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Slow-Scan Shep
Jul 11, 2001

Harry Shearer's description of it makes me sort of want to see it:

quote:

When Shearer was interviewed for a famous Spy magazine article about the film in 1992, he described it as like “if you flew down to Tijuana and suddenly saw a painting on black velvet of Auschwitz. You’d just think ‘My God, wait a minute! It’s not funny, and it’s not good, and somebody’s trying too hard in the wrong direction to convey this strongly-held feeling.” He also said “With most of these kinds of things, you find that the anticipation, or the concept, is better than the thing itself. But seeing this film was really awe-inspiring, in that you are rarely in the presence of a perfect object. This was a perfect object. This movie is so drastically wrong, its pathos and its comedy are so wildly misplaced, that you could not, in your fantasy of what it might be like, improve on what it really is. ‘Oh My God!’ – that’s all you can say.”
I kind of want to know what this perfectly-wrong thing looks like. My curiosity is piqued.

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