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Vengarr
Jun 17, 2010

Smashed before noon

hot cocoa on the couch posted:

also read in that article (not sure if it was mentioned itt yet) that the crew was using the pistol for recreational target shooting and they kept the live ammo and blanks together?!?! when the armourer said she doesn't like loading blanks because she doesn't know how to do it???? lmfao

not that it matters because it was the AD that told baldwin it was a cold gun, and that's why he was comfortable pulling the trigger

How is loading blanks different from regular cartridges?

Even if you were using a cap-and-ball revolver, you’d just have to use paper wadding instead of a ball, right?

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kntfkr
Feb 11, 2019

GOOSE FUCKER
The girl is really stupid. Like off the charts dumb.

wyoak
Feb 14, 2005

a glass case of emotion

Fallen Rib

punishedkissinger posted:

someone should have told her that you do not in fact have to hand it to them
solid

Splorange
Feb 23, 2011

kntfkr posted:

"Dad, it happened again. Can u or mom pick me up? I'm drunk. Bring my Switch."



:hmmyes:


( also, nice to see the classy journalism of the daily mail is still alive and kicking :v: )

Nice Guy Patron
Jun 29, 2015
Do we know Patton Oswalt's whereabouts during the incident?

AARD VARKMAN
May 17, 1993

punishedkissinger posted:

personally I would clear any firearm that is in my hands at all, but i don't think it's reasonable to expect the same from actors who are at best given rudimentary training. especially since the person who handed them the gun loudly proclaimed that it was clear.

also, it sounds like it was a gate-loading revolver which is trickier to properly clear since you have to check each cylinder in sequence.

edit: ^^^ agreed

i dont think they want some actor "clearing the gun". somebody mentioned another armorer ITT that literally never let the guns out of his sight in case the actor does something stupid that fucks with them. it's better that he literally does nothing with the gun except hold it and pull the trigger after the actual experts set stuff up. even if it's supposed to be completely empty as opposed to loaded w/ a blank

Warbadger
Jun 17, 2006

punishedkissinger posted:

personally I would clear any firearm that is in my hands at all, but i don't think it's reasonable to expect the same from actors who are at best given rudimentary training. especially since the person who handed them the gun loudly proclaimed that it was clear.

also, it sounds like it was a gate-loading revolver which is trickier to properly clear since you have to check each cylinder in sequence.

edit: ^^^ agreed

I agree that the actors should not be expected to be gun experts or expected to be checking the guns themselves under normal circumstances - you don't want them messing with the gun and there's no reason to do it themselves when it's already been done in front of them. I even agree that the actor is much less responsible than the armorer and assistant director here. However, I don't agree that they have zero responsibility insofar as they should recognize when normal mandatory safety procedures are being disregarded and should refuse to do blatantly unsafe things when they haven't seen any of these normal precautions being taken. Given the statements of people who worked with this AD before it's not unheard of for the actors to be handed a gun and say "no, we're doing the gun safety stuff before I point it at myself and pull the trigger".

Seems like the "normal" process, as far as the actor is concerned, is for the armorer or prop master to walk in with the gun, then conduct a safety brief for themselves and the other workers on set so that everyone present is aware of the gun and its status. During this brief they display and inspect the ammunition (or lack thereof) and put a rod down the barrel to show that nothing is in the gun(s). That's a pretty easy to understand and very visible way to clear a gun that would be pretty hard for an actor to miss. In addition it's common to either place barriers between the crew and the actor and/or to provide a safe point of aim for them to point the gun so they aren't pointing it directly at people. Also pretty reasonable, easy, and observable for the actor. When none of this happens and the actor doesn't get the safety brief, doesn't see the gun cleared, takes the gun from the wrong person, shrugs off the lack of precautions on the set, then points the gun directly at a group of people and squeezes the trigger I'd say the actor was also being negligent. This is doubly the case when they are both experienced enough to be familiar with normal safety procedures, had several recent close calls during this production in this exact circumstance to demonstrate the danger of disregarding them, and are also acting management for the production.

Warbadger fucked around with this message at 16:04 on Oct 26, 2021

Klyith
Aug 3, 2007

GBS Pledge Week

Vengarr posted:

How is loading blanks different from regular cartridges?

I dunno poo poo about guns myself, but all the gun experts and armourers talking about this on twitter make it seem like it's kinda touchy. To make the gun action work with blanks you have to use more energetic powder, which increases the risk of the whole thing blowing up if you do it wrong. And I bet dealing with antique guns is even worse because they're a lot less consistent.


The thing I'm wondering is, the Holywood gun system all seems very hodge-podge. Like every production is hiring an individual armourer that does their own thing. Why isn't there a company that makes a whole standard set of replica guns produced or modified to fire only blanks, supplied with ammo that works correctly and minimizes the danger? Extra credit would be make them incompatible with standard ammo so that an accident like this would be completely impossible. I dunno, for all the dozens and dozens of tv shows and movies every year that feature guns, sounds like it'd be a sustainable business.

ChunTheUnavoidable
Sep 27, 2021

Actors should be unbelievably stupid and ethereally beautiful. We shouldn’t even teach them the alphabet, much less gun safety

sigher
Apr 22, 2008

My guiding Moonlight...



kntfkr posted:

I think this was her second job and she hosed up her first job as well by handing an unchecked gun to an 11 year old.

How did she even get a second job? Lord almighty.

Warbadger
Jun 17, 2006

Klyith posted:

I dunno poo poo about guns myself, but all the gun experts and armourers talking about this on twitter make it seem like it's kinda touchy. To make the gun action work with blanks you have to use more energetic powder, which increases the risk of the whole thing blowing up if you do it wrong. And I bet dealing with antique guns is even worse because they're a lot less consistent.


The thing I'm wondering is, the Holywood gun system all seems very hodge-podge. Like every production is hiring an individual armourer that does their own thing. Why isn't there a company that makes a whole standard set of replica guns produced or modified to fire only blanks, supplied with ammo that works correctly and minimizes the danger? Extra credit would be make them incompatible with standard ammo so that an accident like this would be completely impossible. I dunno, for all the dozens and dozens of tv shows and movies every year that feature guns, sounds like it'd be a sustainable business.

A lot of replica guns are generally easier to deal with blanks because the blank doesn't need to cycle the action like it would in a semi-automatic or automatic gun. With a revolver or bolt action gun, for example, you just load a blank round into an unmodified gun. You manually cycle the gun so you can load the blanks as light as you want - basically just worrying about safety vs. what it looks like when fired. As you say they also need to carefully consider the power of the blank as a quicker burning powder gives you great cinematic fireballs but can also create too much pressure in the chamber and blow the gun up if you overdo it. Usually, as I understand it, movie blanks are loaded to be less powerful than military blanks.

With newer guns they're often semi-automatic or automatic, which means the blank needs enough power to cycle the gun. That usually means using special blank adapters or welding an obstruction into the barrel so a lower powered blank can still create enough pressure in the chamber to cycle the action, ejecting the spent casing and loading the next one. Notably if the weld is done wrong on the barrel obstruction it may come loose and be fired out of the gun like a bullet. So yeah, you don't want to discharge blanks in the direction of people or expensive things you don't want broken.

Warbadger fucked around with this message at 16:42 on Oct 26, 2021

BAGS FLY AT NOON
Apr 6, 2011

A Soft Nylon Bag

sigher posted:

How did she even get a second job? Lord almighty.

Nepotism. Her dad’s a big wig in the industry.

punishedkissinger
Sep 20, 2017

sigher posted:

How did she even get a second job? Lord almighty.

her dad is friends with a lot of producers

Songbearer
Jul 12, 2007




Fuck you say?
The Running Of The Bulls, but instead of torturing an enraged animal it's people giving Alec Baldwin stage directions

hot cocoa on the couch
Dec 8, 2009

cold gun

Songbearer
Jul 12, 2007




Fuck you say?

hot cocoa on the couch posted:

i wish alec baldwin would come in to this thread and shoot it to death

Jesus loving christ my dude having a joke is one thing but wishing a violent ballistic Baldwin death on every poster in here is real dark

Blotto_Otter
Aug 16, 2013


Klyith posted:

Why isn't there a company that makes a whole standard set of replica guns produced or modified to fire only blanks, supplied with ammo that works correctly and minimizes the danger? Extra credit would be make them incompatible with standard ammo so that an accident like this would be completely impossible. I dunno, for all the dozens and dozens of tv shows and movies every year that feature guns, sounds like it'd be a sustainable business.

Warbadger's post is good and gets at why making a blanks-only gun only gets you so far. To try and put it another way: at the end of the day, you still have an explosion of hot gasses that needs to be channeled away from the shooter, and there's always going to be a risk that some obstruction in the barrel will either block the hot gasses and cause the gun itself to explode, or come loose and turn into a projectile.

Inert replicas or Airsoft replicas are cheap and easy to make because they only have to mimic the outer appearance of a gun, not its inner workings. If you wanted to make a blanks-only replica that convincingly looks and sounds like the real thing, you've basically got to recreate an entire working gun, since the mechanics involved will be largely the same.

hot cocoa on the couch
Dec 8, 2009

Songbearer posted:

Jesus loving christ my dude having a joke is one thing but wishing a violent ballistic Baldwin death on every poster in here is real dark

hot cocoa on the couch posted:

in the end, alec baldwin comes for us all

Bad Purchase
Jun 17, 2019




a lot of states still have the death penalty. perhaps the for-profit prison industry could sell death row inmates to whatever production alec baldwin is involved in. prison labor is cheap, non-unionized, and alec baldwin’s insatiable lust for blood can be isolated to those already condemned. maybe throw in a perk for the laborers — if you manage to survive through 10 productions you win your freedom. (nobody has ever lasted that long, but it would be a great premise for an alec baldwin tv show if anyone wants to pitch it.)

twit666
Nov 16, 2006

Soiled Meat
My nephew does FX for movies. I asked him if there's a need for a gun that shoots on a set and here's what he said: Yes, there is absolutely 0% reason to ever have a working gun on a set (other than maybe for a security guard). I've done hundreds of gun blasts in my career. You add a tiny flash of fire for two frames and some stock smoke afterward. If you want to get fancy you can rotoscope the hand and the gun to make it kick back. You can even make the back part of the gun slide out for 3 frames. You can also add a little flash of light on the person firing the gun. But it's all so easy because it lasts 2 or 3 frames. I can do like 20 of them in a day. The cost of paying a gun specialist to load blanks into a working gun ($1,500 ish) is probably 50 times what I get paid to do one VFX gun blast ($25 ish).

The question is why would someone push for having a working gun on set?

punishedkissinger
Sep 20, 2017

its so weird that all these VFX guys keep coming out and saying you can do it with VFX.

Bad Purchase
Jun 17, 2019




typical computer nerds trying to steal good honest blue collar jobs

hot cocoa on the couch
Dec 8, 2009

twit666 posted:

My nephew does FX for movies. I asked him if there's a need for a gun that shoots on a set and here's what he said: Yes, there is absolutely 0% reason to ever have a working gun on a set (other than maybe for a security guard). I've done hundreds of gun blasts in my career. You add a tiny flash of fire for two frames and some stock smoke afterward. If you want to get fancy you can rotoscope the hand and the gun to make it kick back. You can even make the back part of the gun slide out for 3 frames. You can also add a little flash of light on the person firing the gun. But it's all so easy because it lasts 2 or 3 frames. I can do like 20 of them in a day. The cost of paying a gun specialist to load blanks into a working gun ($1,500 ish) is probably 50 times what I get paid to do one VFX gun blast ($25 ish).

The question is why would someone push for having a working gun on set?

my uncle works for hollywood and he said he saw alec baldwin drinking the blood of the victim and harvesting her soul right afterward, speaking dark incantations and casting a hex on everyone present on set that day. wondering why we even let alec baldwin speak when we know he's an immortal lich who has a gun for a phylactery????

Vim Fuego
Jun 1, 2000


Ultra Carp

punishedkissinger posted:

its so weird that all these VFX guys keep coming out and saying you can do it with VFX.

it looks perfect, you'd have to be a real auteur to disagree

kntfkr
Feb 11, 2019

GOOSE FUCKER
A-RANG!

mrfart
May 26, 2004

Dear diary, today I
became a captain.
Personally I feel there should be a spectrum between hot and cold guns.

The Bloop
Jul 5, 2004

by Fluffdaddy

mrfart posted:

Personally I feel there should be a spectrum between hot and cold guns.

The truth is in the middle

cap guns



edit:
do they still make cap guns? :ohdear:
I guess I played with gunpowder a lot as a kid

Songbearer
Jul 12, 2007




Fuck you say?
A lukewarm gun for Cool Hand Luke

kntfkr
Feb 11, 2019

GOOSE FUCKER
capguns were fun and one of the only toys you could get at a bodega

Gutcruncher
Apr 16, 2005

Go home and be a family man!

twit666 posted:

My nephew does FX for movies. I asked him if there's a need for a gun that shoots on a set and here's what he said: Yes, there is absolutely 0% reason to ever have a working gun on a set (other than maybe for a security guard). I've done hundreds of gun blasts in my career. You add a tiny flash of fire for two frames and some stock smoke afterward. If you want to get fancy you can rotoscope the hand and the gun to make it kick back. You can even make the back part of the gun slide out for 3 frames. You can also add a little flash of light on the person firing the gun. But it's all so easy because it lasts 2 or 3 frames. I can do like 20 of them in a day. The cost of paying a gun specialist to load blanks into a working gun ($1,500 ish) is probably 50 times what I get paid to do one VFX gun blast ($25 ish).

The question is why would someone push for having a working gun on set?

The push is because cgi guns look like poo poo and give the actor less to work with. Obviously using cgi is much safer and you can’t really fault anyone for doing it instead, but there’s pretty clear reasons a director would demand real guns on set, real stunts on real locations, real large animals, etc

Songbearer
Jul 12, 2007




Fuck you say?
CGI all the actors in and leave only real guns on the set suspended with ropes and pulleys, duh

SilvergunSuperman
Aug 7, 2010

My that month went by quickly

BAGS FLY AT NOON
Apr 6, 2011

A Soft Nylon Bag
The real answer here is simple: just go back to radio serials.

kntfkr
Feb 11, 2019

GOOSE FUCKER

SilvergunSuperman posted:

My that month went by quickly

lol

pretty soft girl
Oct 1, 2004

my dead grandfather fights better than you
Compromise: the only real guns allowed on sets from now on should be this clownshoe flamethrower so it's at least worth everyone's time and safety


https://www.youtube.com/watch?v=VDGEshpuOhA

Jesustheastronaut!
Mar 9, 2014




Lipstick Apathy
Has anyone stopped to consider that scene from "Child's Play 3" and the tragedy that occurred on set due to the negligence of the Red Team??

PostNouveau
Sep 3, 2011

VY till I die
Grimey Drawer
As an actor, let me tell you, if you pay me more I can act so hard you'll believe it's a real gun. I can do it 20 times a day.

Mozi
Apr 4, 2004

Forms change so fast
Time is moving past
Memory is smoke
Gonna get wider when I die
Nap Ghost
sun's out guns o*kapow* AARGH

BAGS FLY AT NOON
Apr 6, 2011

A Soft Nylon Bag
Just hire people that are good at getting shot. Phil LaMarr did all his own stunts in pulp fiction and he’s still going strong.

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LanceHunter
Nov 12, 2016

Beautiful People Club


Klyith posted:

The thing I'm wondering is, the Holywood gun system all seems very hodge-podge. Like every production is hiring an individual armourer that does their own thing. Why isn't there a company that makes a whole standard set of replica guns produced or modified to fire only blanks, supplied with ammo that works correctly and minimizes the danger? Extra credit would be make them incompatible with standard ammo so that an accident like this would be completely impossible. I dunno, for all the dozens and dozens of tv shows and movies every year that feature guns, sounds like it'd be a sustainable business.

The secret of Hollywood (and film production in general) is that, despite the massive amounts of money involved, it's still a relatively small industry. Like, just over 37,000 people in the US work in movie and video production. That's comparable to the number of employees at a regional grocery chain like Harris Teeter. So while there are a lot of attempts at standards and best practices, every production is essentially its own small business that is operating based entirely on who is there and what they know.

ChunTheUnavoidable posted:

Actors should be unbelievably stupid and ethereally beautiful. We shouldn’t even teach them the alphabet, much less gun safety

A worthwhile anecdote here: When you see an actor in front of a computer screen, if the screen image isn't 100% simulated in post, then what you are seeing is an animation that has been created and worked out beforehand, so that nothing the actor does with the mouse/keyboard will have any effect on what is shown and they can't unintentionally gently caress it up.

Gutcruncher posted:

The push is because cgi guns look like poo poo and give the actor less to work with. Obviously using cgi is much safer and you can’t really fault anyone for doing it instead, but there’s pretty clear reasons a director would demand real guns on set, real stunts on real locations, real large animals, etc

CGI guns, especially in TYOOL 2021, are perfectly fine unless you've got a completely dogshit vfx team (and if you've only got the budget for a dogshit vfx team, your production probably couldn't afford an armorer anyways). All the extremely boomer takes about CG being garbage are really ridiculous.

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