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qirex posted:The breaks in the lights are because they’re animated. I think one of my Things I need to get over is that gap between what I see and what the photo ends up being. Someone who hasn’t seen the Bay Bridge at night wouldn’t know that. I have found that the 2 second timer is the perfect tool for that job. Set the camera down somewhere sturdy and press the shutter. 2 seconds is enough time that any jitters from pressing the shutter button settle down. Even if the surface is rounded and you need to keep a grip on the camera, using the 2 second timer lets you press and then grasp firmly in a hold that you're less likely to twitch in.
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# ? Feb 14, 2020 14:50 |
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# ? May 16, 2024 18:35 |
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# ? Feb 14, 2020 16:00 |
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# ? Feb 15, 2020 04:55 |
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Looking at this photo feels like a massage for my brain
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# ? Feb 15, 2020 05:12 |
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# ? Feb 16, 2020 00:38 |
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Love these.
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# ? Feb 16, 2020 00:51 |
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# ? Feb 16, 2020 01:17 |
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# ? Feb 17, 2020 04:15 |
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# ? Feb 19, 2020 01:35 |
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Still kicking myself for not pulling the focus closer. At f22, I thought I had enough, but clearly didn't.
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# ? Feb 19, 2020 09:21 |
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yo guys, you don't need to thumbnail your huge images here, you're with friends. we're all here to chill and look at photos, stop making me work for it
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# ? Feb 19, 2020 11:39 |
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ImplicitAssembler posted:
looks more like you have a shitload of swing and tilt for some reason
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# ? Feb 19, 2020 18:20 |
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That I know I didn't do . It was very late and very cold, but the camera was set up(reasonably) straight.
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# ? Feb 19, 2020 18:55 |
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there's an obvious tilt, your focal plane cuts right through the crane
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# ? Feb 19, 2020 19:26 |
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ImplicitAssembler posted:That I know I didn't do . It was very late and very cold, but the camera was set up(reasonably) straight. I'm sure you didn't do it intentionally. I'd love to hear your alternative explanation for why the middle of the cranes are in focus but not their tops or bottoms.
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# ? Feb 19, 2020 19:27 |
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Hmm. I see your point (and also why I couldn't make sense of the focus in this). Dark cloth shifted the back, maybe? Just seems like it would have to be a fairly extreme movement.
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# ? Feb 19, 2020 19:39 |
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ImplicitAssembler posted:Hmm. I see your point (and also why I couldn't make sense of the focus in this). Dark cloth shifted the back, maybe? Just seems like it would have to be a fairly extreme movement. Did you take this with an Intrepid?
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# ? Feb 19, 2020 19:48 |
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a small amount of front tilt can radically affect focus
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# ? Feb 19, 2020 19:50 |
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Well, that'll teach me to pay more attention. Meanwhile, this is simpler. (Finally have time to get stuff developed and scanned!)
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# ? Feb 19, 2020 22:20 |
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ansel autisms posted:a small amount of front tilt can radically affect focus Yeah, this. The wider your lens is and the further away your subject is, the more a small amount of tilt will affect your focus. Read up on the Scheimpflug principle and if you feel like it, do the math for some real-world examples. SMERSH Mouth posted:Did you take this with an Intrepid? The biggest tell for me that the people who made the Intrepid designed their camera without ever having used a LF camera made by somebody else is that there aren't even zeroing marks for any of the movements, much less detents.
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# ? Feb 19, 2020 23:42 |
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ImplicitAssembler posted:Hmm. I see your point (and also why I couldn't make sense of the focus in this). Dark cloth shifted the back, maybe? Just seems like it would have to be a fairly extreme movement. But the question is, why is the entire road from foreground to background out of focus? That looks like it would be pretty obvious on the ground glass, even without a loupe.
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# ? Feb 20, 2020 00:13 |
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alkanphel posted:But the question is, why is the entire road from foreground to background out of focus? That looks like it would be pretty obvious on the ground glass, even without a loupe. Seconding this. Also if you can I'd go back and re-take it. That looks like a lovely scene/shot that is worth re-doing properly.
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# ? Feb 20, 2020 04:13 |
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alkanphel posted:But the question is, why is the entire road from foreground to background out of focus? That looks like it would be pretty obvious on the ground glass, even without a loupe. I promised myself I wouldn't make any excuses, but this was after a 14 hour work day. I walked past the spot on my way home, did a test shot on the phone and decided I needed to shoot it. Went back home, backed up my gear (Camera was already on tripod, film was loaded) and got back there at 1am. It was -10C, which is the coldest I've experienced in many years. I'll admit that I did not check the focus on the road, but instead focused (hah!) on the buildings and cranes. Re-shooting it is doable, but the snow is long gone (It should still work without it)...however, getting the misty air may be tricky without having it raining too much. There's a bunch of other alleyways that I want to shoot as well.
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# ? Feb 20, 2020 20:22 |
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ImplicitAssembler posted:I promised myself I wouldn't make any excuses, but this was after a 14 hour work day. I walked past the spot on my way home, did a test shot on the phone and decided I needed to shoot it. Went back home, backed up my gear (Camera was already on tripod, film was loaded) and got back there at 1am. It was -10C, which is the coldest I've experienced in many years. I'll admit that I did not check the focus on the road, but instead focused (hah!) on the buildings and cranes. Well hopefully you learned a lesson to always check the final focus before sliding in the film.
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# ? Feb 21, 2020 00:21 |
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Actually I'm thinking of going there with some black and white and make sure I got the technical bits dialed.
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# ? Feb 21, 2020 02:40 |
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I’ve ruined so many shots by loving up the focus. I’m a bit short-sighted which can make it really hard to tell when I’m peering through the viewfinder. I somewhat recently got glasses which kind of help but they make it awkward to hold a camera right up in my face. I’m sure some of you here must also have the same problem, do you get around it with contacts or what? I haven’t tried them yet myself because they sound like a giant hassle but I’d love to be able to see focus properly and not have to rely on auto focus and trying to guess the appropriate aperture so much
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# ? Feb 21, 2020 03:03 |
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Shooting with a TLR is great for glasses wearers
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# ? Feb 21, 2020 03:15 |
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# ? Feb 21, 2020 04:02 |
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Unless I'm shooting my Horseman I just wear contacts, and before my Minolta exploded I used a correcting eyepiece. I recommend either or if you don't want to fight with your glasses and want to shoot seriously.
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# ? Feb 21, 2020 04:27 |
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# ? Feb 22, 2020 10:36 |
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# ? Feb 22, 2020 16:00 |
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# ? Feb 22, 2020 16:31 |
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Great photo, for me the mood is somewhat affected by the Coronation Street LP
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# ? Feb 22, 2020 18:15 |
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jarlywarly posted:Great photo, for me the mood is somewhat affected by the Coronation Street LP Haha. I know what you mean. I was being cheeky and popped my camera in the doorway to take the photo. The owner wanted to know what I was doing so I showed him the shot and he said ‘Oh yeah that’s fine. Just don’t want you to make the place look messy’. ok dude. Nigel Tufnel fucked around with this message at 19:22 on Feb 22, 2020 |
# ? Feb 22, 2020 19:20 |
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# ? Feb 22, 2020 23:29 |
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# ? Feb 23, 2020 04:29 |
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Dope.
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# ? Feb 23, 2020 11:13 |
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# ? Feb 24, 2020 02:40 |
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# ? Feb 24, 2020 22:56 |
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# ? May 16, 2024 18:35 |
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Anundshög in infrared?
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# ? Feb 25, 2020 00:27 |