalypse sextet? Not directly! I think Bakker read some psychology, I come from a psych background, there's maybe some convergent evolution. IIRC the Dunyain are superhuman manipulators with perfect conditioning and eugenically tuned biology. Uuunfortunately humans are really hard to breed effectively because our generations are so long, and because humans are evolved as cultural sponges: we start picking up prestige cues and complex techniques even as infants. The Clarified are a bit more of a down-to-earth take on the concept of the eugenically produced, psychologically conditioned superhuman: they're great at their specialized tasks, but they're kind of weird and glitchy and they tend to break down catastrophically because, really, it's not super easy to condition someone for absolute enthusiastic loyalty and performance and then get that conditioning to stick long term. All the alleged genetic superiority will get explored more, I hope, but claims of superhumanity should be evaluated critically!
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# ¿ May 20, 2016 07:44 |
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One of the artists who worked on Skyrim is livestreaming a paint of Tain Hu. Holy poo poo it is really good
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# ¿ May 30, 2016 21:33 |
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# ¿ May 30, 2016 23:47 |
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# ¿ May 15, 2024 16:15 |
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Today's progress!
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# ¿ Jun 2, 2016 23:54 |