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Lead out in cuffs posted:I counted at least six cuts in that 20 second video, so 100% he can't play more than 5 seconds in one take. Add in the stilted/obviously-sped-up part, and the fact that everything's post-produced to hell in the DAW, and yeah, there's not very much actual playing skill going into this. I dunno, this looks pretty convincing (although the guy does seem like a huge douchebag) https://twitter.com/CaswellCharles/status/1354141980222099457
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Jan 27, 2021 19:41
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frame 313 is the sixth and fatal edit. we see the guitarist's hand move back and to the left. back, and to the left. back. and to the left
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Jan 27, 2021 19:42
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gotta give it up for the guy who turned his guitar into an auditory pinball machine
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Jan 27, 2021 19:58
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The Muppets On PCP posted:poring over some rando's bleep bloop guitar noise vid like it's the zapruder film But how will I know if I'm a good player if I don't bag on other guitarists? That's the yardstick right?
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Jan 27, 2021 21:48
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Yaalll it is Mike Payton’s birthday and he is a king of the best qualities of stupid music poo poo. 
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Jan 27, 2021 22:16
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Dang It Bhabhi! posted:Yaalll it is Mike Payton’s birthday and he is a king of the best qualities of stupid music poo poo. being in bands with far more talented people?
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Jan 27, 2021 23:17
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I'm not even much of a fan outside of FNM and I once walked out of a Patton/Rahzel a capella performance I wandered into by mistake, but are we really pretending he isn't a once in a generation freak of a singer now? Dude is the Michael Phelps of vocal technique.
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Jan 28, 2021 02:14
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nobody's saying he's not a good singer
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Jan 28, 2021 03:16
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I don’t really like much of what he does but I like his taste in music and he seems like a fun guy to hang out with at least 
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Jan 28, 2021 03:24
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This is the dumbest premise for a video and I love it https://www.youtube.com/watch?v=s8U7BuYGuhE
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Jan 28, 2021 04:15
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Lester Shy posted:I dunno, this looks pretty convincing (although the guy does seem like a huge douchebag) The Muppets On PCP posted:poring over some rando's bleep bloop guitar noise vid like it's the zapruder film Death Panel Czar fucked around with this message at 05:57 on Jan 28, 2021 |
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Jan 28, 2021 05:55
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loving sick That berried alive poo poo just reminds how much I dislike that whole djent/tech whatever schtick. gently caress even deathcore produced a couple of memorable riffs and breakdowns, this poo poo is just weedly weedly chug chug. I always lol when you can visibly see the oscillating of the lowest string tuned to like, b an octave down or whatever field balm fucked around with this message at 08:18 on Jan 28, 2021 |
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Jan 28, 2021 08:12
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Cross posting from the UKMT. Guavanaut posted:I partially retract, not all twitter is bad Direct video link for demonstration. Why yes, I would like to recreate the ambient background music from Ralph Bakshi movies.
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Jan 28, 2021 18:20
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Snowy posted:I don’t really like much of what he does but I like his taste in music and he seems like a fun guy to hang out with at least https://www.youtube.com/watch?v=Fxc0Cp6rzCw&t=81s I dunno. I've seen a few interviews where Patton just comes off as a pretentious rear end in a top hat.
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Jan 28, 2021 19:13
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So how do I use gating to fix my playing
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Jan 28, 2021 19:18
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JesustheDarkLord posted:So how do I use gating to fix my playing Set the gate time to as short as possible
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Jan 28, 2021 19:40
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Lester Shy posted:That guy making crazy noises owns, but how does he get it to sound so clean while switching from whacking the low strings to tapping the upper strings? Anything I play like that comes out super flubby, but I have zero experience playing stuff like that. He's using really modern high gain tones. Basically the first thing a modern high gain tone does is lop off all the bass frequencies as early in the circuit as possible, leaving only the mids and highs, and then it distorts the poo poo out of those. That's how to keep the low end tight. You basically remove it, or severely turn it down enough that it doesn't clip the parts of the amp that generate the distortion itself (usually preamp tubes).
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Jan 28, 2021 19:47
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They basically just cut out the low fundamental which doesn't affect the perception of what note is being played https://en.wikipedia.org/wiki/Missing_fundamental
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Jan 28, 2021 19:50
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Ya, which is why when mixing bass guitar (or bass synth) the frequency content to focus on is higher in the frequency spectrum than you might think it is, because that's the freqencies your ear hears and goes "oh there's a bass there" as opposed to the fundamental which human ears are poo poo at hearing and playback systems are often poo poo at reproducing.
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Jan 28, 2021 19:54
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There's also a thing with frequency discrimination in your ear/brain being poorer at lower frequencies
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Jan 28, 2021 19:55
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Ok guys after you thoroughly besmirched my boyfriend mike patton let me bring some higher/lower grade stupid music poo poo:
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Jan 28, 2021 21:48
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Stringing classical guitars or ukuleles where you have to tie the strings to the bridge.
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Jan 28, 2021 21:57
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Sends me up the wall? That'd be my Orange bass head cranked to maximum through some Ampeg fridge. Oh, you mean metaphorically?
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Jan 28, 2021 21:58
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BonHair posted:Sends me up the wall? That'd be my Orange bass head cranked to maximum through some Ampeg fridge. I feel like that would send the wall down onto you tbh
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Jan 28, 2021 22:02
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Spanish Manlove posted:There's also a thing with frequency discrimination in your ear/brain being poorer at lower frequencies Is this why I have trouble writing sub bass melodies until I move them up an octave? This is also a big part of MP3 compression, isn't it? Lopping off fundamentals because they take up a huge amount of data and letting our brains put them back in? GreatGreen posted:He's using really modern high gain tones. Basically the first thing a modern high gain tone does is lop off all the bass frequencies as early in the circuit as possible, leaving only the mids and highs, and then it distorts the poo poo out of those. That's how to keep the low end tight. You basically remove it, or severely turn it down enough that it doesn't clip the parts of the amp that generate the distortion itself (usually preamp tubes). Fascinating, this is unsurprisingly similar to how a lot of modern 'mid bass', 'foghorn' etc. sounds are produced in genres like D&B. And I will tuck it away in my head alongside other stuff I will never deploy because I have entirely lost the motivation to write music.  Re: Mike Patton, this was my first exposure to the guy (other than probably hearing some FNM hits on the radio as a kid) and from it I can agree with two statements made ITT, that he is "a once-in-a-generation freak of a singer" and also that he is "the king of ... stupid music poo poo". https://www.youtube.com/watch?v=MPJjKwbJado
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Jan 28, 2021 22:11
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that song arranged for normal people and slowed down a little sounds like a lost raymond scott tune https://www.youtube.com/watch?v=AZi_jFGqvCQ
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Jan 28, 2021 22:43
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Spanish Manlove posted:There's also a thing with frequency discrimination in your ear/brain being poorer at lower frequencies It's also the math of lower frequencies causing flubby sound. Each octave doubles in frequency as you go up: A, for instance: 55 Hz, 110Hz, 220Hz, 440 Hz The pure overtone sequence, however is multiples of the fundamental: 55 Hz, 110 Hz, 165Hz etc Beats (that wobble you hear when two tones are slightly out of tune) are essentially the difference perceived between two tones in the form of constructive/destructive interference. This difference is literally subtraction, so if you play a 110 Hz tone and 111 Hz you'll hear a 1 Hz wobble. When those differences are small you get a tremolo, when they're in nice ratios you get, well, the sound of harmony, but when they're approaching the lower rate of audio range you get into pure mud territory. Higher frequencies by the virtue of octaves have more Hz between them than lower frequencies and less prone to mud, not to mention speakers having a hard time accurately representing those frequencies at all. At least one bass booster plugin I know of and I assume more takes out the fundamental and boosts the overtones exactly for that reason - it gives more space between the tones for a louder and cleaner bass with more tonal space. A0 and E1, a perfect fifth, has a difference of 41.20-27.50 = 13.7 Hz, so you've got mud in there even though it's a fifth Same reason why when you're making chords you're advised to keep the more weird intervals in the top end and stick to simple ones in the bottom. More Hz between notes, even adjacent ones.
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Jan 30, 2021 01:57
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Hz differences doesn't matter for poo poo, it's all about %octave 1000Hz is a huge difference for us but in the ultrasonic realm that's a drop in the bucket. It's an actual physiological effect with your inability to perceive close differences in the lower frequencies.
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Jan 30, 2021 02:22
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that's kinda like saying centimeters don't mater it's about fractions of a yard
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Jan 30, 2021 03:09
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How the hell do you get black frets?
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Jan 30, 2021 03:25
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Death Panel Czar posted:that's kinda like saying centimeters don't mater it's about fractions of a yard Not at all, your brain doesn't give a gently caress about hertz but about ratios. Your cochlea is logarithmically mapped Edit but that's a different thing than how low frequencies seem indistinctive Spanish Manlove fucked around with this message at 03:46 on Jan 30, 2021 |
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Jan 30, 2021 03:41
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Frequency ain't pitch and pitch ain't frequency. They're correlated to each other, but there are little wrinkles. The psychoacoustic unit for pitch is a mel and you can condense the range of hearing (20-20,000 Hz) to about 3500 mels. Generally, our perception is proportional. And you can also generalize that our perception starts acting weird at our limits. The relationship stops in the lower frequencies/pitches. I have another graph in a textbook that shows how getting to 20,000 Hz also plateaus a bit. For fun music stuff, I have a Reverb alert for "prototype" and "unique." Prototypes usually yield $15,000 Gibsons that do not appear to be suggesting anything new. Sometimes you get werid stuff.
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Jan 30, 2021 04:02
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Oscar Romeo Romeo posted:Cross posting from the UKMT. I like the idea and some of the sounds of everything tuning up and down together is pretty cool... don't know how much of this I can take though. lol
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Jan 30, 2021 05:05
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sigher posted:How the hell do you get black frets? never wash your hands
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Jan 30, 2021 05:54
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sigher posted:How the hell do you get black frets? Found source: https://www.reddit.com/r/LowSodiumCyberpunk/comments/l814vc/my_johnny_silverhand_project_guitar_is_almost/ I can only assume the whole neck is painted, the fretboard looks rough. And the break angle over the bridge doesn't look promising. donut fucked around with this message at 06:37 on Jan 30, 2021 |
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Jan 30, 2021 06:34
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Spanish Manlove posted:Not at all, your brain doesn't give a gently caress about hertz but about ratios. Your cochlea is logarithmically mapped edit: VVV sorry just a simple country acoustical consultant and the phrase "Hz differences doesn't matter for poo poo, it's all about %octave" rubs me the wrong way, and would even if it came from trevor cox if you have a tuning system and reference frequency and know the properties of air you can talk about this poo poo using any units you'd like Death Panel Czar fucked around with this message at 16:36 on Jan 30, 2021 |
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Jan 30, 2021 06:49
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Death Panel Czar posted:ratios and the log scale don't become suddenly change just because you're referring to C1 and C2 instead of 32.7Hz and 65.41Hz or 34 feet 7 inches and 17 feet 3 inches I don't honestly know what you're talking about, or why you're arguing with the dude doing a literal PhD in this stuff.
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Jan 30, 2021 07:10
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arguing on the internet about fletcher-munson curves
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Jan 30, 2021 09:14
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I'd read that. Is it Stupid Music poo poo? It is, isn't it?
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Jan 31, 2021 04:39
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Death Panel Czar posted:ratios and the log scale don't become suddenly change just because you're referring to C1 and C2 instead of 32.7Hz and 65.41Hz or 34 feet 7 inches and 17 feet 3 inches Eh i get it, i was a little short about it. Hz are good but in reality it's a logarithmic system and doing logs in your head sucks so everyone's really lazy about it. But notice, there's a reason why tuners reference their accuracy in cents, not Hz.
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Jan 31, 2021 04:54
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