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Nae
Sep 3, 2020

what.

rohan posted:

I’m a bit late to this, but I saw your initial query and couldn’t resist taking my own stab at it. As with my previous attempt, I’ve had to take some liberties with characterisation and events that I’m not clear on, but hopefully the intent comes through.
...
I’m also assuming you mention it being an epistolary novel in the word count + comps section?

Thanks for the rework! I do mention that it's epistolary in the housekeeping section, since I use a couple of recent epistolaries as comps (This is How You Lose the Time War, Piranesi) to show that I did actually check the market before I made such a chaotic move.

Also just for the record, word count is 109,000.

General Battuta posted:

This is like ten miles better (and I’m not saying that because you used some of mine, the specific changes you made really really strengthened it). Now I actually want to read this. Well done.

Thanks! I'm glad this version works. Always nice to see improvement.

Nae fucked around with this message at 19:16 on Sep 18, 2021

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Wallet
Jun 19, 2006

ultrachrist posted:

For context, since the first two examples are in the first two paragraphs, here's the beginning of the story. The (1) is a footnote.

In context the sentence strikes me as a little abstract considering the character is experiencing the same thing the earth is.

I've got ~100,000 words I'm supposed to be editing but it's easier to gently caress around with stuff someone else wrote so for funsies and/or procrastination (hope you don't mind):

quote:

The air dripped. I trudged through the woods with a 2 x 4 x 96 whitewood stud slung across my shoulders. The earth labored beside me in the clutch of mid-August. The darkesta shade offers no balm; the thermometer reads the same at noon as it does at midnight. Sweat washed me—soiled me—pooled in the soft hollows of my body. My neck throbbed under the pressure of the stud digging into my skin.bc When the pain reached my predetermined threshold(1) I switched positions, the stud tucked beneath my right arm with my left crossed over my body to keep it steady. The wood rubbed against my inner wrist, tempting hungry welts to rise from my skin and meet it. When the threshold was met again I slung the stud back over my shoulders.

Down the narrow trails to Wayne Pelletier's table saw. A labyrinth until you realize that every path through the forest leads to the pond's fragrant shores, then his ranch house was a snaking mile through the pines.d My bed was broken and I intended to fix it. An impossible task with a 2 x 4 x 96, but a pair of 2 x 2 x 84's would do just fine. Instead of sensibly driving the stud around the pond the long way I had opted for the path through the woodsef that I once took to meet up with Wayne's son, Roger, in the sunsplotched torpor of our youth.

a. Connects night and shade, maybe.

b. The structure of this turns the stud digging and the neck throbbing into two separate things, as if the stud wasn't digging into him before but it is now, but the next sentence suggests the opposite.

c. 'Dense' is a confusing descriptor for pressure. I would kind of follow if it was supposed to be setting up a contrast with the ambient pressure of the humid air but that isn't present. (Quick/dirty ex. "Sweat washed me—soiled me—wrung by the air's weight to pool in the soft hollows of my body.")

d. The ranch line is vexatious. This was the cleanest version I could come up with.

e. I don't think you need to tell us that this is sentimental; the way the path is described in relation to youth etc already communicates the idea, and it does it better.

e. "shorter as the crow flies" feels like an errant detail. It's like you're setting up a contrast (e.g. "shorter as the crow flies, which I can't") but it gets dropped and "shorter as the crow flies" just hangs around anyway.

ultrachrist
Sep 27, 2008

Wallet posted:

I've got ~100,000 words I'm supposed to be editing but it's easier to gently caress around with stuff someone else wrote so for funsies and/or procrastination (hope you don't mind):

Of course I don't mind! Thanks for the edits and suggestions. It's always useful to see another interpretation since, in addition to generating new ways to phrase things, it forces me to consider what I'm trying to communicate in the first place. I particularly like the punctuation change to the sweat line and will likely use it.

1. I see you moved the footnote. Someone else in the workshop had suggested this too since it's the first occurrence of the threshold, but to me it feels like the reader doesn't have enough understanding of what's happening until they finish that sentence. The footnote references the switches, which aren't described at the moment of the link in the main text.

2/b. Not following. I'm reading both sentences as describing almost the same thing with yours putting emphasis on the throbbing. Related: I used 'dense' to try and articulate the sensation of a heavy object placing all its weight (pressure) on one part of a person's body. It feels like the weight of the object is concentrated entirely in the area touching the skin, as though it is very dense. I'll consider some alternatives to describe this.

3/e. "as the crow flies" is an idiom. It means a direct line between two points, as opposed to a road or path that might wind around objects. I'm playing a little fast and loose with this since he's not walking a literal direct line, just a shorter route than the road. Agree it's probably not essential though animals and idioms (and animal idioms) figure heavily in the story.

Wallet
Jun 19, 2006

ultrachrist posted:

1. I see you moved the footnote. Someone else in the workshop had suggested this too since it's the first occurrence of the threshold, but to me it feels like the reader doesn't have enough understanding of what's happening until they finish that sentence. The footnote references the switches, which aren't described at the moment of the link in the main text.
To me the use of 'predetermined', particularly without any agency assigned to it ('the predetermined') or the additional information in the footnote, read rather strangely and led me down the path of some outside actor imposing upon him a threshold of pain that he can't exceed or something.

ultrachrist posted:

2/b. Not following. I'm reading both sentences as describing almost the same thing with yours putting emphasis on the throbbing.
I think it's the 'and' in the original sentence which separates the two things in a way that a comma wouldn't. Like as a mini/toy example "It dug into my shoulder and it throbbed" reads to me as an action that just occured and a response to that action, whereas "It dug into my shoulder, it throbbed" reads to me more like a stative.

ultrachrist posted:

3/e. "as the crow flies" is an idiom. It means a direct line between two points, as opposed to a road or path that might wind around objects. I'm playing a little fast and loose with this since he's not walking a literal direct line, just a shorter route than the road. Agree it's probably not essential though animals and idioms (and animal idioms) figure heavily in the story.
I'm familiar but the distance as the crow flies is the same for either of the routes because the start and end points are the same whether he took the truck or not. What initially struck me as weird about is that you just told us that this route is less sensible, but then you tell us that it's the shorter route as the crow flies which feels like a counter argument to the point you've just made: It seems less sensible, but actually it's shorter (if you're a crow, anyway).

Wallet fucked around with this message at 14:04 on Sep 19, 2021

Dr.D-O
Jan 3, 2020

by Fluffdaddy
How do you find someone to be a beta reader for a novel without being super imposing or seeming like you're trying to impress them?

In the past, any time I've asked people to read something I've written they always either are annoyed because it's work or they think I'm trying to put on an affectation.

Dream Weaver
Jan 23, 2007
Sweat Baby, sweat baby

Dr.D-O posted:

How do you find someone to be a beta reader for a novel without being super imposing or seeming like you're trying to impress them?

In the past, any time I've asked people to read something I've written they always either are annoyed because it's work or they think I'm trying to put on an affectation.

You could offer to beta read someone else’s book crit for crit. You could also offer to pay for their lunch. I find that even my closest friends are like I’ll get to it when I get to it. It’s harder than getting someone to go to the gym with you.

Also: swag! Offer them swag.

Nae
Sep 3, 2020

what.

Dr.D-O posted:

How do you find someone to be a beta reader for a novel without being super imposing or seeming like you're trying to impress them?

In the past, any time I've asked people to read something I've written they always either are annoyed because it's work or they think I'm trying to put on an affectation.

I've gotten betas from this very thread! Usually I do it by posting the query letter or a pitch, then saying 'hey does anyone want to beta read this?' Most people ignore it, some say they can't, a few say yes: easy peasy. Give it a try!

Dr.D-O
Jan 3, 2020

by Fluffdaddy

White Chocolate posted:

Also: swag! Offer them swag.

I don't really know what swag I could offer anyone.


Nae posted:

I've gotten betas from this very thread! Usually I do it by posting the query letter or a pitch, then saying 'hey does anyone want to beta read this?' Most people ignore it, some say they can't, a few say yes: easy peasy. Give it a try!

Oh, great. I didn't realize that was an option. Thanks for letting me know!

Leng
May 13, 2006

One song / Glory
One song before I go / Glory
One song to leave behind


No other road
No other way
No day but today

Dr.D-O posted:

Oh, great. I didn't realize that was an option. Thanks for letting me know!

You can also PM mods in TBB and ask if you could post in the relevant TBB genre thread. Basically, you just want to find where people who would love your book hang out and pitch them.

sebmojo
Oct 23, 2010


Legit Cyberpunk









It's quite a lot that you're asking for, is the thing: not just reading 70-100k, but also the potential drama of telling you it's terrible.

You could start with a chapter? When you do give people the novel be very clear what you want from them, which might include just knowing when they gave up.

sebmojo
Oct 23, 2010


Legit Cyberpunk









Also you can always post a thread in CC and pimp it here. No need to ask for permission.

newts
Oct 10, 2012

sebmojo posted:

Also you can always post a thread in CC and pimp it here. No need to ask for permission.

This is what worked for me! I got a lot of very, very helpful comments and now I’m pretty much ready to publish. You might also post your book on r/betareaders for a reading swap.

Dream Weaver
Jan 23, 2007
Sweat Baby, sweat baby

Dr.D-O posted:

I don't really know what swag I could offer anyone.

Oh, great. I didn't realize that was an option. Thanks for letting me know!

For one book I wrote with a more contemporary scifi fantsy I am having military patches made.
Also coins because military.

For the other one it’s going to be a custom tarot style deck of some of the characters.

Leng and newts know what I’m talking about :cheersbird:

HIJK
Nov 25, 2012
in the room where you sleep
Hi guys, I was thinking of starting a NaNoWriMo 2021 thread. Any interest?

newts
Oct 10, 2012
Sure! Go for it. (I am totally unprepared)

kaom
Jan 20, 2007


Yes please this is the first time I’m going to try it and I need all the moral support I can get!

HIJK
Nov 25, 2012
in the room where you sleep
kk will put the post up in an hour or so

Dream Weaver
Jan 23, 2007
Sweat Baby, sweat baby
Half my writing group.. “jumps in”.

Leng
May 13, 2006

One song / Glory
One song before I go / Glory
One song to leave behind


No other road
No other way
No day but today

White Chocolate posted:

Half my writing group.. “jumps in”.

Well let's make that all of us. I'm psyched for NaNoWriMo!

HIJK
Nov 25, 2012
in the room where you sleep
NANOWRIMOOOOOOOOOOOOOOOOOOOOOOOOOOOOO

https://forums.somethingawful.com/showthread.php?threadid=3981846&pagenumber=1#post518444062

Doom Mathematic
Sep 2, 2008
What is a regular amount of money to be offered for featuring a (2000-word) story in a science fiction anthology?

General Battuta
Feb 7, 2011

This is how you communicate with a fellow intelligence: you hurt it, you keep on hurting it, until you can distinguish the posts from the screams.
The current SFWA minimum rate to qualify as a 'pro market' is 8 cents a word as of 2019. So about 160 bucks minimum.

Madurai
Jun 26, 2012

General Battuta posted:

The current SFWA minimum rate to qualify as a 'pro market' is 8 cents a word as of 2019. So about 160 bucks minimum.

This represents the first pay raise SF writers have gotten since about 1941.

D34THROW
Jan 29, 2012

RETAIL RETAIL LISTEN TO ME BITCH ABOUT RETAIL
:rant:
Anyone ever successfully written a short story (or short story series) or novel (or novel series) using an RPG system to determine the flow of things? Basically playing, say GURPS, against yourself. I'm thinking of doing so because I've tried collaborative writing before and I really like the unpredictability of it, so I'm thinking RPGs as a guide might be a way to incorporate that into my writing proper.

change my name
Aug 27, 2007

Legends die but anime is forever.

RIP The Lost Otakus.

D34THROW posted:

Anyone ever successfully written a short story (or short story series) or novel (or novel series) using an RPG system to determine the flow of things? Basically playing, say GURPS, against yourself. I'm thinking of doing so because I've tried collaborative writing before and I really like the unpredictability of it, so I'm thinking RPGs as a guide might be a way to incorporate that into my writing proper.

Monster of Elendhaven, a book I very much enjoyed, started off as fanfiction about the author and her boyfriend's D&D campaign. So it's not totally impossible but I feel like only involving yourself in the process would by necessity shut you out of situations you might never encounter otherwise.

Megazver
Jan 13, 2006

D34THROW posted:

Anyone ever successfully written a short story (or short story series) or novel (or novel series) using an RPG system to determine the flow of things? Basically playing, say GURPS, against yourself. I'm thinking of doing so because I've tried collaborative writing before and I really like the unpredictability of it, so I'm thinking RPGs as a guide might be a way to incorporate that into my writing proper.

https://forums.somethingawful.com/showthread.php?threadid=3959142

Zaepho
Oct 31, 2013

D34THROW posted:

Anyone ever successfully written a short story (or short story series) or novel (or novel series) using an RPG system to determine the flow of things? Basically playing, say GURPS, against yourself. I'm thinking of doing so because I've tried collaborative writing before and I really like the unpredictability of it, so I'm thinking RPGs as a guide might be a way to incorporate that into my writing proper.

Check out the LitRPG genre for some examples of this. Personally, I've been enjoying the Viridian Gate series which seems to do this well.

SimonChris
Apr 24, 2008

The Baron's daughter is missing, and you are the man to find her. No problem. With your inexhaustible arsenal of hard-boiled similes, there is nothing you can't handle.
Grimey Drawer

D34THROW posted:

Anyone ever successfully written a short story (or short story series) or novel (or novel series) using an RPG system to determine the flow of things? Basically playing, say GURPS, against yourself. I'm thinking of doing so because I've tried collaborative writing before and I really like the unpredictability of it, so I'm thinking RPGs as a guide might be a way to incorporate that into my writing proper.

https://www.ironswornrpg.com/

Check out solo RPG's such as Ironsworn, which are pretty much made for this purpose. There is also a thread for such games.

D34THROW
Jan 29, 2012

RETAIL RETAIL LISTEN TO ME BITCH ABOUT RETAIL
:rant:
Oh poo poo, thanks, goons! I wrote sort of a prehistory to the world yesterday, my first serious delve into writing in several years, so I'm excited to start fleshing it out through actual play and writing!

Ironsworn looks cool if I ever want to do a dungeon crawler sort of thing but I doubt fantasy fits postapoc fiction :v: Will definitely check out the solo RPG thread, I didn't even know that was a thing.

Sitting Here
Dec 31, 2007

D34THROW posted:

Anyone ever successfully written a short story (or short story series) or novel (or novel series) using an RPG system to determine the flow of things? Basically playing, say GURPS, against yourself. I'm thinking of doing so because I've tried collaborative writing before and I really like the unpredictability of it, so I'm thinking RPGs as a guide might be a way to incorporate that into my writing proper.

https://malazan.fandom.com/wiki/Role-playing_Game_Origins_of_the_Malazan_Series

I have a lot of affectionate critiques about the Malazan series, but it's a very notable example of what you're talking about!

Leng
May 13, 2006

One song / Glory
One song before I go / Glory
One song to leave behind


No other road
No other way
No day but today

D34THROW posted:

Anyone ever successfully written a short story (or short story series) or novel (or novel series) using an RPG system to determine the flow of things? Basically playing, say GURPS, against yourself. I'm thinking of doing so because I've tried collaborative writing before and I really like the unpredictability of it, so I'm thinking RPGs as a guide might be a way to incorporate that into my writing proper.

Sitting Here posted:

Malazan series

Also the entire Dragonlance franchise. I've not played the games based in that universe but I have read quite a few of those books!

And you should check out both the SFF KU thread (https://forums.somethingawful.com/showthread.php?threadid=3844346) which is where we talk about LitRPG and cultivation novels/progression fantasy, and also the web serial thread (https://forums.somethingawful.com/showthread.php?threadid=3831668) which also has a lot of the same, because a lot of the self-pub authors start on a web serial platform to gain a following, then later compiling their chapters and editing it into a self-pub book and self-publishing via KDP, etc.

REMEMBER SPONGE MONKEYS
Oct 3, 2003

What do you think it means, bitch?
Breaking news:

limaCAT
Dec 22, 2007

il pistone e male
Slippery Tilde

What the hell.

Junpei
Oct 4, 2015
Probation
Can't post for 11 years!

D34THROW posted:

Anyone ever successfully written a short story (or short story series) or novel (or novel series) using an RPG system to determine the flow of things? Basically playing, say GURPS, against yourself. I'm thinking of doing so because I've tried collaborative writing before and I really like the unpredictability of it, so I'm thinking RPGs as a guide might be a way to incorporate that into my writing proper.

The novel-turned-anime "Record of Lodoss War" started out as a written version of a D&D campaign played by some Japanese guys, but rewritten and punched up in some ways (such as the male Fighter ending up with the female elf girl), just as an example.

Also, hi, new here, working on a Japanese-myth inspired YA fantasy with a female heroine. Definitely too long to be put down since I intend it to be kind of Deltora Quest-y, with books in the 100-200 page range over a longer-than-trilogy number of books.

The first question I'm asking is mostly a matter of avoiding an Evil Triangle:

-Don't want the books to be too 'weeby' (Solution: Avoid honorifics like -kun, -san, -senpai, -sensei, etc. as well as stuff like "oni-chan" and the like)
-Don't want the books to be too 'historical' (ie. I'm pointedly avoiding using words that are over-associated with Japan: Swords are swords, not 'katanas', the Emperor is an Emperor, not a 'Shogun', Assassins are assassins, not 'ninja', etc.)
-Don't want the books to just be a regular YA fantasy but with characters having names like Haruka, Takumi, Saburo, etc. etc. (mostly to be solved with more subtle touches, like kitsune and oni and the like)

Do you have any tips on avoiding said Evil Triangle?

General Battuta
Feb 7, 2011

This is how you communicate with a fellow intelligence: you hurt it, you keep on hurting it, until you can distinguish the posts from the screams.

Maria prefers vibing about trans women's writing until they get harassed into the hospital

REMEMBER SPONGE MONKEYS
Oct 3, 2003

What do you think it means, bitch?

General Battuta posted:

Maria prefers vibing about trans women's writing until they get harassed into the hospital

Not aware of any of that, sorry. I can take it down if it’s too much.

General Battuta
Feb 7, 2011

This is how you communicate with a fellow intelligence: you hurt it, you keep on hurting it, until you can distinguish the posts from the screams.
Nah, it's personal beef over the Isabel Fall thing. I don't imagine an image macro is going to badly affect people.

Wallet
Jun 19, 2006

Junpei posted:

-Don't want the books to be too 'weeby' (Solution: Avoid honorifics like -kun, -san, -senpai, -sensei, etc. as well as stuff like "oni-chan" and the like)
-Don't want the books to be too 'historical' (ie. I'm pointedly avoiding using words that are over-associated with Japan: Swords are swords, not 'katanas', the Emperor is an Emperor, not a 'Shogun', Assassins are assassins, not 'ninja', etc.)
-Don't want the books to just be a regular YA fantasy but with characters having names like Haruka, Takumi, Saburo, etc. etc. (mostly to be solved with more subtle touches, like kitsune and oni and the like)

Do you have any tips on avoiding said Evil Triangle?

I'm not entirely clear on what the question is, but I guess base it on actual historical research into the mythology you want to base it on instead of working from modern interpretations? I don't think you can really work in that space without inviting the association/comparison.

REMEMBER SPONGE MONKEYS
Oct 3, 2003

What do you think it means, bitch?

Showing your age here :allears:

I thought about telling someone about this the other day when they were talking about memes but I figured it would just come across as :corsair:

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kaom
Jan 20, 2007


Junpei posted:

The first question I'm asking is mostly a matter of avoiding an Evil Triangle:

-Don't want the books to be too 'weeby' (Solution: Avoid honorifics like -kun, -san, -senpai, -sensei, etc. as well as stuff like "oni-chan" and the like)
-Don't want the books to be too 'historical' (ie. I'm pointedly avoiding using words that are over-associated with Japan: Swords are swords, not 'katanas', the Emperor is an Emperor, not a 'Shogun', Assassins are assassins, not 'ninja', etc.)
-Don't want the books to just be a regular YA fantasy but with characters having names like Haruka, Takumi, Saburo, etc. etc. (mostly to be solved with more subtle touches, like kitsune and oni and the like)

Do you have any tips on avoiding said Evil Triangle?
This project sounds really neat! But I feel like you might be overthinking this, to be honest. What makes something weeby to me is when a work gets stuff wrong (especially if it’s obviously pulling from a pop culture reference rather than history/myth), or fetishizes things as “better” than other parts of the world while glossing over issues that were/are a thing in Japan. The word choice doesn’t matter too much unless it’s going overboard - like I agree about not including honorifics, although even then some are reasonably well-known like sensei and seeing one or two in context to mark a serious difference in decorum wouldn’t bother me.

It might help you to think about what you want the draw to be for a reader - are you looking for readers interested in the Japanese angle of this? Because then minimizing it doesn’t really do you any favours IMO.

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