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MacheteZombie
Feb 4, 2007
From CineD:

glam rock hamhock posted:

I'm behind on this thread because I've had to deal with preperations for moving and my general laziness but I'd thought I'd at least do my write up for Get Out now because that one is coming out any day now.

Warning: while I will spoiler the actual spoilers, I will be getting pretty deep into the ending so read that stuff at your own risk.

Get Out
I was really excited for this movie from the first trailer and was loving psyched when it turned out to be the mystery midnight screening I took a chance on. Before I really discuss it's guts (which is hard to do without getting really spoilery} I'll just get the basics out of the way. Peele directs a an interesting and original horror film here. it's clear how much he loves the genre because the nods to other films are numerous and loving without actually being outright references. This is a movie that has many clear influences but doesn't really ape them so much as pull them all together to be it's own weird thing. If it's ripping off anything, it would probably be The Stepford Wives but even then it's a very different beast from that. Performance-wise, it's has a strong cast through and through with special shout outs to Daniel Kaluuya who anchors the film well and Allison Williams who makes some hard to work things work very well.

For a horror movie it is happily very short on jump scares (though they are there) and relies more on the offness of situations and general tension. It does handle both sides equally strongly though. Early on there is a jump scare that is very well done with a long spinning shot that both gives you a good view of all the happenings so you don't feel cheated while still creating ramped up tension. On the other hand, the best and most tense shot in the entire film is a close up on someone's face as they're apologizing. The Comedy side of things is also fairly good (though not as prevalent as you'd expect), mostly focusing on the awkwardness of situations and a character that's in the TSA.

I think that about covers what I can discuss unspoilered so now I'll just get into the rest after I set it up a bit.

I think from the seeing the trailers you kind of suspect that underneath the friendly white family there's really a hidden Deliverance or People Under The Stairs. You'd suspect that this was going to all end up being a social commentary about the friendly face that conservatism puts on and then the real horrible monster of racism that lies beneath. That isn't quite the case. This movie is more about taking smug, "post-racism" liberalism and taking it at face value. Early in the movie you get people talking about how great black people are. The father talks fondly about Jesse Owens beating his father in the Olympics. He talks about how he would have voted for Obama a third time. People do the usual thing of saying how well spoken the main character is and how he really brings an urbaness to his art and so on and so on. For most of the movie you'll think this is just the usual insincere, talking down racist bullshit but it's not. These people really believe everything they're saying about how black people are better and they want that for themselves.

This is a movie that takes bullshit backhanded compliments seriously and takes what that would mean to an extreme conclusion. It's a movie that asks "what if a white person really thought a black person was weirdly articulate?" and concludes that white people would do what they always do and take that for themselves like they deserve it. Like the characters in this movie aren't even really racist in some perverse way. They are so not racist that they themselves want to be black and will happily steal it. Characters you think are acting weird because they are being forced to by white people turn out to be white people trying their best to act black. The weird lawn ornament version of people they becomes is due to that being how the people controlling them think they would act rather than because of what you assume of it just being some weird brainwashing...well I mean it is just not how you think it is.


One of the things I really like about this movie is that it doesn't really have a "holy poo poo" twist but it does have a plot that once you understand that going on, everything else makes just a little more sense and in not the way you expected it to. It's a movie that really fun to watch and then equally fun to later think back upon and realize how all that stuff fit in. I think it's literally coming out Friday as I'm writing this so I'm just gonna say go see it because it rules.

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MacheteZombie
Feb 4, 2007
lol boohoo

MacheteZombie
Feb 4, 2007

Fungah! posted:

same, espcially when its the whole plot of a movie thats not out yey

https://forums.somethingawful.com/showthread.php?threadid=3800168

MacheteZombie
Feb 4, 2007
and thats why you made sure to highlight spoilers in your new rule


also sorry for putting that many words in your vicinity even if you dont have to read them figured maybe some people in the get out thread would be interested in someone's opinion who has seen the movie, even if it's lengthy



oops!

MacheteZombie
Feb 4, 2007
nah i just dont get the dismissive nature for a post just because it's 5 paragraphs and came from Cined

MacheteZombie
Feb 4, 2007

trying to jack off posted:

if i wanted to read a long cd post id go to that forum and click on the thread

its all good mate no worries wont happen again

just wasnt expecting a rule to be made about xpostin

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MacheteZombie
Feb 4, 2007

Lumpy the Cook posted:

I suppose my ultimate goal with such a rule is to avoid each new/upcoming movie discussion eventually turning into "let's see what CineD has to say about this"... And besides, it's simply much better for people to post their own original thoughts on films (spoilers or no) rather than rely on a long CD post to guide their way. Apologies for getting spicy.

:respek:

I see your point.

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