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Narzack
Sep 15, 2008
Haha, the spoiler bits at the end of your post didn't make any more sense to me than the first time I watched the movie, but it is definitely my favorite Aronofsky film. It's just beautiful, aurally and visually. I even bought the graphic novel that he wrote, but I still didn't quite understand it. Also, it's a fun double-feature with Sunshine

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Narzack
Sep 15, 2008

feedmyleg posted:

I feel like I've already posted my thoughts on the film too many times on this forum, but suffice to say I think it's a brilliant film. It raises a lot of interesting questions, but likely has a very simple "reality" to it where the conquistador story is Izzy's book and the spaceship story is Tommy's final chapter to that book, incorporating his own experiences.

What I'm curious about is if anyone has any insight into the lighting. Aronofsky has gone on record saying that yellow light and white light are the key to understanding the film, but I don't really see it in anyone's thoughts on the film and it never quite adds up to me on rewatch. Does anyone feel like they have additional insight into this?

Also, has anyone listened to the commentary that he put out himself since the studio wouldn't put it on the home release? Looks like it's up on YouTube here. I'm rarely a commentary person but I might have to give this a listen next time I want to revisit the film.

Isn't there something about Tom constantly moving towards the light, and that's important? I don't know, I'm usually just too dazzled by everything to figure it out.

I worked with a guy last year who was sponsored by Aranofsky for the AFI director's program, and apparently, Aranofsky thinks Fountain is terrible. Which is crazy to us, so we spent a good while just talking about how amazing it is and how it means something different to you based on where you are in life.

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