Register a SA Forums Account here!
JOINING THE SA FORUMS WILL REMOVE THIS BIG AD, THE ANNOYING UNDERLINED ADS, AND STUPID INTERSTITIAL ADS!!!

You can: log in, read the tech support FAQ, or request your lost password. This dumb message (and those ads) will appear on every screen until you register! Get rid of this crap by registering your own SA Forums Account and joining roughly 150,000 Goons, for the one-time price of $9.95! We charge money because it costs us money per month for bills, and since we don't believe in showing ads to our users, we try to make the money back through forum registrations.
 
  • Post
  • Reply
Horizon Burning
Oct 23, 2019
:discourse:

teamcharlie posted:

In the interest of honesty about books: I read Ready Player One and enjoyed it. Thought it was real fun. Didn't think it was God's gift to literature, but it was sufficiently enjoyable sci-fi trash aimed at like tweens/teens who like lovely movies and video games that I have never regretted reading it (Heinlein Juniors are better, of course, but there's only so many of those).

Armada was fine. Definitely worse than Ready Player One, but not so much so that I'd leave a horse head in your bed for reading it or something. It's mildly modified The Last Starfighter fanfiction with a much less interesting love interest than the movie that inspired it had and a generally less tight plot, but it's an okay read. You might or might not like it even if you liked Ready Player One, but I enjoyed it.

Ready Player Two: a garbage fire. A steaming turd. Avoid avoid avoid! For everybody whose main complaint is that Cline hasn't become a gender studies professor at Berkeley in the intervening 9 years between publishing the first and second books in the series, or even just that he's a creepy DMCA-happy rear end in a top hat, you have Missed. The. Point. Even if you don't give a poo poo about politics, and even if you believe in the theory of death of the author and all that, this is still a horrifically badly written book that just isn't all that fun. It's an adventure story without even a semblance of the challenge of an adventure that's badly rushed and unsatisfying. It's a love story where the falling in love happens off stage. It's the start of a rumination on the dangers of brain-computer interfaces and escapism to the human population that just quits midway through and assumes that everything will be fine. It's a screed on social media that really just means 'I, Ernest Cline, quit twitter because people told me my books sucked but now I spend all my time on Insta and have completely stopped listening to criticism of my work. That counts, right?' With the exception of a failed attempt to be trans-/gay-/nonbinary-friendly (it's not nearly as hostile as some people make it out to be, but it's certainly not up to date and definitely still problematic), pretty much every overblown general criticism leveled at Ready Player One (whether you agreed with them or not about that book) is a thousand times more accurate when leveled at Ready Player Two.

Do not buy Ready Player Two. Do not read Ready Player Two. Just pretend that Cline went into a coma and this was published by the reincarnation of Alonso Fernández de Avellaneda (who set his sights way lower this time).

i'm sorry but there's actually very little difference between RP2 and RP1. RP2 is just a bit more brazen and, somehow, more poorly-written. like, the stuff you're citing as proof that RP2 is a garbage fire is all there in RP1 - cline just wasn't convinced he was god's gift to the world just yet. like, you can't honestly, earnestly say that you expected cline of all people to get trans/gay/nb stuff right, can you? RP1 was filled with red flags on that front.

Adbot
ADBOT LOVES YOU

Silver2195
Apr 4, 2012

StrixNebulosa posted:

Yeah uh, as I've started the Oathbreaker/blood/honor/etc series there's rape in both backstories of the main women, and :sigh:

Seriously, what is it with older sci-fi/fantasy women authors and including rape? Jo Clayton, CJ Cherryh, Mercedes Lackey, Anne McCaffrey, Jane Gaskell.... there are surely more, but it feels weirdly more prevalent in the women-written sci-fi. The men are sexist (lookin' at YOU, Asimov!) but I don't recall as much sexual violence in their books.

I can definitely think of some older male SF authors whose work also seems to make sexual assault into a sort of recurring motif (Jack Vance, for instance). But it’s probably true that a writer like Asimov wouldn’t go there. Maybe it’s not so much a female thing as a New Wave thing.

Eason the Fifth
Apr 9, 2020

StrixNebulosa posted:

Yeah uh, as I've started the Oathbreaker/blood/honor/etc series there's rape in both backstories of the main women, and :sigh:

Seriously, what is it with older sci-fi/fantasy women authors and including rape? Jo Clayton, CJ Cherryh, Mercedes Lackey, Anne McCaffrey, Jane Gaskell.... there are surely more, but it feels weirdly more prevalent in the women-written sci-fi. The men are sexist (lookin' at YOU, Asimov!) but I don't recall as much sexual violence in their books.

I'd argue that rape as a trope in sci-fi and fantasy is sadly pretty common, no matter what the sex of the author or what era it was written. Besides Vance, just off the top there's also Donaldson and Thomas Covenant, or Goodkind and every book in the Sword of Truth, or Martin in every book of ASoIaF. Or David Gemmell and the Rigante saga. In contemporary woman-written fantasy, there's Diana Gabaldon. I don't think it's wrong to broaden the question from 'why older women writers?' to 'why is it a trope in these genres at all?' and from there I can only imagine it's a mix of:

A perpetuation of older mythologies and religions (every major religion or myth has rape in it, and fantasy/sci-fi pulls heavily from those stories)
A poor response to another text ('Mercedes Lackey had a rape scene, I need one too')
The author trying to demonstrate the horrors of the world (Martin and Westeros)
The author just has a thing for rape and bondage (Norman and Gor; Goodkind and the Mord-Sith)
A lazy shortcut to backstory and Finding Inner Strength (Meyer writing Rosalie Hale in Twilight)
Basic titillation (every Amazon self-published fantasy)

Mostly, though, I think rape scenes are just a side effect of the melodrama that's inherent in the genres. There isn't a lot of room for subtlety in world-saving fantasy or space-bending sci-fi, and rape/murder/other vicious acts are a quick and easy way to get the plot moving and give the characters (unnuanced) motivations in the service of the bigger story. Which I suppose is probably pretty true for most genre fiction. But with fantasy and sci-fi, you can be weird about it.

edit for clarity

Eason the Fifth fucked around with this message at 06:21 on Dec 3, 2020

teamcharlie
Dec 9, 2012

Horizon Burning posted:

i'm sorry but there's actually very little difference between RP2 and RP1. RP2 is just a bit more brazen and, somehow, more poorly-written. like, the stuff you're citing as proof that RP2 is a garbage fire is all there in RP1 - cline just wasn't convinced he was god's gift to the world just yet. like, you can't honestly, earnestly say that you expected cline of all people to get trans/gay/nb stuff right, can you? RP1 was filled with red flags on that front.

I get that people are obsessed with identity politics, but it's simply not the biggest problem with Ready Player Two, not because Cline now 'gets it,' but because the book is so, so very bad in pretty much every other way. Even compared to Ready Player One.

Like, it's cool if you didn't like RPO. That's fine. Totally acceptable position as far as I'm concerned. RP2 is still a MUCH worse book. If anything, I'd say that identity politics is something that he has very very slightly improved on, which is to say that he still sucks at it and I fault nobody for still having a problem with him about it. It's just...gently caress. I've never seen a book this badly written that wasn't on Kindle Unlimited and shat out by a nobody hoping to make a quick $5 writing about ladies loving dinosaurs. My guess is that most of those are still better constructed than RP2. It's a masterclass of making GBS threads the bed. I think the real problem people are having is that they actually don't see (or more likely hated/disapproved of RP1 and didn't read its sequel anyway and just write performatively that they can't imagine a book being worse) just how lovely this book really is. I have no explanation as to how somebody could read both books and think that they are of roughly equal quality as far as trashy sci-fi adventure novels for young adults go, but maybe that's what's happening. Still, no, it's not just a matter of taste.

Side note: Craig Anderson. Absolutely no idea if people have talked about his books in this thread because I can't search, but if you actually did like Ready Player One, for the love of God don't buy Ready Player Two and instead maybe try Anderson's One Up novels (https://www.amazon.com/Craig-Anderson/e/B00D9FXE7O?ref=dbs_m_mng_rwt_byln). No promises, but I liked them. Free on Kindle Unlimited, or at least they were when I picked them up. It's not (exactly) so much a virtual world as a 'what if video games mixed with real life,' but they're fun, occasionally funny, and well-written for a YA-oriented gamelit (ugh that stupid genre name) novel.

teamcharlie fucked around with this message at 07:45 on Dec 3, 2020

freebooter
Jul 7, 2009

Laura Hudson has posted her review of RP2; her hatchet job on Armada is one of my favourite pieces of commentary about geek nostalgia culture.

"Nothing about what Ready Player Two serves up is satisfying, in the same way that reading a shopping list isn’t as satisfying as eating a meal. You will never eat the meal. There is no meal. As with its predecessor, Ready Player Two will simply come to your table, tell you the names of delicious dishes cooked by other chefs, recite the ingredients they used, and then shake your hand and thank you for coming. This time, you will leave even hungrier, emptier, and poorer for the experience."

https://slate.com/culture/2020/12/ready-player-two-review-ernest-cline-sequel.html

HopperUK
Apr 29, 2007

Why would an ambulance be leaving the hospital?
Not to be a downer but it's not like rape isn't present in the actual lives of a lot of women, you know? Not that I love it just showing up all the time but it's something a lot of authors probably have experience of.

Kchama
Jul 25, 2007

teamcharlie posted:

I was referring to the failed attempt to be trans-/gay-/nonbinary-friendly in RP2, not in RPO. There's a different scene in RP2 where apparently he's watched a lot of gay porn and is now kinda into it if the person he thinks is sexy is packing, but not enough for that to go anywhere.

Maybe read the rest of what I quoted. You claimed that the accusations were overblown in RPO, and it was only RP2 that was that bad. But RPO was actually worse is what I was getting at! RP2 was cringy as hell and dumb, but it did briefly try. RPO was just plain awful without even bothering. Make no mistake, RP2 really bad, but RPO is just as bad if not worse.

freebooter posted:

Laura Hudson has posted her review of RP2; her hatchet job on Armada is one of my favourite pieces of commentary about geek nostalgia culture.

"Nothing about what Ready Player Two serves up is satisfying, in the same way that reading a shopping list isn’t as satisfying as eating a meal. You will never eat the meal. There is no meal. As with its predecessor, Ready Player Two will simply come to your table, tell you the names of delicious dishes cooked by other chefs, recite the ingredients they used, and then shake your hand and thank you for coming. This time, you will leave even hungrier, emptier, and poorer for the experience."

https://slate.com/culture/2020/12/ready-player-two-review-ernest-cline-sequel.html

Not wrong, and yet, also way too kind about RPO.

fritz
Jul 26, 2003

HopperUK posted:

Not to be a downer but it's not like rape isn't present in the actual lives of a lot of women, you know? Not that I love it just showing up all the time but it's something a lot of authors probably have experience of.

You know what's even more common is UTIs and yet I can only think of one book in which they appear.

Selachian
Oct 9, 2012

StrixNebulosa posted:

Yeah uh, as I've started the Oathbreaker/blood/honor/etc series there's rape in both backstories of the main women, and :sigh:

Seriously, what is it with older sci-fi/fantasy women authors and including rape? Jo Clayton, CJ Cherryh, Mercedes Lackey, Anne McCaffrey, Jane Gaskell.... there are surely more, but it feels weirdly more prevalent in the women-written sci-fi. The men are sexist (lookin' at YOU, Asimov!) but I don't recall as much sexual violence in their books.

In the case of female-written rape scenes in older SF/fantasy, I think it's helpful to look at contemporary romance novels. They got called "bodice-rippers" for a reason -- they're full of brutal, dangerous, "masterful" heroes who, at the climactic moment, grab the heroine and kiss and grapple her into a swoon until she Surrenders to Her Passion. And she doesn't have to explicitly consent at any point, so the writer can get the heroine laid without having her actually *ask* for sex, because God forbid we admit women might be able to go get sex for themselves.

I see it as an outgrowth of romance's fondness for brooding, uncommunicative rear end in a top hat heroes who are just waiting for The Right Woman (meaning YOU, the special, wonderful reader/protagonist). See Heathcliff, Edward Cullen, Maxim de Winter, etc. I'm not as familiar with the other writers you name, but McCaffrey and Gaskell were definitely drawing from the same well.

Selachian fucked around with this message at 16:12 on Dec 3, 2020

StrixNebulosa
Feb 14, 2012

You cheated not only the game, but yourself.
But most of all, you cheated BABA

These are thoughtful and informative posts, thank you Silver2195, Eason the Fifth, HopperUK and Selachian. It's... I think it stands out more to me when I read the older fantasy/sci-fi because the women authors tend to spend more time on the emotional landscape of their characters (to generalize) as well as writing the women's pov, so it's more... it stands out more. Which is frustrating and disturbing - I've seen at least one friend from discord claim they no longer read older sci-fi/fantasy as it's either sexist or full of sexual violence and they're not entirely wrong.

On my end - I'm still reading, and I've started Oathbound by Lackey and I'm enjoying that it's framed as "this awful thing happened, and now REVENGE" and maybe that's a cliche but it's gratifying to see. gently caress 'em up!

Sibling of TB
Aug 4, 2007

fritz posted:

You know what's even more common is UTIs and yet I can only think of one book in which they appear.

I mean, yeah. I can only think of the one in The Mirror Empire by Kameron Hurley. I thought there was one in the Hyperion saga but it was just kidney stones.

pradmer
Mar 31, 2009

Follow me for more books on special!
Sharp Ends: Stories from the World of the First Law by Joe Abercrombie - $2.99
https://www.amazon.com/dp/B013HA6W92/

Promise of Blood (Powder Mage #1) by Brian McClellan - $2.99
https://www.amazon.com/dp/B0092XHPIG/

To Be Taught, If Fortunate by Becky Chambers - $1.99
https://www.amazon.com/dp/B07L2Z4DBK/

mllaneza
Apr 28, 2007

Veteran, Bermuda Triangle Expeditionary Force, 1993-1952




pradmer posted:

To Be Taught, If Fortunate by Becky Chambers - $1.99
https://www.amazon.com/dp/B07L2Z4DBK/

That's a really beautiful novella, very hopefully about our destiny in the stars. As highly recommended as the rest of her stuff.

teamcharlie
Dec 9, 2012

Kchama posted:

Maybe read the rest of what I quoted. You claimed that the accusations were overblown in RPO, and it was only RP2 that was that bad. But RPO was actually worse is what I was getting at! RP2 was cringy as hell and dumb, but it did briefly try. RPO was just plain awful without even bothering. Make no mistake, RP2 really bad, but RPO is just as bad if not worse.

We're not disagreeing. The scene in RPO was indeed worse, and that was my point.
See the following as well:

teamcharlie posted:

RP2 is still a MUCH worse book. If anything, I'd say that identity politics is something that he has very very slightly improved on, which is to say that he still sucks at it and I fault nobody for still having a problem with him about it.

Cline doing slightly better in RP2 than RPO doesn't mean he's now good at it, just less bad. Which I still consider an improvement, possibly the only improvement, from RPO.

teamcharlie fucked around with this message at 04:29 on Dec 4, 2020

Gnoman
Feb 12, 2014

Come, all you fair and tender maids
Who flourish in your pri-ime
Beware, take care, keep your garden fair
Let Gnoman steal your thy-y-me
Le-et Gnoman steal your thyme




I'm really not sold on the idea that "I found out she was trans because I'm massively violating her privacy, but I'm OK with this because I've experienced fully immersive porn as all possible variations of gender and sex with all members of gender and sex" is an improvement.

ulmont
Sep 15, 2010

IF I EVER MISS VOTING IN AN ELECTION (EVEN AMERICAN IDOL) ,OR HAVE UNPAID PARKING TICKETS, PLEASE TAKE AWAY MY FRANCHISE

StrixNebulosa posted:

whoof that awkward feeling of popping open the first Vows and Honor short story and it's about Mercedes Lackey excitedly showing off her short stories to Marion Zimmer Bradley....god, gently caress you MZB, gently caress you so hard.

I meant to respond to this. MZB used to edit a Swords and Sorceress short story anthology series for a while and basically every installment had a Vows and Honor short story in it; I’m pretty sure that’s where the stories got their start.

GD_American
Jul 21, 2004

LISTEN TO WHAT I HAVE TO SAY AS IT'S INCREDIBLY IMPORTANT!
I liked Blindsight, liked Echopraxis somewhat less but still, thought the Rifters trilogy started off uneven but still holding interest, and what the gently caress at the end of book 3 it very quickly dissolves into rape torture porn. Explicit, horrifying passages, Never went cold on an author so quickly. Didn't even bother finishing the loving books, and I don't know about you but quitting a trilogy 60% of the way into book 3 is something that just does not loving happen.

freebooter
Jul 7, 2009

Blindsight is one of those books I liked a lot while I read it a few years ago but barely remember now - couldn't tell you the name of a single character or the story beyond "investigating a BDO at the edge of the solar system and there are also, unrelatedly, vampires or something?"

Although "enjoying it while I'm reading it but don't remember it at all" is still better than half the sci-fi I read.

General Battuta
Feb 7, 2011

This is how you communicate with a fellow intelligence: you hurt it, you keep on hurting it, until you can distinguish the posts from the screams.

GD_American posted:

I liked Blindsight, liked Echopraxis somewhat less but still, thought the Rifters trilogy started off uneven but still holding interest, and what the gently caress at the end of book 3 it very quickly dissolves into rape torture porn. Explicit, horrifying passages, Never went cold on an author so quickly. Didn't even bother finishing the loving books, and I don't know about you but quitting a trilogy 60% of the way into book 3 is something that just does not loving happen.

Yeah Behemoth was a huge mistake. Really pissed me off.

Llamadeus
Dec 20, 2005
I read the first two Rifters books like a decade ago and every discussion about it I've read since has made me pretty glad I didn't try too hard to track down the third.

pseudanonymous
Aug 30, 2008

When you make the second entry and the debits and credits balance, and you blow them to hell.

freebooter posted:

Blindsight is one of those books I liked a lot while I read it a few years ago but barely remember now - couldn't tell you the name of a single character or the story beyond "investigating a BDO at the edge of the solar system and there are also, unrelatedly, vampires or something?"

Although "enjoying it while I'm reading it but don't remember it at all" is still better than half the sci-fi I read.

There's a lot going on in Blindsight, virtually every character is transhuman or post-human in some way and the narrator is unreliable and the sequel questions whether the narrator is actually the narrator or some kind of alien mimicking the narrator and the narrator (who is false) explains through the book that he himself doesn't really have an inherent construction of himself so he has to model how to be himself by watching other people around him, but his job is to not really exist and to serve as an interface between post-human entities and humans, so the more he models himself the worse he is at his job.

Anyway, I think it's pretty loving good, but you have to read it pretty carefully.

Riot Carol Danvers
Jul 30, 2004

It's super dumb, but I can't stop myself. This is just kind of how I do things.
Is it weird that I never read Blindsight because as soon as I read that it involved space vampires it immediately ruined it for me?

pseudanonymous
Aug 30, 2008

When you make the second entry and the debits and credits balance, and you blow them to hell.

Riot Carol Danvers posted:

Is it weird that I never read Blindsight because as soon as I read that it involved space vampires it immediately ruined it for me?

It's not really space vampires, there's one vampire, who happens to be in space. And it's almost the opposite of the things that for me "vampires in space" would be a red flag for.

Also though it's a free book you can just read it, so you could always read the first chapter and see if the vampires bother you. The vampire character just mostly lurks off-screen.

https://rifters.com/real/Blindsight.htm#Prologue

wizzardstaff
Apr 6, 2018

Zorch! Splat! Pow!
I went into Blindsight thinking that space vampires would be a lot more prominent in the plot. They were not at all. It's more like a thought experiment that the author decided to work into the worldbuilding to supplement the book's theme.

Drakyn
Dec 26, 2012

If we're talking about this again, I was never a fan of the vampires in Blindsight because nothing about them made sense, I didn't appreciate their 'hey autistic people are a broken expression of dormant predatory traits!' origin, and seriously literally nothing about them made a gram of sense biologically or ecologically. They were the nessie-is-a-plesiosaur of hard science fiction concepts: making a myth 'realistic' in a way that's even less plausible than its original form*.
Then I read the first Rifters book and the guy from the surface who comes downstairs to monitor the underwater workers privately nicknames them 'vampires' in his head and is constantly experiencing ~primal spooks~ from how pale and silent and menacingly otherworldy they are to his frail human sensibilities and I liked Blindsight's vampires even less in hindsight because now they felt like the author jerking off.
And this is probably why people end up talking about them so much relative to the rest of the book or its sequel: they're such an outlandish concept - even in a book full of them - that you end up either feeling they're really neat or really stupid.

*I would unironically find 'evil magic made this corpse (or melon, or gourd) animate and thirst for human blood' more believable than 'there was once a pathologically solitary Homo species that was dietarily compelled to kill and eat other (hypersocial, probably armed) humans or die and it was very successful and good at doing this until humans invented distinct right angles, something that definitely never ever previously existed.' I've said this before, but it's like making a lovely tiger and giving it a koala's picky eating habits. You don't need to invent a secret brain glitch to explain why that wasn't a viable ecological niche.

Drakyn fucked around with this message at 19:58 on Dec 4, 2020

AARD VARKMAN
May 17, 1993
the only thing about the space vampires i liked was just the concept of a race that can't visually process right angles, which would be a cool idea for a story about aliens encountering humans

Strom Cuzewon
Jul 1, 2010

I feel like the earth-vampires (in space) are kind of a distraction in Blindsight - there's too much cultural and mythical baggage around vampires that I feel distract from the neuro-fuckery. And yeah, the "created from austic genes" thing is really gross. Keaton is a pretty sensitive portrayal of a neuro-atypical character imo, so I don't think Watts is intentionally associating austism with blood-sucking predators. But the implication is still there.

The visual-processing/crucifix glitch feels fairly realistic to me though - there's all sorts of dumb uselss poo poo in real biology (pandas, avocados, the recurrent laryngeal nerve, pop-sci is full of em) and weird-epilepsy is pretty normal by comparison.

GD_American
Jul 21, 2004

LISTEN TO WHAT I HAVE TO SAY AS IT'S INCREDIBLY IMPORTANT!
I thought the vampire part was kinda neat, although the "we were already 50% of the way there with autistics" could have been left out and nothing would be lost. The core concept of humanity not just creating its own predator, but re-creating an extinct one just for efficiency's sake was the best part of the book. The fact that it wasn't the primary (or, despite being the ending, really even a secondary) theme of the book was disappointing.


I slogged through Watts' look-how-smart-I-am unending string of unexplained technical references, both because that's just something all hard sci-fi authors will do to a point and it is kind of neat to learn these concepts through genre fiction, BUT he never knew when to take a break. He's writing a story for an audience of PhD carrying biologists. The idea that in your cyberpunk-lite dystopia people will refer to others as r-selectors or k-selectors is unrelentingly dumb.

I literally will put this guy in the Lovecraft box. Neat ideas, lovely writing, seems to be kind of a lovely person too.

General Battuta
Feb 7, 2011

This is how you communicate with a fellow intelligence: you hurt it, you keep on hurting it, until you can distinguish the posts from the screams.

Riot Carol Danvers posted:

Is it weird that I never read Blindsight because as soon as I read that it involved space vampires it immediately ruined it for me?

The vampires are an allegory for sociopaths and people who thrive in corporate structures imo. People who walk around and seem superficially normal but just don't have anything going on inside (and succeed because of it). Watts is proposing that some of the most successful humans are the ones who are the least human.

They're basically Jake Gyllenhaal from Nightcrawler except less frightening.

fritz
Jul 26, 2003

Riot Carol Danvers posted:

Is it weird that I never read Blindsight because as soon as I read that it involved space vampires it immediately ruined it for me?

There's a bunch of reasons why I've never and won't read Blindsight but that's not one of them, as I liked Friedman's "The Madness Season".

tiniestacorn
Oct 3, 2015

GD_American posted:

I literally will put this guy in the Lovecraft box. Neat ideas, lovely writing, seems to be kind of a lovely person too.

Fair. His blog posts about the time he got necrotizing fasciitis are dope though.

Crashbee
May 15, 2007

Stupid people are great at winning arguments, because they're too stupid to realize they've lost.
The implausibility of the vampires kinda spoiled the book for me too. I mean, in the real world just making potatoes more resistant to disease is super controversial, but you're telling me someone decided to create a race of creepy super-smart monsters that feed on humans and terrify everyone? No-one would think that's a good idea. It's not like there's even any twists, it ends exactly the way you'd think.

Crashbee fucked around with this message at 22:33 on Dec 4, 2020

Harold Fjord
Jan 3, 2004
They had already existed in the setting, so it was more like jurassic park style research. But I'm sure Jurassic Park exists as fiction in the setting and they should have known better.

I am gonna have to reread both books

genericnick
Dec 26, 2012

Crashbee posted:

The implausibility of the vampires kinda spoiled the book for me too. I mean, in the real world just making potatoes more resistant to disease is super controversial, but you're telling me someone thought it would be a good idea to create a race of creepy super-smart monsters that feed on humans and terrify everyone? No-one would think that's a good idea. It's not like there's even any twists, it ends exactly the way you'd think.

I mean the controversy barely slows the adaption of the potatoes and several major countries had a bioweapon research program that was rather unadvised.

pseudorandom name
May 6, 2007

Crashbee posted:

The implausibility of the vampires kinda spoiled the book for me too. I mean, in the real world just making potatoes more resistant to disease is super controversial, but you're telling me someone decided to create a race of creepy super-smart monsters that feed on humans and terrify everyone? No-one would think that's a good idea. It's not like there's even any twists, it ends exactly the way you'd think.

I know, right? resurrecting the vampires would be like ignoring a pandemic in order to maximize the value of your stock portfolio. Nobody would ever do that, not even if you deliberately left in the crucifix glitch or even amplified it's effect. Bringing back the apex predator that hunted humans would be as morally and ethically dubious as turning people into p-zombies for the slave labor.

Riot Carol Danvers
Jul 30, 2004

It's super dumb, but I can't stop myself. This is just kind of how I do things.

fritz posted:

There's a bunch of reasons why I've never and won't read Blindsight but that's not one of them, as I liked Friedman's "The Madness Season".

I think it's more
A) I just generally don't care for vampires (or werewolves) etc unless it's What We Do in the Shadows
B) That the story has been marketed to me as pretty hard scifi but also vampires exist for :reasons:

None of this is to say that anyone who enjoyed it is wrong, however!

Horizon Burning
Oct 23, 2019
:discourse:
Even however many years on, Twilight has left horrible psychic wounds on sci-fi nerds

General Battuta
Feb 7, 2011

This is how you communicate with a fellow intelligence: you hurt it, you keep on hurting it, until you can distinguish the posts from the screams.

fritz posted:

There's a bunch of reasons why I've never and won't read Blindsight but that's not one of them, as I liked Friedman's "The Madness Season".

Well go on!

Crashbee posted:

The implausibility of the vampires kinda spoiled the book for me too. I mean, in the real world just making potatoes more resistant to disease is super controversial, but you're telling me someone decided to create a race of creepy super-smart monsters that feed on humans and terrify everyone? No-one would think that's a good idea. It's not like there's even any twists, it ends exactly the way you'd think.

It was done to maximize corporate revenue, and is therefore highly plausible.

General Battuta
Feb 7, 2011

This is how you communicate with a fellow intelligence: you hurt it, you keep on hurting it, until you can distinguish the posts from the screams.
He even made a powerpoint about why it was a great idea.

Adbot
ADBOT LOVES YOU

uber_stoat
Jan 21, 2001



Pillbug

General Battuta posted:

He even made a powerpoint about why it was a great idea.

the vampires were made by "FizerPharm." why does that sound so familiar hmm. :hmbol:

  • 1
  • 2
  • 3
  • 4
  • 5
  • Post
  • Reply