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Hieronymous Alloy
Jan 30, 2009


Why! Why!! Why must you refuse to accept that Dr. Hieronymous Alloy's Genetically Enhanced Cream Corn Is Superior to the Leading Brand on the Market!?!




Morbid Hound
Welcome goonlings to the Awful Book of the Month!
In this thread, we choose one work of literature absolute crap and read/discuss it over a month. If you have any suggestions of books, choose something that will be appreciated by many people, and has many avenues of discussion. We'd also appreciate if it were a work of literature complete drivel that is easily located from a local library or book shop, as opposed to ordering something second hand off the internet and missing out on a week's worth of reading. Better yet, books available on e-readers.

Resources:

Project Gutenberg - http://www.gutenberg.org

- A database of over 17000 books available online. If you can suggest books from here, that'd be the best.

SparkNotes - http://www.sparknotes.com/

- A very helpful Cliffnotes-esque site, but much better, in my opinion. If you happen to come in late and need to catch-up, you can get great character/chapter/plot summaries here.

:siren: For recommendations on future material, suggestions on how to improve the club, or just a general rant, feel free to PM me. :siren:

Past Books of the Month

[for BOTM before 2016, refer to archives]

2016:
January: Three Men in a Boat (To say nothing of the Dog!) by Jerome K. Jerome
February:The March Up Country (The Anabasis) of Xenophon
March: The Name of the Rose by Umberto Eco
April: Plain Tales from the Hills by Rudyard Kipling
May: Temple of the Golden Pavilion by Yukio Mishima
June:The Vegetarian by Han Kang
July:Lud-in-the-Mist by Hope Mirrlees
August: Pale Fire by Vladimir Nabokov
September:Siddhartha by Herman Hesse
October:Right Ho, Jeeves by P.G. Wodehouse
November:Kitchen Confidential by Anthony Bourdain
December: It Can't Happen Here by Sinclair Lewis

2017:
January: Mother Night by Kurt Vonnegut
February: The Plague by Albert Camus
March: The Dispossessed by Ursula K. LeGuin
April: The Conference of the Birds (مقامات الطیور) by Farid ud-Din Attar
May: I, Claudius by Robert Graves
June: Salt: A World History by Mark Kurlansky
July: Ficcionies by Jorge Luis Borges
August: My Life and Hard Times by James Thurber
September: The Peregrine by J.A. Baker
October: Blackwater Vol. I: The Flood by Michael McDowell
November: Aquarium by David Vann
December: Sir Gawaine and the Green Knight [Author Unknown]

2018
January: Njal's Saga [Author Unknown]
February: The Sign of the Four by Arthur Conan Doyle
March: Lincoln in the Bardo by George Saunders
April: Twenty Days of Turin by Giorgio de Maria
May: Lectures on Literature by Vladimir Nabokov
June: The Electric Kool-Aid Acid Test by Tom Wolfe
July: Warlock by Oakley Hall
August: All Creatures Great and Small by James Herriott
September: The Magus by John Fowles
October: I'll Be Gone in the Dark by Michelle McNamara
November: Arcadia by Tom Stoppard
December: Christmas Stories by Charles Dickens

2019:
January: Roadside Picnic by Arkady and Boris Strugatsky
February: BEAR by Marian Engel
March: V. by Thomas Pynchon
April: The Doorbell Rang by Rex Stout
May: Thinking, Fast and Slow by Daniel Kahneman
June: 1491: New Revelations of the Americas Before Columbus by Charles C. Mann
July: The Art of Fielding by Chad Harbach
August: Memoirs of Extraordinary Popular Delusions and the Madness of Crowds by Charles Mackay



Current: Picnic at Hanging Rock by Joan Lindsay


Book available here:

https://www.amazon.com/Picnic-Hanging-Rock-Penguin-Classics-ebook/dp/B01E6G6GWO (Two dollars!)

If it is out of copyright in your country:

https://archive.org/details/PicnicAtHangingRockByJoanLindsay

About the book:

quote:

Whether Picnic at Hanging Rock is fact or fiction, my readers must decide for themselves. As the fateful picnic took place in the year nineteen hundred, and all the characters who appear in this book are long since dead, it hardly seems important.

quote:

Picnic at Hanging Rock is an Australian historical fiction novel by Joan Lindsay. Set in 1900, it is about a group of female students at an Australian girls' boarding school who vanish at Hanging Rock while on a Valentine's Day picnic, and the effects the disappearances have on the school and local community. The novel was first published in 1967 in Australia by Cheshire Publishing and was reprinted by Penguin in 1975. It is widely considered by critics to be one of the best Australian novels.

Although the events depicted in the novel are entirely fictional, it is framed as though it is a true story, corroborated by ambiguous pseudohistorical references. Its irresolute conclusion has sparked significant public, critical, and scholarly analysis, and the narrative has become a part of Australia's national folklore as a result. Lindsay claimed to have written the novel over two weeks at her home Mulberry Hill in Baxter, on Victoria's Mornington Peninsula, after having successive dreams of the narrated events.

An excised final chapter of the novel was published posthumously as a standalone book in 1987, titled The Secret of Hanging Rock, and also included critical commentary and interpretive theories on the novel. Another book, titled The Murders at Hanging Rock, was published in 1980, proposing varying interpretations. The novel has been adapted across numerous media, most famously in the 1975 critically acclaimed film of the same name by director Peter Weir.


quote:

Lindsay claimed to have written the novel based on an idea she had in a dream. In a 2017 article in The Age, it was noted: "The dream had centred on a summer picnic at a place called Hanging Rock, which Joan knew well from her childhood holidays. Joan told Rae [her housekeeper] that the dream had felt so real that when she awoke at 7.30am, she could still feel the hot summer breeze blowing through the gum trees and she could still hear the peals of laughter and conversation of the people she'd imagined, and their gaiety and lightness of spirit as they set out on their joyful picnic expedition."[5]

According to her housekeeper at the time, the events of the novel were dreamt by Lindsay successively.[5][6] Several years after the publication of the novel, Lindsay would recount the experience of writing it as such: "Picnic at Hanging Rock really was an experience to write, because I was just impossible when I was writing it. I just sort of thought about it all night and in the morning I would go straight up and sit on the floor, papers all around me, and just write like a demon!"[5]

The novel was written over a total of two weeks at Lindsay's home in Mulberry Hill.[5] In thinking of a title, Lindsay recalled the painting At the Hanging Rock by William Ford, which had hung in her husband Daryl's office at the National Gallery of Victoria,[7] and chose to incorporate it into the title as it was "simple and pretty, and belied the horrors hidden within."[5] In an interview after Lindsay's death, academic Terrence O'Neill, who had befriended Lindsay, remarked the supernatural elements of the novel: "It was clear that [Joan] was interested in Spiritualism, and longed for some spiritual dimension in her life, but she didn't feel safe bringing that side of her out in front of her husband. So I think she channelled it into her writing. I know she was very interested in Arthur Conan Doyle and his belief in and theories about Spiritualism, nature and the existence of spirits."[5]

The novel was imported for sale in the United States, and would receive its first publication there in 2014 by Penguin Random House.[8] In the United Kingdom, the novel was printed in several editions by Vintage, in 1998[9] and 2013.[10]



About the Author(s)

quote:

Joan à Beckett Lindsay (16 November 1896 – 23 December 1984), also known as Lady Lindsay,[2][3] was an Australian novelist, playwright, essayist, and visual artist. Trained in her youth as a painter, Lindsay published her first literary work in 1936 at age forty under a pseudonym, a satirical novel titled Through Darkest Pondelayo. Her second novel, Time Without Clocks, was published nearly thirty years later, and was a semi-autobiographical account of her early married years to artist Daryl Lindsay.

In 1967, Lindsay published her most celebrated work, Picnic at Hanging Rock, a historical Gothic novel detailing the vanishing of three schoolgirls and their teacher at the site of a monolith during one summer. The novel sparked critical and public interest for its ambivalent presentation as a true story as well as its vague conclusion, and is widely considered to be one of the most important Australian novels of all time.[4][5] It was adapted into a 1975 film of the same name.[6]



quote:

IT WAS the sort of suitably unnerving moment a fan of the book might have expected to transpire when an audience gathered at Melbourne’s State Theatre in 1975 for the Victorian premiere of the film adaptation of Picnic At Hanging Rock.

“The theatre clock mysteriously stopped right on 12,” says author Janelle McCulloch, who has written a new book about Joan Lindsay, the woman behind the fictional mystery.

It wasn’t the first time such a thing had happened. Odd occurrences and coincidences were a feature of the late Joan Lindsay’s life. Lindsay, who wrote the beloved Australian novel at the age of 69, often referred to clocks stopping in her presence. When the film of the story was made almost a decade later, the set wasn’t immune. Co-producer Patricia Lovell reported, “All our watches seemed to be playing up. Mine stopped at 6pm on the rock… to ask the time became quite a joke.”

https://www.dailytelegraph.com.au/l...a8abb4c6b1fe174

Themes

quote:

Well, it was written as a mystery and it remains a mystery. If you can draw your own conclusions, that's fine, but I don't think that it matters. I wrote that book as a sort of atmosphere of a place, and it was like dropping a stone into the water. I felt that story, if you call it a story—that the thing that happened on St. Valentine's Day went on spreading, out and out and out, in circles.[19]


quote:

Picnic at Hanging Rock is considered by many critics to be one of the best Australian novels.[26][27] Much of the critical and scholarly interest in the novel has centered on its mysterious conclusion, as well as its depiction of Australia's natural environment in contrast with the Victorian population of the newly established British colony. In 1987, literary scholar Donald Bartlett drew comparisons between Lindsay's treatment of the rock with that of Malabar Hill in E. M. Forster's A Passage to India, which has been interpreted as a metaphor for Pan, the Greek god of the wild: "There is more, of course, to A Passage to India than Pan motifs, for example symbols such as the snake, the wasp and the undying worm, not to mention the vast panorama of India's religions. But I believe it probable that Joan Lindsay consciously borrowed the elements [from A Passage to India]."[29]

Literary scholar Kathleen Steele argues in her essay "Fear and Loathing in the Australian Bush: Gothic Landscapes in Bush Studies and Picnic at Hanging Rock" that the novel's treatment of landscape and its missing characters is reflective of Australia's national history and the relationship between the rock and the Aboriginal population: "The silence surrounding Aborigines, and the manner in which Europeans foregrounded "geographical, historical and cultural difference and discontinuity," yet denied Aborigines either presence or history, created a gothic consciousness of "something deeply unknowable and terrifying in the Australian landscape. .. Lindsay provokes a reflection on the understanding of Australia as an un-peopled land where nothing of consequence occurred until the British gave it a history."[28]

Steele further notes that Lindsay's "gothic landscapes raise doubts that the majority [of Australians] ever subscribed" to the notion that the country and its natural environment was unmarked by a history prior to the arrival of the British colony.[30]

quote:

At Hanging Rock we've become obsessed with the myth almost to the point where we sort of tell it as though it is a true story, but we completely ignore the true losses that have happened there. Most of the Aboriginal people living in that area died of smallpox or were murdered by colonists or removed to Coranderrk [Aboriginal Reserve in Healesville] in 1836 ... It's just fascinating to me that we keep choosing to be haunted by a [fictitious] story rather than the real losses that have occurred in that place.[19]


Pacing

Read as thou wilt is the whole of the law.

Please post after you read!

Please bookmark the thread to encourage discussion.


References and Further Materials

quote:


On a drowsy St. Valentine's Day in 1900, a party of girls from a strict boarding school in Australia goes on a day's outing to Hanging Rock, a geological outcropping not far from their school. Three of the girls and one of their teachers disappear into thin air. One of them is found a week or so later, but can remember almost nothing. The others are never found.

On this foundation, Peter Weir's "Picnic at Hanging Rock" (1975) constructs a film of haunting mystery and buried sexual hysteria. It also employs two of the hallmarks of modern Australian films: beautiful cinematography and stories about the chasm between settlers from Europe and the mysteries of their ancient new home..

https://www.rogerebert.com/reviews/great-movie-picnic-at-hanging-rock-1975

quote:

It is 43 years since Peter Weir bolstered the emerging Australian new wave with the extraordinary Picnic at Hanging Rock. His cinematic adaptation of Joan Lindsay’s beguiling mystery novel is a gorgeously photographed, unsettling, eerie tale that remains potent today. Its dreamlike mixture of horror, mystery and barely suppressed sapphic love stayed with audiences long after they left theatres. The reboot that begins on BBC Two on Wednesday starring Game of Thrones’ Natalie Dormer is further evidence it is a story that just won’t die.

https://www.theguardian.com/tv-and-radio/2018/jul/10/picnic-at-hanging-rock-a-beguiling-story-that-just-wont-die

Link to 1975 film version:

https://www.youtube.com/watch?v=wBjHkpbCI4s


Suggestions for Future Months

These threads aren't just for discussing the current BOTM; If you have a suggestion for next month's book, please feel free to post it in the thread below also. Generally what we're looking for in a BotM are works that have

1) accessibility -- either easy to read or easy to download a free copy of, ideally both

2) novelty -- something a significant fraction of the forum hasn't already read

3) discussability -- intellectual merit, controversiality, insight -- a book people will be able to talk about.

Final Note:

Thanks, and I hope everyone enjoys the book!

Hieronymous Alloy fucked around with this message at 17:30 on Sep 5, 2019

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Hieronymous Alloy
Jan 30, 2009


Why! Why!! Why must you refuse to accept that Dr. Hieronymous Alloy's Genetically Enhanced Cream Corn Is Superior to the Leading Brand on the Market!?!




Morbid Hound
The first few pages sure talk a lot more about breasts than I'd normally expect from a straight female author.

Hieronymous Alloy
Jan 30, 2009


Why! Why!! Why must you refuse to accept that Dr. Hieronymous Alloy's Genetically Enhanced Cream Corn Is Superior to the Leading Brand on the Market!?!




Morbid Hound
Need suggestions for next month!

Hieronymous Alloy
Jan 30, 2009


Why! Why!! Why must you refuse to accept that Dr. Hieronymous Alloy's Genetically Enhanced Cream Corn Is Superior to the Leading Brand on the Market!?!




Morbid Hound
Unless there's a rebellion the plan is to do Maltese Falcon next month. Miraculously, we've never done it, and it's in the public domain in Canada!

Hieronymous Alloy
Jan 30, 2009


Why! Why!! Why must you refuse to accept that Dr. Hieronymous Alloy's Genetically Enhanced Cream Corn Is Superior to the Leading Brand on the Market!?!




Morbid Hound
No time to do a poll, but someone suggested Lovecraft Country as a botm. Anyone read it? Is it good?

Hrm. Maybe Her Body and Other Parties

Hieronymous Alloy fucked around with this message at 11:32 on Oct 1, 2019

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Hieronymous Alloy
Jan 30, 2009


Why! Why!! Why must you refuse to accept that Dr. Hieronymous Alloy's Genetically Enhanced Cream Corn Is Superior to the Leading Brand on the Market!?!




Morbid Hound

MockingQuantum posted:

I would be strongly in favor of Kwaidan, or really any decent collection of spooky stories.

I didn't see the Kwaidan discussion but I'll keep it in mind for future months.

Next month's selection will be Her Body and Other Parties, which is a short story collection, has been popular in recent polls, and apparently has some horror themes.

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