|
kidfresca posted:My favorite detail is that attention was paid to creating a barrier between it and the bare surface of the desk, which might answer the question of whether it's purely decorative or not. they’re called speaker stands you weirdo
|
#
?
Jun 25, 2022 03:36
|
|
|
|
| # ? May 27, 2024 06:55 |
|
|
Radiapathy posted:a synth rig someone just posted on r/synthesizers. Yvette Amos' studio?
|
|
#
?
Jun 25, 2022 06:11
|
|
|
i wonder if there’s a way to get the buttplug.io framework to output midi
|
|
|
#
?
Jun 25, 2022 09:07
|
|
|
You can but it only does clock and it's not very accurate.
|
|
#
?
Jun 25, 2022 11:53
|
|
|
Put Otamatone guts in it.
|
|
#
?
Jun 25, 2022 14:59
|
|
|
Wow, they made a lot of improvements with the new Volca.
|
|
#
?
Jun 25, 2022 15:00
|
|
|
Which one? The NuBass tube dude looks cool. Unless we’re still talkin’ ‘do.
|
|
#
?
Jun 25, 2022 15:12
|
|
|
https://soundcloud.com/beer-chiller/letting-the-machine-sing Submarine's lfo has 4 outputs that you can phase modulate, as well as several different outputs at static points in the phase. I've been really enjoying playing around with that, and caudal, feeding them into pulsars, which allows me to morph between 8 different signal inputs. Been spending a bunch of time just watching traces on scopes, trying to make a bunch of different, related, almost predictable, relatively slow modulation signals. That's what I do for fun. The link above was what I managed to get the machine to spit out using a bunch of these signals. Just sending them every which way. Hook it up to the point that I don't really know what's controlling what anymore, make sure to put a bunch of dice rolls and coin flips in there to keep things mixed up, and let the machine do its thing.
|
|
#
?
Jun 25, 2022 17:57
|
|
|
A while back, I cracked open my Volca Bass to clean the shift and memory buttons. Worked a bit; looks like it's busted again. I'm thinking I could wire up some toggle switches as a permanent fix, those are probably the best two buttons to replace with a toggle anyway.
|
|
#
?
Jun 26, 2022 23:58
|
|
|
JamesKPolk posted:HS7s on side w/ other better monitors on top of them were in so many sound on sound studio shots over the years I assume its just from that.
|
|
#
?
Jun 27, 2022 03:23
|
|
|
I don’t always GAS but when I do https://www.facebook.com/marketplace/item/5453562008008518
|
|
#
?
Jun 27, 2022 04:56
|
|
|
oh, it's in Canada too, eh? Just a ferry ride away, you say?
|
|
#
?
Jun 27, 2022 05:17
|
|
|
Found a great space saver solution for a synth stand: https://twitter.com/Dr_TheHistories/status/1541215794029158400 Cable management might become an issue
|
|
#
?
Jun 27, 2022 08:23
|
|
|
Mostly just posting this to make sure it worked. Did some test recording from VCV rack https://soundcloud.com/thumposaurus/vcv-rack-acid-test-2?utm_source=mobi&utm_campaign=social_sharing&utm_terms=mobi_google_one_tap.treatment https://soundcloud.com/thumposaurus...e_tap.treatment These are both basically the same patch just tweaks to the sequencer and various riding of the filter cutoff. Thumposaurus fucked around with this message at 14:20 on Jun 27, 2022 |
|
#
?
Jun 27, 2022 14:17
|
|
|
https://youtube.com/shorts/YCRSvu3Y8xY?feature=share
|
|
#
?
Jun 28, 2022 17:16
|
|
|
So Math posted:This is a fun way to combine sequences. Was wondering if you could expand on this a little. Does SQ1 refer to the Korg module here, or just any synced combination of two CV sequencers and a gate sequencer? Are you attenuating the inputs to the mixer in any way, or just straight up accepting [-10, 10]V inputs?
|
|
#
?
Jun 28, 2022 23:45
|
|
|
Pollyanna posted:Was wondering if you could expand on this a little. Does SQ1 refer to the Korg module here, or just any synced combination of two CV sequencers and a gate sequencer? Are you attenuating the inputs to the mixer in any way, or just straight up accepting [-10, 10]V inputs? Sure, I'd love to talk about it! I labelled the diagram SQ1 since that's what I've got, but it could be any two sequencers, ideally two with the same clock source and possibly* different pattern lengths. I set my sequencer to a 0-5 volt range and handled attenuation in the matrix mixer. The idea is to mix between four different CV sources in order to create different melodies. The sample and hold between the mixer and the oscillator prevents audible glissandos from occurring when you tweak the mixer knobs. The joystick source is for manual transposition; it could be replaced with a fixed voltage if you just want to ride the mixer knob or an automated mod source like a slow LFO. The noise source is to add some more variation. It's a very flexible setup. Crossfading between two melodies is a fairly straightforward application. I like to attenuate a sequencer while transposing in the opposite direction. It's a really cool musical effect where the shape of the melody stays the same, the register stays the same, but the range of the notes expands or contracts. I did not include a pitch quantizer in the diagram, but one could be added between the s&h and the vco. *edit So Math fucked around with this message at 03:52 on Jun 29, 2022 |
|
#
?
Jun 29, 2022 00:40
|
|
|
https://www.youtube.com/watch?v=S6uyuHFwnX0 lmao
|
|
#
?
Jun 30, 2022 11:19
|
|
|
id almost forgotten just how ugly the sytrus UI used to be
|
|
|
#
?
Jun 30, 2022 12:02
|
|
|
Whither now, Autochre? I should spend a day getting high and playing Autochre. Or maybe doing mushrooms.
|
|
#
?
Jun 30, 2022 14:52
|
|
|
petit choux posted:Whither now, Autochre? Do both, I think the live sets they've been putting out would be great for mushrooms, Autechre themselves said they tried to make them more immediate, and tried to mix them like an EDM record, so it's a bit more 'catchy' or easier to get into than like, the NTS sessions which is literally 8 hours long exactly, or the 4 disc elseq 1-4. These two songs are so good and have some of the most interesting use of synths that i can think of lately (i included the timestamps, but they're at 32:46 and 28:14) https://www.youtube.com/watch?v=KallOfGzdzw&t=1970s https://www.youtube.com/watch?v=Zr5hQmbtNlY&t=1694s
|
|
#
?
Jun 30, 2022 17:43
|
|
|
I’m attempting to replicate the 0coast in VCV and I have everything (mostly) but the Overtone section down. That part’s a headache, cause it’s a crossfade between the odd and the even harmonics of a given fundamental, plus it also lets you crossfade into the AD envelope for some reason. I really don’t loving feel like figuring that out.
|
|
#
?
Jun 30, 2022 20:35
|
|
|
A buchla-style wavefolder will get you most of the way - the even/odd thing is the symmetry control on those. The slope blend imo isn't really the cool part, but it's a DC offset added to that. Unless you're going for perfect interface fidelity I'd just break that out into a function generator or something and mix it in separately.
|
|
#
?
Jun 30, 2022 20:48
|
|
|
I ended up just crossfading between a square wave and a saw wave one octave higher. Close enough! This is as far as I got before getting sick of it.  The box itself has a very chaotic UI, but it's still WAY better than a bunch of modules stuck together. And goddammit, I still want one!!!!!!!!!!! Maybe one day I'll get a used 0coast...
|
|
#
?
Jun 30, 2022 23:34
|
|
|
I'm pretty sure that Instruo wavefolder does it w/ it's symmetry control actually. I mean idk that module in particular but most things w/ those controls are riffs on that general idea
|
|
#
?
Jun 30, 2022 23:53
|
|
|
Pollyanna posted:I ended up just crossfading between a square wave and a saw wave one octave higher. Close enough! Just had a giggle, because zoomed out on my phone, it looks like first thing, upper left, you picked a module called "CHAD". I realized what it was after zooming in, but was a funny thought.
|
|
#
?
Jul 1, 2022 00:05
|
|
|
JamesKPolk posted:I'm pretty sure that Instruo wavefolder does it w/ it's symmetry control actually. I mean idk that module in particular but most things w/ those controls are riffs on that general idea I actually found the dual-VCO approach to be more reliable and accurate, at least according to the spectral analyzer. But I did not know the symmetry control would do that...interesting thing to modulate.
|
|
#
?
Jul 1, 2022 00:42
|
|
|
B33rChiller posted:Looks like you've got a good patch for strange sounds! I'll say. https://www.youtube.com/watch?v=cJ2Jzf0PjfY&t=215s quote:Just had a giggle, because zoomed out on my phone, it looks like first thing, upper left, you picked a module called "CHAD". I realized what it was after zooming in, but was a funny thought. It is a pretty dope module, to be fair. Pollyanna fucked around with this message at 01:45 on Jul 1, 2022 |
|
#
?
Jul 1, 2022 01:43
|
|
|
Pollyanna posted:I ended up just crossfading between a square wave and a saw wave one octave higher. Close enough! i love trying to replicate bits of gear on my modular setup, very good way to learn the limitations of what you have and also how to push past those limitations to get at some cool effects. ever tried making a DFAM? its like a crash course in the importance of VCAs for modulating CV
|
|
#
?
Jul 1, 2022 05:48
|
|
|
https://twitter.com/WeirdBongs/status/1542591123641843717?t=ygGPYf5ZJbBYw5nd_VluVQ&s=19
|
|
#
?
Jul 1, 2022 12:41
|
|
|
wtf you can play synthesizers?
|
|
|
#
?
Jul 1, 2022 17:34
|
|
|
You have to, arpeggiators don't work on silence.
|
|
#
?
Jul 1, 2022 17:40
|
|
|
gently caress, I need to hire someone to constantly stand behind me and remind me how disinterested I was with the modern MPC I owned because I’m starting to make googly eyes at the MPC Key 61 all of a sudden, price not withstanding. My biggest gripe wasn’t the MPC itself, it was that a lot of the workflow relied on me using a touchscreen with my sausage fingers, and it always felt clumsy. I don’t remember the workflow exactly so I’m just going to keep thinking that the MK61 will have all the lovely drawbacks that the MPC One had and not look into it any further :| some kinda jackal fucked around with this message at 17:46 on Jul 1, 2022 |
|
#
?
Jul 1, 2022 17:44
|
|
|
some kinda jackal posted:gently caress, I need to hire someone to constantly stand behind me and remind me how disinterested I was with the modern MPC I owned because I’m starting to make googly eyes at the MPC Key 61 all of a sudden, price not withstanding. the new Rhodes plugin sounds fantastic. E: Just get a live 2 and a midi controller.
|
|
#
?
Jul 1, 2022 17:46
|
|
|
Matt Zerella posted:the new Rhodes plugin sounds fantastic. I mean at this point I can just get any good sounding iPad based synth that has a good rhodes engine instead, and that would probably be way more practical since I already have a MIDI keyboard and an external sequencer (like, five external sequencers, but who’s counting  )I’ve been very very good at controlling my GAS lately so I should keep that going  Buuuut, as someone who’s interested in an AIO hardware workstation this might not be awful. MPC pads (same small ones as MPC One IIRC), extendable outputs/inputs via USB if you want to start sending mastering externally, awesome synth engines, top notch sampler, keyboard. And if you really hate the sequencer like I did, you can still control it all via MIDI. I’m not sure if it makes me a hypocrite that I hate working in a DAW, but the idea of a hardware workstation (which is basically a single-tasking computer with knobs and a keyboard anyway) that can take synth plugins akin to VSTs sounds like it would be amazing. If they made the plugin/instrument ecosystem open this would be a slam dunk. I think Akai has plugins to replace almost everything in my stack except maybe the AIRA TB-3 I’ve fallen in love with. FM is there (or was going to be dropped when I was getting ready to sell my MPC One), I think simple additive is too? Sample packs to replace romplers, etc. Anyway, thank gently caress its $2400 in Canada. Zero chance that’s an impulse buy in any universe I might exist in. some kinda jackal fucked around with this message at 17:56 on Jul 1, 2022 |
|
#
?
Jul 1, 2022 17:48
|
|
|
They use the same OS on all the standalone MPCs so the keyboard version will still be reliant on the touchscreen
|
|
#
?
Jul 1, 2022 18:12
|
|
|
Speaking of.. still have my Mpc one for sale, last call before I throw it up offsite https://forums.somethingawful.com/showthread.php?threadid=4005107&pagenumber=1&perpage=40
|
|
#
?
Jul 1, 2022 18:20
|
|
|
I think it's time to unveil my project. Freeze Pop is my tool for generating MIDI files, currently on version 0.1.2. https://www.youtube.com/watch?v=D3vuagUwUtc code:So Math fucked around with this message at 15:25 on Jul 2, 2022 |
|
#
?
Jul 2, 2022 15:23
|
|
|
neat. are you just doing those bell patterns? or
|
|
#
?
Jul 2, 2022 16:15
|
|
|
|
| # ? May 27, 2024 06:55 |
|
|
freeze pop forever
|
|
|
#
?
Jul 2, 2022 16:28
|
|