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Yay a new film thread. When the last one started, I talked about developing my own black and white film but I didn’t actually start until around the end of the thread. Now I am the master developer (not really)
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Nov 10, 2023 02:02
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| # ¿ May 17, 2024 18:20 |
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toadee posted:Shaka1277: At least from all the photos (Youtuber and non-Youtuber alike) I've seen of Phoenix 200, he probably has the best scans so far.
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Dec 2, 2023 22:34
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You know what, I couldn't put my finger on it but I just realized, a lot of these Phoenix 200 photos I've been seeing around look a lot like old Anscochrome.
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Dec 3, 2023 05:24
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The person's Instagram says their theme is "the boundary between film and digital", so I wouldn't be surprised if some (or a lot) of those photos are done on a Fuji X series camera.
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Dec 30, 2023 00:04
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Cassius Belli posted:hopster piss beer. Man, remember like 10-12 years ago when IPAs were all the rage?
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Jan 17, 2024 02:47
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I bought pretty much all of my camera gear the past couple of years from Japanese sellers on eBay. Everyone’s covered everything about it: ignore the EXC++++/MINT/NEAR MINT ratings, read the descriptions, and look at the photos VERY carefully.
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Jan 30, 2024 04:27
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I will stan the Bronica GS-1 all day but I will say that I've been massively enjoying shooting with the Bronica S2A. I never really put much stock into 6x6 but shooting the format with the S2A has been surprisingly gratifying.
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Mar 1, 2024 05:45
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Megabound posted:The S2s are very satisfying cameras to use and the small lenses are perfect. I usually take the 50 and 75 with me but will happily carry the 200 as well I take the Holy Trinity with me (50, 75, 150). I’ve been thinking about getting the 200 but I have to curtail my spending for a while.
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Mar 1, 2024 06:35
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I've been kicking myself for the better part of a decade when I passed on buying an Arri SR3 package for $3000. 
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Mar 5, 2024 04:36
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Beve Stuscemi posted:Film friends, what’s your recommended camera shop in Los Angeles? I’m headed there in a bit with my ME Super and I’d like to check out some film-friendly shops, pick up some rolls and maybe peruse some K-Mount lenses or something Samy’s and Freestyle Photo
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Mar 19, 2024 16:42
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The EOS-1N is a great camera. The only nitpicky thing about it is that all five autofocus points are in a single row rather than a traditional diamond pattern, but it's not something that makes/breaks the camera or shooting experience.
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Mar 25, 2024 18:23
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Film that’s expired for a couple of years is fine to shoot at box speed.
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Apr 2, 2024 07:13
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If you’re shooting B&W, I recommend shooting Kentmere 400 pushed 3 stops to 3200. It looks great that way.
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Apr 6, 2024 06:47
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I have a Sekonic L758Cine that I use for work since that's pretty much the standard in the film industry, but I just bought a Sekonic L308S to use as a backup/walk around light meter when I shoot on one of my film cameras without a light meter (Zeiss Super Ikonta and Bronica S2A). I've found using the incident meter for my film photography to be more enjoyable and more consistent than using any of my in-camera meters. I just take incident measurements with my hand shading the dome to mimic taking a reading in shade and that's what I set my aperture and shutter speed settings to and it's worked out really well.
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Apr 13, 2024 00:21
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If you ever do get a Plaubel Makina 67, be gentle with extending the bellows and make sure it's focused at infinity every time you extend and retract it. The metering wiring is super fragile and is usually the first thing that breaks on them.
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Apr 18, 2024 14:57
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cerious posted:Actually this way is much cooler Lol yea, I saw that before. The heart of every Makina 67 owner froze.
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Apr 18, 2024 18:14
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| # ¿ May 17, 2024 18:20 |
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big black turnout posted:This is wild to me. I feel like it's the exact opposite and I almost exclusively hear about the vision stocks (and the god awful halation) The key is to shoot on Vision stock with the remjet intact then developing in ECN-2.
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Apr 22, 2024 23:10
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