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I had a really hard time enjoying this, from the uncompelling characters (aside from Boat Dad, god Mark Rylance is a treasure) an awful dialogue mix+British mumbling and a perpetually near-unseen enemy. Nolan didn't make an anti-war movie, he made an un-war movie. The delayed timescales kinda worked but it never really felt like it was coming together. Zimmers stopwatch ticking score didn't do much for me either. It's gorgeous and the effects sounds are lovely and detailed but that's about it. Nolan isn't good at making human, connected films but this one felt like a documentary with an immaculate budget.
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Jul 25, 2017 04:18
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GazChap posted:I really liked this. I'm fairly sure that the only character that's even named is George, the innocent young boy killed on the Moonstone which thematically I think is quite telling. The blonde fighter pilot is named, although I don't remember what it was
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Jul 25, 2017 15:09
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Krispy Kareem posted:"Oy, me chap is waving, all's well!" Yeah but what would be have done anyway? Could have been simply waving goodbye, good luck
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Jul 27, 2017 12:41
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Steve2911 posted:
You best watch your back son
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Jul 29, 2017 19:51
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