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Madkal
Feb 11, 2008

I believe in all the ways that they say you can lose your body
Fallen Rib
If Holland was drinking beer at the table wouldn't the bar have to throw him out?

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Air Skwirl
May 13, 2007

Neither snow nor rain nor heat nor gloom of night stays these couriers from the swift completion of their appointed shitposting.

Rhyno posted:

Bars are legally required to ask for ID and he just looks like your average white dude.

No they aren't, they're just forbidden from selling booze to people under 21.

Air Skwirl
May 13, 2007

Neither snow nor rain nor heat nor gloom of night stays these couriers from the swift completion of their appointed shitposting.

Madkal posted:

If Holland was drinking beer at the table wouldn't the bar have to throw him out?

Actually in some states it's perfectly legal for minors to drink if their parents buy the booze

site
Apr 6, 2007

Trans pride, Worldwide
Bitch
Up here in ak when i worked at the liquor store it was company policy to card everyone and at all the bars i dunno if its legally required but you get carded at the door and by the bartender/waitress on your first order (restaurants dont have bouncers obv so just by waitress/bartender)

Air Skwirl
May 13, 2007

Neither snow nor rain nor heat nor gloom of night stays these couriers from the swift completion of their appointed shitposting.

site posted:

Up here in ak when i worked at the liquor store it was company policy to card everyone and at all the bars i dunno if its legally required but you get carded at the door and by the bartender/waitress on your first order (restaurants dont have bouncers obv so just by waitress/bartender)

The laws around alcohol vary wildly state by state. Every state had to make the drinking age 21 in order to keep getting federal money for roads (thanks Reagan) but they've done it in wildly different ways.

Out of curiosity, how old are you, and do you literally get carded everytime you go to a bar, even a bar where you've been there enough that staff recognizes you? Throughout my twenties I would switch between being clean shaven and having a beard and everytime I shaved I would get carded and with a beard I usually wouldn't, it was a bit of a slap in the face the first time I shaved and then didn't get carded.

Madkal
Feb 11, 2008

I believe in all the ways that they say you can lose your body
Fallen Rib
I know some bars/liquor stores around my place would have a sign saying something like "if you look under the age of "X" (usually 30 or something) you would be carded".

site
Apr 6, 2007

Trans pride, Worldwide
Bitch

Skwirl posted:

The laws around alcohol vary wildly state by state. Every state had to make the drinking age 21 in order to keep getting federal money for roads (thanks Reagan) but they've done it in wildly different ways.

Out of curiosity, how old are you, and do you literally get carded everytime you go to a bar, even a bar where you've been there enough that staff recognizes you? Throughout my twenties I would switch between being clean shaven and having a beard and everytime I shaved I would get carded and with a beard I usually wouldn't, it was a bit of a slap in the face the first time I shaved and then didn't get carded.

Im 32 but i have a babyface so i get carded all the time it doesnt bother me. Actually tbh once i hit 30 being carded actually wrapped around to being a nice confidence booster

CapnAndy
Feb 27, 2004

Some teeth long for ripping, gleaming wet from black dog gums. So you keep your eyes closed at the end. You don't want to see such a mouth up close. before the bite, before its oblivion in the goring of your soft parts, the speckled lips will curl back in a whinny of excitement. You just know it.
I carded a woman who ended up being in her 50s once. I did, like, a quadruple-take and told her she was probably gonna get carded until the day she died.

Guy Goodbody
Aug 31, 2016

by Nyc_Tattoo

CapnAndy posted:

I carded a woman who ended up being in her 50s once. I did, like, a quadruple-take and told her she was probably gonna get carded until the day she died.

Did you say it spooky, like a prophecy?

Rhyno
Mar 22, 2003
Probation
Can't post for 10 years!

CapnAndy posted:

I carded a woman who ended up being in her 50s once. I did, like, a quadruple-take and told her she was probably gonna get carded until the day she died.

Working a door was almost never fun because without fail you either got the "How old are you?" people or the "Don't you know who I am?"s.

Air Skwirl
May 13, 2007

Neither snow nor rain nor heat nor gloom of night stays these couriers from the swift completion of their appointed shitposting.

Madkal posted:

I know some bars/liquor stores around my place would have a sign saying something like "if you look under the age of "X" (usually 30 or something) you would be carded".

Again, that's a store policy not a law. there's no way you can get in legal trouble because you sold alcohol to someone who was old enough to buy it but looked younger. And if you got fired for selling booze to someone who was legally allowed to buy alcohol but looked too young and you didn't check their ID that's complete and total bullshit. You correctly recognized someone as being old enough to buy booze.

Alcohol laws vary state by state, but it's legal to sell alcohol to people over the age of 21 unless they are already drunk in every single state.

It's a funny story about Spider-Man having to ask Thor to buy him a drink and people are overthinking it.

Mr Hootington
Jul 24, 2008

I'M HAVING A HOOT EATING CORNETTE THE LONG WAY
I ran a gas station whose company policy was card everyone for all tobacco and alcohol products.

Air Skwirl
May 13, 2007

Neither snow nor rain nor heat nor gloom of night stays these couriers from the swift completion of their appointed shitposting.

Mr Hootington posted:

I ran a gas station whose company policy was card everyone for all tobacco and alcohol products.

Yeah, but did you actually do that?

Mr Hootington
Jul 24, 2008

I'M HAVING A HOOT EATING CORNETTE THE LONG WAY

Skwirl posted:

Yeah, but did you actually do that?

Everyone but regulars. There is a number of companies that will send in "secret shoppers" to evaluate the story and make sure you ID. The company I worked for had 2 contracted to do this. If your employee/store was caught not IDing they can be terminated. There are also the cops whobsend in minors to "sting" the stores.

Endless Mike
Aug 13, 2003



I had a friend in high school who did that. He got attacked by a store clerk who got arrested and charged with assaulting an LEO.

CharlestheHammer
Jun 26, 2011

YOU SAY MY POSTS ARE THE RAVINGS OF THE DUMBEST PERSON ON GOD'S GREEN EARTH BUT YOU YOURSELF ARE READING THEM. CURIOUS!

Mr Hootington posted:

I ran a gas station whose company policy was card everyone for all tobacco and alcohol products.

Well yeah that’s the policy of most as anything else is just dumb.

site
Apr 6, 2007

Trans pride, Worldwide
Bitch

Mr Hootington posted:

Everyone but regulars. There is a number of companies that will send in "secret shoppers" to evaluate the story and make sure you ID. The company I worked for had 2 contracted to do this. If your employee/store was caught not IDing they can be terminated. There are also the cops whobsend in minors to "sting" the stores.

Yeah at my store they had secret shoppers, the cops had their own stings and periodically the security guy would check video of the store to make sure we were IDing it was pretty strict

Mr Hootington
Jul 24, 2008

I'M HAVING A HOOT EATING CORNETTE THE LONG WAY

site posted:

Yeah at my store they had secret shoppers, the cops had their own stings and periodically the security guy would check video of the store to make sure we were IDing it was pretty strict

Yep. I had to fire a guy who didn't ID.

The best part of the police stings is they arrest the clerk on duty, fine them, fine the store, and some states allow them to fine the managers.

Edit:
Most of the regulars were pretty good about having the ID out for show or knowing if we asked a big wig was around and not to make a fuss.

Rhyno
Mar 22, 2003
Probation
Can't post for 10 years!

Mr Hootington posted:

Yep. I had to fire a guy who didn't ID.

The best part of the police stings is they arrest the clerk on duty, fine them, fine the store, and some states allow them to fine the managers.

Edit:
Most of the regulars were pretty good about having the ID out for show or knowing if we asked a big wig was around and not to make a fuss.

Sounds the same as here. Excise showed up one night and one of the bartenders got nailed for letting three of his friends in the back door. He of course tried to pin it on me but I convinced the boss to look at the security footage which clearly showed him doing the deed. So he got arrested, fined and when he showed up for work three days later he got fired as well.

claw game handjob
Mar 27, 2007

pinch pinch scrape pinch
ow ow fuck it's caught
i'm bleeding
JESUS TURN IT OFF
WHY ARE YOU STILL SMILING

Mr Hootington posted:

The best part of the police stings is they arrest the clerk on duty, fine them, fine the store, and some states allow them to fine the managers.

It's true. I ate poo poo on one of those stings once at a liquor store job and it was a miserable year of fines, classes, and court dates to clear it up. But as my boss put it afterwards: "Oh, I'm not firing you for this. Anyone who fucks this up once is either gonna be out on his rear end for sloppiness immediately or never make the mistake again."

He was a good boss, even if that was my worst job by a mile.

Air Skwirl
May 13, 2007

Neither snow nor rain nor heat nor gloom of night stays these couriers from the swift completion of their appointed shitposting.
I got in minor trouble because I didn't card a 28 year old secret shopper when they bought a beer and my response was unless you show me a picture of them how can you argue they looked under thirty? Since I did everything else correctly it wasn't an issue.

Teenage Fansub
Jan 28, 2006

He was probably just used to waltzing into bars in Atlanta, where they own the place.

sporklift
Aug 3, 2008

Feelin' it so hard.

Rhyno posted:

Working a door was almost never fun because without fail you either got the "How old are you?" people or the "Don't you know who I am?"s.

Haha. I usually reply with "Probably old enough to be your father." Early 20's are the only people that get huffy about it. WTF. When I was in my 20's I slapped my ID on the bar first thing. Didn't want to waste precious drinking time.

Guy Goodbody
Aug 31, 2016

by Nyc_Tattoo
What's the African comic scene like? They must do comics, everybdoy does, but you never hear about comics coming out of Africa

Madkal
Feb 11, 2008

I believe in all the ways that they say you can lose your body
Fallen Rib

Guy Goodbody posted:

What's the African comic scene like? They must do comics, everybdoy does, but you never hear about comics coming out of Africa

Hmmm. Well growing up in South Africa in the 90's there wasn't really a scene outside of the stuff in newspaper strips and political cartoons. For a period of time we had local publishers reprint X-Men and Lobo comics. Outside of that not much I can tell you. I am sure that there are some really interesting comics coming out of Africa (possibly Northern Africa).

Teenage Fansub
Jan 28, 2006

Eisner nominations: https://www.comic-con.org/awards/2018-eisner-awards-nominations

quote:

Best Short Story
“Ethel Byrne,” by Cecil Castelluci and Scott Chantler, in Mine: A Celebration of Liberty and Freedom for All Benefiting Planned Parenthood (ComicMix)
“Forgotten Princess,” by Phillip Kennedy Johnson and Antonio Sandoval, in Adventure Time Comics #13 (kaboom!)
”A Life in Comics: The Graphic Adventures of Karen Green,” by Nick Sousanis, in Columbia Magazine (Summer 2017),
“Small Mistakes Make Big Problems,” by Sophia Foster-Dimino, in Comics for Choice (Hazel Newlevant)
“Trans Plant,” by Megan Rose Gedris, in Enough Space for Everyone Else (Bedside Press)

---

Best Single Issue/One-Shot
Barbara, by Nicole Miles (ShortBox)
Hellboy: Krampusnacht, by Mike Mignola and Adam Hughes (Dark Horse)
Pope Hats #5, by Ethan Rilly (AdHouse Books)
The Spotted Stone, by Rick Veitch (Sun Comics)
What Is Left, by Rosemary Valero-O’Connell (ShortBox)

---

Best Continuing Series
Black Hammer, by Jeff Lemire, Dean Ormston, and David Rubín (Dark Horse)
Giant Days, by John Allison, Max Sarin, and Liz Fleming (BOOM! Box)
Hawkeye, by Kelly Thompson, Leonardo Romero, and Mike Walsh (Marvel)
Monstress, by Marjorie Liu and Sana Takeda (Image)
The Wicked + The Divine, by Kieron Gillen & Jamie McKelvie (Image)

---

Best Limited Series
Black Panther: World of Wakanda, by Roxane Gay, Ta-Nehisi Coates, and Alitha E. Martinez (Marvel)
Extremity, by Daniel Warren Johnson (Image/Skybound)
The Flintstones, by Mark Russell, Steve Pugh, Rick Leonardi, and Scott Hanna (DC)
Mister Miracle, by Tom King and Mitch Gerads (DC)
X-Men: Grand Design, by Ed Piskor (Marvel)

---

Best New Series
Black Bolt, by Saladin Ahmed and Christian Ward (Marvel)
Grass Kings, by Matt Kindt and Tyler Jenkins (BOOM! Studios)
Maestros, by Steve Skroce (Image)
Redlands, by Jordie Belaire and Vanesa Del Rey (Image)
Royal City, by Jeff Lemire (Image)

---

Best Publication for Early Readers (up to age 8)
Adele in Sand Land, by Claude Ponti, translated by Skeeter Grant and Françoise Mouly (Toon Books)
Arthur and the Golden Rope, by Joe Todd-Stanton (Flying Eye/Nobrow)
Egg, by Kevin Henkes (Greenwillow Books)
Good Night, Planet, by Liniers (Toon Books)
Little Tails in the Savannah, by Frederic Brrémaud and Federico Bertolucci, translated by Mike Kennedy (Lion Forge/Magnetic)

---

Best Publication for Kids (ages 9–12)
Bolivar, by Sean Rubin (Archaia)
Home Time (Book One): Under the River, by Campbell Whyte (Top Shelf)
Nightlights, by Lorena Alvarez (Nobrow)
The Tea Dragon Society, by Katie O’Neill (Oni)
Wallace the Brave, by Will Henry (Andrews McMeel)

---

Best Publication for Teens (ages 13-17)
The Dam Keeper, by Robert Kondo and Dice Tsutsumi (First Second/Tonko House)
Jane, by Aline Brosh McKenna and Ramón K. Pérez (Archaia)
Louis Undercover, by Fanny Britt and Isabelle Arsenault, translated by Christelle Morelli and Susan Ouriou (Groundwood Books/House of Anansi)
Monstress, by Marjorie Liu and Sana Takeda (Image)
Spinning, by Tillie Walden (First Second)

---

Best Humor Publication
Baking with Kafka, by Tom Gauld (Drawn & Quarterly)
Batman/Elmer Fudd Special #1, by Tom King, Lee Weeks, and Byron Vaughn (DC)
The Flintstones, by Mark Russell, Steve Pugh, Rick Leonardi, and Scott Hanna (DC)
Rock Candy Mountain, by Kyle Starks (Image)
Wallace the Brave, by Will Henry (Andrews McMeel)

---

Best Anthology
A Bunch of Jews (and Other Stuff): A Minyen Yidn, by Max B. Perlson, Trina Robbins et al. (Bedside Press)
A Castle in England, by Jamie Rhodes et al. (Nobrow)
Elements: Fire, A Comic Anthology by Creators of Color, edited by Taneka Stotts (Beyond Press)
Now #1, edited by Eric Reynolds (Fantagraphics)
The Spirit Anthology, edited by Sean Phillips (Lakes International Comic Art Festival)

---

Best Reality-Based Work
Audubon: On the Wings of the World, by Fabien Grolleau and Jerémie Royer, translated by Etienne Gilfillan (Nobrow)
The Best We Could Do, by Thi Bui (Abrams ComicArts)
Calamity Jane: The Calamitous Life of Martha Jane Cannary, 1852–1903, by Christian Perrissin and Matthieu Blanchin, translated by Diana Schutz and Brandon Kander (IDW)
Lennon: The New York Years, by David Foenkinos, Corbeyran, and Horne, translated by Ivanka Hahnenberger (IDW)
Spinning, by Tillie Walden (First Second)

---


Best Graphic Album—New
Crawl Space, by Jesse Jacobs (Koyama Press)
Eartha, by Cathy Malkasian (Fantagraphics)
My Favorite Thing Is Monsters, by Emil Ferris (Fantagraphics)
Stages of Rot, by Linnea Sterte (Peow)
The Story of Jezebel, by Elijah Brubaker (Uncivilized Books)

---

Best Graphic Album—Reprint
Boundless, by Jillian Tamaki (Drawn & Quarterly)
Fantagraphics Studio Edition: Black Hole by Charles Burns, edited by Eric Reynolds (Fantagraphics)
Small Favors: The Definitive Girly Porno Collection, by Colleen Coover (Oni/Limerence)
Sticks Angelica, Folk Hero, by Michael DeForge (Drawn & Quarterly)
Unreal City, by D. J. Bryant (Fantagraphics)

---

Best Adaptation from Another Medium
Beowulf, adapted by Santiago García and David Rubín (Image)
H. P. Lovecraft’s The Hound and Other Stories, adapted by Gou Tanabe, translated by Zack Davisson (Dark Horse)
Herman Melville’s Moby Dick, adapted by Christophe Chabouté, translated by Laure Dupont (Dark Horse)
Kindred, by Octavia Butler, adapted by Damian Duffy and John Jennings (Abrams ComicArts)

---

Best U.S. Edition of International Material
Audubon: On the Wings of the World, by Fabien Grolleau and Jerémie Royer, translated by Etienne Gilfillan (Nobrow)
Flight of the Raven, by Jean-Pierre Gibrat, translated by Diana Schutz and Brandon Kander (EuroComics/IDW)
FUN, by Paolo Bacilieri, translated by Jamie Richards (SelfMadeHero)
Ghost of Gaudi, by El Torres and Jesús Alonso Iglesias, translated by Esther Villardón Grande (Lion Forge/Magnetic)
The Ladies-in-Waiting, by Santiago García and Javier Olivares, translated by Erica Mena (Fantagraphics)
Run for It: Stories of Slaves Who Fought for the Freedom, by Marcelo D’Salete, translated by Andrea Rosenberg (Fantagraphics)

---

Best U.S. Edition of International Material—Asia
Furari, by Jiro Taniguchi, translated by Kumar Sivasubramanian (Fanfare/Ponent Mon)
Golden Kamuy, by Satoru Noda, translated by Eiji Yasuda (VIZ Media)
My Brother’s Husband, vol. 1, by Gengoroh Tagame, translated by Anne Ishii (Pantheon)
Otherworld Barbara, vol. 2, by Moto Hagio, translated by Matt Thorn (Fantagraphics)
Shiver: Junji Ito Selected Stories, by Junji Itotranslated by Jocelyne Allen (VIZ Media)

---

Best Archival Collection/Project—Strips
Celebrating Snoopy, by Charles M. Shulz, edited by Alexis E. Fajardo and Dorothy O’Brien (Andrews McMeel)
Crazy Quilt: Scraps and Panels on the Way to Gasoline Alley, by Frank King, edited by Peter Maresca (Sunday Press)
Foolish Questions and Other Odd Observations, by Rube Goldberg, edited by Peter Maresca and Paul C. Tumey (Sunday Press Books)
Sky Masters of the Space Force: The Complete Dailies, by Jack Kirby, Wally Wood et al., edited by Daniel Herman (Hermes Press)
Star Wars: The Classic Newspaper Strips, vol. 1, by Russ Manning et al., edited by Dean Mullaney (LOAC/IDW)

---

Best Archival Collection/Project—Comic Books
Akira 35th Anniversary Edition, by Katsuhiro Otomo, edited by Haruko Hashimoto, Ajani Oloye, and Lauren Scanlan (Kodansha)
Behaving MADly, edited by Craig Yoe (Yoe Books/IDW)
The Collected Neil the Horse, by Arn Saba/Katherine Collins, edited by Andy Brown (Conundrum)
Fantagraphics Studio Edition: Jaime Hernandez, edited by Gary Groth (Fantagraphics)
Will Eisner: The Centennial Celebration, 1917-2017, by Paul Gravett, Denis Kitchen, and John Lind (Kitchen Sink/Dark Horse)

---

Best Writer
Tom King, Batman, Batman Annual #2, Batman/Elmer Fudd Special #1, Mister Miracle (DC)
Matt Kindt, Grass Kings (BOOM! Studios); Ether (Dark Horse); Eternity, X-O Manowar (Valiant)
Jeff Lemire, Black Hammer (Dark Horse); Descender (Image)
Marjorie Liu, Monstress (Image)
Mark Russell, The Flintstones (DC)

---

Best Writer/Artist
Lorena Alvarez, Night Lights (Nobrow)
Chabouté, Moby Dick (Dark Horse); Alone, The Park Bench (Gallery 13/Simon & Schuster)
Emil Ferris, My Favorite Thing Is Monsters (Fantagraphics)
Cathy Malkasian, Eartha (Fantagraphics)
Jiro Taniguchi, Furari, Louis Vuitton Travel Guide: Venice (Fanfare/Ponent Mon)

---

Best Penciller/Inker or Penciller/Inker Team
Isabelle Arsenault, Louis Undercover (Groundwood Books/House of Anansi)
Mitch Gerads, Mister Miracle (DC)
Gary Gianni, Hellboy: Into the Silent Sea (Dark Horse)
Ramón K. Perez, Jane (Archaia)
David Rubín, Black Hammer #9 & #12, Ether, Sherlock Frankenstein #1–3 (Dark Horse); Beowulf (Image)
Best Painter/Multimedia Artist (interior art)
Federico Bertolucci, Love: The Dinosaur, Little Tails (Lion Forge/Magnetic)
EFA, Monet: Itinerant of Light (NBM)
Jean-Pierre Gibrat, Flight of the Raven (EuroComics/IDW)
Cyril Pedrosa, Portugal (NBM)
Sana Takeda, Monstress (Image)

---

Best Cover Artist
Jorge Corona, No. 1 with a Bullet (Image)
Nick Derington, Mister Miracle (DC); Doom Patrol (DC Young Animal)
Brian Stelfreeze, Black Panther (Marvel)
Sana Takeda, Monstress (Image)
Julian Totino Tedesco, Hawkeye (Marvel)

---

Best Coloring
Emil Ferris, My Favorite Thing Is Monsters (Fantagraphics)
Mitch Gerads, Mister Miracle (DC)
Ed Piskor, X-Men: Grand Design (Marvel)
David Rubín, Ether, Black Hammer, Sherlock Frankenstein (Dark Horse); Beowulf (Image)
Dave Stewart, Black Hammer, BPRD: Devil You Know, Hellboy: Into the Silent Sea, Sherlock Frankenstein, Shaolin Cowboy (Dark Horse); Maestros (Image)
Rosemary Valero-O’Connell, What Is Left (ShortBox)

---

Best Lettering
Isabelle Arsenault, Louis Undercover (Groundwood Books/House of Anansi)
Clayton Cowles, Bitch Planet: Triple Feature, Redlands, The Wicked + The Divine (Image); Black Bolt, Spider-Gwen, Astonishing X-Men, Star Wars (Marvel)
Emil Ferris, My Favorite Thing Is Monsters (Fantagraphics)
Stan Sakai, Usagi Yojimbo, Groo: Slay of the Gods (Dark Horse)
John Workman, Mother Panic (DC Young Animal); Ragnorak (IDW)

---

Best Comics-Related Periodical/Journalism
Alter Ego, edited by Roy Thomas (TwoMorrows)
The Comics Journal, edited by Dan Nadel, Timothy Hodler, and Tucker Stone, tcj.com (Fantagraphics)
Hogan’s Alley, edited by Tom Heintjes
Jack Kirby Collector, edited by John Morrow (TwoMorrows)
PanelXPanel magazine, edited by Hassan Otsmane-Elhaou, panelxpanel.com

---

Best Comics-Related Book
Deconstructing the Incal by Alejandro Jodorowsky and Moebius, by Jean Annestay and Christophe Quillien (Humanoids)
How Comics Work, by Dave Gibbons and Tim Pilcher (Wellfleet Press/Quarto Group)
How to Read Nancy: The Elements of Comics in Three Easy Panels, by Paul Karasik and Mark Newgarden (Fantagraphics)
Line of Beauty: The Art of Wendy Pini, by Richard Pini (Flesk)
Monograph, by Chris Ware (Rizzoli)
To Laugh That We May Not Weep: The Life and Times of Art Young, by Glenn Bray and Frank M. Young (Fantagraphics)

---

Best Academic/Scholarly Work
The Comics of Charles Schulz: The Good Grief of Modern Life, edited by Jared Gardner and Ian Gordon (University Press of Mississippi)
Ethics in the Gutter: Empathy and Historical Fiction in Comics, by Kate Polak (Ohio State University Press)
Latinx Superheroes in Mainstream Comics, by Frederick Luis Aldama (University of Arizona Press)
Neon Visions: The Comics of Howard Chaykin, by Brannon Costello (LSU Press)
Picturing Childhood: Youth in Transnational Comics, edited by Mark Heimermann and Brittany Tullis (University of Texas Press)

---

Best Publication Design
Akira 35th Anniversary Edition, designed by Phil Balsman, Akira Saito (Veia), NORMA Editorial, and MASH•ROOM (Kodansha)
Celebrating Snoopy, designed by Spencer Williams and Julie Phillips (Andrews McMeel)
Monograph, designed by Chris Ware (Rizzoli)
My Favorite Thing Is Monsters, designed by Jacob Covey (Fantagraphics)
Will Eisner: The Centennial Celebration, 1917-2017, designed by John Lind (Kitchen Sink/Dark Horse)

---

Best Digital Comic
Bandette, by Paul Tobin and Colleen Coover (Monkeybrain/comiXology)
Barrier, by Brian K. Vaughan and Marcos Martin (Panel Syndicate)
The Carpet Merchant of Konstaniniyya, by Reimena Yee (reimenayee.com/the-carpet-merchant)
Contact High, by James F. Wright and Josh Eckert (gumroad.com/l/YnxSm)
Harvey Kurtzman’s Marley’s Ghost, by Harvey Kurtzman, Josh O’Neill, Shannon Wheeler, and Gideo Kendall (comiXology Originals/Kitchen, Lind & Associates)
Quince, by Sebastian Kadlecik, Kit Steinkellner, and Emma Steinkellner, translated by Valeria Tranier (Fanbase Press/comiXology)

---

Best Webcomic
Awaiting a Wave, by Dale Carpenter and Nate Powell, features.weather.com/us-climate-change/arkansas (The Weather Channel Digital)
Brothers Bond, by Kevin Grevioux and Ryan Benjamin, https://www.webtoons.com/en/action/brothers-bond/list?title_no=1191 (LINE Webtoon)
Dispatch from a Sanctuary City, by Mike Dawson, https://thenib.com/dispatch-from-a-sanctuary-city (The Nib)
The Tea Dragon Society, by Katie O’Neill, teadragonsociety.com
Welcome to the New World, by Jake Halpern and Michael Sloan, https://www.michaelsloan.net/welcome-to-the-new-world/ (New York Times Sunday Review)

Teenage Fansub fucked around with this message at 20:22 on Apr 26, 2018

Lurdiak
Feb 26, 2006

I believe in a universe that doesn't care, and people that do.


When was the cutoff dates for the nominations again?

Teenage Fansub
Jan 28, 2006

It's funny how they feel like they have to specify two specific Batman issues for Tom King, not the series like everything else.

Endless Mike
Aug 13, 2003



The limited series category needs to be changed so it can only include completed series. Can you really fairly compare 7 of 12 issues of Miracle Man to a completed work?

Air Skwirl
May 13, 2007

Neither snow nor rain nor heat nor gloom of night stays these couriers from the swift completion of their appointed shitposting.

Teenage Fansub posted:

It's funny how they feel like they have to specify two specific Batman issues for Tom King, not the series like everything else.

They list a series (Batman) and then 2 specials (Batman Annual 2, Batman/Elmer Fudd), then another series (Mr. Miracle)

Teenage Fansub
Jan 28, 2006

Oops. You're right. Weird that an annual isn't folded in with the series.
And it should have got in best single issue :colbert:

pubic works project
Jan 28, 2005

No Decepticon in history, and I say this with great surety, has been treated worse or more unfairly.
I think it's funny that X-Men: Grand Design is nominated. I thought it was just a mediocre regurgitation of X-Men history with a narration.

Madkal
Feb 11, 2008

I believe in all the ways that they say you can lose your body
Fallen Rib
Flintstones better clean up.

JordanKai
Aug 19, 2011

Get high and think of me.


I'm really glad to see World of Wakanda getting a nomination. That was a lovely little series.

Rhyno
Mar 22, 2003
Probation
Can't post for 10 years!

pubic works project posted:

I think it's funny that X-Men: Grand Design is nominated. I thought it was just a mediocre regurgitation of X-Men history with a narration.

I didn't much care for it or how much people were beating off to it.

Covok
May 27, 2013

Yet where is that woman now? Tell me, in what heave does she reside? None of them. Because no God bothered to listen or care. If that is what you think it means to be a God, then you and all your teachings are welcome to do as that poor women did. And vanish from these realms forever.

pubic works project posted:

I think it's funny that X-Men: Grand Design is nominated. I thought it was just a mediocre regurgitation of X-Men history with a narration.

Go to YouTube. Type in "X Explained" where X is some nerd property such as Star Wars, a particular superhero, Lord of the Rings, excetera. See the amount of subscribers, likes, favorites, and videos.

Watch one of the videos.

Despair.

Roth
Jul 9, 2016

I think it's mostly the aesthetic that people like about Grand Design more than anything else.

Lurdiak
Feb 26, 2006

I believe in a universe that doesn't care, and people that do.


Covok posted:

Go to YouTube. Type in "X Explained" where X is some nerd property such as Star Wars, a particular superhero, Lord of the Rings, excetera. See the amount of subscribers, likes, favorites, and videos.

Watch one of the videos.

Despair.

People like knowing about media more than actually experiencing that media.

Their other favorite thing is people experiencing the media for them.

Covok
May 27, 2013

Yet where is that woman now? Tell me, in what heave does she reside? None of them. Because no God bothered to listen or care. If that is what you think it means to be a God, then you and all your teachings are welcome to do as that poor women did. And vanish from these realms forever.

Lurdiak posted:

People like knowing about media more than actually experiencing that media.

Their other favorite thing is people experiencing the media for them.

I blame slowbeef.

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Lurdiak
Feb 26, 2006

I believe in a universe that doesn't care, and people that do.


Covok posted:

I blame slowbeef.

That son of a bitch ruined it for all of us.

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